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Songs-Of-Protest-2020.Pdf
Elliott Forrest Dara Falco Executive & Artistic Director Managing Director Board of Trustees Stephen Iger, President Melanie Rock, Vice President Joe Morley, Secretary Tim Domini, Treasurer Karen Ayres Rod Greenwood Simon Basner Patrick Heaphy David Brogno James Sarna Hal Coon Lisa Waterworth Jeffrey Doctorow Matthew Watson SUPPORT THE ARTS Donations accepted throughout the show online at ArtsRock.org The mission of ArtsRock is to provide increased access to professional arts and multi-cultural programs for an underserved, diverse audience in and around Rockland County. ArtsRock.org ArtsRock is a 501 (C)(3) Not For-Profit Corporation Dear Friends both Near and Far, Welcome to SONGS OF PROTEST 4, from ArtsRock.org, a non- profit, non-partisan arts organization based in Nyack, NY. We are so glad you have joined us to celebrate the power of music to make social change. Each of the first three SONGS OF PROTEST events, starting in April of 2017, was presented to sold-out audiences in our Rockland, NY community. This latest concert, was supposed to have taken place in-person on April 6th, 2020. We had the performer lineup and songs already chosen when we had to halt the entire season due to the pandemic. As in SONGS OF PROTEST 1, 2 & 3, we had planned to present an evening filled with amazing performers and powerful songs that have had a historical impact on social justice. When we decided to resume the series virtually, we rethought the concept. With so much going on in our country and the world, we offered the performers the opportunity to write or present an original work about an issue from our current state of affairs. -
A Better Kind of Bank
A Kind of Bank Better Presenting the world’s finest classical artists since 1919 2016|2017 INTERNATIONAL SERIES AT THE GRANADA THEATRE American Riviera Bank is your community bank; owned by our employees, customers and local shareholders — people just like you. We know our customers and they know us. It’s a different kind of relationship. It’s better. Reinhard Winkler Come visit a branch, you’ll feel the difference when you walk in the door. Andreas Bitesnich BRUCKNER ORCHESTRA LINZ DENNIS RUSSELL DAVIES Conductor Santa Barbara Montecito Goleta Online Mobile App ROBERT McDUFFIE Violin TUESDAY, FEBRUARY 7, 2017, 8PM AmericanRivieraBank.com | 805.965.5942 The Granada Theatre (Santa Barbara Center for the Performing Arts) COMMUNITY ARTS MUSIC ASSOCIATION OF SANTA BARBARA, INC “Cottage’s iMRI technology offered me a different path to treat my brain tumor.” Shortly after her procedure, Corby was back to hiking her favorite trail. Corby Santa Maria JACK WILKINSON SMITH (1873-1949) “HIGH SIERRAS” 1937 FRAMED OIL ON BOARD || 12” HIGH X 16” WIDE When doctors diagnosed Corby with a brain tumor they believed was difficult to treat, they STEWART recommended an intraoperative magnetic resonance imaging procedure (iMRI). The Santa FINE ART Barbara Neuroscience Institute at Cottage is one of just a handful of hospitals in the nation ESTABLISHED 1986 DIANE WARREN STEWART who offer this specialized medicine. Our advanced imaging system provides neurosurgeons with the clearest images during brain surgery, helping them remove the most difficult to treat tumors. iMRI technology provides some patients with a different path and helps reduce Specializing in early California Plein the likelihood of an additional procedure. -
The History of Rock Music - the Eighties
