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Romy Schneider
THEMA PROGRAMMATION SPÉCIALE 10 ANS ! Romy Schneider Il y a tout juste vingt ans, le 29 mai 1982, Romy Schneider disparaissait. Sacrée star à 17 ans avec la série des Sissi, elle était devenu l’actrice préférée des français, sous la direction des plus grands réalisateurs (Visconti, Welles, Sautet, Costa-Gavras…), et avait imposé un personnage de femme solaire et déchirée. Thema lui rend hommage avec un film et un documentaire inédit. 20.45-23.50 dimanche 26 mai 2002 Contact presse : Grégoire Mauban / Dorothée van Beusekom / Souad Khaldi - 01 55 00 70 42 / 73 25 / 70 43 Michaël Morlon - 01 53 96 94 04 (Cinétévé) www.arte-tv.com 20.45 La banquière Film de Francis Girod (France, 1980-2h10mn) Scénario : Georges Conchon, Francis Girod Avec : Romy Schneider (Emma Eckhert, la banquière), Jean-Louis Trintignant (Horace Van n i s t e r ) , Jean-Claude Brialy (Paul Cisterne), Claude Brasseur (Largué), Jacques Fabbri (Moïse Nathanson), Jean Carmet (Du Vernet), Noëlle Chatelet (Camille Sowcroft), Marie-France Pisier (Colette Lecoudray) Image : Bernard Zitzermann Musique : Ennio Morricone Production : Ariel Zeitoun, Partners Production, FR3, SFP, Gaumont Dans le Paris des années folles, une belle banquière fait trembler le monde de la finance et des bonnes mœurs. Romy Schneider majestueuse, admirablement entourée de Jean-Louis Trintignant, Jean-Claude Brialy et Claude Brasseur. Emma Eckhert est une femme belle, aimant la vie, le luxe et la puissance. Ses spéculations en Bourse en font l’une des banquières les plus populaires de Paris : grâce aux affaires qu’elle réalise, elle peut se permettre d’offrir des intérêts de 8 % à ses clients, alors que les banques n’en accordent que de 1 %. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
43E Festival International Du Film De La Rochelle Du 26 Juin Au 5 Juillet 2015 Le Puzzle Des Cinémas Du Monde
43e Festival International du Film de La Rochelle du 26 juin au 5 juillet 2015 LE PUZZLE DES CINÉMAS DU MONDE Une fois de plus nous revient l’impossible tâche de synthétiser une édition multiforme, tant par le nombre de films présentés que par les contextes dans lesquels ils ont été conçus. Nous ne pouvons nous résoudre à en sélectionner beaucoup moins, ce n’est pas faute d’essayer, et de toutes manières, un contexte économique plutôt inquiétant nous y contraint ; mais qu’une ou plusieurs pièces essentielles viennent à manquer au puzzle mental dont nous tentons, à l’année, de joindre les pièces irrégulières, et le Festival nous paraîtrait bancal. Finalement, ce qui rassemble tous ces films, qu’ils soient encore matériels ou virtuels (50/50), c’est nous, sélectionneuses au long cours. Nous souhaitons proposer aux spectateurs un panorama généreux de la chose filmique, cohérent, harmonieux, digne, sincère, quoique, la sincérité… Ambitieux aussi car nous aimons plus que tout les cinéastes qui prennent des risques et notre devise secrète pourrait bien être : mieux vaut un bon film raté qu’un mauvais film réussi. Et enfin, il nous plaît que les films se parlent, se rencontrent, s’éclairent les uns les autres et entrent en résonance dans l’esprit du festivalier. En 2015, nous avons procédé à un rééquilibrage géographique vers l’Asie, absente depuis plusieurs éditions de la programmation. Tout d’abord, avec le grand Hou Hsiao-hsien qui en est un digne représentant puisqu’il a tourné non seulement à Taïwan, son île natale mais aussi au Japon, à Hongkong et en Chine. -
GAUMONT PRESENTS: a CENTURY of FRENCH CINEMA, on View Through April 14, Includes Fifty Programs of Films Made from 1900 to the Present
