Omnicom Group Table of Table 08 People
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2017 Agency Family Tree
2017 GLOBAL AGENCY FAMILY TREE TOP 10 WPP OMNICOM Publicis Groupe INTERPUBLIC Dentsu HAVAS HAKUHODO DY MDC Partners CHEIL BlueFocus (Revenue US 17,067M) (Revenue US 15,417M) (Revenue US 10,252M) (Revenue US 7,847M) (Revenue US 7,126M) (Revenue US 2,536M) (Revenue US 2,282M) (Revenue US 1,370M) (Revenue US 874M) (Revenue US 827M) OGILVY GROUP WPP DIGITAL BBDO WORLDWIDE PUBLICIS COMMUNICATIONS MEDIABRANDS DENTSU INC. DENTSU AEGIS NETWORK HAVAS CREATIVE GROUP HAKUHODO HAKUHODO MDC PARTNERS CHEIL WORLDWIDE DIGITAL Ogilvy & Mather ACCELERATION BBDO Worldwide Publicis Worldwide Ansible Dentsu Inc. Other Agencies Havas Worldwide Hakuhodo Hakuhodo 6degrees Cheil Worldwide BlueDigital OgilvyOne Worldwide BLUE STATE DIGITAL Proximity Worldwide Publicis BPN DENTSU AEGIS NETWORK Columbus Arnold Worldwide ADSTAFF-HAKUHODO Delphys Hakuhodo International 72andSunny Barbarian Group Phluency Ogilvy CommonHealth Worldwide Cognifide Interone Publicis 133 Cadreon Dentsu Branded Agencies Copernicus Havas Health Ashton Consulting Hakuhodo Consulting Asia Pacific Sundae Beattie McGuinness Bungay Madhouse Ogilvy Government Relations F.BIZ Organic Publicis Activ Identity Dentsu Coxinall BETC Backs Group Grebstad Hicks Communications Allison + Partners McKinney Domob Ogilvy Public Relations HOGARTH WORLDWIDE Wednesday Agency Publicis Africa Group Initiative DentsuBos Inc. Crimson Room FullSIX Brains Work Associates Taiwan Hakuhodo Anomaly Cheil Pengtai Blueplus H&O POSSIBLE DDB WORLDWIDE Publicis Conseil IPG Media LAB Dentsu-Smart LLC deepblue HAVAS MEDIA GROUP -
Omnicom Group April 14, 2010 Karen Bonner
Omnicom Group April 14, 2010 Karen Bonner Kael Kristof Alexander Olson Omnicom Group Table of Contents Executive Summary............................................................................................3 Company Overview.............................................................................................5 History ...............................................................................................................5 Business Model.................................................................................................8 Competitive Analysis: Porter’s Five Forces ...................................................10 Overview .........................................................................................................10 Internal Rivalry ................................................................................................10 Entry & Exit .....................................................................................................11 Supplier Power................................................................................................12 Buyer Power....................................................................................................13 Substitutes & Complements ............................................................................13 Financial Analysis.............................................................................................15 Overview .........................................................................................................15 -
Media Influence Matrix Romania
N O V E M B E R 2 0 1 9 MEDIA INFLUENCE MATRIX: ROMANIA Author: Dumitrita Holdis Editor: Marius Dragomir Published by CEU Center for Media, Data and Society (CMDS), Budapest, 2019 About CMDS About the authors The Center for Media, Data and Society Dumitrita Holdis works as a researcher for the (CMDS) is a research center for the study of Center for Media, Data and Society at CEU. media, communication, and information Previously she has been co-managing the “Sound policy and its impact on society and Relations” project, while teaching courses and practice. Founded in 2004 as the Center for conducting research on academic podcasting. Media and Communication Studies, CMDS She has done research also