Prsrt Std U.S. Postage Paid Santa Ana, CA Make-Up Artists and Hair Stylists Guild Permit No. 450 Local 706–I.A.T.S.E. 828 N. Way Burbank, California 91505

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For further information please visit Volume 10 Number 3 Summer 2014 what’s inside

24 Features

14 66th Primetime Emmy Noms 19 19 Entertainment Union Coalition Local 706 steps forward

24 Remembering Dick Smith The “Godfather of Make-up”

14

32

Departments 4 From the President Celebrating Guild Emmy noms 6 Local Perspective Make Beauty Your Business Supporting the IATSE-PAC

8 Guild News Christmas in July

10 Calendar of Events Join other MUD retailers and artists // Sign up for your FREE MUD Pro Card and begin receiving huge savings 12 while expanding your business as an Theater News 29 // Get the latest schedule of full-time and part-time courses District 2 Convention industry professional at // Attend one of our FREE workshops including the MUD Symposium Oct 4-5th 29 Extended Family News www.mudopportunities.com The Official Cosmetics Sponsor of 30 Last Looks 2014 MISS USA® and 2014 MISS TEEN USA® Cover: Dick Smith. (Photo: William Forsche)

Make-Up Designory Make-Up Designory New York Make-Up Designory Europe  facebook.com/makeupdesignory  facebook.com/mudschools  129 S. San Fernando Blvd.  375 W Broadway # 202  [email protected][email protected] 33 Burbank, CA 91502 New York, NY 10012  www.mudeurope.com  www.mudshop.com  818-729-9420  212-925-9250  00 386 1 6200 348  www.mud.edu EDUCAT ION PRESIDENT THEATER EDUCAT ION NEWS FROM THE PRESIDENT THEATER NEWS

The excitement of learning that 88 Make-Up Artist Official Magazine of Hollywood and Hair Stylist Guild members earned nominations Make-Up Artists & Hair Stylists. Published in the Interest of for their outstanding artistry also made it even clearer how much ALL the Members of Make-Up Artists runaway production has affected the lives of our families and friends. Of all the & Hair Stylists I.A.T.S.E. Local 706 nominatedLOCAL productions, approximately half were shot in states withNEW large taxS incen- LOCAL BUSINESS EXTENDED FAMILY NEWS GUILD tives or are right-to-work states. Supervising Editor GUILD NEWS Jeff Angell We celebrate the excitement of our Daytime Emmy winners bringing home trophies, but watch as even that genre evolves and changes. Cable networks and new media. We Contributing Writers never want to stagnate and let new technologies leave us unaware and antiquated, but Susan Cabral-Ebert we also don’t want to develop the artistry that fits the new venues, only to be asked Tommy Cole Randy Sayer byREPO producersRT to transplant to other states and teach others how toLOOKS do our jobs. FROM THE SECRETARY- TREASURER LAST LOOKS Publisher Years ago, our membership never wanted to become involved in politics and even IngleDodd Media mandated those wishes to our Officers, not to spend any money to support politi- cians. In this issue, you will read the personal experiences of members who traveled Office Manager to Sacramento to join in the experience of being advocates for AB 1839. Volunteers Kathy Sain who attended the first rally at Pickwick Gardens in February, signed up for speaker Mailing List Manager training and followed through with their commitment to help. Today, we are learn- Diane Burns ingLETTER how to use politicsS as a wind of change, to fight for us. Our membersNEW haveS been spectacularLETTERS with gathering TO THE thousands ARTISAN of letters to present to the AssemblyHE andAL SenateTH AN D WELFARE NEWS Committees and Gov. Jerry Brown. We should be proud of ourselves for doing our The Artisan is published quarterly part and not letting everyone else do the work for them. It’s a new day, and we can by Make-Up Artists & Hair Stylists, no longer ignore the hard facts. There are plenty of people who would love to see us I.A.T.S.E. Local 706, 828 No. Hollywood Way, Burbank, CA 91505 fail, to dance on our graves. We have fostered relationships never done before. We’ve Phone (818) 295-3933. Fax 818-295-3930 engaged other unions, neighborhood councils, chambers of commerce from all over All editorial and photo submissions the state, film commissions from other counties, industry-related small businesses should be sent to email address: and even their neighbors. Many have joined with Labor to support this jobs recovery [email protected] HIGHLIGHTS CREW TM act, and it has becomeHIGHLIGHTS the cause ANduD jour SHAD for OWmanyS politicians who suddenlyCREW discovered SHO TS the IATSE as a source of votes. Advertising inquiries: ENCORE PALETTE Dan Dodd, Advertising Director We’ve cleared the Assembly and the Governance and Finance in the Senate. When AB (310) 207-4410 x 236 [email protected] 1839 goes to Sen. Kevin DeLeon’s Appropriations Committee, it is expected that a • FULLY CUSTOMIZABLE dollar amount will be assigned to the bill. Other unions are spreading rumors that • REMOVABLE WHITE MIXING PLATE* we are asking for multiple billions of dollars. What we are asking is for a fighting Officers of I.A.T.S.E. Local 706 chance, to be competitive with other states whose productions have doubled while President EVENTS CREDITS Susan Cabral-Ebert • INDIVIDUAL READY-TO-USE REFILLS our talented artisans and their families have suffered and been torn apart. PWeHO haveTO aCREDIT S CALENDAR OF EVENTS Vice President Artist: Alana Rose Schiro legacy we need to fight for and protect. Wouldn’t it be nice to bring those beautiful Julie Socash Model: Shannon Estabrook • INTERCHANGEABLE MAGNETIC PANS * Not Pictured Emmy statues home after the party, instead of getting on a plane? Recording Secretary Karen Westerfield Secretary-Treasurer John E. Jackson Sergeant-at-Arms Barbara Dally AVAILABLE AT Business Representative Tommy Cole

