2019 Muahs Awards Press Coverage Report
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Download Ivan Poharnok's Curriculum Vitae
IVAN POHARNOK Head of Filmefex Studio Filmefex Studio is a special effects facility, where we design and create effects for the motion picture industry. Our speciality is creating creatures, puppets, models, special make-ups and costumes or the combinations of them. e-mail: [email protected] www.filmefex.com phone: +36 20 960 9477 Education 1994: Studied sculpture at the Hungarian College of Fine Arts 1992: Completed Dick Smith’s Advanced Professional Make-up Course 1992: Studied Industrial Design at the Hungarian College of Applied Arts Feature and Television films: Shadow and Bone (2020, Netflix) Prosthetic makeup designer The Witcher (2019, Netflix) Prosthetic makeup designer and creature supervisor Barbarian (2019, Netflix) Prop making: human dummies and horses Midsommar (2018, A24) Prop making: human dummies and horses Alienist (TV series, TNT, 2017) Prosthetic Makeup Designer: Ivan Poharnok Terror (TV series, AMC, 2017) Head of Makeup: Aileen Sheaton Prosthetic Makeup: Ivan Poharnok Bladerunner 2049 (Scott Free, Columbia, 2017) Special prop supplier for Doug Harlocker Mars S1 and S2 (National Geographic, 2017) Speciality costume supplier Emerald City (TV series, NBC, 2016) Special prop supplier Neanderthaler (TV series, RTL 2, Germany, 2016) Prosthetic makeup designer and supervisor The Great Wall (Legendary East, 2016) Prosthetic makeup supplier for Matt Demon Underworld 5 (Lakeshore, 2016) Head of Makeup: Davina Lamont Prosthetics: Ivan Poharnok Prosthetic wounds, scars, fake heads, dummies, dummy parts Marco Polo season 2 (TV -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Paul Boyce Make up and Hair Designer
Paul Boyce Make Up and Hair Designer Credits include: MONSOON Director: Hong Khaou Drama Producers: Tracy O’Riordan, Ameenah Ayub Allen Featuring: Henry Golding, Parker Sawyers, Molly Harris Production Co: BFI / BBC Films / Moonspun Films THE LAST DRAGONSLAYER Director: Jamie Magnus Stone Fantasy Action Drama Producer: Laura Hastings-Smith Ellise Chappell, John Bradley, Ricky Make-Up & Hair Supervisor Featuring: Tomlinson Designer: Sue Michael Production Co: Blueprint Pictures / Sky One HOUDINI AND DOYLE Director: Jeff Renfroe Mystery Drama Series - Eps 9, 10 Producers: Suzanne Colvin, Adrian Sturges Michael Weston, Stephen Managan, Make-Up & Hair Supervisor Featuring: Rebecca Liddiard Designer: Sue Michael Production Co: Big Talk Productions / Fox / ITV EVE Directors: Adrian McDowall, Adrian Mead Sci-Fi Drama Jonathan Fox Bassett, Lynsey Miller Producers: Peter Gallagher, Jeremy Swimer Poppy Lee Friar, Jane Asher, Michael Featuring: Wildman Production Co: Leopard Drama / CBBC IN THE HEART OF THE SEA Director: Ron Howard Brian Grazer, Ron Howard, Marshall Period Action Adventure Producers: Herskovitz Make-Up & Hair, Prosthetic Artist Joe Roth, Paula Weinstein Chris Hemsworth, Cillian Murphy, Charlotte Designer: Fae Hammond Featuring: Riley Production Co: Spring Creek Productions / Warner Bros. WHITE SETTLERS Director: Simeon Halligan Horror Mystery Thriller Producer: Rachel Richardson-Jones Pollyanna McIntosh, Lee Williams, Joanne Featuring: Mitchell Production Co: Not A Number HYENA Director: Gerard Johnson Elizabeth Karlsen, Joanna -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Meryl Streep Emily Blunt James Corden Anna Kendrick Chris Pine Johnny Depp