The Museum of Modern Art For Immediate Release January 1994 GAUNONT PRESENTS: A CENTURY OF FRENCH CINEMA January 28 - April 14, 1994 A retrospective tracing the history of French cinema through films produced by Gaumont, the world's oldest movie studio, opens at The Museum of Modern Art on January 28, 1994. GAUMONT PRESENTS: A CENTURY OF FRENCH CINEMA, on view through April 14, includes fifty programs of films made from 1900 to the present. All of the films are recently restored, and new 35mm prints were struck especially for the exhibition. Virtually all of the sound films feature new English subtitles as well. A selection of Gaumont newsreels [actualites) accompany the films made prior to 1942. The exhibition opens with the American premiere of Bertrand Blier's Un deux trois soleil (1993), starring Marcello Mastroianni and Anouk Grinberg, on Friday, January 28, at 7:30 p.m. A major discovery of the series is the work of Alice Guy-Blache, the film industry's first woman producer and director. She began making films as early as 1896, and in 1906 experimented with sound, using popular singers of the day. Her film Sur la Barricade (1906), about the Paris Commune, is featured in the series. Other important directors whose works are included in the exhibition are among Gaumont's earliest filmmakers: the pioneer animator and master of trick photography Emile Cohl; the surreal comic director Jean Durand; the inventive Louis Feuillade, who went on to make such classic serials as Les Vampires (1915) and Judex (1917), both of which are shown in their entirety; and Leonce Perret, an outstanding early realistic narrative filmmaker. -
Londonfilmevent Flyer.Indd
THE CAPTAIN DER HAUPTMANN OH BOY Credits are not contractual for any of the films mentioned in this publication. Screening schedule subject to change. Produced and published by German Films www.german-films.de • [email protected] FACE TO FACE WITH GERMAN TALENT: THE GERMAN FILM WEEKEND was curated by Tim Robey (The Telegraph) and is brought to you by Design: The Dream Factory www.thedreamfactory.eu Printing office: Gemini Print www.gemini-print.co.uk Press contact: Organic Publicity [email protected] Screening: Sunday 23 September 2018 6:00 p.m. Screening: Sunday 23 September 2018 8:30 p.m. © Filmgalerie 451 © Filmgalerie © Schiwago Film Venue: Regent Street Cinema www.regentstreetcinema.com Director Robert Schwentke Director Jan Ole Gerster Genre Drama Genre Tragicomedy Runtime 118 min Runtime 85 min Awards Jury Prize Best Cinematography San Sebastian 2017, Young Jury Award/ Awards Best Screenplay Award Munich 2012, Best Film & Audience Award, The Press Award Special Mention/The 20 Minutes of Audacity Prize Seymour Cassel Award Oldenburg 2012, Special Mention for director Les Arcs 2017, FIPRESCI Award Vilnius 2018, German Film Award 2018 Jan Ole Gerster Zurich 2012, Best Director, FIPRESCI Jury Award & (Best Sound Design) Fedeora Jury Award Bratislava 2012, Red Hering Award & Audience Award Tallinn 2012, Bavarian Film Prize 2012 (Best Actor: Tom Schilling & Best Screenplay), Special Jury Prize & Audience Award Angers 2013, LONDON PREMIERE: in UK cinemas in September, Focus Fox Grand Prix Sofia 2013, German Film Awards 2013 (Best Film: courtesy of Signature Entertainment Gold, Best Screenplay, Best Director, Best Leading Actor, Best Supporting Actor, Best Score) Chancing upon an abandoned uniform, a Wehrmacht deserter poses as a Nazi captain in the final weeks of the war, and finds himself disturbingly Niko (played by award-winning Tom Schilling from the 2017 FACE TO FACE German Films thanks its funding institutions for their support: well-suited to the job. -
Creative Europe Media @ Berlinale
