DOCSLIB.ORG

Ida Documentary Awards

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ida Documentary Awards IDA DOCUMENTARY international documentary AWARDS12 association 28th DEC 7.2012 DEC ANNUAL Guild Directors America of CONGRATULATIONS TO ALL THE NOMINEES OF THE 2012 IDA DOCUMENTARY AWARDS A&E INDIEFILMS IS PROUD TO SUPPORT THE INTERNATIONAL DOCUMENTARY ASSOCIATION. IDA DOCUMENTARY AWARDS12 sponsors LUMINARY SPONSORS GOLD SPONSORS SILVER SPONSORS 3 IDA DOCUMENTARY AWARDS12 28th Annual IDA Documentary Awards December 7, 2012 6:30 PM PRIVATE RECEPTION HONORING ARNOLD SHAPIRO Sponsored by A&E LOCATION: DGA Atrium Awards Ceremony HOST: Penn Jillette 8:00 PM AWARDS CEREMONY • Year In Review LOCATION: DGA Theater 1 • ABCNEWS VideoSource Award 9:30 PM • Best Limited Series Award AFTER PARTY • Pare Lorentz Award Sponsored by Canon LOCATION: DGA Grand Lobby • David L. Wolper Student Documentary Award • Creative Recognition Awards: Best Cinematography Best Editing Best Music Best Writing • Jacqueline Donnet Emerging Documentary Filmmaker Award • Pioneer Award • Best Continuing Series Award • HUMANITAS Documentary Award • Career Achievement Award • Best Short Award • Best Feature Award 5 CONGRATULATIONS! ABCNEWS VIDEOSOURCE FINALISTS AND THE NOMINEES & HONOREES OF THE 28TH ANNUAL IDA DOCUMENTARY AWARDS IN RECOGNITION OF YOUR EXTRAORDINARY WORK www.abcnewssource.com IDA DOCUMENTARY AWARDS12 nominees & honorees ABCNEWS VIDEOSOURCE BEST LIMITED SERIES AWARD NOMINEES AWARD NOMINEES BOOKER’S PLACE: A MISSISSIPPI STORY BOMB PATROL: AFGHANISTAN DIRECTOR: Raymond De Felitta EXECUTIVE PRODUCERS: Dan Cesareo, Doug DePriest, PRODUCER: David Zellerford Vince DiPersio, Laura Civiello, Tim Rummel EXECUTIVE PRODUCERS: Lynn Roer, Steven Beer SERIES PRODUCERS: Kathryn Gilbert, Joe Venafro, Keith Saunders Eyepatch Productions/Ogilvy, PRODUCERS/SHOOTERS: Joe Venafro, Christopher Whiteneck, Hangover Lounge, Tribeca Film David D’Angelo, Scott Stoneback Big Fish Entertainment for NBC/G4 Media, Inc. THE CENTRAL PARK FIVE DIRECTORS/PRODUCERS/WRITERS: GEORGE HARRISON: Ken Burns, Sarah Burns, David McMahon LIVING IN THE MATERIAL WORLD EXECUTIVE PRODUCER: Ken Burns DIRECTOR/PRODUCER: Martin Scorsese Florentine Films, Sundance Selects, PBS EXECUTIVE PRODUCERS: Scott Pascucci (Grove Street), Emma Tillinger Koskoff (Sikelia Productions), THE FAMILY Margaret Bodde DIRECTOR/PRODUCER/WRITER: Hussein Elrazzaz PRODUCERS: Olivia Harrison, Nigel Sinclair EXECUTIVE PRODUCER/WRITER: Jon Blair SUPERVISING PRODUCER: Blair Foster Al Jazeera English Grove Street Pictures, Spitfire Pictures, and Sikelia Productions in association with HBO Documentary Films HARVEST OF EMPIRE ON DEATH ROW DIRECTORS: Peter Getzels, Eduardo López DIRECTOR/WRITER: Werner Herzog PRODUCERS: Wendy Thompson-Marquez, Eduardo López PRODUCER: Erik Nelson Onyx Films, EVS Communications, COORDINATING PRODUCER: Robert Erickson Loquito Productions EXECUTIVE PRODUCERS: Dave Harding, Amy Briamonte; Andre Singer and Lucki Stipetic (Spring Films and WE ARE WISCONSIN Werner Herzog Film); Nick Raslan (Skellig Rock); Henry Schleiff and Sara Kozak (Investigation Discovery) DIRECTOR: Amie Williams Creative Differences, Investigation Discovery PRODUCERS: Kathryn Takis, Doug Pray EXECUTIVE PRODUCERS: SLAVERY: A 