The Literature of New Russia Previous Efforts for the Betterment of the Tional Action
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J. Stalin August 1930
W O R K E R S O F A L L C O U N T R I E S, U N I T E ! From Marx to Mao M L © Digital Reprints 2006 RUSSIAN EDITION PUBLISHED BY DECISION OF THE CENTRAL COMMITTEE OF THE COMMUNIST PARTY OF THE SOVIET UNION (BOLSHEVIKS) П pолеma puu вcex cm paн, coeдuняйmecь! ИНCTИTУT МАРKCА — ЭНГЕ ЛЬCА — ЛЕ НИНА пpи ЦK ВKП(б) n.b. CTAlnH СОчИНEНИя О Г И З ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВО ПОЛИТИЧЕСКОЙ ЛИТЕРАТУРЫ М o c к в a • 1 9 4 9 J. V. S TA L I N FROM MARX w o R k s TO MAO VOLUME ¡£ JULY !(#) _ JANUARY !(#$ NOT FOR COMMERCIAL DISTRIBUTION E FOREIGN LANGUAGES PUBLISHING HOUSE M o s c o w • 1 9 5 4 C O N T E N T S FROM MARX TO MAO Page Preface .................. XIII REPLY TO THE DISCUSSION ON THE POLITICAL REPORT OF THE CENTRAL COMMITTEE TO THE SIXTEENTH CONGRESS OF THE C.P.S.U.(B.), July 2, 1930 ............... 1 LETTER TO COMRADE SHATUNOVSKY ...... 18 LETTERS TO COMRADENOT CH. FOR......... 21 TO COMRADE DEMYAN BEDNY. (Excerpts from a Letter) 24 ANTI-SEMITISM. Reply to an Inquiry of the Jewish News Agency in theCOMMERCIAL United States ..........30 THE TASKS OF BUSINESS EXECUTIVES. Speech Deliv- ered at the First All-Union Conference of Leading Person- nel of SocialistDISTRIBUTION Industry, February 4, 1931 ....31 LETTER TO COMRADE ETCHIN .........45 GREETINGS TO THE STAFFS OF AZNEFT AND GROZ- NEFT .................47 TO ELEKTROZAVOD .............48 MAGNITOGORSK IRON AND STEEL WORKS PROJECT, MAGNITOGORSK .............49 TO THE CHAIRMAN OF THE BOARD OF THE ALL- UNION CENTRE OF MACHINE AND TRACTOR STATIONS. -
The Soviet Theatre
03593 PUBLISHER'S A GREAT NUMBER of books : ;<?fc Soviet Russia have come from the press during "recent years but mainly impressions of the Soviet regime by visitors to or residents in the Soviet Union. Indeed, the lack of really precise and definite information has been as noticeable as the plethora of impressions. We accordingly requested prominent Soviet officials to prepare a series of books which would describe and explain the Soviet system and method in the various branches of economic, political, national, social, and artistic life. We have italicised the words describe and intention is to tell for explain ; for the simply us, instance, how labour is organised, how the problem of nationalities i& being dealt with, how a collective farm works, how commodities are distributed, how justice is administered, and so on. V. G. -was born in He at P. A . M A Rf&^rs 1897. graduated Moscow University ^history and philology). of the In 1918 he joined the Theatre department of Education. In he was People's Commissariat 1919 work. he active in literary and pedagogical A year later, studios. In lie organised a number of theatrical 1921 of became one of the organisers of The Institute Theatre Research, which subsequently became the theatre section of the State Academy of the Art Sciences. the Art Theatre In In 19125 Markov joined Moscow the and the capacity of director of literary department, a was instrumental in grouping around the theatre number of young Soviet dramatists and in bringing out new writers, such as Leonov, Ivanov, Katayev, Olesha, and others. -
Russia Through the Eyes of the Tagores: Travelogues of Rabindranath and Saumyendranath
Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Themed Issue on “India and Travel Narratives” (Vol. 12, No. 3, 2020) Guest-edited by: Ms. Somdatta Mandal, PhD Full Text: http://rupkatha.com/V12/n3/v12n322.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v12n3.22 Russia through the Eyes of the Tagores: Travelogues of Rabindranath and Saumyendranath Sajal Dey Department of Russian Studies, the English and Foreign Languages University, Shillong Campus, Umshing-Mawkynroh, Shillong, Meghalaya, India. Email: [email protected] Abstract Two Tagores, two visionaries; one as a poet-educationist, another as a revolutionary-politician, both from colonial India, then reeling under the British yoke, visited Russia at about the same time. While the elder Tagore, Nobel-laureate Rabindranath, was moved by the huge scale of development, mainly on the educational front, -- the younger and the more rebellious one, Soumyendranath, studied deeply, paused, and raised questions, debated and disputed the gap between the so-called socialist theory and practice in Soviet Russia. Rabindranath wanted to visit post-revolution Russia for quite some time. After a few futile attempts his desire was ultimately fulfilled in 1930. What he primarily wanted to see was the all-embracing spread of education in the Soviet system and its results. His Russiar Chithi, or Letters from Russia bears testimony to his impression of the new ‘awakened’ Russia. In the very first line of his first letter from Moscow he writes, “In Russia at last! Whichever way I look, I am filled with wonder.” In spite of a few adverse comments that he made later on, this feeling of ‘wonder’ about Russia lasted throughout the collection. -