CREATIVE EUROPE MEDIA @ BERLINALE MONDAY 19 FEBRUARY 2018 The Ritz-Carlton, Potsdamerplatz 3, Berlin #EuropeanFilmForum @MEDIAprogEU The aim of the European Film Forum (EFF) is to develop a strategic policy agenda, opening up new perspectives on the challenges and opportunities brought about by the digital revolution. It was set up as the result of a proposal by the European Commission in its 2014 Communication on “European Film in the Digital Era”. In the context of the Commission’s Digital Single Market Strategy, it is essential to discuss how the competitiveness, visibility and innovation capacity of the European audiovisual sector can be enhanced. THE FUTURE OF MEDIA: CONNECTING EUROPEANS THROUGH FILMS Stories are powerful ways of The European Film Forum at the connecting. They build bridges among Berlinale 2018 will be focused on citizens cultures and societies. Films, in and specifically on how the MEDIA particular, reflect the challenges faced Programme of the future will be able to by our societies. Their role has often further connect with them. Discussions been to pave the way for progress, will cover issues such as cultural diversity tolerance, acceptance and inclusion. and how Europe’s quality films can Through creativity and artistic freedom, better reach audiences. The necessity the cinema industry has helped to of strengthening the competitiveness raise awareness on important issues. of Europe’s cinema sector will also be Ultimately, films can touch each debated, in particular given the growing individual with powerful messages importance of promotion and marketing. and thus encourage citizen engagement Prominent stakeholders from the in society. industry, as well as high-level policy- makers both at national and European level, will give their perspectives on these matters and will share their vision on the future of the MEDIA Programme. -
Retrospektive Romy Schneider R E D I E N H C S E Y N I C M S O I P R
Retrospektive Romy Schneider r e d i e n h c S e y N I c m S o I P R A l u z 7 n e t i e b r a h e r D n e d i e b r e d i e n h c S y m o r d n u n o l e D n i a l A , y a r e D s e u q c a J »Ich kann nichts im Leben, Für das große Publikum war Romy Schneider – »un - aber alles auf der Leinwand« sere Romy« – auch immer diese Sissi. Doch die Schau - Dass Romy Schneider zum unsterblichen Mythos ge - spielerin selbst sah das vollkommen anders: »Ich hasse worden ist, liegt auch an ihrem viel zu frühen Tod, über dieses Sissi-Image. Was gebe ich den Menschen den die Presse seinerzeit heftige Spekulationen an - schon, außer immer wieder Sissi. Sissi? Ich bin doch stellte, bis hin zum Verdacht auf Selbstmord. Ganz ähn - längst nicht mehr Sissi, ich war das auch nie. Ich bin lich wie etwa im Fall von Marilyn Monroe oder James eine unglückliche Frau von 42 Jahren und heiße Romy Dean, von Elvis Presley oder Lady Di wurde ihr Tod mys - Schneider.« Das sagte sie 1981, nur ein Jahr vor ihrem tifiziert. Von einem Mythos geht Faszination aus, die Tod. Sie selbst schrieb einmal auf einem ihrer unzähli - Faszination des Unerreichbaren, die Faszination des gen Zettel eine Liste jener Filme auf, die vor ihr selbst Singulären. Und Romy Schneider war, ist singulär. -
September 2014
O ICON September 2014 Dream on! ICON SEPTEMBER 2014 ICON SEPTEMBER ICON SEPTEMBER 2014 ICON SEPTEMBER O ICON 520x365 F-DP MIXED1 GER_A 25/08/14 09:01 Page1 -520x365 - F-DP MIXED1 - GERMANY - Issue Date: 14 SEPTEMBER -520x365 - F-DP MIXED1 - GERMANY Issue Date: 14 (39L) ICON - ICON JUERGEN TELLER Eine Fotoserie kuratiert von ANNIE LEIBOVITZ, JUERGEN TELLER und BRUCE WEBER Erhältlich ausschließlich in Louis Vuitton Geschäften. Tel. 0211 / 86 47 00 louisvuitton.com O ICON 520x365 F-DP MIXED1 GER_A 25/08/14 09:01 Page2 -520x365 - F-DP MIXED1 - GERMANY - Issue Date: 14 SEPTEMBER -520x365 - F-DP MIXED1 - GERMANY Issue Date: 14 (LWC_PLUS_V2_PT) ICON - ICON ANNIE LEIBOVITZ O ALL DP1 ICON 260X365 (X2).indd 1 14/08/2014 14:24 O ALL DP1 ICON 260X365 (X2).indd 2 14/08/2014 14:25 O O O O O O O WWW.WUNDERKIND.COM/SHOP O O moncler.com O O O O DESIGN PORTRAIT. Michel, Sitzsystem design von Antonio Citterio. www.bebitalia.com B&B Italia Stores: München, Maximiliansplatz 21 - Tel. 089 461 368 0 Berlin, Torstrasse 140 - T. +49 3024 0477377 Plz 0 1 2 3 4 5 Andreas Weber T. +49 51305840584 [email protected] Plz 5 6 7 Thomas Köber T. +49 173 7490937 [email protected] Plz 0 7 8 9 Norbert Juelicher - T. +49 172 9572772 [email protected] Icon 260X365SDMichel New.indd 2 29/07/14 15.14 O Icon 260X365SDMichel New.indd 3 29/07/14 15.14 O O ALFRED EISENSTAEDT/THE LIFE PICTURE COLLECTION/GETTY IMAGES) ALFRED EISENSTAEDT/THE Träum weiter, Darling atürlich ist das Foto oben gestellt. -