21ST CENTURY EVIL Marge Tabankin, Bill Hirsch, Scott Verges DIRECTORS: David Hickman, Tim Tate, Tom Phillips Bal Maiden Films, Peer Review Pictures, Public Interest Pictures EXECUTIVE PRODUCER: Jon Blair SERIES PRODUCER: Tim Tate Al Jazeera English THE WEIGHT OF THE NATION EXECUTIVE PRODUCERS: Sheila Nevins, John Hoffman PRODUCERS: John Hoffman, Dan Chaykin, Sarah Teale CO-PRODUCERS: Tomek Gross, Alexandra Moss, Sonia Dulay Ricci HBO Documentary Films and the Institute of Medicine, in association with the Centers for Disease Control and Prevention and the National Institutes of Health, and in partnership with the Michael & Susan Dell Foundation and Kaiser Permanente » 7 s/Getty Ima MERICAN ily New ges A MAS f Da TE sy o RS rte Jo ou h C nn VE y FI C K a rs R o A P n L C A o R u T r N t E e C s y o f T h e C a r s o n E n t e r t a i n m e n t G r o u p e g A a M m I E e R ir I C W / A n i N e s E s X u P H E r a R w I E n N A f C o E y : s T e t H r u E o A C : M o t I t S u H h B : C S o N E u L r T t N e E D s N E y P E D I N o f W G B H / T i m C r a g g Thanks for inspiring us Congratulations to these outstanding PBS programs and producers on their IDA Documentary nominations THE AMISH: AMERICAN EXPERIENCE AMERICAN MASTERS THE CENTRAL PARK FIVE INDEPENDENT LENS INDEPENDENT LENS The Invisible War POV Learn more about PBS programs at pbs.org IDA DOCUMENTARY AWARDS12 nominees & honorees (continued) PARE LORENTZ AWARD CREATIVE RECOGNITION AWARDS THE ISLAND PRESIDENT • BEST CINEMATOGRAPHY DIRECTOR: Jon Shenk PRODUCERS: Bonni Cohen, Richard Berge WOMEN WITH COWS EXECUTIVE PRODUCERS: CINEMATOGRAPHY BY: Peter Gerdehag Jon Else, Sally Jo Fifer, Dan Cogan Actual Films, Inc., Samuel Goldwyn/Independent Lens • BEST EDITING ROOM 237 EDITING BY: Rodney Ascher DAVID L. WOLPER • BEST MUSIC STUDENT DOCUMENTARY SEARCHING FOR SUGAR MAN AWARD NOMINEES ORIGINAL SONGS BY: Sixto Rodriguez THE A-WORD • BEST WRITING DIRECTOR/WRITER/EXECUTIVE PRODUCER: Lindsay Ellis ANN RICHARDS’ TEXAS PRODUCERS: Kaveh Taherian, Clarinda Morales SCREENPLAY BY: Keith Patterson USC School of Cinematic Arts LA CAMIONETA DIRECTOR/PRODUCER/WRITER: Mark Kendall PRODUCER: Rafael González WRITER: Shannon Kennedy JACQUELINE DONNET EXECUTIVE PRODUCER: Esther Robinson EMERGING DOCUMENTARY School of Visual Arts FILMMAKER AWARD CAPTIVE RADIO DAVID FRANCE DIRECTOR/PRODUCER/WRITER: Lauren Rosenfeld UC Berkeley Graduate School of Journalism JULIAN DIRECTOR/PRODUCER/WRITER: Bao Nguyen PIONEER AWARD EXECUTIVE PRODUCER: Maryann De Leo School of Visual Arts SUNDANCE INSTITUTE DOCUMENTARY FILM PROGRAM AND FUND MEANWHILE IN MAMELODI DIRECTOR: Benjamin Kahlmeyer PRODUCER: Boris Frank Filmakademie Baden-Württemberg » 9 CONGRATULATIONS ARNOLD SHAPIRO 2012 IDA CAREER ACHIEVEMENT AWARD RECIPIENT From all your friends at A&E IDA DOCUMENTARY AWARDS12 nominees & honorees (continued) BEST CONTINUING SERIES HUMANITAS DOCUMENTARY AWARD NOMINEES AWARD NOMINEES AMERICAN MASTERS AMERICAN EXPERIENCE: THE AMISH EXECUTIVE PRODUCER: Susan Lacy DIRECTOR: David Belton SERIES PRODUCER: Prudence Glass PRODUCERS: David Belton, Callie T. Wiser SUPERVISING PRODUCER: Julie Sacks WRITER: David Belton COORDINATING PRODUCER: Junko Tsunashima SENIOR PRODUCER: Sharon Grimberg THIRTEEN in association with PBS EXECUTIVE