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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
MORGAN KENNEDY Production Designer
MORGAN KENNEDY Production Designer COMMERCIALS (partial list) Ford, *Ikea, Coca Cola, McDonald’s, Beats, Vodafone, Yves Saint Laurent, Philips, Kit Kat, Jagermeister, Nikon, Malibu, Orange, KVIFF, Suzuki, Hugo Boss, Davidoff, Google Chrome, O2, Orbis, Schwarma, Johnny Walker, HP, Pot Noodle, Bud Ice, Sainsbury’s, Boots, Adidas, Rimmel, Freesat, Activia, 3 Mobile, Samsung, Halifax, Deichmann Shoes, Heineken, AMD, Sudafed, British Gas, ESP, Baileys, Green Giant, Chivas Regal, H&M, Carmignac, Hugo Boss, Nike, Volvo, Head & Shoulders, Crunchy Nut, Capital FM, Kellogg’s, Cinzano, Grazia, Daygum, Dove, EA Games, TJ Maxx, Special K, Grancereale, Kronenbourg, Telefonia, Olay, Nintendo, Daks, RSPCA, Cadbury’s, WH Smith *2013 British Arrow Craft Awards Nomination – Best Production Design MUSIC VIDEOS (partial list) *Dua Lipa, Taylor Swift, 50 Cent & Justin Timberlake, Muse, Oasis, The Kooks, Alesha Dixon, Take That, Snow Patrol, **Biffy Clyro, Pete Doherty, Glas Vegas, Kasabian, Imogen Heap, Guillemots, Il Divo, Kings of Leon, Shania Twain, The Streets, Sugababes, Lucia Silvas, Funeral for a Friend, Candice, Agent Provocateur *2017 UK Music Video Awards Nomination – Best Pop Video “IDGAF” **2010 NME Awards Winner – Best Music Video “Captain” DIRECTORS (partial list) Chris Applebaum, Arni & Kinski, Casper Balslev, Katie Bell, Ben & Joe, Steve Bendelack, Big TV!, Sarah Chatflied, Simon Cole, Patrick Daughters, Es Devlin, Eden Diebel, Sara Dunlop, Steve Dunn, Sean Ellis, Zac Emerson, Scott, Fatima, Luke Forsythe, Romain Gavras, Paul Gore, Ben Gregor, -
Singer-Songwriter Jesse Winchester Here Friday
Singer-songwriter Jesse Winchester here Friday BY GEORGE VARGA SEPTEMBER 8, 2010 JESSE WINCHESTER Not many musicians can simultaneously make Elvis Costello choke up and bring Neko Case to tears with an unadorned solo acoustic performance of a single song. But that’s exactly what veteran troubadour Jesse Winchester did last fall in New York when he sang his wonderfully poignant ballad about two teenagers in love, “Sham-A-Ling-Dong-Ding,” a standout number from his enchanting 2009 album, “Love Filling Station.” You can watch it here: http:/www.youtube.com/watch?v=5uKGWpqnS8E%20 The setting was Harlem’s famed Apollo Theater, where Costello’s Sundance TV music series, “Spectacle,” filmed its first two seasons in front of loudly appreciative audiences. Louisiana native Winchester — who appeared on an episode alongside Costello, Case, Sheryl Crow and Ron Sexsmith — quietly stole the show with that song and an equally spare but stunning version of “The Brand New Tennessee Waltz,” an understated classic from his 1970 debut album. “Doing ‘Spectacle’ has been a big boost for my career,” said Winchester, who kicks off a five- city California tour here Friday night at the all-ages AMSD Concerts (formerly Acoustic Music San Diego) in Normal Heights. “I’m working at least twice as much as I used to. But I’m not really well known, so ‘twice as much’ for me is still not the same as for a really popular act.” In 2007, Winchester received a Lifetime Achievement Award from the American Society of Composers, Artists and Publishers. That he is not a household name stems from a simple twist of fate. -
While in Denver for the Conference, Be Sure to Set Aside Some Time to Explore the Mile‐High City’S Exciting Blend of Outdoor Adventure and Urban Sophistication
While in Denver for the conference, be sure to set aside some time to explore the mile‐high city’s exciting blend of outdoor adventure and urban sophistication. The conference location is immediately adjacent to the 16th Street Mall, a festive mile‐long pedestrian promenade with outdoor shopping, restaurants, and Denver's best people‐watching. Within easy walking distance you’ll find Larimer Square, www.larimersquare.com, a trendy block of Victorian buildings offering chic shopping, clubs, outdoor cafes and a dozen of Denver's best restaurants. LoDo (Lower Downtown) Historic District www.lodo.org/ Be sure to check out LoDo, Denver's happening historic district with turn‐of‐the‐ century warehouses, brewpubs, sports bars, restaurants, and