Quarterly 2 · 2008
German Films Quarterly 2 · 2008 AT CANNES Un Certain Regard WOLKE 9 by Andreas Dresen Cinéfondation GESTERN IN EDEN by Jan Speckenbach Critics’ Week DAS FREMDE IN MIR by Emily Atef PORTRAITS 90 Years of ARRI, Directors Pepe Danquart & Sylke Enders, Producer 23|5 Film, and Actor Andreas Schmidt GERMAN FILMS AND IN THE OFFICIAL PROGRAM OF In Competition In Competition In Competition PALERMO SHOOTING DELTA WALTZ WITH BASHIR by Wim Wenders by Kornél Mundruczó by Ari Folman Producer: Neue Road Movies/Berlin German Co-Producer: German Co-Producer: Razor Film/Berlin World Sales: HanWay Films/London Essential Filmproduktion/Berlin World Sales: The Match Factory/Cologne World Sales: Coproduction Office/Paris Un Certain Regard Cinéfondation Atelier TULPAN GESTERN IN EDEN WOMB by Sergey Dvortsevoy THE OTHER DAY IN EDEN by Benedek Fliegauf by Jan Speckenbach German Co-Producer: Pandora Film/Cologne German Producer: Razor Film/Berlin World Sales: The Match Factory/Cologne Producer/World Sales: Deutsche Film- & Fernsehakademie (dffb)/Berlin Directors’ Fortnight Critics’ Week Critics’ Week SALAMANDRA DAS FREMDE IN MIR DER KLOANE by Pablo Aguero THE STRANGER IN ME by Emily Atef THE RUNT by Andreas Hykade German Co-Producer: Rohfilm/Leipzig & Berlin Producer: NiKo Film/Berlin Producer/World Sales: World Sales: Bavaria Film Studio Film Bilder/Stuttgart International/Geiselgasteig CO-PRODUCTIONS THE CANNES FILM FESTIVAL 2008 In Competition Un Certain Regard Un Certain Regard LE SILENCE DE LORNA WOLKE 9 O’ HORTEN by Jean-Pierre & Luc Dardenne CLOUD 9 by Andreas Dresen by Bent Hamer German Co-Producers: Mogador Film/ Producer: Rommel Film/Berlin German Co-Producer: Pandora Film/Cologne Frankfurt-Berlin & Gemini Film/Cologne World Sales: The Match Factory/Cologne World Sales: The Match Factory/Cologne World Sales: Celluloid Dreams/Paris All photos courtesy of not contractual. -
The Berlinale Issue
GFQ GERMAN FILMS QUARTERLY THE BERLINALE ISSUE NEW GERMAN FILMS AT THE BERLINALE SHOOTING STAR Franz Rogowski DIRECTORS Burhan Qurbani & Ziska Riemann PRODUCER Arne Birkenstock of Fruitmarket Arts & Media ISSUE 1-2018 ACTRESS Henriette Confurius CONTENTS GFQ 1-2018 4 5 6 7 8 10 13 16 32 35 36 49 2 GFQ 1-2018 CONTENTS IN THIS ISSUE IN BERLIN NEW DOCUMENTARIES 3 TAGE IN QUIBERON 3 DAYS IN QUIBERON Emily Atef ................. 4 ABHISHEK UND DIE HEIRAT ABHISHEK AND THE MARRIAGE Kordula Hildebrandt .................. 43 IN DEN GÄNGEN IN THE AISLES Thomas Stuber ............................ 5 CLIMATE WARRIORS Carl-A. Fechner, Nicolai Niemann ............... 43 MEIN BRUDER HEISST ROBERT UND IST EIN IDIOT MY BROTHER’S NAME IS ROBERT AND HE IS AN IDIOT Philip Gröning .................... 6 EINGEIMPFT FAMILY SHOTS David Sieveking ................................. 44 TRANSIT Christian Petzold ................................................................ 7 FAREWELL YELLOW SEA Marita Stocker ....................................... 44 DAS SCHWEIGENDE KLASSENZIMMER GLOBAL FAMILY Melanie Andernach, Andreas Köhler .................. 45 THE SILENT REVOLUTION Lars Kraume ......................................... 8 JOMI – LAUTLOS, ABER NICHT SPRACHLOS STYX Wolfgang Fischer ...................................................................... 9 JOMI’S SPHERE OF ACTION Sebastian Voltmer ............................. 45 DER FILM VERLÄSST DAS KINO – VOM KÜBELKIND-EXPERIMENT KINDSEIN – ICH SEHE WAS, WAS DU NICHT SIEHST! UND ANDEREN UTOPIEN FILM BEYOND CINEMA -
German Film Week