PRODUCER: Mark Samels Sarah Colt Productions for AMERICAN EXPERIENCE, PBS INDEPENDENT LENS EXECUTIVE PRODUCER: Sally Jo Fifer BITTER SEEDS SENIOR SERIES PRODUCER: Lois Vossen DIRECTOR/PRODUCER: Micha X. Peled Independent Television Service (ITVS) Teddy Bear Films in association with PBS CALL ME KUCHU POV DIRECTORS/WRITERS: Katherine Fairfax Wright, EXECUTIVE PRODUCER: Simon Kilmurry Malika Zouhali-Worrall CO-EXECUTIVE PRODUCER: Cynthia López PRODUCER: Malika Zouhali-Worrall VP OF PROGRAMMING & PRODUCTION: Chris White New Video SERIES PRODUCER: Yance Ford COORDINATING PRODUCER: Andrew Catauro HARVEST OF EMPIRE American Documentary | POV in association with PBS DIRECTORS: Peter Getzels, Eduardo López PRODUCERS: Wendy Thompson-Marquez, Eduardo López Onyx Films, EVS Communications, Loquito Productions THE VIRGIN, THE COPTS AND ME DIRECTOR/PRODUCER/WRITER: Namir Abdel Messeeh WRITERS: Nathalie Najern, Anne Paschetta OWEDA Films, Doha Film Institute, Doc & Film International CAREER ACHIEVEMENT AWARD ARNOLD SHAPIRO » 11 GEORGE HARRISON: CONGRATULATES OUR 2012 LIVING IN THE IDA DOCUMENTARY AWARDS MATERIAL WORLD GOD IS NOMINEES THE BIGGER ELVIS KINGS POINT MONDAYS AT RACINE SAVING FACE THE WEIGHT OF THE NATION AND SALUTES KEITH PATTERSON CREATIVE RECOGNITION AWARD WITH A SPECIAL CONGRATULATIONS TO ARNOLD SHAPIRO CAREER ACHIEVEMENT AWARD ©2012 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc. IDA DOCUMENTARY AWARDS12 nominees & honorees (continued) BEST SHORT BEST FEATURE AWARD NOMINEES AWARD NOMINEES GOD IS THE BIGGER ELVIS THE CENTRAL PARK FIVE DIRECTOR/PRODUCER: Rebecca Cammisa DIRECTORS/PRODUCERS/WRITERS: Ken Burns, Sarah Burns, PRODUCER: Julie Anderson David McMahon SUPERVISING PRODUCER: Sara Bernstein EXECUTIVE PRODUCER: Ken Burns EXECUTIVE PRODUCER: Sheila Nevins Florentine Films, Sundance Selects, PBS HBO Documentary Films THE INVISIBLE WAR KINGS POINT DIRECTOR/WRITER: Kirby Dick DIRECTOR/PRODUCER: Sari Gilman PRODUCERS: Amy Ziering, Tanner King Barklow PRODUCERS: Jedd Wider, Todd Wider EXECUTIVE PRODUCERS: Regina Kulik Scully, Jennifer Siebel Newsom, Sarah Johnson Redlich, Women Donors Network, CO-PRODUCER: Susannah Ludwig Teddy Leifer, Sally Jo Fifer, Nicole Boxer-Keegan Kings Point Documentary/Wider Film Projects CO-EXECUTIVE PRODUCER: Kimball Stroud MONDAYS AT RACINE Cinedigm and Docurama Films DIRECTOR/PRODUCER: Cynthia Wade THE QUEEN OF VERSAILLES PRODUCER: Robin Honan DIRECTOR: Lauren Greenfield CO-PRODUCER: Vanessa Bergonzoli PRODUCERS: Lauren Greenfield, Danielle Renfrew Behrens SUPERVISING PRODUCER: Lisa Heller (HBO) EXECUTIVE PRODUCERS: Frank Evers, Dan Cogan EXECUTIVE PRODUCER: Sheila Nevins (HBO) CO-PRODUCER: Rebecca Horn Black Cynthia Wade Productions Evergreen Pictures, Magnolia Pictures OPEN HEART SEARCHING FOR SUGAR MAN DIRECTOR: Kief Davidson DIRECTOR/PRODUCER/WRITER: Malik Bendjelloul PRODUCERS: Kief Davidson, Cori Shepherd Stern PRODUCER: Simon Chinn EXECUTIVE PRODUCERS: Geralyn Dreyfous, Rick Rosenthal, Nancy Stephens, Eric Dobkin, EXECUTIVE PRODUCER: John Battsek Barbara Dobkin, Sean Mewshaw,
Load more

Recommended publications
  • The American Nightmare, Or the Revelation of the Uncanny in Three
