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Good King Charles Study Guide New.Pub
In Good King Charles’s Golden Days By Bernard Shaw ONNECTIONS Shaw Festival CStudy Guide The Shaw Story 2 The Players 3 The Story 4 The Playwright 5 Who’s Who 6-7 Director’s Notes 8 Designer’s Notes 9-10 Production History 11 World of the Play 12-16 Did You Know? 17 Say What? 18 Sources 19 Activities 20-32 THE SHAW STORY MANDATE The Shaw Festival is the only theatre in the world which exclusively focuses on plays by Bernard Shaw and his contemporaries, including plays written during, or about the period of Shaw’s lifetime (1856 – 1950). The Shaw Festival’s mandate also includes: • Uncovered Gems – digging up undiscovered theatrical treasures, or plays which were considered major works when they were written but which have since been unjustly neglected • American Classics – we continue to celebrate the best of American theatre • Musicals – musical treats either from, or set during the period of our mandate • Canadian Work – to allow us to hear and promote our own stories, and our own WHAT MAKES points of view about the mandate period. SHAW SPECIAL MEET THE COMPANY — OUR ENSEMBLE • Our Actors: All Shaw performers contribute to the sense of ensemble, much like the players in an orchestra. Often, smaller parts are played by actors who are leading performers in their own right, but in our “orchestra,” they support the central action helping to create a density of experiences that are both subtle and informative. • Our Designers: Every production that graces the Shaw Festival stages is built “from scratch,” from an original design. -
Thames Valley Papists from Reformation to Emancipation 1534 - 1829
Thames Valley Papists From Reformation to Emancipation 1534 - 1829 Tony Hadland Copyright © 1992 & 2004 by Tony Hadland All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means – electronic, mechanical, photocopying, recording or otherwise – without prior permission in writing from the publisher and author. The moral right of Tony Hadland to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act, 1988. British Library Cataloguing-in-Publication Data A catalogue for this book is available from the British Library. ISBN 0 9547547 0 0 First edition published as a hardback by Tony Hadland in 1992. This new edition published in soft cover in April 2004 by The Mapledurham 1997 Trust, Mapledurham HOUSE, Reading, RG4 7TR. Pre-press and design by Tony Hadland E-mail: [email protected] Printed by Antony Rowe Limited, 2 Whittle Drive, Highfield Industrial Estate, Eastbourne, East Sussex, BN23 6QT. E-mail: [email protected] While every effort has been made to ensure accuracy, neither the author nor the publisher can be held responsible for any loss or inconvenience arising from errors contained in this work. Feedback from readers on points of accuracy will be welcomed and should be e-mailed to [email protected] or mailed to the author via the publisher. Front cover: Mapledurham House, front elevation. Back cover: Mapledurham House, as seen from the Thames. A high gable end, clad in reflective oyster shells, indicated a safe house for Catholics. -
DISSERTATION-Submission Reformatted
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Dilemma of Obedience: Persecution, Dissimulation, and Memory in Early Modern England, 1553-1603 Permalink https://escholarship.org/uc/item/5tv2w736 Author Harkins, Robert Lee Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Dilemma of Obedience: Persecution, Dissimulation, and Memory in Early Modern England, 1553-1603 By Robert Lee Harkins A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Ethan Shagan, Chair Professor Jonathan Sheehan Professor David Bates Fall 2013 © Robert Lee Harkins 2013 All Rights Reserved 1 Abstract The Dilemma of Obedience: Persecution, Dissimulation, and Memory in Early Modern England, 1553-1603 by Robert Lee Harkins Doctor of Philosophy in History University of California, Berkeley Professor Ethan Shagan, Chair This study examines the problem of religious and political obedience in early modern England. Drawing upon extensive manuscript research, it focuses on the reign of Mary I (1553-1558), when the official return to Roman Catholicism was accompanied by the prosecution of Protestants for heresy, and the reign of Elizabeth I (1558-1603), when the state religion again shifted to Protestantism. I argue that the cognitive dissonance created by these seesaw changes of official doctrine necessitated a society in which religious mutability became standard operating procedure. For most early modern men and women it was impossible to navigate between the competing and contradictory dictates of Tudor religion and politics without conforming, dissimulating, or changing important points of conscience and belief. -
COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ]
[ COMPLETE MUSIC LIST by ARTIST ] [ No of Tunes = 6773 ] 001 PRODUCTIONS >> BIG BROTHER THEME 10CC >> ART FOR ART SAKE 10CC >> DREADLOCK HOLIDAY 10CC >> GOOD MORNING JUDGE 10CC >> I'M NOT IN LOVE {K} 10CC >> LIFE IS A MINESTRONE 10CC >> RUBBER BULLETS {K} 10CC >> THE DEAN AND I 10CC >> THE THINGS WE DO FOR LOVE 112 >> DANCE WITH ME 1200 TECHNIQUES >> KARMA 1910 FRUITGUM CO >> SIMPLE SIMON SAYS {K} 1927 >> IF I COULD {K} 1927 >> TELL ME A STORY 1927 >> THAT'S WHEN I THINK OF YOU 24KGOLDN >> CITY OF ANGELS 28 DAYS >> SONG FOR JASMINE 28 DAYS >> SUCKER 2PAC >> THUGS MANSION 3 DOORS DOWN >> BE LIKE THAT 3 DOORS DOWN >> HERE WITHOUT YOU {K} 3 DOORS DOWN >> KRYPTONITE {K} 3 DOORS DOWN >> LOSER 3 L W >> NO MORE ( BABY I'M A DO RIGHT ) 30 SECONDS TO MARS >> CLOSER TO THE EDGE 360 >> LIVE IT UP 360 >> PRICE OF FAME 360 >> RUN ALONE 360 FEAT GOSSLING >> BOYS LIKE YOU 3OH!3 >> DON'T TRUST ME 3OH!3 FEAT KATY PERRY >> STARSTRUKK 3OH!3 FEAT KESHA >> MY FIRST KISS 4 THE CAUSE >> AIN'T NO SUNSHINE 4 THE CAUSE >> STAND BY ME {K} 4PM >> SUKIYAKI 5 SECONDS OF SUMMER >> DON'T STOP 5 SECONDS OF SUMMER >> GIRLS TALK BOYS {K} 5 SECONDS OF SUMMER >> LIE TO ME {K} 5 SECONDS OF SUMMER >> SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER >> SHE'S KINDA HOT {K} 5 SECONDS OF SUMMER >> TEETH 5 SECONDS OF SUMMER >> WANT YOU BACK 5 SECONDS OF SUMMER >> YOUNGBLOOD {K} 50 CENT >> 21 QUESTIONS 50 CENT >> AYO TECHNOLOGY 50 CENT >> CANDY SHOP 50 CENT >> IF I CAN'T 50 CENT >> IN DA CLUB 50 CENT >> P I M P 50 CENT >> PLACES TO GO 50 CENT >> WANKSTA 5000 VOLTS >> I'M ON FIRE 5TH DIMENSION -
DISSERTATION-Submission Reformatted
The Dilemma of Obedience: Persecution, Dissimulation, and Memory in Early Modern England, 1553-1603 By Robert Lee Harkins A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Ethan Shagan, Chair Professor Jonathan Sheehan Professor David Bates Fall 2013 © Robert Lee Harkins 2013 All Rights Reserved 1 Abstract The Dilemma of Obedience: Persecution, Dissimulation, and Memory in Early Modern England, 1553-1603 by Robert Lee Harkins Doctor of Philosophy in History University of California, Berkeley Professor Ethan Shagan, Chair This study examines the problem of religious and political obedience in early modern England. Drawing upon extensive manuscript research, it focuses on the reign of Mary I (1553-1558), when the official return to Roman Catholicism was accompanied by the prosecution of Protestants for heresy, and the reign of Elizabeth I (1558-1603), when the state religion again shifted to Protestantism. I argue that the cognitive dissonance created by these seesaw changes of official doctrine necessitated a society in which religious mutability became standard operating procedure. For most early modern men and women it was impossible to navigate between the competing and contradictory dictates of Tudor religion and politics without conforming, dissimulating, or changing important points of conscience and belief. Although early modern theologians and polemicists widely declared religious conformists to be shameless apostates, when we examine specific cases in context it becomes apparent that most individuals found ways to positively rationalize and justify their respective actions. This fraught history continued to have long-term effects on England’s religious, political, and intellectual culture. -
Spire Light Spire Light
Spire Light Spire Light Spire Light A Journal of Creative Expression Andrew College 2021 2021 2 0 2 1 Spire Light: A Journal of Creative Expression Spire Light: A Journal of Creative Expression Andrew College 2021 Copyright © 2021 by Andrew College All rights reserved. This book or any portion may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review or scholarly journal. ISBN: 978-1-6780-6324-5 Andrew College 501 College Street Cuthbert, GA 39840 www.andrewcollege.edu/spire-light Cover Art: "Small Things," Chris Johnson Cover Design by Heather Bradley Editorial Staff Editor-in-Chief Penny Dearmin Art Editor Noah Varsalona Fiction Editors Kenyaly Quevedo Jermaine Glover Poetry Editor Hasani “Vibez” Comer Creative Nonfiction Editor Penny Dearmin Assistant Layout Editor Cameron Cabarrus www.andrewcollege.edu/spire-light Editor's Notes Penny Dearmin Editor-in-Chief To produce or curate art in this time is an act of service—to ourselves and the world who all need to believe again. We decided to say yes when there is a no at every corner. Yes, we will have our very first contest for the Illumination Prose Prize. Yes, we will accept an ekphrasis prose poem collaboration. Rather than place limits with a themed call for submissions, we did our best to remain open. These pieces should carry you to the hypothetical, a place where there are possibilities to unsee what you think you know. Isn’t that what we have done this year? Escaped? You can be grounded, too. -
