Performing As Soviet Central Asia's Source Texts
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International Service Learning Case Study
ALLA BELYAKINA THE HUMAN BEING AS A LEGEND (translated by Dina Mukhamedkhan) USA. Missoula 2005 - 2006 Kayum Mukhamedkhanov became a legend in his lifetime, a dignified citizen of Kazakhstan and a profound scholar whose research is held in highest regard today in Kazakhstan. During the political repression of the intelligentsia in the 1950-s my father and our family suffered severely. He was condemned and imprisoned for the research on the “Abai’s school of followers” that he implemented under the supervision of his teacher Mukhtar Auezov. Kayum Mukhamedkhanov upheld as a supreme life value a Dignity of every human being, high moral principles, humane attitude that he himself demonstrated in everything he did: in dealing with people, in writing, in research, in revealing many names from the oblivion, in teaching, in public meetings. Recently his colleagues, followers, friends have written a book of reminiscences about this amazing person. A young and talented literary critic and a journalist Alla Belyakina from Kayum’s hometown Semipalatinsk contributed to this book with her breath taking writing on Kayum. She backed up her writing with the original historical and the archives’ materials and her interviews. I am pleased to bring to your attention this translation – a part from that book. I consider it to be of utmost importance and value to present to your attention this work: we really need cases and examples of human values and citizenship. I would like to express my great appreciation and gratitude to my dear friend Kimberly Crook for her generous help in making the English translation more idiomatic and somewhat clearer. -
The Soviet Theatre
03593 PUBLISHER'S A GREAT NUMBER of books : ;<?fc Soviet Russia have come from the press during "recent years but mainly impressions of the Soviet regime by visitors to or residents in the Soviet Union. Indeed, the lack of really precise and definite information has been as noticeable as the plethora of impressions. We accordingly requested prominent Soviet officials to prepare a series of books which would describe and explain the Soviet system and method in the various branches of economic, political, national, social, and artistic life. We have italicised the words describe and intention is to tell for explain ; for the simply us, instance, how labour is organised, how the problem of nationalities i& being dealt with, how a collective farm works, how commodities are distributed, how justice is administered, and so on. V. G. -was born in He at P. A . M A Rf&^rs 1897. graduated Moscow University ^history and philology). of the In 1918 he joined the Theatre department of Education. In he was People's Commissariat 1919 work. he active in literary and pedagogical A year later, studios. In lie organised a number of theatrical 1921 of became one of the organisers of The Institute Theatre Research, which subsequently became the theatre section of the State Academy of the Art Sciences. the Art Theatre In In 19125 Markov joined Moscow the and the capacity of director of literary department, a was instrumental in grouping around the theatre number of young Soviet dramatists and in bringing out new writers, such as Leonov, Ivanov, Katayev, Olesha, and others. -
Nature and Nihilism in Soviet Environmental Literature and Law Douglas Lind
Notre Dame Journal of Law, Ethics & Public Policy Volume 23 Article 2 Issue 2 Symposium on the Environment 1-1-2012 The rC ane, the Swamp, and the Melancholy: Nature and Nihilism in Soviet Environmental Literature and Law Douglas Lind Follow this and additional works at: http://scholarship.law.nd.edu/ndjlepp Recommended Citation Douglas Lind, The Crane, the Swamp, and the Melancholy: Nature and Nihilism in Soviet Environmental Literature and Law, 23 Notre Dame J.L. Ethics & Pub. Pol'y 381 (2009). Available at: http://scholarship.law.nd.edu/ndjlepp/vol23/iss2/2 This Speech is brought to you for free and open access by the Notre Dame Journal of Law, Ethics & Public Policy at NDLScholarship. It has been accepted for inclusion in Notre Dame Journal of Law, Ethics & Public Policy by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. PANEL THE CRANE, THE SWAMP, AND THE MELANCHOLY: NATURE AND NIHILISM IN SOVIET ENVIRONMENTAL LITERATURE AND LAWt DOUGLAS LIND I. INTRODUCTION Here in the West, the entire seventy-year history of the Soviet Union carries an assortment of negative images. As to the environment, the Soviet image is one of ecological degradation-of large-scale natural resource depletion and rampant environmental despoliation. Justifica- tion for this view abounds, for the environmental record of the U.S.S.R. is indeed a sorry one.1 t On March 25, 2009, the Notre Dame Journal of Law, Ethics & Public Policy hosted a panel discussion entitled "God and Godlessness in the Environment." A version of this paper was presented at that event. -
Babel, Nietzsche, and Bakhtin, See G