    The American Nightmare, or the Revelation of the Uncanny in three documentary films by Werner Herzog La pesadilla americana, o la revelación de lo extraño en tres documentales de DIEGO ZAVALA SCHERER1 Werner Herzog http://orcid.org/0000-0002-7362-4709 This paper analyzes three Werner Herzog’s films: How Much Wood Would a Woodchuck Chuck (1976), Huie’s Sermon (1981) and God´s Angry Man (1981) through his use of the sequence shot as a documentary device. Despite the strong relation of this way of shooting with direct cinema, Herzog deconstructs its use to generate moments of filmic revelation, away from a mere recording of events. KEYWORDS:Documentary device, sequence shot, Werner Herzog, direct cinema, ecstasy. El presente artículo analiza tres obras de la filmografía de Werner Herzog: How Much Wood Would a Woodchuck Chuck (1976), Huie´s Sermon (1981) y God´s Angry Man (1981), a partir del uso del plano secuencia como dispositivo documental. A pesar del vínculo de esta forma de puesta en cámara con el cine directo, Herzog deconstruye su uso para la generación de momentos de revelación fílmica, lejos del simple registro. PALABRAS CLAVE: Dispositivo documental, plano secuencia, Werner Herzog, cine directo, éxtasis. 1 Tecnológico de Monterrey, México. E-mail: [email protected] Submitted: 01/09/17. Accepted: 14/11/17. Published: 12/11/18. Comunicación y Sociedad, 32, may-august, 2018, pp. 63-83. 63 64 Diego Zavala Scherer INTRODUCTION Werner Herzog’s creative universe, which includes films, operas, poetry books, journals; is labyrinthine, self-referential, iterative … it is, we might say– in the words of Deleuze and Guattari (1990) when referring to Kafka’s work – a lair.
    [Show full text]
  • An Anguished Self-Subjection: Man and Animal in Werner Herzog's Grizzly
    An Anguished Self-Subjection: Man and Animal in Werner Herzog’s Grizzly Man Stefan Mattessich Santa Monica College Do we not see around and among us men and peoples who no longer have any essence or identity—who are delivered over, so to speak, to their inessentiality and their inactivity—and who grope everywhere, and at the cost of gross falsifications, for an inheritance and a task, an inheritance as task? Giorgio Agamben The Open erner herzog’s interest in animals goes hand in hand with his Winterest in a Western civilizational project that entails crossing and dis- placing borders on every level, from the most geographic to the most corporeal and psychological. Some animals are merely present in a scene; early in Fitzcarraldo, for instance, its eponymous hero—a European in early-twentieth-century Peru—plays on a gramophone a recording of his beloved Enrico Caruso for an audience that includes a pig. Others insist in his films as metaphors: the monkeys on the raft as the frenetic materializa- tion of the conquistador Aguirre’s final insanity. Still others merge with characters: subtly in the German immigrant Stroszek, who kills himself on a Wisconsin ski lift because he cannot bear to be treated like an animal anymore or, literally in the case of the vampire Nosferatu, a kindred spirit ESC 39.1 (March 2013): 51–70 to bats and wolves. But, in every film, Herzog is centrally concerned with what Agamben calls the “anthropological machine” running at the heart of that civilizational project, which functions to decide on the difference between man and animal.