Russians Abroad-Gotovo.Indd
Russians abRoad Literary and Cultural Politics of diaspora (1919-1939) The Real Twentieth Century Series Editor – Thomas Seifrid (University of Southern California) Russians abRoad Literary and Cultural Politics of diaspora (1919-1939) GReta n. sLobin edited by Katerina Clark, nancy Condee, dan slobin, and Mark slobin Boston 2013 Library of Congress Cataloging-in-Publication Data: The bibliographic data for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-214-9 (cloth) ISBN 978-1-61811-215-6 (electronic) Cover illustration by A. Remizov from "Teatr," Center for Russian Culture, Amherst College. Cover design by Ivan Grave. Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Table of Contents Foreword by Galin Tihanov ....................................... -
Archiefexemplaar !!! Niet Meenemen !!! 53
RUSSIAN BIZNES IN THE NETHERLANDS Dina Siegel Willem Pompe Institute University of Utrecht May 2002 ARCHIEFEXEMPLAAR !!! NIET MEENEMEN !!! 53 RUSSIAN BIZNES IN THE NETHERLANDS Dina Siegel Contents Acknowledgements 6 Introduction 7 Dutch media 9 Police reports 10 Scientific reports 11 Present study 12 Chapter 1. Purposes of research and theoretical background 15 1.a The cultural approach 15 1.b Russian organised crime as a study of community 19 1.c 'Mafia', 'Russian Mafia' and other generalizations 21 1.d The research methods 23 Organised crime as empirical study 23 Field work among Russian-speakers in the Netherlands 24 Lies and gossip 26 Chapter 2. From Stenka Razin to Yaponchik — historical development of Russian organised crime 29 2.a History of Russian Organized crime 29 2.a.1 Crime and criminal in Russia in Tsarist times 31 2.a.2 Urban criminals 33 2.a.3 Organised Crime in the Soviet period and its perception in Soviet culture..... 34 Revolutionaries 34 Nomenklatura 37 Underground millionaires 38 Economic criminals — crime for survival 39 Vory v zakone (thieves in law) 41 2.a.4 New Russians and the development of organised crime in the post-Gorbachev period Nomenklatura and KGB 45 New Entrepreneurs 46 Vory v zakone 47 2.b The Present Situation 49 2.b.1 Numbers and size 50 2.b.2 Economic function 50 2.b.3 Structure and organization 51 2.b.4 Geographical location 51 1 2.b.5 Main criminal organizations, activities and crime bosses in the post-Socialist Russia (1990 — 2000) 52 Solntsevskaya 52 Podolskaya 53 Pushlcinskaya 53 21 st Century Association 53 Kurganskaya 54 Other criminal organizations from Moscow 54 Tambovskaya 55 Kazanskaya 55 Brigade of Haritonov 55 2.b.6 Multi-ethnic post-Soviet Mafia 56 Ethnicity as an old problem in the Soviet Union 56 Ethnic criminality in theoretical perspective 57 Stereotypes and racism 58 Ethnic violence 58 Theory and practice 60 Chechens 60 Georgians 61 Azeris 62 Armenians 62 Latvians.. -
The Final Campaign Against Boris Pilnyak: the Controversy Over Meat: a Novel (1936)
University of New Hampshire University of New Hampshire Scholars' Repository Languages, Literatures, and Cultures Scholarship Languages, Literatures, and Cultures 2018 The Final Campaign Against Boris Pilnyak: The Controversy over Meat: A Novel (1936) Ronald D. LeBlanc University of New Hampshire, [email protected] Follow this and additional works at: https://scholars.unh.edu/lang_facpub Recommended Citation LeBlanc, Ronald D., "The Final Campaign Against Boris Pilnyak: The Controversy over Meat: A Novel (1936)" (2018). Languages, Literatures, and Cultures Scholarship. 453. https://scholars.unh.edu/lang_facpub/453 This Article is brought to you for free and open access by the Languages, Literatures, and Cultures at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Languages, Literatures, and Cultures Scholarship by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. The Final Campaign Against Boris Pilnyak: The Controversy over Meat: A Novel (1936) “Pilnyak is misleading and deceiving us.” Stalin, 19261 “Pilnyak can depict only the backside of our revolution.” Stalin, 19292 “Whatever happened to Boris Pilnyak?” If this question had been asked near the end of 1937, when the once popular writer suddenly disappeared from public view, most of his Soviet contemporaries would probably not have been able to answer the query with any degree of certainty. Pilnyak’s name had been very much in the news as he withstood two vicious campaigns of vilification launched against him in the late 1920s, when the official Soviet press vehemently attacked him for writing what they considered slanderous, if not treasonous, works of prose fiction that advanced blatantly “counter-revolutionary” and “anti-Soviet” sentiments. -