The History of Rock Music - The Eighties The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Singer-songwriters of the 1980s (These are excerpts from my book "A History of Rock and Dance Music") Female folksingers 1985-88 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Once the effects of the new wave were fully absorbed, it became apparent that the world of singer-songwriters would never be the same again. A conceptual mood had taken over the scene, and that mood's predecessors were precisely the Bob Dylans, the Neil Youngs, the Leonard Cohens, the Tim Buckleys, the Joni Mitchells, who had not been the most popular stars of the 1970s. Instead, they became the reference point for a new generation of "auteurs". Women, in particular, regained the status of philosophical beings (and not only disco-divas or cute front singers) that they had enjoyed with the works of Carole King and Joni Mitchell. Suzy Gottlieb, better known as Phranc (1), was the (Los Angeles-based) songwriter who started the whole acoustic folk revival with her aptly-titled Folksinger (? 1984/? 1985 - nov 1985), whose protest themes and openly homosexual confessions earned her the nickname of "all-american jewish-lesbian folksinger". She embodied the historic meaning of that movement because she was a punkette (notably in Nervous Gender) before she became a folksinger, and because she continued to identify, more than anyone else, with her post- feminist and AIDS-stricken generation in elegies such as Take Off Your Swastika (1989) and Outta Here (1991). -
Synch/Unsynch
© Museum Tusculanum Press 2007 SYNCH/UNSYNCH Sven-Erik Klinkmann In the thriller Collateral (2004), Tom Cruise is a standing of the concept of synchronization, are the contract killer called Vincent. There is a scene de- work done by Adam (1990, 2004) and Grosz (1999, picting a shoot-out in a Korean night club in East 2004). Time can of course be understood from sev- Los Angeles. Filmed with hand-held cameras and eral different angles. Time can be seen from the accompanied by the noise of shooting and relentless point of view of compression, durability, movement, disco music, the space of the night club shoot-out pointedness, recurrence, speed, situatedness, etc. collapses as in a major catastrophe (or catastrophe A central proposition here is that the concept of movie) as we watch the scene. Bodies are thrown digital real time has proven to be something of an towards each other and onto the floor. But as much Archimedean fixation point, at the same time ab- as the scene depicts a powerful eruption of entropy, solute and relative, both fixed and forever flowing chaos, and cultural kinesthesis (see O’Dell 2004), into the becoming, into future. The “absolute real the scene can also be understood as an example of time” of digitality has enforced the concept of now cultural synchronization. At the same time as eve- and at the same time given cultural synchronization rything crumbles, the relentless and intoxicating a boost. As Gere (2004) has noted, ‘real time’ also rhythms of the dance music played in the night club stands for the more general trend towards instanta- actually seem to gather kinesthetic energy from the neity in contemporary culture, involving increasing shoot-out (Klinkmann 2005). -
Dark Night of the Soul
Danger Mouse And Sparklehorse - Dark Night Of The Soul Uncut has reviewed plenty of obscure albums in its time but this may be a first: an album that doesn’t officially exist. As a result of some undisclosed contractual snafu, EMI put the mockers on Dark Night Of The Soul just as it was being readied for release. Undeterred, Danger Mouse pressed ahead anyway, offering Dark Night… as a limited edition photo book featuring David Lynch ’s “visual narrative” for the project, accompanied by a blank, recordable CD and the not-so-cryptic instruction to “use it as you will”. Though careful not to say as much, Danger