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A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Starlog Magazine Issue
'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws: -
Dear Prospective Student, We Are Delighted to Hear About Your
Dear Prospective Student, We are delighted to hear about your interest in Cinema Makeup School! In this package you will find information about our school and the courses we offer, along with information regarding housing options and student loans. At Cinema Makeup School our principal goal is to provide the best education possible and prepare you for employment in the field of Makeup Artistry. Our instructors are Professional Makeup Artists, and have years of experience training individuals in the area of Makeup and many of their students have gone on to achieve a high degree of success. Our programs are geared towards the “hands-on” approach to learning the true art of makeup artistry. We pride ourselves in offering the student, a very unique learning environment and are especially open-minded towards your creative growth. We feel your success is our success. Enclosed you will find an application, instructions and everything you will need to begin the enrollment process. If you would like further details please visit our web site at www.cinemamakeup.com or feel free to call us and we can discuss what programs would best suit you. Also, if you would like to take a tour of our school, please call to make an appointment. Thank you for your interest in Cinema Makeup School! Sincerely, The Cinema Makeup School Staff **Advanced Lab Techniques is an offsite class. Students are required to provide their own transportation. + This is a continuing education class. Completion will result in a letter of completion rather than a certificate or diploma. § OPTIONAL – while materials are required for class, you are not required to purchase from Cinema Makeup School Additional class equipment may be required in addition to the priced materials. -
Outstanding Animated Program (For Programming Less Than One Hour)
Keith Crofford, Executive Producer Outstanding Animated Program (For Corey Campodonico, Producer Programming Less Than One Hour) Alex Bulkley, Producer Douglas Goldstein, Head Writer Creature Comforts America • Don’t Choke To Death, Tom Root, Head Writer Please • CBS • Aardman Animations production in association with The Gotham Group Jordan Allen-Dutton, Writer Mike Fasolo, Writer Kit Boss, Executive Producer Charles Horn, Writer Miles Bullough, Executive Producer Breckin Meyer, Writer Ellen Goldsmith-Vein, Executive Producer Hugh Sterbakov, Writer Peter Lord, Executive Producer Erik Weiner, Writer Nick Park, Executive Producer Mark Caballero, Animation Director David Sproxton, Executive Producer Peter McHugh, Co-Executive Producer The Simpsons • Eternal Moonshine of the Simpson Mind • Jacqueline White, Supervising Producer FOX • Gracie Films in association with 20th Century Fox Kenny Micka, Producer James L. Brooks, Executive Producer Gareth Owen, Producer Matt Groening, Executive Producer Merlin Crossingham, Director Al Jean, Executive Producer Dave Osmand, Director Ian Maxtone-Graham, Executive Producer Richard Goleszowski, Supervising Director Matt Selman, Executive Producer Tim Long, Executive Producer King Of The Hill • Death Picks Cotton • FOX • 20th Century Fox Television in association with 3 Arts John Frink, Co-Executive Producer Entertainment, Deedle-Dee Productions & Judgemental Kevin Curran, Co-Executive Producer Films Michael Price, Co-Executive Producer Bill Odenkirk, Co-Executive Producer Mike Judge, Executive Producer Marc Wilmore, Co-Executive Producer Greg Daniels, Executive Producer Joel H. Cohen, Co-Executive Producer John Altschuler, Executive Producer/Writer Ron Hauge, Co-Executive Producer Dave Krinsky, Executive Producer Rob Lazebnik, Co-Executive Producer Jim Dauterive, Executive Producer Laurie Biernacki, Animation Producer Garland Testa, Executive Producer Rick Polizzi, Animation Producer Tony Gama-Lobo, Supervising Producer J. -
Make-Up Artists and Hair Stylists Guild Local 706–I.A.T.S.E. 828 N. Hollywood Way Burbank, California 91505
