A Citizen Sociolinguistic Case Study of the Roman Dialect
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The Surreal Voice in Milan's Itinerant Poetics: Delio Tessa to Franco Loi
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 2-2021 The Surreal Voice in Milan's Itinerant Poetics: Delio Tessa to Franco Loi Jason Collins The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4143 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE SURREALIST VOICE IN MILAN’S ITINERANT POETICS: DELIO TESSA TO FRANCO LOI by JASON M. COLLINS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2021 i © 2021 JASON M. COLLINS All Rights Reserved ii The Surreal Voice in Milan’s Itinerant Poetics: Delio Tessa to Franco Loi by Jason M. Collins This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy _________________ ____________Paolo Fasoli___________ Date Chair of Examining Committee _________________ ____________Giancarlo Lombardi_____ Date Executive Officer Supervisory Committee Paolo Fasoli André Aciman Hermann Haller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT The Surreal Voice in Milan’s Itinerant Poetics: Delio Tessa to Franco Loi by Jason M. Collins Advisor: Paolo Fasoli Over the course of Italy’s linguistic history, dialect literature has evolved a s a genre unto itself. -
Diversi, Ma Uguali! Febbraio 2019 Per Conoscere E Amare Il Nostro Pianeta
RIVISTA PER LA SCUOLA SECONDARIA DI PRIMO GRADO 6 DIVERSI, MA UGUALI! FEBBRAIO 2019 PER CONOSCERE E AMARE IL NOSTRO PIANETA BellaGeo! ha un grande obiettivo: far apprezzare a tutti la geografi a, e attraverso di essa, la Terra su cui vivia- mo perché ogni studente possa diventare un cittadino del mondo motivato e consapevole. OBIETTIVO SOSTENIBILITÀ L’ attenzione alla sostenibilità ambientale, sociale ed economica e alla tutela del territorio è il fi lo rosso che attraversa le pagine del corso e dà valore civico alla pro- posta didattica. TUTTI INCLUSI! Una proposta inclusiva, dal taglio agile e di semplice im- postazione che incontra sia le esigenze di chi ha bisogno di un aiuto in più, sia le aspettative di chi continua a porre domande. APP smart content LA FORZA DEI DATI REALTÀ AUMENTATA Il costante ricorso alla visualizzazione, a "record geografi ci" curiosi e signifi cativi, alla localizzazione e ai confronti mi- Un’app gratuita per tutti gli studenti che consente di accedere rapidamente con rano a incuriosire e facilitare la comprensione. Gli apparati smartphone o tablet ai contenuti digitali didattici presenti in ogni doppia pagina guidano all’appro- del testo. priazione di un metodo di studio; sintesi e videosintesi di fi ne unità corredate da mappe attive supportano il ripasso. Il lavoro su dati, carte e grafi ci aiuta invece a ccostruireostruire le competenze. IL CORSO È DISPONIBILE NELLE EDIZIONI: • PLUS (LIBRO + E-BOOK INTERATTIVO SCARICABILE) • DIGITALE (SOLO E-BOOK INTERATTIVO SCARICABILE) Per maggiori informazioni, rivolgiti al tuo Agente di zona (elenco in www.lascuola.it alla voce CONTATTI - RETE COMMERCIALE) editorialeeditoriale Diversi ma uguali! Caterina Lazzarini Febbraio: scavalcata la prima parte dell’anno scolastico, tra scrutini e fatiche fi nali, guardiamo avanti. -
The Role of Italy in Milton's Early Poetic Development