Meryl Streep Emily Blunt James Corden Anna Kendrick Chris Pine Johnny Depp Diretto da Rob Marshall Sceneggiatura di James Lapine Musiche e testi di Stephen Sondheim Tratto dal Musical di Stephen Sondheim e James Lapine Prodotto da Rob Marshall, John DeLuca, Marc Platt, Callum McDougall Direttore della fotografia Dion Beebe Scenografie di Dennis Gassner Montaggio di Wyatt Smith Costumi di Colleen Atwood Social Network http://twitter.com/DisneyStudiosIt http://instagram.com/disneyitalia https:/fb.com/WaltDisneyStudiosIT Hashtag #IntoTheWoods Data di uscita: 2 aprile 2015 Distribuzione: The Walt Disney Company Italia Durata: 125 minuti Materiali stampa: www.image.net Attento alle cose che dici, i figli ascoltano. Attento alle cose che fai, i figli vedono. E imparano. Attento a ciò che desideri, i desideri sono figli. Attento alla strada che prendono, i desideri si avverano ma a caro prezzo… Finale/Children Will Listen L’INIZIO DEL VIAGGIO Dodici anni fa, dopo lo straordinario successo dell’adattamento cinematografico del musical di Broadway Chicago (vincitore di sei premi Oscar®, incluso quello per il Miglior film), il regista Rob Marshall incontrò Stephen Sondheim e si dichiarò interessato a dirigere una versione cinematografica di uno degli spettacoli teatrali firmati dal leggendario compositore. In cima alla lista di Sondheim c’era Into the Woods, uno dei suoi lavori più acclamati e toccanti, che secondo l’autore sarebbe stato perfetto per Marshall. Marshall e il suo partner produttivo John DeLuca erano appassionati del musical di Sondheim -
86Th Academy Awards
LIVE OSCARS SUNDAY March 2, 2014 7e|4p THE http://oscar.go.com/nominees OSCARS 86th Academy Awards Best Picture Actor–in a Leading Role Actress–in a Leading Role Actor–in a Supporting Role American Hustle Christian Bale “American Hustle” Amy Adams “American Hustle Barkhad Adbi “Captain Phillips” Captain Phillips Chiwetel Ejiofor “12 Years a Slave” Cate Blanchett “Blue Jasmine” Bradley Cooper “American Hustle” Dallas Buyers Club Bruce Dern “Nebraska” Sandra Bullock “Gravity” Michael Fassbender “12 Years a Slave” Gravity Leonardo DiCaprio “The Wolf of Wall Street Judi Dench “Philomena” Jonah Hill “The Wolf of Wall Street Her Matthew McConaughey “Dallas Buyers Club Meryl Streep “August: Osage County” Jared Leto “Dallas Buyers Club” Nebraska Philomena 12 Years a Slave The Wolf of Wall Street Actress–in a Supporting Role Animated Feature Film Cinematography Costume Design Sally Hawkins “Blue Jasmine” The Croods “The Grandmaster” Philippe Le Sourd “American Hustle” Michael Wilkinson Jennifer Lawrence “American Hustle” Despicable Me 2 “Gravity” Emmanuel Lubezki “The Grandmaster” William Chang Suk Ping Lupita Nyong’o “12 Years a Slave” Ernest and Celestine “Inside Llewyn Davis” Bruno Delbonnel “The Great Gatsby” Catherina Martin Julia Roberts “August: Osage County” Frozen “Nebraska” Phedon Papamichael “The Invisible Woman” Michael O’Connor June Squibb “Nebraska” The Wind Rises “Prisoners” Roger A. Deakins “12 Years a Slave” Patricia Norris Directing Documentary Feature Documentary Short Subject Film Editing “American Hustle” David O. Russell -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Makeup-Hairstyling-2019-V1-Ballot.Pdf
2019 Primetime Emmy® Awards Ballot Outstanding Hairstyling For A Single-Camera Series A.P. Bio Melvin April 11, 2019 Synopsis Jack's war with his neighbor reaches a turning point when it threatens to ruin a date with Lynette. And when the school photographer ups his rate, Durbin takes school pictures into his own hands. Technical Description Lynette’s hair was flat-ironed straight and styled. Glenn’s hair was blow-dried and styled with pomade. Lyric’s wigs are flat-ironed straight or curled with a marcel iron; a Marie Antoinette wig was created using a ¾” marcel iron and white-color spray. Jean and Paula’s (Paula = set in pin curls) curls were created with a ¾” marcel iron and Redken Hot Sets. Aparna’s hair is blow-dried straight and ends flipped up with a metal round