Prsrt Std U.S. Postage Paid Santa Ana, CA Make-up Artists and Hair Stylists Guild Permit No. 450 Local 706–I.A.T.S.E. 828 N. Hollywood Way Burbank, California 91505 VOLUME 8 NUMBER 4 Anniversary Issue 2012 Features Departments 22 The Hollywood Museum 4 From the President Congratulates Local 706 Tonight is your night! 24 Creating the Fantasy 6 Local Perspective With hair & make-up effects Artisans’ 75th Anniversary 8 Special Thanks 28 75 Years of Wonderful History A letter from Gov. Brown The way we were 10 Certificate of Recognition From Mayor Villaraigosa 13 Guild News The first contract 16 Government Proclamations Top, left to right: Our charter, a hand-embroidered Local 706 banner before hairdressers came in. Above: 1950s Deb Star Ball at the Hollywood Palladium Above, from left: Imogene Coca in make-up, Carmen Dirigo, hair stylist to the stars of the 1930s & 1940s. 1 Official Magazine of Hollywood Make-up Artists & Hair Stylists. Published in the Interest of ALL the Members of Make-up Artists & Hair Stylists I.A.T.S.E. Local 706 Thank You Supervising Editor JEFF ANGELL Contributing Writers MICHAEL FRANCIS BLAKE SUSAN CABRAL-EBERT TOMMY COLE Publisher For your Generous Support INGLEDODD PUBLISHING Office Manager KATHY SAIN as the Presenting Sponsor Mailing List Manager DIANE BURNS of our The Artisan is published quarterly 75th Diamond Anniversary Celebration by Make-up Artists & Hair Stylists, I.A.T.S.E. Local 706, 828 No. Hollywood Way, Burbank, CA 91505 Phone (818) 295-3933. Fax 818-295-3930 All editorial and photo and Your Continuous Encouragement submissions should be sent to e-mail address: [email protected] of our Professional Development and Craft. -
OUTSTANDING MAKEUP for a SINGLE-CAMERA SERIES (NON- PROSTHETIC) Boardwalk Empire: "New York Sour" (HBO) Michele Paris
OUTSTANDING MAKEUP FOR A SINGLE-CAMERA SERIES (NON- PROSTHETIC) Boardwalk Empire: "New York Sour" (HBO) Michele Paris, department head makeup artist Steven Lawrence, key makeup artist Anette Lian-Williams, key makeup artist Breaking Bad: "Ozymandias" (AMC) Tarra Day, department head makeup artist Corey Welk, key makeup artist Game Of Thrones: "Oathkeeper" (HBO) Jane Walker, department head makeup artist Ann McEwan, makeup artist Mad Men: "The Runaways" (AMC) Lana Horochowski, department head makeup artist Ron Pipes, key makeup artist Ken Neiderbaumer, makeup artist Maurine Burke, additional makeup artist Jen Greenberg, additional makeup artist True Detective: "The Secret Fate Of All Of Life" (HBO) Felicity Bowring, department head makeup artist Wendy Bell, key makeup artist Ann Pala, makeup artist Kim Perrodin, makeup artist Linda Dowds, personal makeup artist OUTSTANDING MAKEUP FOR A MULTI-CAMERA SERIES OR SPECIAL (NON-PROSTHETIC) Dancing With the Stars: "Episode 1703" (ABC) Zena Shteysel, department head makeup artist Angela Moos, key makeup artist Patti Bortoli, additional makeup artist Barbara Fonte, additional makeup artist Sarah Woolf, additional makeup artist Julie Socash, additional makeup artist Key & Peele: "East/West Bowl Rap" (Comedy Central) Scott Wheeler, department head makeup artist Suzy Diaz, key makeup artist David L. Anderson, makeup artist Georgia Allen, makeup artist Saturday Night Live: "Host: Jimmy Fallon" (NBC) Louie Zakarian, department head makeup artist Amy Tagliamonti, additional makeup artist Sara Egan, additional -
Academy Awards En
81st ACADEMY EN AWARDS Ganadores Mejor Actor Richard Jenkins en “The Visitor” (Overture Films) Frank Langella en “Frost/Nixon” (Universal) Sean Penn en “Milk” (Focus Features) Brad Pitt en "El Curioso Caso de Benjamin Button" (“The Curious Case of Benjamin Button”) (Paramount y Warner Bros.) Mickey Rourke en "El Luchador" (“The Wrestler”) (Fox Searchlight) Mejor Actor de Reparto Josh Brolin en “Milk” (Focus Features) Robert Downey Jr. en "Una Guerra de Película" (“Tropic Thunder”) (DreamWorks, Distribuida por DreamWorks/Paramount) Philip Seymour Hoffman en "La Duda" (“Doubt”) (Miramax) Heath Ledger en "Batman: El Caballero de la Noche" (“The Dark Knight”) (Warner Bros.) Michael Shannon en "Sólo un Sueño" (“Revolutionary Road”) (DreamWorks, Distribuida por Paramount Vantage) Mejor Actriz Anne Hathaway en "La Boda de Rachel" (“Rachel Getting Married”) (Sony Pictures Classics) Angelina Jolie en "El Sustituto" (“Changeling”) (Universal) Melissa Leo en “Frozen River” (Sony Pictures Classics) Meryl Streep en "La Duda" (“Doubt”) (Miramax) Kate Winslet en "El Lector" (“The Reader”) (The Weinstein Company) Mejor Actriz de Reparto Amy Adams en "La Duda" (“Doubt”) (Miramax) Penélope Cruz en “Vicky Cristina Barcelona” (The Weinstein Company) Viola Davis en "La Duda" (“Doubt”) (Miramax) Taraji P. Henson en "El Curioso Caso de Benjamin Button" (“The Curious Case of Benjamin Button”) (Paramount y Warner Bros.) Marisa Tomei en "El Luchador" (“The Wrestler”) (Fox Searchlight) Mejor Película Animada “Bolt” (Walt Disney), Chris Williams and Byron Howard “Kung Fu Panda” (DreamWorks Animation, Distribuida por Paramount), John Stevenson y Mark Osborne “WALL-E” (Walt Disney), Andrew Stanton Mejor Dirección de Arte “El Sustituto” (“Changeling”) (Universal), Dirección de Arte: James J. -
Cineeco2008 XIV Festival Internacional De Cinema E Vídeo De Ambiente Serra Da Estrela Seia Portugal