Susan Cabral-Ebert President

4 WWW.EUROPEANBODYART.COM WWW.NAIMIES.COM LOCAL by Tommy Cole LOCAL PERSPECTIVE Business Representative, I.A.T.S.E. Local 706

As most of you know, Local 706 and all Hollywood IA locals For those who may be a little sketchy on what AB 1839 is, are now deeply involved in politics and are continuing to be here is a quick synopsis: AB 1839 aims to increase financial so in order to protect our jobs, and to keep anti-labor factions incentives to encourage producers to film in California and from getting a stronghold in our political process statewide. not be lured away by lucrative enticements offered by other We do this in part by being proactive in supporting labor- states and foreign countries. It already has had 100% support friendly politicians and raising money to defeat anti-labor from the Assembly, and so far, has gone through the Senate programs and legislators. To this end, without a hitch. Hopefully, this kind you can help even the playing field of momentum will continue all the way in the fight against anti-labor forces to a positive and lucrative vote by our by actively participating in and con- governor. Stay tuned… tributing to the IATSE-PAC. In case you don’t know, a PAC is a Political I would like to acknowledge and con- Action Committee (fund) that accepts gratulate all our Local 706 Emmy noms voluntary donations for the purpose of for this year’s Television Creative Arts making contributions to political can- Awards being presented at the Nokia didates who support working families, Theatre L.A. LIVE in Los Angeles. The not just here in California, but across winners were announced on August the . The funds received 16 at the Primetime Creative Arts are used and intended to support issues Emmy Awards ceremony. In deference and candidates who stand with workers to space, I can’t list them by name, for on matters important to Labor (that’s I would need another page. We have a us) and the IATSE. Working dili- whopping 88 Guild members who are included in the overall nominations, There are a couple ways you can help: gently to bring and I wish to say to all those who have 1. Fill out a Credit/Debit Deduction gotten a well-deserved nod from their card. (You may come to the Local and “our jobs back peers. Every 706 member and your pick one up, or we will send you one.) Local are very proud of you, and we Or 2. Sign up online at www.iatse wish you all the best on August 16. .net/get-involved/contribute. Whether to Los Angeles Win or lose, you all are winners! Please you are making a one-time gift or a read your August bulletin for a detailed monthly donation, no matter what by supporting list of all Local 706 nominees. amount you can afford to give, please know that you will be helping preserve AB 1839, the As we see the shooting season for our industry, our healthcare, pensions 2014–2015 starting up, please be and our union. Jobs Recovery aware that there are many of our Roster members who are having a tough time As you have read in our bulletins making their 400 hours for healthcare and past Artisan publications, the Act. under MPI. Please, if someone calls Hollywood IA locals, along with union you and needs help in making those members throughout the entertain- hours, and you are in a position to ment industry, the Teamsters, the throw them some work, please do so. I DGA, Film L.A., the Motion Picture thank you in advance for your generos- Association of America, Inc., the Producers Guild of America, ity, and I know those you help, will forever be in your debt the Musicians Local 47, the Recording Musicians Association and in their hearts. As a believer in “karma,” I know that your and SAG-AFTRA are working diligently to bring our jobs back kindness” will be returned someday in spades! IMPACTFUL to Los Angeles by supporting AB 1839, the Jobs Recovery Act, during its journey through California’s Legislature in Please enjoy this issue of your Artisan. All of the AIRbrush Equipment and Color Library Sacramento. Also joining the fray are local politicians, private sector businesses, the Hollywood Chamber of Commerce and Sincerely and Fraternally, for your Artistic Creations. our LA mayor. We have other partners in the “Alliance,” who Tommy Cole are involved in our fight, but the list above will give you an idea of the vast support we have garnered over the past several Makeup by Katya Gudaeva, winner of the TEMPTU Pro Artist Search months. Check us out at TEMPTU.com/PRO 6 instagram.com/TEMPTUPRO @TEMPTUPRO pinterest.com/TEMPTU facebook.com/TEMPTUPRO EDUCAT ION PRESIDENT THEATER EDUCAT ION NEWS FROM THE PRESIDENT THEATER NEWS

LOCAL NEWS LOCAL BUSINESS EXTENDED FAMILY NEWS GUILD GUILD NEWS

REPORT LOOKS FROM THE SECRETARY- TREASURER LAST LOOKS

LETTERS NEWS LETTERS TO THE ARTISAN HEALTH AND WELFARE NEWS Christmas in July Local 706 volunteers contributed their talents to benefit underprivileged youth in central Los Angeles on July 19. Hollywood IATSE locals participated at the invitation of HIGHLIGHTS CREW Sen. Holly Mitchell, who initiated Christmas in July three HIGHLIGHTS AND SHADOWS CREW SHOTS years ago. Mitchell serves on the Senate Rules Committee, the managing body of the State Senate, as well as the Budget, Insurance and Public Safety Committees. She chairs California’s Legislative Black Caucus (CLBC) and also belongs to the Women’s Legislative Caucus. Sen. Mitchell and the IATSE both realize the importance CREDITS of demonstrating that the careers in the entertainment EVENTS industry are attainable for everyone. Along with dozens CALENDAR OF EVENTS PHOTO CREDITS of bicycles for kids who could not afford them, the IA set up booths representing crafts like animation and special effects, and Local 706 members transformed throngs of children into the characters of their dreams using face- painting.

Special thanks to European Body Art for providing non- alcohol body paint appropriate for working with children. As department head for the project, journeyman make-up artist Barbara Augustus assembled a great team of talent, love and enthusiasm for the fun event and said, “many hands make the load light.” Also thanks to Denise Pugh Ruiz, Top of page: Children with faces painted. Above, clockwise, from top: Sen. Mitchell (left) Julia Hapney, Amy Lederman, Denise Fischer, and Amy Lederman; attendees at the event Tara Loren Bland, Teresa Baca and Melissa enjoying the activities to benefit underprivileged D’Angelo. And another special thanks to youth. Pauletta Lewis for being a thousand hands to many and taking photos.