Italia Conquistata: The Role of Italy in Milton’s Early Poetic Development Submitted by Paul Slade to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English in December 2017 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. Abstract My thesis explores the way in which the Italian language and literary culture contributed to John Milton’s early development as a poet (over the period up to 1639 and the composition of Epitaphium Damonis). I begin by investigating the nature of the cultural relationship between England and Italy in the late medieval and early modern periods. I then examine how Milton’s own engagement with the Italian language and its literature evolved in the context of his family background, his personal contacts with the London Italian community and modern language teaching in the early seventeenth century as he grew to become a ‘multilingual’ poet. My study then turns to his first published collection of verse, Poems 1645. Here, I reconsider the Italian elements in Milton’s early poetry, beginning with the six poems he wrote in Italian, identifying their place and significance in the overall structure of the volume, and their status and place within the Italian Petrarchan verse tradition. -
Rivista Del Centro Studi Giuseppe Gioachino Belli
RIVISTA DEL CENTRO STUDI GIUSEPPE GIOACHINO BELLI anno VII numero 1 gennaio-aprile 2009 Direttore il Muzio Mazzocchi Alemanni Direttore responsabile Franco Onorati Comitato di redazione Eugenio Ragni (caporedattore) Chiara Marcelli (segretaria di redazione) Laura Biancini, Sabino Caronia, Claudio Costa, Fabio Della Seta, Stefania Luttazi, Alighiero Ma- ria Mazio, Franco Onorati, Marcello Teodonio, Cesarina Vighy Autorizzazione del Tribunale di Roma Questo numero è stato chiuso n. 178/2003 del 18 aprile 2003 in redazione il 22 marzo 2009. Direzione e Redazione Il ricordo va al 22 marzo Piazza Cavalieri di Malta 2 – 00153 Roma di cinque anni fa, giorno tel. 06 5743442 della scomparsa dell’indimenticato Abbonamenti Ordinario ¤ 35,00 Carlo Muscetta. € Studenti ¤ 15,00 Rinnoviamo la memoria € Sostenitore 55,00 di quel grande studioso € che egli fu con la pubblicazione, Modalità di pagamento in questo fascicolo, Versamento dell’importo sul c/c postale n. di una recensione della sua 99614000 o accreditato sul c/c bancario n. 650376/37 presso Unipol Banca, entrambi inte- Antologia minima di traduzioni stati a “Centro Studi Giuseppe Gioachino Belli”. da Victor Hugo. Le opinioni degli autori impegnano soltanto la loro responsabilità e non rispecchiano necessa- riamente il pensiero della Direzione della rivista. Le collaborazioni sono gratuite e su invito. Il ma- teriale non viene restituito. Editore: il cubo sas anno VII, numero 1, gennaio-aprile 2009 via Luigi Rizzo 83 00136 Roma tel. 0639722422 iscrizione ROC n. 17839 ISSN 1826-8234 www.ilcubo.eu 10,00 mail: [email protected] € SOMMARIO Se l’assessore alla cultura è un leghista …5 Lettera aperta all’Assessore alle culture, identità e autonomia della Regione Lombardia … 6 Sbatti er padre de li santi… sulle pagine del «Times» di FRANCO ONORATI ………………………… 9 Roman todger. -
03 Duval Guida5bis
POPE JOHN PAUL I’S CRITIQUE OF TRILUSSA’S FAITH A TRANSLATOR’S DEFENSE JOHN DUVAL On August 26, 1978, Cardinal Albino Luciani was elected Pope at Rome and chose as his papal, public name John Paul I. Almost immediately Edizioni Messaggero published a volume of the new Pope’s essays as they had appeared earlier in the Messagero di Sant'Antonio magazine. The title was Illustrissimi, for the illustrious saints and scholars, fictional characters and writers (such as Mark Twain, Francesco Petrarca, and Gioachino Belli) whom Cardinal Luciani had addressed and imaginatively conversed with in each of these essays. On the night of September 28, 1978, most unexpectedly, Pope John Paul I died. Before the year was out, William Weaver in the United States completed his English translation of Illustrissimi and published it with Little Brown. In February of 1982, Bill Quinn, my friend and fellow medievalist at the University of Arkansas, learning that I was beginning to translate the poetry of Trilussa, a Roman dialect poet of the first half of the twentieth century, introduced me to Illustrissimi by giving me a copy of the book in English. I was delighted and felt vicariously honored that Trilussa, my poet, was one of only three Italian poets whom the Pope, that is, Albino Luciani, addressed in his book. The other two were Petrarca and Gioachino Belli, a poet who, like Trilussa, wrote not in standard Italian, but in Romanesco, the modern dialect of Rome. But Luciani’s essay, “To Trilussa: In the Heart of the Mystery,” bothered me, too. -