cineeco2008 XIV festival internacional de cinema e vídeo de ambiente serra da estrela seia_portugal PRÉMIO NACIONAL DO AMBIENTE 2006 atribuido pela Confederação Portuguesa de Associações de Defesa do Ambiente membro fundador da ASSOCIAÇÃO DE FESTIVAIS DE CINEMA DE MEIO AMBIENTE (EFFN - ENVIRONMENTAL FILM FESTIVAL NETWORK) juntamente com cinemambiente . environmental film festival . turim . itália festival internacional del medi ambient sant feliu de guíxols . barcelona . espanha ecocinema . festival internacional de cinema ambiental . grécia parceiro dos festival internacional de cinema e vídeo ambiental goiás . brasil festival internacional de cinema do ambiente washington . eua vizionária . international video festival . siena . itália wild and scenic environmental film festival . nevada city . eua em formação plataforma atlântica de festivais de ambiente de colaboração com festival internacional de cinema e vídeo ambiental goiás . brasil festival internacional de cinema e vídeo ambiental do mindelo . cabo verde extensões do cineeco centro das artes . casa das mudas . calheta . madeira dep. ambiente da câmara municipal de lisboa sec. regional do ambiente . ponta delgada . horta . praia da vitória . açores inatel . albufeira . vidigueira. quarteira . beja teatro aveirense . mercado negro . cine clube . aveiro biblioteca municipal . braga centro de ciência viva . bio blitz . semana de cultura cientifica . tavira quinzena do comércio justo . Almada fnac . porto teatro cine . torres vedras Edição: CineEco Título: Programa do CineEco’2008 -
London Instead Decided to Move Quite Literally out of Their Comfort Zone
fter establishing itself over the A past six years as Europe’s pre- eminent industry event, the International Make-up Artist Trade Show could easily have rested on its well-deserved laurels, but for show number seven, organizers London instead decided to move quite literally out of their comfort zone. IMATS 2008, held Jan. 26- 27, was housed in London’s Alexandra Palace, one of the city’s most distinctive landmarks, from which the BBC made its first public TV transmissions back in 1936. And as palaces go, the venue felt oddly appropriate, thanks to the presence of make- 2008 up royalty—namely, six-time Oscar winner Rick Baker, who made his first-ever appearance at the London show. One of the biggest programming changes from previous U.K. events was to forgo the appearance of a keynote speaker on Saturday morning. With so many people making their way to a new venue for the first time, it made sense to start the day Students and off at a slightly slower pace, allowing attendees from around the world to spend a few hours finding their way around, as professionals from opposed to racing into the main hall to avoid missing a major presentation. That said, Saturday’s education component around the world kicked off at 10:30 a.m. with Neill Gorton’s silicone aging make-up application, at which he was assisted by Millennium converge on FX right-hand man Rob Mayer. Gorton has demonstrated to a packed house every year since 2002, and this time was no Alexandra Palace exception, with the main hall filling up nearly an hour before the scheduled start time. -
Summer 2009 What’S Inside Features
VOLUME 5 NUMBER 3 Summer 2009 what’s inside Features 14 IATSE 20 66th Quadrennial Convention 16 Howard J. Smit Farewell to a Local 706 legend 18 How I Met Your Mother Make-up madness and then some 26 20 In the Year One Secrets of a journeyman hair stylist 22 A Tribute to Dick Smith 24 In Retirement: Karl Silvera 26 Three Decades With Michael Jackson Fond memories from & of make-up artist Karen Faye 30 Star Trek Hats off to the make-up crew 32 Emmy Noms 30 18 Departments 4 From the President 6 Local Business 10 Calendar of Events 11 Guild News Makeup Award rule & hair craft 35 Theater News 37 Extended Family News 16 38 Last Looks 33 PRESIDENT FROM THE PRESIDENT Piracy and its effect on our Health and Pension Plans, was the primary topic that legislators from the United States and union leaders from Europe shared with the delegates at the Official Magazine of Hollywood 66th Quadrennial Convention in Orlando. The severity of the problem opened the eyes of many Make-up Artists & Hair Stylists. Published in the Interest of who had no idea how widespread it was. Theft of intellectual property is diffi cult to legislate due to ALL the Members of Make-up Artists the fact that different cultures view the Internet and everything on it as “free” and feel no responsi- & Hair Stylists I.A.T.S.E. Local 706 bility to obey laws and contractual issues in other countries. Anyone who received their statement from MPIPHP recently noticed a signifi cant drop in their accumulated benefi ts.