GERMAN FILM WEEK 5th Edition 13 - 23 SEPTEMBER 2018 Metropolis Empire Sofil – Ashrafieh Design: Christopher Rizkallah Christopher Design: Photo: © Camino Filmverleih © Camino Photo: goethe.de/beirut/gfw | metropoliscinema.net Screenplay Emily Atef Camera Thomas Kiennast Editing Hansjörg Weißbrich Music Christoph M. Kaiser Julian Maas Starring Marie Bäumer Birgit Minichmayr Robert Gwisdek Charly Hübner © Peter Harting - Rohfilm Factory - Prokino 3 DAYS IN QUIBERON Director Emily Atef 13 | 09 | 2018 Year 2018 Genre Drama Length 115 mins Robert Lebeck’s photographs of Romy Schneider are world-famous. They capture this actress’s contradictory nature, her exuberance, melancholy and pain. Lebeck also took the photographs that were to accompany the legendary interview Romy Schneider granted ‘Stern’ magazine reporter Michael Jürgs in Quiberon in 1981 – in spite of her previous negative encounters with the German press. The actress had retired to this Breton spa town to recuperate with Hilde, her close friend of many years, keeping her company. The interview and black-and-white photos form the basis of this film that captures the special atmosphere of these three days in which Schneider bares her soul – to breaking point… In the presence of award winning Emily Atef German Film Awards 2018: Film Award in Gold, Outstanding Feature Film, Best Direction, Best Performance by an Actress in a Leading Role - Marie Bäumer, Best Cinematography, Best Film Score Berlin International Film Festival 2018: Nominee Golden Berlin Bear Best Film Screenplay Valeska Grisebach Camera Bernhard Keller Editing Bettina Böhler Starring Meinhard Neumann Reinhardt Wetrek Syuleyman Letifov Veneta Frangova © Komplizen Film WESTERN Director Valeska Grisebach 14 | 09 | 2018 Year 2017 Genre Drama Length 121 mins A group of German construction workers moves to a construction site in the border region between Bulgaria and Greece. -
Management Et Représentation Enquête Sur Les Représentations Du Management Dans Le Cinéma Français, 1895-2005
UNIVERSITE DE NANTES Institut d’Economie et de Management de Nantes – IAE 2008 THESE pour l’obtention du grade de docteur en sciences de gestion présentée et soutenue publiquement par Eve LAMENDOUR le 8 septembre 2008 Management et représentation Enquête sur les représentations du management dans le cinéma français, 1895-2005 Volume 2 : Annexes JURY DIRECTEURS DE RECHERCHE Yannick LEMARCHAND, Professeur à l’Université de Nantes Patrick FRIDENSON, Directeur d'études à l’EHESS RAPPORTEURS Anne PEZET, Professeur à l’Université Paris-Dauphine Pierre SORLIN, Professeur émérite à l’Université Paris III SUFFRAGANTS Mathieu DETCHESSAHAR, Professeur à l’Université de Nantes Hervé LAROCHE, Professeur à l’ESCP-EAP Béatrice de PASTRE, Directrice des collections aux Archives Françaises du Film, CNC ANNEXES Table des annexes 1. Droit d’auteur 3 2. Glossaires 5 a. Glossaire des notions managériales 5 b. Vocabulaire de l’analyse filmique 11 c. Abréviations et termes de référence de la description du corpus 15 3. Filmographies 19 a. Sources d’accès aux films 19 b. Corpus pratique 20 c. Corpus théorique : liste chronologique 35 d. Corpus théorique : fiches des films 43 e. Corpus de comparaison 167 La représentation de l’entreprise et du management dans le cinéma américain 167 Chronologie de films susceptibles d’éclairer la question managériale 168 4. Tableaux 174 a. Chapitre 3 174 Tableau récapitulatif des concessionnaires et agents commerciaux Lumière b. Chapitre 4 175 Sources d’information concernant les films « grévistes » c. Chapitre 10 176 Sources d’information concernant les slogans des cabinets de conseil d. Conclusion Partie IV 177 Le poids du management dans la population active en France, 1936 – 1975 177 Le poids du management dans la population active en France, 1982 – 2000 178 Le poids du management dans la population active en France, les années 2000 179 Evolution des métiers à composante managériale, 1982 – 2006 180 5.