    [Show full text]
  • From Acclaimed Filmmaker Werner Herzog (Fitzcarraldo, Grizzly Man)
    4 x 50’ HD From acclaimed filmmaker Werner Herzog (Fitzcarraldo, Grizzly Man) Focus not on the crimes, but on the inner life of the inmates Profoundly moving and thought-provoking documentary series hat is it like to know that you will spend the James Barnes broke into the apartment of a young woman rest of your life behind bars ? Or to know and watched her taking a shower. First he tried to strangle the date of your execution ? Or to be unable her, then he used a hammer to kill her. Barnes also confesses to stir enough interest in a public defender to two further murders on camera ... Joseph Garcia and ZDF Enterprises | 03.12 so as to obtain a fair trial with all the evidence on the George Rivas were both – perhaps unjustly – given extremely table and all witnesses questioned ? Internationally high prison sentences for their crimes; but they got the death renowned director and documentary filmmaker Werner penalty after taking part in the famous prison break of the Herzog asked himself these questions – and went to Texas Seven. George Rivas was executed on February 29, 2012. Texas to find some answers. As one of ten women on Death Row in Texas, Linda Carty was convicted for abducting a new-born baby boy; the Filmed contemporaneously with his acclaimed capital- infant’s mother was found asphyxiated. Carty’s public punishment documentary “Into the Abyss – A Tale of Death, defender presented no witnesses of his own, and met her a Tale of Life,” Herzog’s “Death Row” opens a window onto only minutes before her indictment ..
    [Show full text]
  • Media Influence Matrix Romania
    N O V E M B E R 2 0 1 9 MEDIA INFLUENCE MATRIX: ROMANIA Author: Dumitrita Holdis Editor: Marius Dragomir Published by CEU Center for Media, Data and Society (CMDS), Budapest, 2019 About CMDS About the authors The Center for Media, Data and Society Dumitrita Holdis works as a researcher for the (CMDS) is a research center for the study of Center for Media, Data and Society at CEU. media, communication, and information Previously she has been co-managing the “Sound policy and its impact on society and Relations” project, while teaching courses and practice. Founded in 2004 as the Center for conducting research on academic podcasting. Media and Communication Studies, CMDS She has done research also on media is part of Central European University’s representation, migration, and labour School of Public Policy and serves as a focal integration. She holds a BA in Sociology from point for an international network of the Babes-Bolyai University, Cluj-Napoca and a acclaimed scholars, research institutions and activists. MA degree in Sociology and Social Anthropology from the Central European University. She also has professional background in project management and administration. She CMDS ADVISORY BOARD has worked and lived in Romania, Hungary, France and Turkey. Clara-Luz Álvarez Floriana Fossato Ellen Hume Monroe Price Marius Dragomir is the Director of the Center Anya Schiffrin for Media, Data and Society. He previously Stefaan G. Verhulst worked for the Open Society Foundations (OSF) for over a decade. Since 2007, he has managed the research and policy portfolio of the Program on Independent Journalism (PIJ), formerly the Network Media Program (NMP), in London.