8 /MAKEUPFOREVERUSA EDUCAT ION PRESIDENT THEATER EDUCAT ION NEWS FROM THE PRESIDENT THEATER NEWS

LOCAL NEWS LOCAL BUSINESS EXTENDED FAMILY NEWS GUILD GUILD NEWS

REPORT LOOKS FROM THE SECRETARY- TREASURER LAST LOOKS

LETTERS NEWS LETTERS TO THE ARTISAN HEALTH AND WELFARE NEWS

HIGHLIGHTS CREW HIGHLIGHTS AND SHADOWS CREW SHOTS

EVENTS CREDITS PHOTO CREDITS JUST CALENDAR OF EVENTS BECAUSE 2014 YOU’RE September 1 Labor Day, Offices Closed . September 7 Board of Trustees Meeting UNION September 15 Executive Board Meeting September 20 Creative Arts Emmys September 28 Emmys & Governors Ball October 5 Board of Trustees Meeting October 13 Executive Board Meeting October 31 Halloween November 2 Board of Trustees Meeting November 3 SF General Membership Meeting 7 p.m. November 10 Executive Board Meeting November 16 General Membership Meeting Local 80 2-4 p.m. Union Plus Pet Savings were created just for November 17 Theatrical Meeting 7 p.m. you — because America’s hard-working union members only want the best in pet products and November 27, 28 Thanksgiving holiday, Offices Closed veterinary care for their best friends. December 7 Board of Trustees Meeting December 15 Executive Board Meeting Discover great pet savings at December 24 Office Closes at 2 p.m. for holiday UnionPlus.org/Pets December 25 Christmas December 31 Office Closes at 2 p.m. for holiday EDUCAT ION by Randy Sayer PRESIDENT THEATER EDUCAT ION NEWS FROM THE PRESIDENT THEATER NEWS Assistant to the Business Representative I.A.T.S.E. Local 706 C e l e b r a ti n g A r ti s ti c EOn-going x c support e l l eand n commitment c e Pink Contract make- up artist Jennifer Ivey to the talented Artisans that continue “This & That…” is celebrating her 10th to make our Fantasies…Reality year on the road as the Impossible…Possible the Department Head LOCAL DistrictNEW 2 SConvention in Sacramento: Business Hair & Make-up for and the Unbelievable…Believable! LOCAL BUSINESS RepresentativeEXTENDED Tommy F AMICole,LY LocalNEWS 706 PresidentGUILD Sue the National Touring GUILD NEWS Cabral-Ebert and I attended our District 2 Convention in Company of Disney’s The IT&LY Hairfashion National The Lion King. Jennifer (here with Houston news anchor Ron Sacramento the last week- Education Team has specifically end in June. District con- Trevino) demonstrates the ‘Scar’ make-up. ventions are the “politi- designed a series of Master Stylist cal arms” of the IATSE, Negotiations: We have recently completed some impor- Classes to help stylists and colorists and District 2 covers tant negotiations. Our successor agreement with Los Angeles stretch your boundaries and reach Opera has been negotiated and fully ratified by our mem- REPORT California,LOOKS Hawaii, Arizona the next level of creating consistently, FROM THE SECRETARY- TREASURER and Nevada.LAST WithLOOK Sthis bership. Our negotiating committee consisted of Darren fantastic hair while helping to extend year’s Convention coming Randy Sayer, Shirley Seastrand Jinks, Brandi Strona