Trilussa E Scarpetta
TRILUSSA E SCARPETTA doardo Scarpetta debuttò a Roma al teatro Metastasio, ora spa E rito, nel 1877. Poi con i superstiti comici del e< San Carlino » - erano già spenti Antonio Petito, il famoso « Pulcinella », e Pasquale Altavilla - egli tornò nella Capitale l'anno appresso reci tando al Quirino. Dal 1890, o poco dopo, lo Scarpetta s'insediava al teatro Valle e d'allora sistematicamente dava tre mesi di rappresen tazioni all'anno, prediletto e acclamato dal pubblico romano e da quello cosmopolita che si riversava a Roma. In questi periodi Edoardo Scarpetta faceva trasportar da Napoli cocchio e cavalli per la sua passeggiata al Corso, additato dai romani con compiacenza, e faceva trasportare anche grosse casse di pasta ali mentare di Gragnano che divorava, da buon napolitano, quotidia namente. Un giorno, al principio di questo secolo, il conte Andrea Sola, mecenate lombardo, scrittore, deputato e soprattutto appassionato del teatro invitò a colazione nel suo soggiorno romano alcune signore e alcuni artisti, fra cui la principessa di Gravina, Trilussa e Scarpetta. Il nostro Trilussa era già celebre allora, soprattutto per il poe metto Er Serrajo che l'editore Voghera gli aveva stampato nel 1903. Come è noto Er Serrajo è suddiviso in tre parti: Er Comizzio - La Ribbejione - La fine dello Sciopero. Naturalmente, a cena compiuta, Trilussa fu invitato a recitare qualche sua poesia ed egli disse la prima parte del Serraglio, il Co mizio. Appena terminato, gli astanti invitarono il comico napolitano a dir qualcosa di suo e Scarpetta dichiarò che avrebbe recitato di nuovo il Comizio di Trilussa ma .. -
For a Mapping of the Languages/Dialects of Italy And
For a mapping of the languages/dialects of Italy and regional varieties of Italian Philippe Boula de Mareüil, Eric Bilinski, Frédéric Vernier, Valentina de Iacovo, Antonio Romano To cite this version: Philippe Boula de Mareüil, Eric Bilinski, Frédéric Vernier, Valentina de Iacovo, Antonio Romano. For a mapping of the languages/dialects of Italy and regional varieties of Italian. New Ways of Analyzing Dialectal Variation, In press. hal-03318939 HAL Id: hal-03318939 https://hal.archives-ouvertes.fr/hal-03318939 Submitted on 11 Aug 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. For a mapping of the languages/dialects of Italy and regional varieties of Italian Introduction Unifi ed late, Italy is well-known for its great linguistic diversity. This diversity has been thoroughly covered by linguistic atlases such as the Italian-Swiss Atlas (Jaberg / Jud 1928-1940), the Italian Linguistic Atlas (Bartoli et al. 1995), or the linguistic atlases of the Dolomites (Goebl 2003, 2012), Sicily (Sottile 2018), Calabria (Krefeld 2019) and the Piedmont mountains (Cugno / Cusan 2019), for which projects have undertaken to digitise a portion of the material (Tisato 2010) 1 . In other countries, too, various projects have aimed to make the dialect data collected in the 20th century more widely accessible: in France (Goebl 2002; Oliviéri et al. -
The Representation of Central-Southern Italian Dialects and African-American Vernacular English in Translation: Issues of Cultural Transfers and National Identity