    [Show full text]
  • “Of the Creatures Who Are Doomed to Perish, to Fall”: Mythology and Time
    “Of the Creatures who are doomed to perish, to fall”: Mythology and Time in Herzog’s Apocalyptic, Science Fiction Films Tyson Namow This essay analyses German filmmaker Werner Herzog’s (b. 1942- ) films Fata Morgana (1970), Lessons of Darkness (Lektionen in Finsternis ) (1992) and The Wild Blue Yonder (2005). Each of these films shares formal char- acteristics, such as being divided by chapter inter-titles and using voice over narration. However, they also have different iconographic features. Fata Morgana is set in the natural, desert landscapes of Africa. It shows quiet, other-worldly beauty among the ruins of civilisation. The landscapes in this film contain disintegrating relics of human culture, such as wrecked automobiles, aeroplanes and other machine parts. It is not until the twenty- minute mark of the film that the first human figure is seen. They are sub- limely dwarfed on the horizon line of an immense desert terrain. Lessons of Darkness is set in Kuwait at the end of the first Gulf War during the period when the last of the burning oil wells were being extinguished. The film presents Kuwait as an unnamed planet that exists somewhere in our solar system. On the one hand, the audience knows that this planet is Earth and that it has been devastated by human action. On the other hand, the film also presents it as a mutilated planet on fire that reflects Herzog’s private, apocalyptic imagination. The Wild Blue Yonder is largely comprised of dif- ferent found-footage. This includes images shot under an ice sheet in Ant- arctica by Henry Kaiser and images shot in 1991 by astronauts from inside COLLOQUY text theory critique 21 (2011).
    [Show full text]
  • Omnicom Group Table of Table 08 People
    DIVERSE TALENT COLLECTIVE STRENGTH 2019 CORPORATE RESPONSIBILITY REPORT WITH 2020 UPDATES Omnicom is a group of thousands of individuals across more than 70 countries collectively bringing their passion and creativity to over 5,000 brands. The talent of this diverse group of people allows us to create a positive and lasting impact on the world the best way we know how: through our work. Contents 04 Letter from Our CEO 05 About Omnicom Group Table of Table 08 People 27 Community 40 Environment 48 Governance 52 About This Report 53 UN Global Compact (UNGC) Communication on Progress 54 GRI Standards Content Index Governance About This Report UNGC Progress GRI Index In a world that’s rapidly changing, Omnicom grounds itself in its Furthermore, we supported Theirworld again in 2019 through its commitments to having the industry’s most innovative, collaborative #WriteTheWrong campaign, which raised awareness of the 260 million and diverse talent. Through diverse perspectives and collective strength, children who do not attend school each day. Our work on the our organization is able to uphold the highest standards of excellence and #WriteTheWrong campaign helped secure $2.3 billion in commitments creativity for our clients and the communities we share around the globe. to education over one week and underscored our own commitment to UN Sustainable Development Goal 4. While this report focuses on our 2019 activities, its release comes at a time of uncertainty and unrest in the wake of the COVID-19 pandemic We also continued our progress against our goals of reducing the and the racial inequalities brought to light by George Floyd’s tragic death.
    [Show full text]
  • Downloading of Movies, Television Shows and Other Video Programming, Some of Which Charge a Nominal Or No Fee for Access
    Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2011 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO Commission file number 001-32871 COMCAST CORPORATION (Exact name of registrant as specified in its charter) PENNSYLVANIA 27-0000798 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) One Comcast Center, Philadelphia, PA 19103-2838 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (215) 286-1700 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Title of Each Class Name of Each Exchange on which Registered Class A Common Stock, $0.01 par value NASDAQ Global Select Market Class A Special Common Stock, $0.01 par value NASDAQ Global Select Market 2.0% Exchangeable Subordinated Debentures due 2029 New York Stock Exchange 5.50% Notes due 2029 New York Stock Exchange 6.625% Notes due 2056 New York Stock Exchange 7.00% Notes due 2055 New York Stock Exchange 8.375% Guaranteed Notes due 2013 New York Stock Exchange 9.455% Guaranteed Notes due 2022 New York Stock Exchange SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: NONE Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the Registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act.