REVOLUTION AS AN ESTHETIC PHENOMENON: Nietzsche's Spectacles on the Nose and Autumn in the Heart of Isaac Babel's Russian Readers (1923-1932). Gregory Freidin Stanford University My natural readers and listeners are even now Russians, Scandinavians and Frenchmen -- will it always be that way? F. Nietzsche, Ecce Homo A versiojn of this essay was published in the volume Nietzsche In Soviet Culture (Oxford University Press, 1994). Nietzche, the Russian Nietzsche, to be precise, holds the key to understanding Babel's success in the 1920s. A few jusxtapositions will suffice to amplify the presence of Nietzschean overtones in the reception of Babel's fiction:1 Nietzsche: Dare to devote some thought to the problem of restoring the health of a people which has been impaired by history, to how it may recover its instincts and therewith its integrity. On the Advantages and Disadvantages of History For Life.2 Babel: Before saying goodbye, the Chief of Staff wrote a resolution over his grievance: "Restorate the above described stud to its primordial status." "The Story of a Horse" (p. 84)3 Nietzsche: You say it is the good cause that hallows even war? I say unto you: it is the good war that hallows any cause. War and courage have accomplished more great things than love of the neighbor. Not your pity but your courage has so far saved the unfortunate. 1 I was first alerted to Babel's Nietzscheanism by the thoughtful and thought-provoking study of James E. Falen, Isaac Babel, Russian Master of Short Story (Knoxville: University of Tennessee Press, 1974).I subsequently took up the isssue in my essay, "Fat Tuesday in Odessa: Isaac Babel's 'Di Grasso' as Testament and Manifesto," The Russian Review 40, no. -
Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers
Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers by Kathryn Douglas Schild A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Harsha Ram, Chair Professor Irina Paperno Professor Yuri Slezkine Fall 2010 ABSTRACT Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers by Kathryn Douglas Schild Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Harsha Ram, Chair The breakup of the Soviet Union in 1991 reminded many that “Soviet” and “Russian” were not synonymous, but this distinction continues to be overlooked when discussing Soviet literature. Like the Soviet Union, Soviet literature was a consciously multinational, multiethnic project. This dissertation approaches Soviet literature in its broadest sense – as a cultural field incorporating texts, institutions, theories, and practices such as writing, editing, reading, canonization, education, performance, and translation. It uses archival materials to analyze how Soviet literary institutions combined Russia’s literary heritage, the doctrine of socialist realism, and nationalities policy to conceptualize the national literatures, a term used to define the literatures of the non-Russian peripheries. It then explores how such conceptions functioned in practice in the early 1930s, in both Moscow and Baku, the capital of Soviet Azerbaijan. Although the debates over national literatures started well before the Revolution, this study focuses on 1932-34 as the period when they crystallized under the leadership of the Union of Soviet Writers. -
The Spectator and Dialogues of Power in Early Soviet Theater By
Directed Culture: The Spectator and Dialogues of Power in Early Soviet Theater By Howard Douglas Allen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Victoria E. Bonnell, Chair Professor Ann Swidler Professor Yuri Slezkine Fall 2013 Abstract Directed Culture: The Spectator and Dialogues of Power in Early Soviet Theater by Howard Douglas Allen Doctor of Philosophy in Sociology University of California, Berkeley Professor Victoria E. Bonnell, Chair The theater played an essential role in the making of the Soviet system. Its sociological interest not only lies in how it reflected contemporary society and politics: the theater was an integral part of society and politics. As a preeminent institution in the social and cultural life of Moscow, the theater was central to transforming public consciousness from the time of 1905 Revolution. The analysis of a selected set of theatrical premieres from the Bolshevik Revolution in 1917 to the end of Cultural Revolution in 1932 examines the values, beliefs, and attitudes that defined Soviet culture and the revolutionary ethos. The stage contributed to creating, reproducing, and transforming the institutions of Soviet power by bearing on contemporary experience. The power of the dramatic theater issued from artistic conventions, the emotional impact of theatrical productions, and the extensive intertextuality between theatrical performances, the press, propaganda, politics, and social life. Reception studies of the theatrical premieres address the complex issue of the spectator’s experience of meaning—and his role in the construction of meaning. -
The Final Campaign Against Boris Pilnyak: the Controversy Over Meat: a Novel (1936)