Mouse was essentially encouraging us to bootleg his own LP, which by this point had mysteriously surfaced on file-sharing networks. Danger Mouse has form in this area, of course. The Grey Album , his inventive mash-up of Jay-Z and The Beatles , also aroused the wrath of EMI, who held the rights to The White Album . It made his reputation, if not his fortune, so he knows the value of peer-to-peer propaganda. On the other hand, Danger Mouse’s clever feint here may just have succeeded in adding a layer of intrigue to a project which, despite its impressive cast list, is not as fascinating as its creators probably hoped. Take Gorillaz ’s Demon Days, substitute Sparklehorse ’s Mark Linkous for Damon Albarn , and David Lynch ’s murky snapshots of sinister smalltown America for Jamie Hewlett ’s anarchic cartoons, and you’ve got the basic idea of Dark Night… There are some big-name cameos – Iggy Pop , Frank Black , a surprisingly compelling Suzanne Vega – but it’s questionable whether a collaborative free-for-all was the best way to approach a concept album about loss of faith; dark nights of the soul, by their very nature, usually demand to be suffered in isolation. -
Suzanne Vega Tom's Diner Mp3, Flac, Wma
Suzanne Vega Tom's Diner mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Tom's Diner Country: UK Released: 1987 Style: Synth-pop MP3 version RAR size: 1774 mb FLAC version RAR size: 1872 mb WMA version RAR size: 1368 mb Rating: 4.1 Votes: 745 Other Formats: DXD DMF VOC MMF TTA AA APE Tracklist Hide Credits Tom's Diner 1 2:08 Executive-producer – Ronald K. FiersteinProducer – Lenny Kaye, Steve Addabbo Left Of Center 2 3:32 Music By – Steve AddabboPiano – Joe JacksonProducer – Arthur Baker, Steve Addabbo Tom's Diner (Live) 3 2:30 Engineer, Mixed By – Steve Addabbo Luka (Live) 4 3:56 Engineer, Mixed By – Steve Addabbo Credits Photography By – Richard Croft Written-By – Suzanne Vega Notes Tracks 3, 4 recorded live at The Royal Albert Hall 1) (P)1987 A & M Records Inc. 2) (P)1986 A & M Records Inc. 3, 4) (P)1987 A & M Records Ltd. (C)1987 A & M Records Ltd. Other versions Category Artist Title (Format) Label Category Country Year Suzanne Tom's Diner (7", VEGA2 A&M Records VEGA2 UK 1987 Vega Single) COL-8699, Suzanne Collectables, COL-8699, Tom's Diner (7") US Unknown 75021 8699 7 Vega Collectables 75021 8699 7 Suzanne 390 223-7 Tom's Diner (7") A&M Records 390 223-7 Europe 1987 Vega Suzanne Tom's Diner 392 223-1 A&M Records 392 223-1 Spain 1987 Vega (12", Single) Suzanne 7Y3062 Tom's Diner (7") A&M Records 7Y3062 Japan 1987 Vega Related Music albums to Tom's Diner by Suzanne Vega Suzanne Vega - The Best Of Suzanne Vega: Tried And True Suzanne Vega - Men In A War Suzanne Vega - 99.9 F° Suzanne Vega - Trois Titres Live Acoustiques Inédits Suzanne Vega - Luka (Version En Español) Suzanne Vega - Tom's Diner (House & Breaks Remix's) Suzanne Vega - Suzanne Vega Suzanne Vega - Close-Up Vol 2, People & Places Suzanne Vega - Live In London 1986 Suzanne Vega - Solitude Standing. -
Suzanne Vega the Best of Suzanne Vega: Tried and True Mp3, Flac, Wma
Suzanne Vega The Best Of Suzanne Vega: Tried And True mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: The Best Of Suzanne Vega: Tried And True Country: Canada Released: 1998 Style: Folk Rock, Pop Rock, Synth-pop, Indie Rock MP3 version RAR size: 1393 mb FLAC version RAR size: 1211 mb WMA version RAR size: 1382 mb Rating: 4.4 Votes: 247 Other Formats: DMF VQF MP4 AIFF WAV RA MIDI Tracklist Hide Credits 1 –Suzanne Vega Luka 3:52 Tom's Diner 2 –DNA 3:49 Featuring – Suzanne Vega 3 –Suzanne Vega Marlene On The Wall 3:40 4 –Suzanne Vega Caramel 2:53 5 –Suzanne Vega 99.9F° 3:15 6 –Suzanne Vega Small Blue Thing 3:54 7 –Suzanne Vega