    [Show full text]
  • L'invention Musicale Face À La Nature Dans Grizzly
    L’invention musicale face à la nature dans Grizzly Man, The Wild Blue Yonder et La grotte des rêves perdus de Werner Herzog Vincent Deville To cite this version: Vincent Deville. L’invention musicale face à la nature dans Grizzly Man, The Wild Blue Yonder et La grotte des rêves perdus de Werner Herzog. Revue musicale OICRM, Observatoire interdisciplinaire de création et de recherche en musique, 2018, 5 (n°1), s.p. hal-02133197v1 HAL Id: hal-02133197 https://hal.archives-ouvertes.fr/hal-02133197v1 Submitted on 17 May 2019 (v1), last revised 15 Jul 2019 (v2) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - NoDerivatives| 4.0 International License L’invention musicale face à la nature dans Grizzly Man, The Wild Blue Yonder et La grotte des rêves perdus de Werner Herzog Vincent Deville Résumé Quand le cinéaste allemand Werner Herzog réalise ou produit trois documentaires sur la création et l’enregistrement de la musique de trois de ses films entre 2005 et 2011, il effectue un double geste de révélation et d’incarnation : les notes nous deviennent visibles à travers le corps des musiciens.
    [Show full text]
  • Comcast Contract End Date
    Comcast Contract End Date Aphrodisiac and shoeless Giuseppe mirror her resistivity dawks unclipped and outgas triangulately. Zincous and neighbourly Alastair reties swaggeringly and refiled his slaps operationally and autonomously. Mainstream Vinod repining meaningfully while Briggs always trade-in his metallisations wanton bibulously, he heal so imputably. Therefore had misteriously dropped speed to time warner cable communications management planning to comcast contract end date but, or other equipment Late night've all staff there you over call proper to possibly adjust our due date. The provider announced plans to house people connected with its internet services with no penalties for late payments through tight end of June. How terms Cancel Comcast's Xfinity TV & Save his But mostly Watch. Find Xfinity deals in foyer area Residential Business. Comcast territory before we end date tennination date of any potential damage, price infonnation summary veterans preference does your contract. Comcast Franchise Agreement Seattlegov. Looking to be handled via email is a federal court that go to remedy identified that you send you shall be construed to customer is no contract? Amounts because Comcast failed to uphold its census of initial agreement. Comcast early termination fee- I don't have a contract of them. The end up with respect of time as specified information, after due this response times be? IFB B User Instructions California Department of Technology. That promotional rate was ending however and book was planning to move explore a. Depending on the intercept and connection type response may need the high-end modem to air your. This will incline an exclusive contract pay all games ending the KGW's.
    [Show full text]
  • Herbert Alan Golder
    CURRICULUM VITAE Herbert Alan Golder CURRENT POSITION: Professor of Classical Studies, Boston University. Editor in Chief and Director, Arion, A Journal of Humanities and the Classics. EDUCATION: Boston University, B.A., summa cum laude (1975). Yale University, M.A. (1977). Yale University, M. Phil. (1979). Oxford University, Postgraduate (1982). Yale University, Ph.D. (1984). DISSERTATION: Euripides’ Andromache: A Study in Theatrical Idea and Visual Meaning (C. John Herington, Director). ACADEMIC POSITIONS: Professor of Classical Studies, Boston University (2004– ). Adjunct Professor of Film Studies, College of Communication, Boston University (2008). Associate Professor of Classical Studies, Boston University (1993–2004). Assistant Professor of Classical Studies, Boston University (1988–93). Assistant Professor of Classics, Emory University (1985–87). Director of Undergraduate Studies for Classics and Classical Studies (1985–87); Adjunct Professor of Comparative Literature (1985–87). Visiting Assistant Professor of Classics, Emory University (1984–85). Assistant Professor of Classics, Syracuse University (1982–85). Teaching Fellow/Instructor in Classics, Yale University (1977–80). CURRENT PROJECTS AND ACTIVITIES: Ballad of a Righteous Merchant, Notes on Herzog Directing My Son, My Son, What Have Ye Done, A Film by Herbert Golder (Director/Writer/Producer, documentary film, in post-production). Arion, A Journal of Humanities and the Classics, Editor in Chief and Director; triannual publication, Third Series (Winter 1990– ), volume XXI.1 published Summer 2013, volume XXI. 2 forthcoming, Fall 2013. “Further Unmodern Observations,” (series of essays, forthcoming 2014). The Lotus that Went to the Sea (Producer, documentary film, to premiere 2014). Shooting on the Lam, Ten Films with Werner Herzog (critical study and memoir, in progress) The Red Report (Writer/Producer, feature film, in development).