and Samantha Wootten. We have on the heels of all of Sue’s and Tommy Cole completed two months of negotiations with the Disneyland your PR opportunities. work in Sacramento on the California Film & Television Resort, and this successor agreement (with a 17% increase in wages and benefits over five years, and improvements to Production Tax Credit Bill (AB 1839) and Tommy and Our next Master Stylist class: Sue’s work on the Entertainment Union Coalition (the the terms, conditions and working rules) is currently in the EUC, the group that is spearheading the fight to get AB ratification process. Our negotiating committee included LETTERS 1839NEW throughS our legislature), the timing could not have Emily Bonosoro, Jennifer Brooks, Bonnie Deal, Kathleen “The Red Hot Vixen” LETTERS TO THE ARTISAN HEALTH AND WELFARE NEWS been better! The weekend was packed full of information Brown-Zablan, Chanthy Tach and Sophia Tan-Nguyen. We Sunday, October 12, 2014 and education and speakers included International President have recently negotiated a successor agreement with Team 11:00 am - 5:00 pm Matt Loeb and California Lt. Gov. Gavin Newsom—both San Jose/Broadway San Jose, and our new agreements with Opera San Jose and Pasadena Playhouse were both negoti- at of whom were riveting spokesmen. Our Regional hair stylist IATSE (and Sacramento resident), Shirley Seastrand, also attended ated and ratified earlier this year. 2520 W. Olive Ave., Suite 200 the Convention as a guest on day one. This is The Garment Worker, Burbank, CA HIGHLIGHTS CREW an eight-foot bronze sculpture CREW SHOTS HIGHLIGHTS AND SHADOWS by Judith Weller which stands These classes are free for Union 706 members. in what was once the flourishing Call for details. Garment District, the home of the American fash- ion and clothing manufacturing industry. In its heyday, 40% of America’s menswear and 70% of women’s apparel were produced within this one EVENTS CREDITS square mile of factories and showrooms just south of PHOTO CREDITS CALENDAR OF EVENTS Lt. Gov. Gavin Newsom addresses the Convention Times Square, by a predominantly immigrant (and union) workforce of more than 100,000 men and women. Today, New positions: Jeanna Parham has been named the new less than 5% of our clothing is even made in America, as Wigmaster/Department Head of San Francisco Opera. companies have shipped factories overseas in search of big- Christina Martin has been named the new hair & make-up ger profits, lower prices and a nonunion, unprotected labor supervisor for Opera San Jose. pool. We all need to support the Entertainment Union Coalition and AB 1839, the California Film & Television New contract: We have recently signed our first-ever Job Retention and Promotion Act—unless we want to see agreement with the Los Angeles Philharmonic! This will a similar statue in Hollywood one day honoring us. cover productions at both the Concert Hall and historic Hollywood Bowl. See you in the wings or at the negotiating table! Randy Sayer