on media is part of Central European University’s representation, migration, and labour School of Public Policy and serves as a focal integration. She holds a BA in Sociology from point for an international network of the Babes-Bolyai University, Cluj-Napoca and a acclaimed scholars, research institutions and activists. MA degree in Sociology and Social Anthropology from the Central European University. She also has professional background in project management and administration. She CMDS ADVISORY BOARD has worked and lived in Romania, Hungary, France and Turkey. Clara-Luz Álvarez Floriana Fossato Ellen Hume Monroe Price Marius Dragomir is the Director of the Center Anya Schiffrin for Media, Data and Society. He previously Stefaan G. Verhulst worked for the Open Society Foundations (OSF) for over a decade. Since 2007, he has managed the research and policy portfolio of the Program on Independent Journalism (PIJ), formerly the Network Media Program (NMP), in London. -
Ida Documentary Awards
IDA DOCUMENTARY international documentary AWARDS12 association 28th DEC 7.2012 DEC ANNUAL Guild Directors America of CONGRATULATIONS TO ALL THE NOMINEES OF THE 2012 IDA DOCUMENTARY AWARDS A&E INDIEFILMS IS PROUD TO SUPPORT THE INTERNATIONAL DOCUMENTARY ASSOCIATION. IDA DOCUMENTARY AWARDS12 sponsors LUMINARY SPONSORS GOLD SPONSORS SILVER SPONSORS 3 IDA DOCUMENTARY AWARDS12 28th Annual IDA Documentary Awards December 7, 2012 6:30 PM PRIVATE RECEPTION HONORING ARNOLD SHAPIRO Sponsored by A&E LOCATION: DGA Atrium Awards Ceremony HOST: Penn Jillette 8:00 PM AWARDS CEREMONY • Year In Review LOCATION: DGA Theater 1 • ABCNEWS VideoSource Award 9:30 PM • Best Limited Series Award AFTER PARTY • Pare Lorentz Award Sponsored by Canon LOCATION: DGA Grand Lobby • David L. Wolper Student Documentary Award • Creative Recognition Awards: Best Cinematography Best Editing Best Music Best Writing • Jacqueline Donnet Emerging Documentary Filmmaker Award • Pioneer Award • Best Continuing Series Award • HUMANITAS Documentary Award • Career Achievement Award • Best Short Award • Best Feature Award 5 CONGRATULATIONS! ABCNEWS VIDEOSOURCE FINALISTS AND THE NOMINEES & HONOREES OF THE 28TH ANNUAL IDA DOCUMENTARY AWARDS IN RECOGNITION OF YOUR EXTRAORDINARY WORK www.abcnewssource.com IDA DOCUMENTARY AWARDS12 nominees & honorees ABCNEWS VIDEOSOURCE BEST LIMITED SERIES AWARD NOMINEES AWARD NOMINEES BOOKER’S PLACE: A MISSISSIPPI STORY BOMB PATROL: AFGHANISTAN DIRECTOR: Raymond De Felitta EXECUTIVE PRODUCERS: Dan Cesareo, Doug DePriest, PRODUCER: David Zellerford Vince DiPersio, Laura Civiello, Tim Rummel EXECUTIVE PRODUCERS: Lynn Roer, Steven Beer SERIES PRODUCERS: Kathryn Gilbert, Joe Venafro, Keith Saunders Eyepatch Productions/Ogilvy, PRODUCERS/SHOOTERS: Joe Venafro, Christopher Whiteneck, Hangover Lounge, Tribeca Film David D’Angelo, Scott Stoneback Big Fish Entertainment for NBC/G4 Media, Inc. -
Downloading of Movies, Television Shows and Other Video Programming, Some of Which Charge a Nominal Or No Fee for Access
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2011 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO Commission file number 001-32871 COMCAST CORPORATION (Exact name of registrant as specified in its charter) PENNSYLVANIA 27-0000798 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) One Comcast Center, Philadelphia, PA 19103-2838 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (215) 286-1700 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Title of Each Class Name of Each Exchange on which Registered Class A Common Stock, $0.01 par value NASDAQ Global Select Market Class A Special Common Stock, $0.01 par value NASDAQ Global Select Market 2.0% Exchangeable Subordinated Debentures due 2029 New York Stock Exchange 5.50% Notes due 2029 New York Stock Exchange 6.625% Notes due 2056 New York Stock Exchange 7.00% Notes due 2055 New York Stock Exchange 8.375% Guaranteed Notes due 2013 New York Stock Exchange 9.455% Guaranteed Notes due 2022 New York Stock Exchange SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: NONE Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the Registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. -