L E O N I D L E O N O V ' S Vor
LEONID LEONOV'S VOR: A SOVIET PARADISE LOST by MARGARET BURGESS STELMASZYNSKI B.A., University of British Columbia, 1971 thesis submitted in partial fulfillment the requirements for the degree of Master of Arts in THE FACULTY OF GRADUATE STUDIES (Department of Slavonic Studies) We accept this thesis as conforming to the reguired standard THE UNIVERSITY OF BRITISH COLUMBIA June, 1977 cj Margaret Burgess Stelmaszynski, 1977 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Slavonic Studies The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Date flny-M ?Q 1Q77 6 ABSTRACT LEONID LEONOV'S VOR: A SOVIET PARADISE LOST There is a striking contrast in the assessments by Western critics of the two variants of Leonid Leonov's novel, Vor (The Thief): whereas the original version (1927) is frequently acclaimed as the finest and most artistically honest of all his literary endeavours, Leonov's revision of the work (1959) is generally viewed as evidence of his final capitulation to the dictates of socialist realist doctrine. The present study was initiated as an attempt to elucidate certain obscure thematic and symbolic elements perceived during a concentrated examination of the first novel only. -
Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers
Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers by Kathryn Douglas Schild A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Harsha Ram, Chair Professor Irina Paperno Professor Yuri Slezkine Fall 2010 ABSTRACT Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers by Kathryn Douglas Schild Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Harsha Ram, Chair The breakup of the Soviet Union in 1991 reminded many that “Soviet” and “Russian” were not synonymous, but this distinction continues to be overlooked when discussing Soviet literature. Like the Soviet Union, Soviet literature was a consciously multinational, multiethnic project. This dissertation approaches Soviet literature in its broadest sense – as a cultural field incorporating texts, institutions, theories, and practices such as writing, editing, reading, canonization, education, performance, and translation. It uses archival materials to analyze how Soviet literary institutions combined Russia’s literary heritage, the doctrine of socialist realism, and nationalities policy to conceptualize the national literatures, a term used to define the literatures of the non-Russian peripheries. It then explores how such conceptions functioned in practice in the early 1930s, in both Moscow and Baku, the capital of Soviet Azerbaijan. Although the debates over national literatures started well before the Revolution, this study focuses on 1932-34 as the period when they crystallized under the leadership of the Union of Soviet Writers. -
Russian Literature Around the October Revolution: a Quantitative Exploratory Study of Literary Themes and Narrative Structure in Russian Short Stories of 1900–1930
International Conference "Internet and Modern Society" (IMS-2020). CEUR Proceedings 117 Russian Literature Around the October Revolution: A Quantitative Exploratory Study of Literary Themes and Narrative Structure in Russian Short Stories of 1900–1930 Tatiana Sherstinova1,2 [0000-0002-9085-3378] and Tatiana Skrebtsova2[0000-0002-7825-1120] 1 National Research University Higher School of Economics, 123 Griboyedova Canal Emb., St Petersburg 190068, Russia 2 St. Petersburg State University, 7/9 Universitetskaya emb., 199034 St. Petersburg, Russia [email protected]; [email protected] Abstract. The paper reveals the thematic content and plot structure of the Rus- sian short stories written in the 20th century’s first three decades. It presents part of the ongoing project aimed at a comprehensive study of the Russian short stories of this period, encompassing their thematic, structural and linguistic fea- tures. This particular period is targeted because it was marked by a series of dramatic historical events (Russo-Japanese war, World War I, February and Oc- tober revolutions, the Civil War, formation of the Soviet Union) that could not but affect Russian literature and language style. Within the project, a corre- sponding text corpus has been created, currently containing several thousands stories and thus allowing for a wide coverage of texts and their computer pro- cessing. On its basis, a random sample has been selected, serving as a testbed to probe preliminary observations and hypotheses. It is used in the paper to identi- fy prevailing themes, both major and minor, manifest and latent, as well as characteristic narrative structures and to trace the way they kept changing over the three decades. -
A Chasm Between Two Vanguards: Near Encounters of Russian Emigre Marxists and Dadaism in Switzerland