12 800-621-4859 • www.italyhairfashion.com Model’s hair by Pasquale Caselle and makeup by Linda Caselle. Congratulations66th Primetime to Emmy the Nominations outstanding makeup outstanding makeup outstanding makeup for a single-camera series for a multi-camera series or special for a miniseries or a movie (non-prosthetic) (non-prosthetic) (non-prosthetic) Breaking Bad Dancing With the Stars American Horror Story: Coven AMC • Television, ABC • BBC Worldwide Americas, FX • Brad Falchuk Teley-Vision, Ryan Murphy High Bridge Productions, Gran Via BBC Worldwide Productions, Productions, 20th Century Fox Television Productions BBC Worldwide Head Makeup Artist: Head Makeup Artist: Head Makeup Artist: Eryn Krueger Mekash Tarra Day Zena Shteysel Key Makeup Artist: Key Makeup Artist: Kim Ayers Angela Moos Makeup Artists: Mad Men Additional Makeup Artists: Mike Mekash, Christopher Nelson, Vicki Vacca AMC • Television, Patti Bortoli, Barbara Fonte, Warner Bros., American Movie Julie Socash, Sarah Woolf Anna Nicole Lifetime Television • Sony Pictures Television Classics (AMC) Key & Peele Head Makeup Artist: Central • Cindylou, Co-Head Makeup Artist: Lana Horochowski Monkeypaw Productions, David De Leon Key Makeup Artist: Martel & Roberts Productions Co-Head Makeup Artist: Ron Pipes Head Makeup Artist: Todd McIntosh Makeup Artist: Scott Wheeler Ken Niederbaumer Key Makeup Artist: Additional Makeup Artists: Suzy Diaz Makeup Artists: Bonnie and Clyde Maurine Burke, Jen Greenberg Lifetime Television • A&E Networks, Sony Pictures Georgia Allen, David L. Anderson Television, Storyline Entertainment So You Think You Can Head Makeup Artist: Dance HBO • , FOX • 19 Television, 20th Century Lee Caplin/Picture Fox Television, Dick Clark Entertainment Productions Head Makeup Artist: Head Makeup Artist: Felicity Bowring Heather Anne Cummings Fargo Makeup Artists: Makeup Artists: FX • MGM Television, FX Productions Ann Pala, Kim Perrodin Allan Avendano, Tym Schutchai Personal Makeup Artist: Personal Makeup Artist: Baucharem, Amy Harmon,