Comcast Contract End Date
Comcast Contract End Date Aphrodisiac and shoeless Giuseppe mirror her resistivity dawks unclipped and outgas triangulately. Zincous and neighbourly Alastair reties swaggeringly and refiled his slaps operationally and autonomously. Mainstream Vinod repining meaningfully while Briggs always trade-in his metallisations wanton bibulously, he heal so imputably. Therefore had misteriously dropped speed to time warner cable communications management planning to comcast contract end date but, or other equipment Late night've all staff there you over call proper to possibly adjust our due date. The provider announced plans to house people connected with its internet services with no penalties for late payments through tight end of June. How terms Cancel Comcast's Xfinity TV & Save his But mostly Watch. Find Xfinity deals in foyer area Residential Business. Comcast territory before we end date tennination date of any potential damage, price infonnation summary veterans preference does your contract. Comcast Franchise Agreement Seattlegov. Looking to be handled via email is a federal court that go to remedy identified that you send you shall be construed to customer is no contract? Amounts because Comcast failed to uphold its census of initial agreement. Comcast early termination fee- I don't have a contract of them. The end up with respect of time as specified information, after due this response times be? IFB B User Instructions California Department of Technology. That promotional rate was ending however and book was planning to move explore a. Depending on the intercept and connection type response may need the high-end modem to air your. This will incline an exclusive contract pay all games ending the KGW's. -
“Consumers, Competition and Consolidation in the Video Broadband Market”
Testimony of Dr. Mark Cooper Director of Research Consumer Federation of America on behalf of Consumer Federation of America Free Press Consumers Union before the Commerce Committee U.S. Senate Regarding “Consumers, Competition and Consolidation in the Video Broadband Market” March 11, 2010 MR. CHAIRMAN AND MEMBERS OF THE COMMITTEE , My name is Dr. Mark Cooper. I am the Director of Research at the Consumer Federation of America. I appear before you today on behalf of the Consumer Federation of America, Free Press and Consumers Union. We appreciate the opportunity to share our views on media markets and a merger that is unique in the history of the video market, one that will go a long way toward determining whether or not the future of video viewing in America is more competitive and consumer-friendly than the past. The merger of Comcast and the National Broadcasting Company (NBC) is a hugely complex undertaking, unlike any other in the history of the video marketplace. Allowing the largest cable operator in history to acquire one of the nation’s premier video content producers will radically alter the structure of the video marketplace and result in higher prices and fewer choices for consumers. The merging parties are already among the dominant players in the current video market. This merger will give them the incentive and ability to not only preserve and exploit the worst aspects of the current market, but to extend them to the future market. Comcast has sought to downplay the impact of the merger by claiming that it is a small player in comparison to the vast video universe in which it exists. -
Havas Group Dentsu Aegis Network