The Vasulkas
1 1 THE VASULKAS v Vasulka Catalogue CONTENTS Steina and Woody Vasulka : Exploring the Phenomenology of the Electronic Image/Marita Sturken Reading the Tools, Writing the Image/Maureen Turim and Scott Nygren Playing in the Fields of the Video Image : Steina Vasulka's Visual Pleasures/Lucinda Furlong The Images of the World/Raymond Bellour Program Notes Biographies Selected Works Selected Exhibitions Selected Bibliography Vasulka catalogue, Sturken essay, 1 Steina and Woody Vasulka : Exploring the Phenomenology of the Electronic Image Marita Sturken The machine has constituted an important subject for artists since the industrial revolution . The rise of technological art forms, however, has raised questions about the act of collaboration with the machine . For Steina and Woody Vasulka, the creative process represents a "dialogue with the machine," in which they are not masters of a tool but receptors of its capabilities . Woody has said, "I have to share the creative process with the machine . It is responsible for too many elements in this work."(1) It is at the rupture between the mechanical and the electronic that the importance of the Vasulkas' work is best positioned . Their work poses crucial questions not only about the role of the machine in the creative process but also about what constitutes the electronic image, and how electronic space, with its level of abstraction and spatio-temporal dimensions, is redefining established concepts of space and time . In the work that they have produced collaboratively and as individual artists over twenty years, as multi-monitor installations or single-channel videotapes, the Vasulkas have pursued a phenomenological project of systematically deconstructing the properties of the video medium . -
By Claudia Meléndez Salinas in a Regular Year, Katia Cardenal
By Claudia Meléndez Salinas In a regular year, Katia Cardenal spends several months a year as a globetrotter, in two or three artistic tours, to bring her crystal-clear voice and her new Latin American trova, or ballads, to different corners of the world. This year is not ordinary. Cardenal, a Nicaraguan singer-songwriter with more than 40 years of artistic life, decided to leave her country nine months ago in the face of increased repression under Daniel Ortega. Since April 18, when thousands began to protest reforms to the pension system that Ortega implemented, the government is accused of imprisoning journalists and of organizing a violent wave of repression that resulted in the deaths of more than 300 people. Cardenal, who launched her career as a singer around the time when the Sandinista Revolution overthrew Anastasio Somoza, has long been disillusioned with Sandinismo, so it was not difficult to join the chorus of people who want to end Ortega’s mandate. But the political climate has made a safe life impossible for the dissidents, she said, and she preferred to leave everything rather than continue living under a constant threat of repression. “This is a dictatorship that has started to kill people, to repress, to jail political prisoners, to persecute journalists and leaders. With the kind of music I do, with my poetry, I’ve always tried to promote people’s rights, human rights, and I do not think I can live in Nicaragua,” Cardenal said in Spanish in a telephone interview from Maryland. So the singer-songwriter has been touring 13 countries since June, and will likely settle in Norway for some time after her tour ends. -
THUNDERBOLT COUNTRY University of New England History Series General Editor: Bruce Marshall Other Titles Phillip A
UNIVERSITY OF NEW ENGLAND HISTORY SERIES 6 THEY CAME TO THUNDERBOLT COUNTRY University of New England History Series General Editor: Bruce Marshall Other titles Phillip A. Wright, Memories of a Bushwhacker (2nd edition) Anne Harris, Abington Pauline Kneipp, This Land of Promise The Ursuline Order in Australia, 18824982_._. Owen Wright, Wongwibinda Malcolm Saunders, Britain, the Australian Colonies and the Sudan Campaigns of 1884-85 JEANE UPJOHN Born in Tasmania, eldest daughter of a much travelled civil engineer, JeanO Upjohn spent most of her life learning about people. Following a career in public relations and journalism, she enrolled as a mature-age student at the University of New England. After graduating as B.A. and M.Litt., she became an editorial representative for a group of ocean- oriented magazines, and a columnist for a coastal