Linda Dowds Angela Nogaro Keith Sayer

The Voice NBC • Mark Burnett Productions,

Talpa Productions, Warner ®ATAS/NATAS Horizon Television The Normal Heart Head Makeup Artist: HBO • HBO Films, , Darcy Gilmore Key Makeup Artist: Head Makeup Artist: Sherri Simmons Eryn Krueger Mekash Makeup Artists: Makeup Artist: Kristene Bernard, Carlene Kearns, Mike Mekash Thea Samuels, Molly Tissavary

14 15 outstanding outstanding hairstyling The Voice for a series, miniseries, movie or for a single-camera series NBC • Mark Burnett Productions, a special Talpa Productions, Warner Horizon Television American Horror Story: Mad Men Head Hairstylist: Coven AMC • Lionsgate Television, Shawn Finch FX • Brad Falchuk Teley-Vision, Warner Bros., American Movie Key Hairstylist: Ryan Murphy Productions, Classics (AMC) Jerilynn Stephens Hairstylists: 20th Century Fox Television Head Hairstylist: Renee Ferruggia, Corey Hill, Head Makeup Artist: Theraesa Rivers Cheryl Marks, Samantha Wen Eryn Krueger Mekash Key Hairstylist: Special Makeup Effects Artist: Arturo Rojas Mike Mekash Hairstylists: Prosthetic Designers: Valerie Jackson, Ai Nakata Jason Hamer, Christien Tinsley Makeup Effects Artists: 41st Daytime outstanding hairstyling outstanding hairstyling David L. Anderson, Rob Freitas, for a Miniseries or a movie Christopher Nelson for a Multi-camera series or special Creative Arts Dancing With the Stars Anna Nicole American Horror Story: Lifetime Television • Sony Pictures ABC • BBC Worldwide Americas, Emmy Awards Television BBC Worldwide Productions, Coven BBC Worldwide FX • Brad Falchuk Teley-Vision, outstanding achievement in Co-Head Makeup Artist: Head Hairstylist: Ryan Murphy Productions, hairstyling for a drama series David De Leon 20th Century Fox Television Mary Guerrero Co-Head Makeup Artist: Head Hairstylist: The Bold and the Beautiful Key Hairstylist: Michele Arvizo, Adriana Lucia, Romaine Markus-Meyers, Audrey Soto Todd McIntosh Kimi Messina Monte C. Haught Prosthetic Designer: Additional Hairstylists: Key Hairstylist: outstanding achievement in Cyndra Dunn, Jennifer Guerrero, Michelle Ceglia makeup for a drama series , Sean Smith Breaking Bad The Bold and the Beautiful AMC • Sony Pictures Television, Bonnie and Clyde Jackie Brubaker, Allyson Carey, Christine Lai-Johnson, Melissa Sandora High Bridge Productions, Gran Via Key & Peele • Cindylou, Lifetime Television • A&E Productions Monkeypaw Productions, Networks, Sony Pictures aND Head Makeup Artist: Martel & Roberts Productions Television, Storyline Entertainment General Hospital Tarra Day Head Hairstylist: Angela Ackley, Donna Messina Armogida, Caitlin Davison, Key Makeup Artist: Head Hairstylist: Amanda Mofield Melinda Osgood, Tamara Papirian, Bobbi Roberts Steve LaPorte Key Hairstylist: Audrey Anzures Makeup Artists: Raissa Patton Hairstylist: Howard Leigh Berger, Catherine Childers The Originals The Normal Heart CW • Bonanza Productions, Mob City HBO • HBO Films, Plan B My So-Called Company, TNT • TNT Originals Entertainment, Blumhouse Alloy Entertainment Productions Head Hairstylist: Co-Head Hairstylist: The Bold and the Beautiful General Hospital Head Makeup Artist: Nina Marie Paskowitz Colleen Labaff Key Hairstylist: outstanding hairstyling Eryn Krueger Mekash Co-Head Hairstylist: Prosthetic Designer: Kimberley Spiteri The Queen Latifah Show Christien Tinsley Iasia Merriweather outstanding makeup The Oscars The Normal Heart ABC • Academy of Motion Picture Green Screen Adventures HBO • HBO Films, Plan B Arts and Sciences (AMPAS) Jessica Honor Carleton, Scott Gryder Entertainment, Blumhouse Head Hairstylist: Productions Anthony Wilson Personal Hairstylist: Key Hairstylist: Frida Aradottir Natasha Allegro Hairstylist: Cynthia Romo