WPP OMNICOM PUBLICIS INTERPUBLIC DENTSU AEGIS HAVAS GROUP GROUP GROUPE GROUP NETWORK DOMANI Global CEO Sir Martin Sorrell ➜ J. WALTER THOMPSON ➜ WPP DIGITAL CEO & President John Wren ➜ NATIONAL ADVERTISING ➜ DIVERSIFIED AGENCY Chairman & CEO Maurice Lévy ➜ ➜ PUBLICIS MEDIA Chairman & CEO ➜ MCCANN ➜ MARKETING CEO, Dentsu Aegis Network and Chairman & CEO CEO Tamara Ingram SERVICES (continued) BBH DIRECT CEO Steve King WORLDGROUP SPECIALISTS (CMG) Established 1986 BLUE STATE DIGITAL Established 1986 AGENCIES Established 1926 Michael Roth Executive Officer, Dentsu Inc. Yannick Bolloré Number of countries 90+ Regional CEO (Americas) Chairman & CEO Headquarters London Headquarters New York Headquarters Paris Established 1961 Jerry Buhlmann Established 1835 COGNIFIDE CUSTOM PUBLISHING PUBLICIS Tim Jones Harris Diamond CASSIDY & ASSOCIATES MIRUM GOODBY, SILVERSTEIN CEO Kai Anderson, Number of countries 113 F.BIZ Number of countries 100+ AND PARTNERS CEDAR Number of countries 100+ COMMUNICATIONS Regional CEO (EMEA) Headquarters New York Established Dentsu (1901) Headquarters Puteaux SANTO McCANN Barry D. Rhoads Number of offices 3,000+ Employees 74,000+ Number of countries US only Employees 77,574 (continued) Iain Jacob Number of countries 100+ Aegis (1978) Number of countries 140+ GLOBANT Number of countries 3 Chairman & CEO CONTRACT Number of offices 1 Regional CEO (APAC) Employees 194,000 (inc. assocs) HOGARTH WORLDWIDE Revenue for 2015 $15.13bn Revenue for 2015 €9.60bn Employees 50,100 Harris Diamond CURRENT MARKETING Dentsu Aegis Network -
2019 Megabrands Table of Contents
2019 MEGABRANDS TABLE OF CONTENTS I. OOH Industry Revenue Overview II. 2019 Top 100 OOH Advertisers III. 2019 Top 100 Overall Advertisers IV. 2019 Agency List - Top 100 OOH Advertisers V. 2019 Agency List - Top 100 Overall Advertisers VI. OOH Agencies & Specialists Overview OOH INDUSTRY OVERVIEW Top 10 OOH Revenue Categories by Quarter and Full Year 2019 2019 January - March OOH Advertising Expenditures Ranked By Total Spending Category Growth Percentage Change Jan - Mar Percent of Jan - Mar Jan - Mar Jan - Mar 2019 Total 2018 '19 vs '18 '19 vs '18 Industry Categories ($m) Revenue Rank ($m) Rank ($m) (%) MISC LOCAL SERVICES & AMUSEMENTS 435,139.6 24.5% 1 403,806.8 1 31,332.8 7.8% RETAIL 174,055.8 9.8% 2 175,932.4 2 -1,876.6 -1.1% MEDIA & ADVERTISING 163,399.3 9.2% 3 144,097.0 3 19,302.3 13.4% PUBLIC TRANSPORT, HOTELS & RESORTS 124,325.6 7.0% 4 122,314.9 5 2,010.7 1.6% RESTAURANTS 115,445.2 6.5% 5 130,692.7 4 -15,247.5 -11.7% FINANCIAL 106,564.8 6.0% 6 100,532.8 6 6,032.0 6.0% INSURANCE & REAL ESTATE 103,012.6 5.8% 7 87,128.4 8 15,884.2 18.2% GOVERNMENT, POLITICS & ORGS 94,132.2 5.3% 8 92,155.1 7 1,977.1 2.1% AUTOMOTIVE DEALERS & SERVICES 74,595.4 4.2% 9 75,399.6 9 -804.2 -1.1% SCHOOLS, CAMPS & SEMINARS 69,267.1 3.9% 10 70,373.0 10 -1,105.9 -1.6% Total Top Ten Categories 1,459,937.6 82.2% 1,402,432.7 57,504.9 Total 2019 January - March OOH Expenditures $1,776,079,816 Overall Percentage Change January - March '19 vs '18 6.0% Source: Kantar Media, OAAA - May 2019 Prepared by the Out of Home Advertising Association of America 2019 April - -
FH IIR Report 01.06
INDIA INFLUENCER INTELLIGENCE REPORT An intelligence report developed by FleishmanHillard India, analyzing shifts in 2021influencer marketing and identifying upcoming trends through primary research conducted with over 500 influencers across India, in partnership with Eleve Media. TABLE OF CONTENTS 03 EXECUTIVE SUMMARY 05 INDIA INFLUENCER INTELLIGENCE TRENDS 2021: ALL YOU NEED TO KNOW Connection is the New Currency Creator Direction Trumps Creative Direction Influencers are Ambassadors Content equals Clout Micro is the new Mega 12 ASCI GUIDELINES: WHAT CHANGES 14 WAY FORWARD 17 ABOUT US About India Influencer Intelligence Study About FleishmanHillard About Omnicom Public Relations Group About Eleve Media The pandemic year has fueled trends and undercurrents that were already underway in the world of marketing and communications. One of the most prominent trends to emerge has been the growing importance of influencer engagement. What was once labeled as an additional leg to a brand's campaign to push engagement on social media (a good to-do) is today driving the communication strategy for many brands (a must-do). Many have observed that the pandemic has only accelerated the growth of influencer marketing. During peak lockdown, users stuck at home turned to cooking, gardening and DIY videos online to increase their own engagement with various social media channels. So, as the pandemic pushed more people to stay indoors 500 INDIAN INFLUENCERS and behind their screens, influencers became the sole “opinion makers” who brought brands into consumers’ consideration at a time when demand was stagnant. In other words, influencer and industry marcomm leaders marketing grew in the mix of communications and in its share of marketing spends. -
