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Reproduction of Scenes Applied in Fatimid Islamic Ceramics with Contemporary Ceramic Models

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Reproduction of Scenes Applied in Fatimid Islamic Ceramics with Contemporary Ceramic Models Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Reproduction of Scenes Applied in Fatimid Islamic Ceramics with Contemporary Ceramic Models ((An Applied Research)) Hanan Hamed Hamza Department of Fine Arts, College of Fine Arts, University of Babylon, Iraq Abstract The researcher's reference to the importance of ceramics as an applied study and its link with technological and contemporary aspects and renewal and the importance of Islamic art and aspects of Islamic thought and art from the prohibition and flattening came to the importance of research through investment. Vocabulary of Fatimid Islamic art to produce contemporary ceramic models, and thus the research will be an important tributary of the mixture of the past and the present for all those interested in history and ceramics, and students of colleges of fine arts and institutes. The research was divided into four chapters, the first chapter included the research problem that summarizes the following question (Is it possible to reproduce the vocabulary of a thousand clay in contemporary ceramic models?). It included the importance of research, the need for it, its goal, its limitations, and the definition of terms contained therein. As for the second chapter, it included the theoretical framework that included three topics: The first topic included Islamic art, aspects of prevention, avoiding embodiment and color, the extent of accompanying flatness, and the accompanying display mechanisms at all levels in painting, decoration and ceramics. There is also a very important point of widespread Islamic art where it was believed to be a spiritual metaphysical Islamic decoration is a clear sign of the second Islamic art. The icons contain a treasury in the Fatimid mind called Fatimah in connection with the Fatimid state, a group of ceramic models from the Fatimid period as well. The third topic is contemporary Iraqi ceramics and its origins, which leads to the output of the most important indicators of the theoretical framework. The third chapter included: From a practical point of view, the research procedures included preparing the clay to the selection of the three samples to the beginning of the planning and work process, as well as adopting the oxide mixture to give the spiritual actions of the foot a great aesthetic effect on the final product of the works. Chapter four included: the results of the research, conclusions and recommendations. Chapter one, the methodological framework First: the research problem The art of ceramics is one of the oldest arts known to mankind, as it is a way to express the love of human emotion and feelings despite the fact that the first experiences in ancient Iraqi civilization that are the cradle of civilization were silly, irregular and functional models used Volume XII, Issue IV, 2020 Page No: 4776 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 and after the piece works to develop the design and implementation of these models to become more accurate in ceramic colors Multiple model one, and the spectrum is due to the evolution of ceramics in terms of shape and color due to technological development and we see it clearly when discovering the pottery wheel, the wheel of civilization is called the degree of development of the ceramic model regardless of that function was the storage of water, food and love in terms of Life has become easier with the passage of time, the development of unpopular art and pottery appeared to keep pace with the victory in the development of different civilizations, because the first manifestations of Islamic art are a forbidden phenomenon and move away from the embodiment of crime. General, and in turn, this is reflected in the art of ceramics, because it is always in sync with the development that has occurred in various civilizations throughout the ages to the present day. Islamic art witnessed every year, and the Fatimid period in particular appeared in the so-called Fatimid ceramics because of its specificity in design, composition and coloring, including in the form of plates and utensils, and the ability of pottery in the Fatimid period to make a synthesis between the decorative element and Arabic calligraphy and the nature of design and color used to highlight models Very cool, so it can be summarized in the following current questions: Can Fatimid porcelain vocabulary be reproduced in contemporary ceramic models? Second: The importance of research and the need for it The importance of the current research is demonstrated by investing vocabulary from Fatimid Islamic art to produce contemporary ceramic models. Thus, the research will be an important tributary to the combination of past and present. Third: The research goal Producing contemporary designs on the body and shape to give a contemporary feature to the Fatimid ceramics. Fourth: Search limits Time limits: 2019 - 2020. Spatial boundaries: Babylon - Iraq. Thematic limits: The reproduction of the Fatimid porcelain vocabulary into contemporary ceramic models. Fifth: Defining the terms: Production: By “production”, it is a term. What a nation makes of wealth and what it extracts from the ground. What is meant by “productivity” is that effectiveness in investing resources and using them. As for the level of productivity, it is determined on the basis of the efficiency criterion. But this does not mean that an agreement on Determine The concept of productivity holds for researchers of this concept, and they are many and belong to a sister of different syphilis. (1) Volume XII, Issue IV, 2020 Page No: 4777 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 Implemented scenes: It is a picture of a group of elements that represent parts of the scene that are related to each other to be the unity of the scene and this link was related or separate depending on the nature of the topic. (Contemporary ceramic models) Procedural definition: (It is a design that takes into account renewal and accompaniment, whether it is a stereoscopic or mural, and the use of decorative vocabulary dating back to the Fatimid Islamic ceramics while preserving The peculiarity of that era. Chapter two theoretical framework The first topic: Islamic art Islamic civilization is considered one of the most important human civilizations that history has known in terms of its original tributaries, whose children have been preserved and documented by their children. Creative achievements have evolved with different literature and arts, and excel through new faith in his personality that resembles Islamic thought. Through the system of Islamic philosophy, the artist created his vision of life and the universe. In presenting his creative hatred through his accomplishments and effects that he left for us to take from them and clean them in a way that serves what is after us, explains the situation without translating it into an artistic language that embodies it, and this is engineering inspiration (2) He also witnessed an active presence in art schools that were known in Islamic times, including In that the Fatimids, due to the expressive energies that he carried, worked on the dynamic data of the artwork with the elements of his problem and produced many artworks on the intellectual side, and the artist took into account a situation such as controversy and became and the transformation that is related to the concepts of transition from sensual (abstract), and this within What in Islamic art data sees as it relates to art. (3) It differs from other ancient arts because it is one of the most widespread arts, because the Islamic imperial patch is wide and has extended from China in the east to Spain in the west, and this expansion has led to a difference in the styles and arts of its different peoples, and for this, we will notice a clear difference in some elements And the methods of these technical schools. The Islamic structures in which they were formed, and despite this partial difference, we will notice that these arts resemble their origins, and merge with the Islamic religion from which it produced a new art called Islamic Art. (4) It was also distinguished as decorative art, as the Muslim artist took advantage of all the elements that were considered, whether it was vegetable, animal or human, and this is to achieve his decorative goals, so he works to adapt these elements and keep away from their natural image because they sometimes make us unable to infer the origin and sources of these elements, and not only was he convinced of that but also benefited from Arabic writing in the same coordination, so he installed and mixed elements in many subjects, who wanted to combine his artworks with all its elements and units, to show the artwork in any glamor and beauty. (5) Philosophers defined Islamic art as a material expression of a religious belief in man, and this Volume XII, Issue IV, 2020 Page No: 4778 Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 religion and art are twins from the beginning. Art is born in most cases through the service of religion, so the images of the gods, statues, places of worship and their requirements from the beginning were one of the most important aspects of art, and he had an attitude towards the applied arts. He uses it in his religious rituals. (6) Islamic art grew and flourished in the Middle East. As for architecture, sculpture, and painting, the foundations of the art of all kinds were known to the Europeans (7). Adha relied on aspects of it, and he built and formed on many aspects of which the most important was a spiritual art, and Adaollartqa Pellnvs urged man to think about the greatness of the Creator and his ability to build a creature, it is the art of materials, and also adopts tools and functions of tools in society, because it is related to people's daily life and dealings Art was building his thoughts on what the concept of Islam depended on, because Islam was part of the concept of art, and it was a continuation of a new form of Arab art before Islam.
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