rooftop cafes and the famous Tattered Cover Bookstore www.tatteredcover.com/ Denver Center for the Performing Arts www.denvercenter.org/Home.aspx Currently featuring several performances including: Memphis, The Giver, Fences, The Three Musketeers, and I Love You You’re Perfect Now Change Denver Art Museum www.denverartmuseum.org Denver Botanic Gardens www.denverbotanicgardens.org Denver Museum of Nature and Science www.dmns.org Denver Zoo www.denverzoo.org Coors Field (Home of the Colorado Rockies) http://colorado.rockies.mlb.com/col/ballpark/index.jsp Colorado History Museum www.historycolorado.org/ Colorado State Capitol www.state.co.us Stand exactly 5,280 feet above sea level (one mile high!) on the west steps, then climb to the rotunda for a panorama of snowcapped peaks. It is against state law to block the view of the 200 named mountains visible from the dome. Free tours on weekdays. -
UNIVERSITY of COLORADO BOULDER 505939 UC Lawcover3 6/12/12 11:42 AM Page 2
505939 UC LawCover2 6/11/12 3:08 PM Page 1 UNIVERSITY OF COLORADO BOULDER 505939 UC LawCover3 6/12/12 11:42 AM Page 2 Table of Contents Welcome 1 Boulder 2 Colorado Law 4 Academics 6 Experiential Learning 9 Research Centers 11 Student Life 12 Career Development 14 Faculty 17 Admissions and Financial Aid 19 Student Body IBC UNIVERSITY OF COLORADO BOULDER Office of Admissions 403 UCB Boulder, CO 80309-0403 [email protected] 303-492-7203 This viewbook is a statement of current practices, but it does not establish a contract. The University of Colorado Law School and the Board of Regents of the University of Colorado retain the right to modify the information about the Law School at any time. The University of Colorado does not discriminate on the basis of race, color, national origin, sex, age, disability, creed, religion, sexual orientation, or veteran status in admission and access to, and treatment and employment in, its educational programs and activities. Editing by Kristine Jackson and Keri Ungemah, Colorado Law School, and Michelle Asakawa, CU-Boulder University Communications Project Management by Kim Warner, CU-Boulder Marketing and Creative Services Design and Production by Barb Diehl and Michael Campbell, CU-Boulder Mar- keting and Creative Services Photography by Casey A. Cass, Glenn Asakawa, and Patrick Campbell, University Communications, except for photo of Ryan Haygood, page 16, courtesy of Colorado College Printed on recycled paper, June 2012. www.colorado.edu/law 505939 UC LawText2 6/11/12 3:09 PM Page 1 WELCOME Selecting a law school is a momentous and individual decision. -
RON SEXSMITH TILBAKE MED NYTT ALBUM "CAROUSEL ONE" Slippes Via Cooking Vinyl 30 Mars 2015
04-02-2015 13:00 CET RON SEXSMITH TILBAKE MED NYTT ALBUM "CAROUSEL ONE" Slippes via Cooking Vinyl 30 mars 2015 Den kanadiske singer-songwriteren Ron Sexsmith annonserer i dag sitt nye album, Carousel One, slippes mandag 30 mars 2015. Carousel On er produsert av Jim Scott og har en imponerende liste av studiomusikere, blant andre Bob Glaub (John Lennon), Jon Graboff (John Lee Hooker, Dr. John), Don Heffington (Bob Dylan) och John McGinty (Dixie Chicks). Carousel One har fått sitt navn fra bagasjebandet på Los Angeles flyplass der innkommende fly fra Toronto ruller rundt. I fjor fikk Ron Sexsmith for tredje gang ta imot en Juno Award (Canadas største musikkpris), denna gangen ”Best Adult Alternative Album” for plata Forever Endeavour. Om arbeidet med Carousel One sier Ron; “I didn’t realize until we were putting the songs together for Carousel One that this would be more outgoing, there's a lot more humour, I mean, there’s even a smiling picture on the cover, which I’ve never had before. I just hope it doesn’t scare the children.” Tracklist: 1. Sure As The Sky 2. Saint Bernard 3. Loving You 4. Before The Night Is Gone 5. Lucky Penny 6. Getaway Car 7. Nothing Feels The Same Anymore 8. Sun’s Coming Out 9. Lord Knows 10. All Our Tomorrows 11. No One 12. Can’t Get My Act Together 13. Tumbling Sky 14. Many Times Hi-res pressebilde HER FROM THE DESK OF HENRIK HAAGENSEN Promotion PLAYGROUND MUSIC NORWAY TEL: +47 458 11 727 MAIL: [email protected] REPRESENTING:4AD - BAD TASTE - CITY SLANG - DOMINO - DRAMATICO - EAGLE vision/Rock - EAR MUSIC/EDEL - EPITAPH/ANTI - FRONTIERS - GRANDMONO - KOBALT - MATADOR - NAIVE - NETTWERK - NINJA TUNE - ONE LITTLE INDIAN - RELAPSE - ROUGH TRADE - SECRETLY CANADIAN - SUBPOP - XL RECORDINGS Kontaktpersoner Magni Sørløkk Pressekontakt Promotion Manager [email protected] +4748092018. -