newspaper. Her love of folk tales and a nose for newsworthy stories led her to Oral History. Ms Upjohn has published one other volume of folk history, The Jetty People, and a small book of childrens poems, Poems for Possums. Cover illustration: "A Selector's Home in New England, 1895"(photograph no. 1495 by Charles Kerry), in J.H. Maiden, The Forest Flora of N.S.W., 5, Parts 41-50, Government Printer, Sydney, 1913. .6Z6I .10/4s1P Main aw fo siaauold Nkt.4k,t$ at flitekt ea) W7" Jeanë Upjohn and The University of New England, 1988. This work is copyright. Apart from any fair dealings for the purpose of private study, research criticism, or review, as permitted under the Copyright Act, no part may be reproduced by any process without written permission. -
Lamplight-V1i1.Pdf
Editor’s Note Hello, hello! It occurred to me that in this new age of digital marketing and online sales that one of the most basic elements to a magazine was going to be missed: flipping through a copy on the newsstand. So here is a taste, if you will, of what you can find in LampLight. Our first issue, which is free, presented here as it would be in print This is the actual layout file used for our print edition (minus this note, of course), allowing you an idea of what you’ll get in the paper copies I hope you’ll enjoy this issue, and check out more of them. We’ve had Mercedes Yardley, Mary SanGiovanni, Kealan Patrick Burke, Normal Prentiss and more, all featured in LampLight. Thank you for reading LampLight Magazine. -j Jacob Haddon January 2015 http://lamplightmagazine.com LampLight Table of Contents A Quarterly Magazine Featured Artist, Robert Ford of Dark Fiction Early Harvest 1 Interview with Jeff Heimbuch 7 Volume 1 Issue 1 Fiction September 2013 The Kelp - William Meikle 11 Elgar’s Zoo - Nathan Yocum 19 Published by Apokrupha No Victims - Rahul Kanakia 27 Memories of the Knacker's Yard - Ian Creasey 31 Summer Break - Mandy DeGeit 44 Jacob Haddon, Editor Katie Winter, Assistant Editor Serial Novella - Kevin Lucia Paula Snyder, Cover and And I Watered It With Tears, Part I 46 Masthead Design ISBN: 978-1493585915 Shadows in the Attic - J.F. Gonzalez Reprint Anthologies 52 All stories copyright respective author, 2012 LampLight Classics An Occurrence at Owl Creek Bridge - lamplightmagazine.com Ambrose Bierce 57 apokrupha.com Writer’s Bios 64 Follow us on Facebook Subscriptions facebook.com/lamplightmagazine Would you like LampLight sent to you in your email? Or on Twitter For $10 a year (that’s 4 issues!) get LampLight sent to you directly twitter.com/lamplightmag in any ebook format. -
Religious Self-Fashioning As a Motive in Early Modern Diary
The Devil gets into the Belfry under the parson‘s skirts: vox populi and Early Modern Religion Gillian Colclough University of Southern Queensland Popular wisdom in the form of proverbs and adages is a feature of most societies. In European and American contexts, proverbs have been both respected and ridiculed as vox populi, the „voice of the people‟. However, from about the fifteenth to mid-eighteenth centuries, proverbs were viewed and employed at all social levels as containing simple truths because they emanated from the unspoiled peasantry. Consequently, as an oral cultural form transmitted upwards through society, proverbs can show socio-political or religious ideas and developments at many levels of everyday life, often cynically, sometimes with anger, and generally without the risk of litigation. Using Maurice Palmer Tilley‟s collection of sixteenth and seventeenth century English proverbs,this paper examines attitudes to the Church of England, the Catholic Church and the clergy. Bearing in mind the historiographical problems of potentially abstract oral sources recorded and often edited by external elites, the paper argues nonetheless that proverbs provide valuable insights into popular opinion, in this case, in the challenges and changes of Early Modern Christianity. The devil was sick, the devil a monk would be; the devil was well, the devil a monk was he. Anon A nation's proverbs are as precious as its ballads, as useful, and perhaps more instructive. Quarterly Review, July, 1868 Patience, some say, is a virtue. To John Foxe the Elizabethan martyrologist, every trial had an end-point; hence, ‗His saying was that, although the day was neuer so long, yet at last it ringeth to euensong.‘1 This, proverb collector Kelly noted, was ‗spoken when Men now in Power oppress us, signifying that there may be a Turn.‘2 No matter how often (or whether) Early Modern men (and women) in power oppressed their subjects, proverbs provided an important means of criticism for the disempowered. -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home