Blood Makes Noise 2:28 Left Of Center 8 –Suzanne Vega 3:32 Piano – Joe Jackson 9 –Suzanne Vega In Liverpool 4:41 10 –Suzanne Vega Gypsy 4:04 11 –Suzanne Vega Book Of Dreams 3:22 12 –Suzanne Vega No Cheap Thrill 3:09 13 –Suzanne Vega World Before Columbus 3:26 14 –Suzanne Vega When Heroes Go Down 1:54 15 –Suzanne Vega The Queen And The Soldier 4:48 16 –Suzanne Vega Book & A Cover 3:49 17 –Suzanne Vega Rosemary 2:43 Credits Co-producer – Mitch Easter (tracks: 10) Engineer – Geoff Keehn (tracks: 11), Patrick McCarthy* (tracks: 11) Executive Producer – Ronald K. Fierstein (tracks: 1-3, 6, 8, 10, 11, 15) Mixed By – Hugh Padgham (tracks: 11), Tchad Blake (tracks: 4, 5, 7, 9, 12 - 14, 16, 17), Tchad Blake (tracks: 4, 5, 7, 9, 12-14. -
The Long and Winding Road
fr- ' i Pm sure people see me as a screaming redhead with big boobs, but Pve got things to say n d a m w a s ® ! * 7 ARTSWEEK CONTEST P. 7BÜ! U T need to find somewhere that’ll do you’re good, but that’s not a story.*” I me a good bleach.... It’s peroxide at Looking back it seems strange how a band "*■ the moment. I had it bleached for THE LONG AND with fantastic tunes and what is actually a years, but then I gave it a rest for six months fantastic story behind the band members ’cos it all started to turn into like Barbie Doll WINDING ROAD themselves didn’t merit 1,000-word articles hair, snapping off and that, but nowit’s back and cover stories. Frontman Crispin Hunt’s on the old blond. Blond’s do have more fun, JOLIE LASH GOES ON AND ON ABOUT THE LONGPIGS own story is such an amazing tale of human I’ve discovered.” I triumph that you’d expect him to have not only hundreds of Longpigs bassist, the once brown-coiffed Simon Stafford, I press clippings about it, but an autobiography in progress is on the phone in Charleston, N.C., and he’s talking about I and a deal with Hollywood for motion-picture rights. his hair. Main songwriter Crispin’s story starts out with a child- ”1 don’t like having [fluorescent] red hair. I had red hair I hood spent in gaiety on a self-sufficient hippy farm, “where for a while. -
10,000 Maniacs Beth Orton Cowboy Junkies Dar Williams Indigo Girls
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SUZANNE VEGA Biography
SUZANNE VEGA Biography Widely regarded as one of the foremost songwriters of her generation, Suzanne Vega will release her latest album, An Evening of New York Songs and Stories, on September 11, 2020 (Amanuensis/Cooking Vinyl). “I recorded these songs at the Café Carlyle in New York City,” Vega says of the album. “It’s a small, exclusive club that has hosted legends from Eartha Kitt to Judy Collins, and is also known to be the place where Jackie Kennedy met Audrey Hepburn. I love it for its bohemian old-world glamour! I included songs that were inspired by New York City or for which New York provided the backdrop, including “Walk on the Wild Side” by my late, great friend, Lou Reed—a song I rarely heard him sing himself.” An Evening of New York Songs and Stories finds Vega backed by longtime guitarist and musical director Gerry Leonard, bassist Jeff Allen and keyboardist Jamie Edwards. Produced by Leonard, mixed by Grammy Award-winning engineer Kevin Killen and mastered by Grammy Award winner Bob Ludwig, the album was recorded in early 2019 and includes familiar songs like “Luka” and “Tom’s Diner” and deep cuts from Vega’s catalog including “Frank and Ava” and “Ludlow Street.” The mix of repertoire also features “New York Is My Destination” from Lover, Beloved: Songs from an Evening with Carson McCullers, Vega’s 2016 album from her one-woman play about the Southern gothic novelist Carson McCullers. Vega emerged as a leading figure of the folk-music revival of the early 1980s when, accompanying herself on acoustic guitar, she sang what has been called contemporary folk or neo-folk songs of her own creation in Greenwich Village clubs. -