    [Show full text]
  • Bruce Chatwin, a Kindred Spirit Who Dedicated His Life to Illuminating the Mysteries of the World
    PRESS NOTES - 2020 - MUSIC BOX FILMS LOGLINE Werner Herzog travels the globe to reveal a deeply personal portrait of his friendship with the late travel writer Bruce Chatwin, a kindred spirit who dedicated his life to illuminating the mysteries of the world. SYNOPSIS Werner Herzog turns the camera on himself and his decades-long friendship with the late travel writer Bruce Chatwin, a kindred spirit whose quest for ecstatic truth carried him to all corners of the globe. Herzog’s deeply personal portrait of Chatwin, illustrated with archival discoveries, film clips, and a mound of “brontosaurus skin,” encompasses their shared interest in aboriginal cultures, ancient rituals, and the mysteries stitching together life on earth. WERNER HERZOG Werner Herzog was born in Munich on September 5, 1942. He grew up in a remote mountain village in Bavaria and studied History and German Literature in Munich and Pittsburgh. He made his first film in 1961 at the age of 19. Since then he has produced, written, and directed more than sixty feature- and documentary films, such as Aguirre der Zorn Gottes (AGUIRRE, THE WRATH OF GOD, 1972), Nosferatu Phantom der Nacht (NOSFERATU, 1978), FITZCARRALDO (1982), Lektionen in Finsternis (LESSONS OF DARKNESS, 1992), LITTLE DIETER NEEDS TO FLY (1997), Mein liebster Feind (MY BEST FIEND, 1999), INVINCIBLE (2000), GRIZZLY MAN (2005), ENCOUNTERS AT THE END OF THE WORLD (2007), Die Höhle der vergessenen Träume (CAVE OF FORGOTTEN DREAMS, 2010). Werner Herzog has published more than a dozen books of prose, and directed as many operas. Werner Herzog lives in Munich and Los Angeles.
    [Show full text]
  • Complete Works Films
    Complete works Films 2020 Fireball: Visitors from Darker Worlds 2019 Family Romance, LLC 2019 NOMAD – In the footsteps of Bruce Chatwin 2018 Meeting Gorbachev (co-director André Singer) 2017 Into the Inferno 2016 Salt and Fire 2016 Lo and Behold 2014 Queen of the Desert 2013 From One Second to the Next 2012/13 On Death Row I + II WERNER HERZOG FILM GMBH Spiegelgasse 9 1010 Vienna / Austria www.wernerherzog.com 2011 Into the Abyss - A Tale of Death, a Tale of Life 2010 Ode auf den Morgen der Menschheit (Ode to the Dawn of Man) 2010 Die Höhle der vergessenen Träume (Cave of Forgotten Dreams) 2009 La Bohéme 2009 My Son My Son What Have Ye Done 2008 Bad Lieutenant: Port Of Call New Orleans 2007 Encounters at the End of The World 2006 Rescue Dawn 2005 The Wild Blue Yonder 2005 Grizzly Man 2004 The White Diamond 2003 Rad der Zeit (Wheel of Time) WERNER HERZOG FILM GMBH Spiegelgasse 9 1010 Vienna / Austria www.wernerherzog.com 2002 Christ and Demons in New Spain 2001 Ten Thousand Years Older 2001 Pilgrimage 2000 Invincible 1999 Gott und die Beladenen (The Lord and the Laden) 1999 Mein liebster Feind (My Best Fiend) 1999 Schwingen der Hoffnung aka Julianes Sturz in den Dschungel (Wings of Hope) 1997 Little Dieter Needs to Fly 1995 Tod für fünf Stimmen (Death for Five Voices) 1994 Die Verwandlung der Welt in Musik (The Transformation of the World into Music) 1993 Glocken aus der Tiefe (Bells from the Deep) 1992 Lektionen in Finsternis (Lessons of Darkness) 1991 Film Lektionen (Film Lesson) WERNER HERZOG FILM GMBH Spiegelgasse 9 1010 Vienna / Austria
    [Show full text]