THE MAN WHO INVENTED CHRISTMAS By
THE MAN WHO INVENTED CHRISTMAS by Susan Coyne (Based on the book: The Man Who Invented Christmas By Les Standiford) December 1, 2016 Shooting Script December 16, 2016 Blue Revisions January 5, 2017 Pink Revisions January 8, 2017 Yellow Revisions Producers: Robert Mickelson Mystic Point Productions 310-450-1435 Vadim Jean, Ian Sharples The Mob Film Co Tel: +44 (0) 20 3535 8969 Paula Mazur, Mitchell Kaplan Mazur/Kaplan Company 310-450-5838 The Man Who Invented Christmas Yellow Revisions January 8, 2016 1 THE MAN WHO INVENTED CHRISTMAS FADE IN: 1 CARD: NEW YORK CITY. JUNE. 1841 1 In darkness we hear: DICKENS (V.O.) Dear Forster... How can I give you the faintest notion of my reception here in America? 2 OMIT 2 3 OMIT 3 4 INT. DRESSING ROOM - CONTINUOUS 4 A STAGE MANAGER knocks and calls out in a Brooklyn accent: STAGE MANAGER (O.S.) Five minutes...five minutes Ink stained fingers fumble with silver CUFF LINKS. A pair of BOOTS is smartly buffed. A brightly coloured SILK SCARF is adjusted. DICKENS (V.O.) Of the crowds that pour in and out the whole day; of the people that line the streets when I go out... In the mirror, the writer (CHARLES DICKENS) looking like an English rock star in his prime (silk blouse, tight trousers, velvet jacket), fusses with the locks on his forehead, then steps back and regards himself critically. DICKENS (V.O.) ....of the balls, dinners, speeches, parties, assemblies without end. There never was a king or Emperor upon the Earth, so cheered. -
Oslo 5—8 June 2013
OSLO 5—8 JUNE 2013 MachineDreams ‘Everywhere it is machines – real ones, not figurative ones: machines driving other machines, machines being driven by other machines, with all the necessary couplings and connections. An organ-machine is plugged into an energy- source-machine: the one produces a flow that the other interrupts.’ Gilles Deleuze & Felix Guattari, Anti Oedipus: Capitalism and Schizophrenia In our software-operated society celebrations of the vanishing white noise we use surfaces on flat, shiny objects between FM stations where voices are to access information and heard fading in and out of range; an entertainment. And through these examination of the vocoder, a human- objects we communicate. voice scrambling machine born within the But when machines began to US military which went on to define the make their way into everyday life sound of electro; explorations of time following the Industrial Revolution, machines; mechanical pianos; machines the prospect of automation was met transforming images into sound and vice with fear as well as euphoria; with the versa; customised sonic tools as well as concern that some important human obsolete technology which seemed to dimension might be lost. The American offer the possibility of communication writer Henry David Thoreau wrote in with another world altogether. 1854, in the opening chapter of Walden: The ‘progress’ which machines “We are in great haste to construct are said to bring has always had its a magnetic telegraph from Maine to supporters and its critics. Through Texas, but Maine and Texas, it may our diverse programme, we hope to be, have nothing to communicate”. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
BLUETONES! O L
The Weekly Arts and Entertainment Supplement to the Daily Nexus Are you worried at all about coming to America to try and find success? SM: I think if you go anywhere, you go open-minded just to see what the people are like. You don’t go with preconceptions. I think we’re just waiting. We’re waiting for when there’s a demand and when people do actually want to go and see us. I’m talking about the fans. _ How would you describe your music to someone from California? EC: It’s rock ’n’ roll, really. The Bluetones are a band from Houndslow, England, which, in case your English SM: Melodic guitar rock. Pop music. We’re influenced by a lot of West Coast Ameri geography is not up to par, is near Heathrow Airport in London. This fine quartet, com