brush. Nancy Martinez, Department Head Hairstylist Kristine Tack, Key Hairstylist American Gods Donar The Great April 14, 2019 Synopsis Shadow and Mr. Wednesday seek out Dvalin to repair the Gungnir spear. But before the dwarf is able to etch the runes of war, he requires a powerful artifact in exchange. On the journey, Wednesday tells Shadow the story of Donar the Great, set in a 1930’s Burlesque Cabaret flashback. Technical Description Mr. Weds slicked for Cabaret and two 1930-40’s inspired styles. Mr. Nancy was finger-waved. Donar wore long and medium lace wigs and a short haircut for time cuts. Columbia wore a lace wig ironed and pin curled for movement. TechBoy wore short lace wig. Showgirls wore wigs and wig caps backstage audience men in feminine styles women in masculine styles. -
BFI Statistical Yearbook 2013
Statistical Yearbook 2013 Welcome to the 2013 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2012. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. Contents 7 Chief Executive’s foreword 77 Chapter 7: UK talent and awards 8 2012 – the year in review 78 7.1 UK story material 78 7.1.1 UK story material in the top grossing films 10 Chapter 1: The box office worldwide since 2001 11 1.1 Admissions 80 7.1.2 Story material of films released in the UK in 2012 13 1.2 Box office earnings 82 7.2 UK actors 14 1.3 Film releases and box office revenues 83 7.3 UK directors 17 1.4 Country of origin of film releases 85 7.4 Writers and directors of UK independent films 19 1.5 Length of release released in the UK, 2003-2012 86 7.5 Awards for UK films and talent 21 1.6 Mega hits 91 Chapter 8: Theatrical release history and 23 Chapter 2: Top films in 2012 comparative performance of UK films 24 2.1 The top 20 films 92 8.1 Theatrical release of UK films 25 2.2 The top 20 UK qualifying films 93 8.2 Release rate of UK films in the UK and Republic 26 2.3 The top 20 UK independent films of Ireland 27 2.4 The top 3D films 93 8.3 Box office performance of UK films released in the UK and Republic of Ireland 29 2.5 Best weekend performances of UK films 94 8.4 International release rates of UK films 31 Chapter 3: Top -
Dear Prospective Student, We Are Delighted to Hear About Your
Dear Prospective Student, We are delighted to hear about your interest in Cinema Makeup School! In this package you will find information about our school and the courses we offer, along with information regarding housing options and student loans. At Cinema Makeup School our principal goal is to provide the best education possible and prepare you for employment in the field of Makeup Artistry. Our instructors are Professional Makeup Artists, and have years of experience training individuals in the area of Makeup and many of their students have gone on to achieve a high degree of success. Our programs are geared towards the “hands-on” approach to learning the true art of makeup artistry. We pride ourselves in offering the student, a very unique learning environment and are especially open-minded towards your creative growth. We feel your success is our success. Enclosed you will find an application, instructions and everything you will need to begin the enrollment process. If you would like further details please visit our web site at www.cinemamakeup.com or feel free to call us and we can discuss what programs would best suit you. Also, if you would like to take a tour of our school, please call to make an appointment. Thank you for your interest in Cinema Makeup School! Sincerely, The Cinema Makeup School Staff **Advanced Lab Techniques is an offsite class. Students are required to provide their own transportation. + This is a continuing education class. Completion will result in a letter of completion rather than a certificate or diploma. § OPTIONAL – while materials are required for class, you are not required to purchase from Cinema Makeup School Additional class equipment may be required in addition to the priced materials. -