THE REPRESENTATION OF CENTRAL-SOUTHERN ITALIAN DIALECTS AND AFRICAN-AMERICAN VERNACULAR ENGLISH IN TRANSLATION: ISSUES OF CULTURAL TRANSFERS AND NATIONAL IDENTITY A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Adriana Di Biase August, 2015 © Copyright by Adriana Di Biase 2015 All Rights Reserved ii Dissertation written by Adriana Di Biase Ph.D., Kent State University – Kent, United States, 2015 M.A., Università degli Studi di Bari “Aldo Moro” – Bari, Italy, 2008 M.A., Scuola Superiore per Interpreti e Traduttori, Gregorio VII – Rome, Italy, 2002 B.A., Università degli Studi “Gabriele D’Annunzio” – Chieti-Pescara, Italy, 2000 Approved by ______________________________, Chair, Doctoral Dissertation Committee Françoise Massardier-Kenney ______________________________, Members, Doctoral Dissertation Committee Brian J. Baer ______________________________, Carol Maier ______________________________, Gene R. Pendleton ______________________________, Babacar M’Baye Accepted by ______________________________, Chair, Modern and Classical Language Studies Keiran J. Dunne ______________________________, Dean, College of Arts and Sciences James L. Blank iii TABLE OF CONTENTS LIST OF FIGURES ...................................................................................................................... vii LIST OF TABLES ....................................................................................................................... viii ACKNOWLEDGEMENTS ........................................................................................................ -
Structuring Variation in Romance Linguistics and Beyond in Honour of Leonardo M
Linguistik Aktuell Linguistics Today 252 Structuring Variation in Romance Linguistics and Beyond In honour of Leonardo M. Savoia Edited by Mirko Grimaldi Rosangela Lai Ludovico Franco Benedetta Baldi John Benjamins Publishing Company Structuring Variation in Romance Linguistics and Beyond Linguistik Aktuell/Linguistics Today (LA) issn 0166-0829 Linguistik Aktuell/Linguistics Today (LA) provides a platform for original monograph studies into synchronic and diachronic linguistics. Studies in LA confront empirical and theoretical problems as these are currently discussed in syntax, semantics, morphology, phonology, and systematic pragmatics with the aim to establish robust empirical generalizations within a universalistic perspective. For an overview of all books published in this series, please see http://benjamins.com/catalog/la Founding Editor Werner Abraham Universität Wien / Ludwig Maximilian Universität München General Editors Werner Abraham Elly van Gelderen Universität Wien / Arizona State University Ludwig Maximilian Universität München Advisory Editorial Board Josef Bayer Hubert Haider Ian Roberts University of Konstanz University of Salzburg Cambridge University Cedric Boeckx Terje Lohndal Lisa deMena Travis ICREA/UB Norwegian University of Science McGill University and Technology Guglielmo Cinque Sten Vikner University of Venice Christer Platzack University of Aarhus University of Lund Liliane Haegeman C. Jan-Wouter Zwart University of Ghent University of Groningen Volume 252 Structuring Variation in Romance Linguistics and Beyond -
The Original Documents Are Located in Box 16, Folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 16, folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 16 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library 792 F TO C TATE WA HOC 1233 1 °"'I:::: N ,, I 0 II N ' I . ... ROME 7 480 PA S Ml TE HOUSE l'O, MS • · !? ENFELD E. • lt6~2: AO • E ~4SSIFY 11111~ TA, : ~ IP CFO D, GERALD R~) SJ 1 C I P E 10 NTIA~ VISIT REF& BRU SE 4532 UI INAl.E PAL.ACE U I A PA' ACE, TME FFtCIA~ RESIDENCE OF THE PR!S%D~NT !TA y, T ND 0 1 TH HIGHEST OF THE SEVEN HtL.~S OF ~OME, A CTENT OMA TtM , TH TEMPLES OF QUIRl US AND TME s E E ~oc T 0 ON THIS SITE. I THE CE TER OF THE PR!SENT QU?RINA~ IAZZA OR QUARE A~E ROMAN STATUES OF C~STOR .... -