can stuff from the ’60s— Crosby, Stills & Nash, Buffet, The Byrds, Buffalo Springfield. prised of singer/lyricist Mark Morriss, bassist Scott Morriss, drummer Eds Chesters Do you see yourself as a primarily English band? and guitarist Adam Devlin, gets my vote for the best new pop band out of Britain. SM: We don’t like flying flags in foreign countries or anything. That’s a load of rub They’ve honed their skills on tour with the likes of Supergrass, while the less talented bish. The thing that’s happening is that they’re trying to promote “Britpop” in America scruffs got all the attention. right now. However, in January, the hounds were released in the form of the Bluetones’ first EC: It’s bollocks. -
Lpreviews Cdreviews
LPreviews CDreviews Richad Ashcroft & The United False Llghts fromthe land, EP Dark Night of the Soul WeAn NationsofSound Richard Hawley, Danger Mouse and Sparklehorse, Sor.nrdt EMl,/Parlophone{995 EMIlMute Records {595 Capitolt395 t* *** *** Thatbanging Richard Danger on the keys, Hawley's Mouseisthe thatclack- uncommon tallerhaHof clacking baritone, as theoddcou- background, reminiscentof pleGnarls andthat ballad-eers Barkleywho jangling... the likeRoy gaveusup- We'rea jangling. From the firstnote of Orbison and Pat Boone as it is of tempohits inspira the sullen and lyrical Lenny this record, it's thatjangling that lke " Cr azy" wtd"Rtsn" . On D ark isduel grabs you.It's the same sound Cohen, is brilliantly captured on I,{ieht of the Sotll,however, Brian IerryLr that made you sit up and make EMI's new audiophile-grade vinyl Burton teams up with melancholic appear note of a Brit rock band named records. That isn't to imply that I\4ark Linkous aka Sparklehorse and KholKr TheVerve. Andyes, Richard Paul Hawley's brand of rock, part folk nighfrnare-director David Lynch to 'Jailho "Verveguy", partgospel, is Ashcroftis that who dated; his create- a sound-and-vision project. songth made shoegazing an art form. The songwriting and production mark Burton's trademark snap-crack- in1957 Verve may have gone down as the him out as the creativepeer of le hip-hop rhythms are conspicu- themrx most volatile band after Oasis, bands like the Arctic Monkeys, ous by their absence. It s like Loyha, and after a thirdbreakup in 2009, Radiohead and REM, even if his Linkous poured the glacial strum- clearth that Verve guy gathered a few brand of music makes for rather ming of folksy guitars all over them bigate sessions artists to forge RPA & more mellow, reflective listening. -
A Better Kind of Bank
A Kind of Bank Better Presenting the world’s finest classical artists since 1919 2016|2017 INTERNATIONAL SERIES AT THE GRANADA THEATRE American Riviera Bank is your community bank; owned by our employees, customers and local shareholders — people just like you. We know our customers and they know us. It’s a different kind of relationship. It’s better. Reinhard Winkler Come visit a branch, you’ll feel the difference when you walk in the door. Andreas Bitesnich BRUCKNER ORCHESTRA LINZ DENNIS RUSSELL DAVIES Conductor Santa Barbara Montecito Goleta Online Mobile App ROBERT McDUFFIE Violin TUESDAY, FEBRUARY 7, 2017, 8PM AmericanRivieraBank.com | 805.965.5942 The Granada Theatre (Santa Barbara Center for the Performing Arts) COMMUNITY ARTS MUSIC ASSOCIATION OF SANTA BARBARA, INC “Cottage’s iMRI technology offered me a different path to treat my brain tumor.” Shortly after her procedure, Corby was back to hiking her favorite trail. Corby Santa Maria JACK WILKINSON SMITH (1873-1949) “HIGH SIERRAS” 1937 FRAMED OIL ON BOARD || 12” HIGH X 16” WIDE When doctors diagnosed Corby with a brain tumor they believed was difficult to treat, they STEWART recommended an intraoperative magnetic resonance imaging procedure (iMRI). The Santa FINE ART Barbara Neuroscience Institute at Cottage is one of just a handful of hospitals in the nation ESTABLISHED 1986 DIANE WARREN STEWART who offer this specialized medicine. Our advanced imaging system provides neurosurgeons with the clearest images during brain surgery, helping them remove the most difficult to treat tumors. iMRI technology provides some patients with a different path and helps reduce Specializing in early California Plein the likelihood of an additional procedure.