Dur 16/06/2016
E JUEVES 16 DE JUNIO DE 2016 Editora: MARA GÜERECA [email protected] Humor. Beetlejuice fue una de las películas más taquilleras de 1988. Luego de casi 20 años de espera, los rumores de una secuela podrían volverse una realidad en poco tiempo. AGENCIAS cuela de Beetlejuice, uno de los pro- Ciudad de México yectos que más interés han levanta- do en Hollywood recientemente. La Original y tremendamente diverti- cinta fue protagonizada en su mo- da. Quizá estos sean los dos adjeti- mento por Michael Keaton en el pa- vos que mejor le van a la película pel del insoportable espectro llama- Claves que salió del genio de Tim Burton. do Beetlejuice, así como por Geena Posiblemente el personaje más esca- Davis y Alec Baldwin. de Beetlejuice tológico, absurdo y genial de cuan- ‘No sé en qué etapa creativa se tos creó, una recreación alucinada encuentra el proyecto’, aceptó en EL UNIVERSO del mundo de los muertos a través entrevista y agregó que ‘sé que hay La música de Elfman, el mejor Michael Keaton del incomparable Beetlejuice. mucho interés, porque se trata de que se recuerde y unos efectos especiales ‘únicos’ Tras casi dos décadas de espera, una película de culto para mucha crearon un universo propio a finales de la déca- los rumores sobre el posible rodaje gente, y me incluyo’. da de los 80. de la secuela han ido creciendo, y Winona, quien en la película en- Winona Ryder, una de las protago- carnó a Lydia Deetz, agregó que ‘la UN MAQUILLAJE EXCEPCIONAL nistas de la cinta original no la des- única forma de que pueda llegar a El trabajo de la maquilladora Ve Neill fue reco- carta. -
“DARKEST HOUR,” “I, TONYA,” “PITCH PERFECT 3,” “GUARDIANS of the GALAXY Vol 2” Among Feature Film Winners at the 2018 Make-Up Artists & Hair Stylists Guild Awards
FOR IMMEDIATE RELEASE: “DARKEST HOUR,” “I, TONYA,” “PITCH PERFECT 3,” “GUARDIANS OF THE GALAXY Vol 2” Among Feature Film Winners at the 2018 Make-Up Artists & Hair Stylists Guild Awards “BIG LITTLE LIES,” “FEUD: BETTE AND JOAN,” “THE CROWN,” “GAME OF THRONES,” “DANCING WITH THE STARS,” “AMERICAN HORROR STORY: CULT” Among Television Winners GARY OLDMAN, MARY GUERRERO AND GREG CANNOM HONORED NOTES TO MEDIA: EPK WILL BE AVAILABLE AT {HYPERLINK "http://www.epklink.com/muahsawards2018"} BY 3 AM INCLUDING PHOTOS AND BROADCAST COVERAGE Additional photos available after 12 AM at: {HYPERLINK "http://bit.ly/2EOSWQ4"} LOS ANGELES, Feb. 24, 2018 – The {HYPERLINK "http://www.local706.org/"} Awards (MUAHS, IATSE Local 706) tonight announced winners of its Annual Make-Up Artists & Hair Stylists Guild Awards in 23 categories of film, television, commercials and live theater. Winners in the film categories include “DARKEST HOUR,” “PITCH PERFECT 3,” “I, TONYA” and “GUARDIANS OF THE GALAXY Vol 2.” Television winners include “GAME OF THRONES,” “DANCING WITH THE STARS,” “THE CROWN,” “BIG LITTLE LIES,” “FEUD: BETTE AND JOAN” and “AMERICAN HORROR STORY: CULT.” Winners in the Daytime Television category were awarded to “THE BOLD AND THE BEAUTIFUL.”“HENRY DANGER” wins Best Children/Teen Program. Theatrical honors go to MAMA MIA and the Commercial/ Music Video Award was presented to AMERICAN HORROR STORY: CULT - PROMOTIONAL CAMPAIGN. The awards took place at The Novo by Microsoft at L.A. Live before an audience of more than 900, including guild members, industry executives and press. MUAHS President SUE CABRAL-EBERT presided over the awards ceremony with comedian LONI LOVE (The Real) returning to charm as host for the third year in a row.