Jazz London Radio Playlist for International Women's Day, 8 March 2021 Title Artist Album Album
Jazz London Radio Playlist for International Women’s Day, 8th March 2021 Title Artist Album Album Art Ghost Butter Joanne Brackeen Pink Elephant Magic 1999 More Than Another Lisa Hilton More Than Another Day Day 2021 La Terza Via Cecilia Sanchietti La Terza Via 2017 La Flambeur Andrea Vicari Mango Tango 2007 Pockets Clare Hirst A Collection of Unreleased Tracks. 2020 Racing A Butterfly Anne Mette Iversen Racing A Butterfly Quartet +1 2020 Split Kick Allison Neale Quietly There 2020 The Life Of A Song Geri Allen The Life Of A Song 2004 Small World Ensemble C Small World 2020 Orinoco Lane Shirley Smart Long Story Short 2018 Lokma Rebecca Nash Peaceful King 2019 Your Path Susanna The Siren Aleksandra Feat. Joonas Haavisto 2021 Light and Shade ISQ TOO 2015 The Idea Fini Bearman Burn The Boat 2016 Slow Exhale Liv Monaghan Slow Exhale 2018 Main Street Parade Louise Goffin Songs From The Mine 2014 The Photograph The Rheingans Receiver Sisters 2020 Love Thy Neighbor Carmen Lundy Soul to Soul 2014 Ebony and Ivory Esperanza Spalding Emily’s D+Evolution 2017 Ona Thana Alexa Ona 2020 Life Goes On Hiromi Alive 2014 Montezuma's The Guest Stars Out At Night Mother 1985 Life Goes On Zoe Schwarz Blue Chameleon Commotion 2020 Who Stole My Shemekia Copeland The Soul Truth Radio 2005 Wang Dang Doodle Koko Taylor Nothin' But The Blues [Disc 4] 2000 Lonely On Beale Heather Newman Rise From The Flames 2019 Run Sue Foley The Ice Queen 2018 London Bites She Makes War Brace For Impact 2018 Over The Edge Jane Getter Three 2013 Old Town News Curved Air North Star 2014 If Only We Were The Juliana Hatfield Whatever My Love Dogs Three 2015 Zephyr & I Suzanne Vega Beauty & Crime 2007 This Is The Ice Age Martha & The This Is The Ice Age Muffins 1981 Toss The Feathers The Corrs Forgiven, Not [Instrumental] Forgotten 1995 . -
Grimoire 1989
La Salle University La Salle University Digital Commons Grimoire University Publications 1989 Grimoire 1989 La Salle University Follow this and additional works at: https://digitalcommons.lasalle.edu/grimoire Recommended Citation La Salle University, "Grimoire 1989" (1989). Grimoire. 50. https://digitalcommons.lasalle.edu/grimoire/50 This Book is brought to you for free and open access by the University Publications at La Salle University Digital Commons. It has been accepted for inclusion in Grimoire by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. The editorial staff proudly presents the 1989 Grim oire. This is our 19th issue, and there will be more to come. Each year the best efforts of La Salle's student community are compiled into this “magic book”. The editorial staff would like to honor three individuals from the La Salle community for their influence on the students’ growth at La Salle. IN MEMORIAM This year La Salle University lost an uncommon instructor. Brother Richard Hawley, F.S.C. was, and to many still is, the most highly regarded educator in the Biology department at La Salle. Because of his reputation, Brother Richard was awarded the Lindback award for distinguished teaching in 1976. His responsibility to his students (in all disciplines — science, humanities and business) did not end when the bell rang. Brother Hawley’s concern for the extra-curricular growth of students was demonstrated in his advisement of one of La Salle’s fraternities. On April 28, 1989, Brother Hawley will be commemorated by La Salle’s science community in the bestowal of the annual Holroyd Award.