The Queen Latifah Show Green Screen Adventures 16 Entertainment Union Coalition

Int’l VP Thom Davis, Int’l VP Mike Miller, D2 Secretary-Treasurer Ed Brown, Int’l President Matthew D. Loeb and California Labor Federation’s Art Pulaski address the delegates at the District 2 Convention in Sacramento.

706 Member Involvement It’s no secret that Local 706 has been sig- them know directly how their constituents’ lives have been nificantly involved with other IA Locals impacted, the strain on their families, their ability to main- and other labor unions to achieve a tain a decent income and pay taxes. Some even attended a speaker training program in preparation for speaking California film tax incentive that will directly to their Assembly persons, Senators and testifying increase our competitive ability and in front of the committees. One of the positive aspects of bring work back to our state. When the this saga is that our members have had a major civics lesson Jobs Recovery Act had its first rally in as to how the Assembly and Senate work, the importance Burbank in February and a second rally of support and interaction between unions and businesses, in San Francisco, dozens of Local 706 all toward a common goal. We haven’t achieved victory yet, but several of our members have traveled to Sacramento members volunteered to join the fight to help with the lobbying efforts. Oscar-nominated make- and do their part. Some volunteered to up artist , 706 Vice President Julie Socash write letters to the necessary commit- (make-up artist) and Executive Board member Pauletta tees in the Assembly and Senate. Lewis-Irwin (hair stylist) will share their experiences of traveling to Sacramento. Local 706 has truly stepped forward and delivered huge stacks of hand-signed letters to the chairpersons of those Pauletta Lewis-Irwin: I’ve always been an activist committees. Others have contacted their legislators and let and fighting for a cause but, when I was asked to go to 2519 Watch us on Youtube Foundations

Tell us what you think Highlighting Contouring show us your photos Concealer Powders Like us Tommy Cole, Randy Sayer, Mike Miller, Sue Cabral-Ebert and Ed Brown Blush

the state capital, it was an honor and a different experi- ence for me to see how things were run on another level. It was a great experience and I would do it all over again for a cause.