Swiss American Historical Society Review Volume 53 Number 1 Article 3 2-2017 A Chasm Between Two Vanguards: Near Encounters of Russian Emigre Marxists and Dadaism in Switzerland Bryan K. Herman Doctoral Candidate, History Department, University at Albany Axel Fair-Schulz Department of History, State University of New York College at Potsdam Follow this and additional works at: https://scholarsarchive.byu.edu/sahs_review Part of the European History Commons, and the European Languages and Societies Commons Recommended Citation Herman, Bryan K. and Fair-Schulz, Axel (2017) "A Chasm Between Two Vanguards: Near Encounters of Russian Emigre Marxists and Dadaism in Switzerland," Swiss American Historical Society Review: Vol. 53 : No. 1 , Article 3. Available at: https://scholarsarchive.byu.edu/sahs_review/vol53/iss1/3 This Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Swiss American Historical Society Review by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Herman and Fair-Schulz: A Chasm Between Two Vanguards A Chasm Between Two Vanguards: Near Encounters of Russian Emigre Marxists and Dadaism in Switzerland by Bryan K. Herman Doctoral Candidate, History Department, University at Albany and Axel Fair-Schulz Department of History, State University of New York College at Potsdam In the year 1916, Switzerland was an island of peace in a sea of belligerence. Surrounded by Germany, France, and Italy, Switzerland was one of the few European counties to maintain its neutrality during the war that transformed Europe into a graveyard. It also became an ideal sanctuary for those who opposed the brutality and strident nationalism of World War I. -
Collected Works of VI Lenin
W O R K E R S O F A L L C O U N T R I E S , U N I T E! L E N I N COLLECTED WORKS 43 A THE RUSSIAN EDITION WAS PRINTED IN ACCORDANCE WITH A DECISION OF THE NINTH CONGRESS OF THE R.C.P.(B.) AND THE SECOND CONGRESS OF SOVIETS OF THE U.S.S.R. ИНCTИTУT МАРÇCИзМА — ЛЕНИНИзМА пpи ЦK KНCC B. n. l d H n H С О Ч И Н E Н И Я И з д a н u е ч е m в е p m o e ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВО ПОЛИТИЧЕСКОЙ ЛИТЕРАТУРЫ M О С К В А V. I. L E N I N cOLLEcTED WORKS VOLUME 43 December 18o3 –October 1o17 PROGRESS PUBLISHERS MOSCOW TRANSLATED FROM THE RUSSIAN BY MARTIN PARKER AND BERNARD ISAACS From Marx to Mao M L © Digital Reprints 2014 www.marx2mao.com First printing 1969 Second printing 1971 Third printing 1977 10102—212 л беэ объявл. 014 (01)—77 7 C O N T E N T S Page Preface ........................ 29 1893 1. TO P. P. MASLOV. Second half of December ....... 37 1894 2. TO P. P. MASLOV. May 30 .............. 39 3. TO P. P. MASLOV. May 31 .............. 42 4. TO L. F. MILOVIDOVA. July ?1 ............ 42 1900 5. TO Y. M. STEKLOV. September ? 5 ........... 44 6. TO D. B. RYAZANOV. September ? 5 .......... 45 7. TO V. P. NOGIN. October 10 ............. 45 8. TO Y. M. STEKLOV. October 10 ............ 46 9. TO APOLLINARIA YAKUBOVA. October ?6 ........ 47 10. -
Constructing Revolution: Soviet Propaganda Posters from Between the World Wars September 24, 2017–February 11, 2018
Constructing Revolution: Soviet Propaganda Posters from between the World Wars September 24, 2017–February 11, 2018 Bowdoin College Museum of Art OSHER GALLERY Constructing Revolution: Soviet Propaganda Posters from between the World Wars Constructing Revolution explores the remarkable and wide-ranging body of propaganda posters as an artistic consequence of the 1917 Russian Revolution. Marking its centennial, this exhibition delves into a relatively short-lived era of unprecedented experimentation and utopian idealism, which produced some of the most iconic images in the history of graphic design. The eruption of the First World War, the Russian revolutions of 1905 and 1917, and the subsequent civil war broke down established political and social structures and brought an end to the Tsarist Empire. Russia was split into antagonistic worlds: the Bolsheviks and the enemy, the proletariat and the exploiters, the collective and the private, the future and the past. The deft manipulation of public opinion was integral to the violent class struggle. Having seized power in 1917, the Bolsheviks immediately recognized posters as a critical means to tout the Revolution’s triumph and ensure its spread. Posters supplied the new iconography, converting Communist aspirations into readily accessible, urgent, public art. This exhibition surveys genres and methods of early Soviet poster design and introduces the most prominent artists of the movement. Reflecting the turbulent and ultimately tragic history of Russia in the 1920s and 1930s, it charts the formative decades of the USSR and demonstrates the tight bond between Soviet art and ideology. All works in this exhibition are generously lent by Svetlana and Eric Silverman ’85, P’19.