University of New Hampshire University of New Hampshire Scholars' Repository Languages, Literatures, and Cultures Scholarship Languages, Literatures, and Cultures 2018 The Final Campaign Against Boris Pilnyak: The Controversy over Meat: A Novel (1936) Ronald D. LeBlanc University of New Hampshire, [email protected] Follow this and additional works at: https://scholars.unh.edu/lang_facpub Recommended Citation LeBlanc, Ronald D., "The Final Campaign Against Boris Pilnyak: The Controversy over Meat: A Novel (1936)" (2018). Languages, Literatures, and Cultures Scholarship. 453. https://scholars.unh.edu/lang_facpub/453 This Article is brought to you for free and open access by the Languages, Literatures, and Cultures at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Languages, Literatures, and Cultures Scholarship by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. The Final Campaign Against Boris Pilnyak: The Controversy over Meat: A Novel (1936) “Pilnyak is misleading and deceiving us.” Stalin, 19261 “Pilnyak can depict only the backside of our revolution.” Stalin, 19292 “Whatever happened to Boris Pilnyak?” If this question had been asked near the end of 1937, when the once popular writer suddenly disappeared from public view, most of his Soviet contemporaries would probably not have been able to answer the query with any degree of certainty. Pilnyak’s name had been very much in the news as he withstood two vicious campaigns of vilification launched against him in the late 1920s, when the official Soviet press vehemently attacked him for writing what they considered slanderous, if not treasonous, works of prose fiction that advanced blatantly “counter-revolutionary” and “anti-Soviet” sentiments. -
L E O N I D L E O N O V ' S Vor
LEONID LEONOV'S VOR: A SOVIET PARADISE LOST by MARGARET BURGESS STELMASZYNSKI B.A., University of British Columbia, 1971 thesis submitted in partial fulfillment the requirements for the degree of Master of Arts in THE FACULTY OF GRADUATE STUDIES (Department of Slavonic Studies) We accept this thesis as conforming to the reguired standard THE UNIVERSITY OF BRITISH COLUMBIA June, 1977 cj Margaret Burgess Stelmaszynski, 1977 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Slavonic Studies The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Date flny-M ?Q 1Q77 6 ABSTRACT LEONID LEONOV'S VOR: A SOVIET PARADISE LOST There is a striking contrast in the assessments by Western critics of the two variants of Leonid Leonov's novel, Vor (The Thief): whereas the original version (1927) is frequently acclaimed as the finest and most artistically honest of all his literary endeavours, Leonov's revision of the work (1959) is generally viewed as evidence of his final capitulation to the dictates of socialist realist doctrine. The present study was initiated as an attempt to elucidate certain obscure thematic and symbolic elements perceived during a concentrated examination of the first novel only. -
These Objections Will Be Valid for the Dostoevsky Scholar Who Strives to Elucidate with the Greatest Possible Accuracy the Evolution of Dostoevsky's Novels
These objections will be valid for the Dostoevsky scholar who strives to elucidate with the greatest possible accuracy the evolution of Dostoevsky's novels. The general reader and student will overlook these flaws and will enjoy the adventurous journey into the labyrinth of one of the great creative minds in world literature. Professor Wasiolek and his collaborators deserve every praise for having undertaken the arduous task of introducing the English reader to these documents of Dostoevsky's creative evolution. R. Neuhauser The University of Western Ontario Alex M. Shane, The Life and Works of Evgenij Zamjatin, Berkeley and Los Angeles: University of California Press, 1968. 302 pp. $7.95. The Bolshevik Revolution may have loosed "new ideologies" and an adherence to a "socialist orientation," but to very many writers of the 1920's the Revolution came to mean experimentation with word and form. This characteristic was true not only of such pre-revolutionary writers as Blok, Bely or Remizov, the middle- of-the road "fellow travellers" like Pilniak, Zamiatin or Babel, but also of pro- Soviet enthusiasts like Maiakovskii, Vsevolod Ivanov or Lidia Seiffulina. The great flowering of Russian letters in the 1920's was originated, stimulated and nurtered in numerous splinter groups, studios, or one might even say, literary schools. In general, the new literature followed the direction of linguistic innovation, and/or the introduction of the colloquial and often regional idiom. To younger writers, particularly to the highly gifted group which called itself "The Serapion Brothers", the Revolution took on the meaning of trying "new things" in a "new way" and having the freedom to meet this challenge without coercion from either the "right" or "the left". -
Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers
Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers by Kathryn Douglas Schild A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Harsha Ram, Chair Professor Irina Paperno Professor Yuri Slezkine Fall 2010 ABSTRACT Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers by Kathryn Douglas Schild Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Harsha Ram, Chair The breakup of the Soviet Union in 1991 reminded many that “Soviet” and “Russian” were not synonymous, but this distinction continues to be overlooked when discussing Soviet literature. Like the Soviet Union, Soviet literature was a consciously multinational, multiethnic project. This dissertation approaches Soviet literature in its broadest sense – as a cultural field incorporating texts, institutions, theories, and practices such as writing, editing, reading, canonization, education, performance, and translation. It uses archival materials to analyze how Soviet literary institutions combined Russia’s literary heritage, the doctrine of socialist realism, and nationalities policy to conceptualize the national literatures, a term used to define the literatures of the non-Russian peripheries. It then explores how such conceptions functioned in practice in the early 1930s, in both Moscow and Baku, the capital of Soviet Azerbaijan. Although the debates over national literatures started well before the Revolution, this study focuses on 1932-34 as the period when they crystallized under the leadership of the Union of Soviet Writers. -
Russian Literature Around the October Revolution: a Quantitative Exploratory Study of Literary Themes and Narrative Structure in Russian Short Stories of 1900–1930
International Conference "Internet and Modern Society" (IMS-2020). CEUR Proceedings 117 Russian Literature Around the October Revolution: A Quantitative Exploratory Study of Literary Themes and Narrative Structure in Russian Short Stories of 1900–1930 Tatiana Sherstinova1,2 [0000-0002-9085-3378] and Tatiana Skrebtsova2[0000-0002-7825-1120] 1 National Research University Higher School of Economics, 123 Griboyedova Canal Emb., St Petersburg 190068, Russia 2 St. Petersburg State University, 7/9 Universitetskaya emb., 199034 St. Petersburg, Russia [email protected]; [email protected] Abstract. The paper reveals the thematic content and plot structure of the Rus- sian short stories written in the 20th century’s first three decades. It presents part of the ongoing project aimed at a comprehensive study of the Russian short stories of this period, encompassing their thematic, structural and linguistic fea- tures. This particular period is targeted because it was marked by a series of dramatic historical events (Russo-Japanese war, World War I, February and Oc- tober revolutions, the Civil War, formation of the Soviet Union) that could not but affect Russian literature and language style. Within the project, a corre- sponding text corpus has been created, currently containing several thousands stories and thus allowing for a wide coverage of texts and their computer pro- cessing. On its basis, a random sample has been selected, serving as a testbed to probe preliminary observations and hypotheses. It is used in the paper to identi- fy prevailing themes, both major and minor, manifest and latent, as well as characteristic narrative structures and to trace the way they kept changing over the three decades. -
Isaac Newton Institute of Chile in Eastern Europe and Eurasia Casilla
1 Isaac Newton Institute of Chile in Eastern Europe and Eurasia Casilla 8-9, Correo 9, Santiago, Chile e-Mail: [email protected] Web-address: www.ini.cl ͓S0002-7537͑95͒03301-4͔ The Isaac Newton Institute, ͑INI͒ for astronomical re- and luminosity functions ͑LFs͒ of the cluster Main Sequence search was founded in 1978 by the undersigned. The main ͑MS͒ for two fields extending from a region near the center office is located in the eastern outskirts of Santiago. Since of the cluster out to Ӎ 10 arcmin. The photometry of these 1992, it has expanded into several countries of the former fields produces a narrow MS extending down to VӍ27, Soviet Union in Eastern Europe and Eurasia. much deeper than any previous ground based study on this As of the year 2003, the Institute is composed of fifteen system and comparable to previous HST photometry. The V, Branches in nine countries ͑see figure on following page͒. V-I CMD also shows a deep white dwarf cooling sequence These are: Armenia ͑19͒, Bulgaria ͑28͒, Crimea ͑35͒, Kaza- locus, contaminated by many field stars and spurious objects. khstan ͑18͒, Kazan ͑12͒, Kiev ͑11͒, Moscow ͑23͒, Odessa We concentrate the present work on the analysis of the ͑35͒, Petersburg ͑33͒, Poland ͑13͒, Pushchino ͑23͒, Special MSLFs derived for two annuli at different radial distance Astrophysical Observatory, ‘‘SAO’’ ͑49͒, Tajikistan ͑9͒, from the center of the cluster. Evidence of a clear-cut corre- Uzbekistan ͑24͒ and Yugoslavia ͑23͒. The quantities in pa- lation between the slope of the observed LFs before reaching rentheses give the number of scientific staff, the grand total the turn-over, and the radial position of the observed fields of which is 355 members.