Cultus: the Journal of Intercultural Mediation and Communication
__________________________________________________ Cultus THE JOURNAL OF INTERCULTURAL MEDIATION AND COMMUNICATION MEDIATING LINGUA-CULTURAL SCENARIOS IN AUDIOVISUAL TRANSLATION 2018, Volume 11 ICONESOFT EDIZIONI - GRUPPO RADIVO HOLDING BOLOGNA - ITALY CULTUS __________________________________________________ Registrazione al Tribunale di Terni n. 11 del 24.09.2007 Direttore Responsabile Agostino Quero Editore Iconesoft Edizioni – Radivo Holding Anno 2018 ISSN 2035-3111 2035-2948 Policy: double-blind peer review © Iconesoft Edizioni – Radivo Holding srl via Ferrarese 3 – 40128 Bologna 2 ________________________________________________________ CULTUS the Journal of Intercultural Mediation and Communication MEDIATING LINGUA-CULTURAL SCENARIOS IN AUDIOVISUAL TRANSLATION 2018, Volume 11 GENERAL EDITORS David Katan Cinzia Spinzi GUEST EDITORS Irene Ranzato Serenella Zanotti ICONESOFT EDIZIONI – RADIVO HOLDING BOLOGNA 3 CULTUS __________________________________________________ CULTUS the Journal of Intercultural Mediation and Communication Scientific Committee Milton Bennet Intercultural Development Research Institute, Italy Patrick Boylan SIETAR-Italy and past Professor at Roma Tre University, Rome Ida Castiglioni University of Milan (Bicocca), Intercultural Development Research Institute Andrew Chesterman University of Helsinki, Finland Delia Chiaro University of Bologna (SSLMIT), Forlì, Italy Nigel Ewington WorldWork Ltd, Cambridge, England Peter Franklin HTWG Konstanz University of Applied Sciences, dialogin-The Delta Intercultural Academy -
Censorship and Literature in Fascist Italy'
H-Italy Valisa on Bonsaver, 'Censorship and Literature in Fascist Italy' Review published on Saturday, March 1, 2008 Guido Bonsaver. Censorship and Literature in Fascist Italy. Toronto: University of Toronto Press, 2007. 405 pp. $80.00 (cloth), ISBN 978-0-8020-9301-1; $35.00 (paper), ISBN 978-0-8020-9496-4. Reviewed by Silvia Valisa (Department of Foreign Languages and Literatures, San Francisco State University) Published on H-Italy (March, 2008) A Passion for Detail: Mussolini, Fascism, and Censorship The interest in Fascist editorial and ideological politics has produced some excellent work in the last decade, including Giorgio Fabre's L'elenco: censura fascista, editoria e autori ebrei (1998), devoted to the regime's racial politics; as well as Ruth Ben-Ghiat'sFascist Modernities: Italy, 1922-1945 (2001) and Marla S. Stone's The Patron State: Culture and Politics in Fascist Italy (1998), both of which address state-culture relations during the Fascist regime. Guido Bonsaver's new volume, Censorship and Literature in Fascist Italy, adds to these an idiosyncratic, thoroughly researched, and very readable portrait of what it meant to be a writer and/or a cultural operator during the ventennio. (In 2005, Bonsaver also edited, together with Robert Gordon, the proceedings of a conference, Culture, Censorship and the State in Twentieth Century Italy.) As this new monograph cogently confirms, "Fascist censorship was not a monolithic and tightly coordinated machine of repression" (p. 5). Bonsaver illustrates the extent to which censorship needs to be contextualized, historicized, and examined from multiple standpoints to call into question the notion of absolute consistency that is often ascribed to "censorship" as a phenomenon.