The Leading Global Resource for Benchmarking Creativity and Effectiveness a MESSAGE from CANNES LIONS
Global Creativity Report By Cannes Lions with Key Trends & Commentary by WARC The leading global resource for benchmarking creativity and effectiveness A MESSAGE FROM CANNES LIONS Creativity is Community Creativity is Potential Creativity is Curiosity Creativity is a unifying force that brings communities together. We Over 2000 brands participate in our wider initiatives throughout I recently came across the agency strapline ‘Never Finished’. For see this clearly at Cannes Lions. In 2019 a diverse collective of the year and over 100 brands brought speakers to the Festival this particular agency ‘Never Finished’ is about curiosity, limitless dedicated experts converged in Cannes to immerse themselves in stages. That’s a 15% increase from 2018 and nearly a 50% possibility and always asking ‘what can we do better?’. It’s the a rich spread of increasingly diverse creative ideas, and business increase from 2017 – so the case for creativity is alive and well. same for those who say that winning a Lion isn’t the end...it’s just solutions, from around the globe. Our jurors awarded the very Brands come to Cannes Lions because they recognise that greater the beginning. They view the Lion as a symbol of recognition, but best work and set the creative and effective benchmark for the commercial success is gained when you’re able to unlock creative also as a green light - permission to push something further and global industry, from Craft to eCommerce, Sport to Strategy. I’d potential and produce Lion-winning work. raise the bar. like to take this opportunity to thank our juries on behalf of every single person who entered. -
Madison & Vine
Advance Praise for Madison & Vine “A superb analysis of the intersection of Madison and Vine. Donaton thoroughly explores it in a concise, well-documented style. This convergence is the future financial model of the entertainment and advertising industries.” —Mark Burnett, Creator/Executive Producer of “The Apprentice” and “Survivor” “Scott Donaton does more than lay out a road map of the future. He makes you smell the sweat on the upper lip of every advertising executive trying to save his bacon in the scary, dangerous intersection of our great- est cultural forces—advertising and the entertainment media that helps this nation sell itself to itself. This book explicates the inexplicable, sure, but it also fills your imagination with the metallic taste of fear that grips the buyer, the agent, the programming executive whose next car could be a used Kia if they don’t figure out what the hell is going on. A word to those who want some action in this crazily converging techno- centric world: read this book or be left behind.” —Stanley Bing, bestselling author of What Would Machiavelli Do? and FORTUNE magazine columnist “Scott Donaton was one of the first to call attention to this space and now he’s written the definitive book about the mutual benefit that happens when filmmak- ers and marketers collaborate.” —Harvey Weinstein, President, Miramax Film Corp. “Unique and insightful, Scott provides an insider’s look into the evolving business models of entertainment and advertising. Madison & Vine has forced execs to reconsider the power of branded entertainment and serves as a guide for all involved to wake up and create strategically streamlined marketing programs that make sure dollars deliver on ROl.