Julie Socash: I did not know what to expect when I traveled up to Sacramento to try and aid in the education of AB 1839. When we arrived at the hotel before going to the capital, everyone met to discuss and explain what we were going to do and it was fantastic to see all the dif- ferent people that were there to support the bill. We had the Teamsters, the actors’ and performers’ unions (SAG/ AFTRA), all of our different craft unions from both Northern and Southern California there as well as a whole student coalition of future filmmakers. We were then split into groups and sent to specific Senators’ offices to speak with them or their aides. Every office we went to, we were Left to right: Julie Socash, Pauletta Lewis-Irwin, treated with respect and there was a willingness and enthu- Sue Cabral-Ebert siasm on the part of the staffers to get as much informa- To stand in the halls tion from us as possible to pass along. So far we have District 2 Convention – made it past the hurdles of the House and Government California Lt. Gov. Gavin and Finance Committee and are well on our way to seeing ofNewsom legislation addressed the IA alongside this bill passed. I was extremely honored to be able to help delegates and expressed represent our union, Local 706, in Sacramento and am peoplehis support of ABwho 1839 share my very proud that we have been a loud and productive voice and the issues concerning with all our letters that we have sent and people who have the effect of runaway pro- volunteered. I saw firsthand we are making a difference and goals,duction on California. ambitions and dreamsour waselected leaders cathartic. are really listening to us.To When be this bill passes, I have to think it will and the productions start able to speak to our leaderscoming face-to-face back to California. I believe it can was be said WE col- lectively as a union helped make that happen, we made a empowering. difference. I want to say thank-you to our 706 President 20 Julie Socash, Lydia Milars, Michael D’Imperio, Deborah La Mia Denaver, Mike Elizalde

We were there to tell them our stories and to show Assemblyman Mike Gatto our support for Assembly Bill 1839.

and our Business Representatives for fighting so hard for the industry altogether. “Runaway Production” became this important bill and allowing me to take part in help- a household term in California. Our Hollywood legacy ing to move it forward was being poached by massive tax incentives offered by other states. It seemed that nothing would ever change the Mike Elizalde: I once had a dream to work in course of these events. Faith in a change for the better felt Hollywood as a make-up artist. I had no idea how far like a luxury we could not afford. But now, that faith is the pursuit of that dream would take me. I had even less being restored. of a clue as to what I would have to do to try to keep Last May, I had the opportunity to stand up and fight that dream alive. I am a 27-year-film-industry veteran. for the dream that I share with all of my brothers and Make-up Artists Needed My two children were born during those years. I estab- sisters in the California film and television industry. I lished myself in my community and became a member traveled to Sacramento with our Local 706 President, of IATSE Local 706 Make-Up Artists and Hair Stylists Sue Ebert, and other IA members to speak with our As Make-up Designory continues to grow, we are constantly looking for new instructors to teach courses in Beauty, Hair Guild during that time. I received many accolades for my legislators about the hardships we are facing. We were Styling and Special Make-up Effects. Faculty full-time and part- work. My wife of 22 years and I started a business that there to tell them our stories and to show our support time positions are regularly available at our main campuses in grew to become recognized as one of the world leaders for Assembly Bill 1839. The co-authors of the bill, Los Angeles and New York as well as our partnering schools in prosthetic make-up and creature effects design. The California State Assembly members Mike Gatto and Raul throughout the US and MUD Studios internationally. dream had become a reality. Bocanegra, also share our vision of renewed prosperity in Join a great work environment with the greatest job satisfaction of helping to educate aspiring artists, as well as benefits such as: Then, the work began to slow down. Productions that California. Together with them, we are all fighting to save were developed, produced and filmed in California became a legacy that was born right here in our own state. // Extensive Training // 401K Plan incredibly scarce. I had to leave my family for long peri- To stand in the halls of legislation alongside people // Competitve Salary // Medical Benefits ods of time to work far away from them. I began to hear who share my goals, ambitions and dreams was cathar- // Paid Time Off // Dental Benefts

stories of hardship from my colleagues, many of whom tic. To be able to speak to our leaders face-to-face was Apply today for consideration to join one of the fastest growing were forced to move away to other states permanently empowering. To have our faith in our dreams restored is and highly respected accredited make-up schools in the world. for work. In some cases, people lost their homes and left where our fight begins and how it will end in our favor. • 22 Apply at: [email protected] 23 www.mud.edu | mudopportunities.com emembering My Friend, R DICK SMITH

by JILL ROCKOW With Paul LeBlanc in 1984, Smith won an Academy Award monsters. He would make himself up as monsters, such as MAKE-UP ARTISt for Best Makeup for Amadeus, in which he aged F. Murray Frankenstein, the Wolf Man, the Mummy and others. He Abraham into the elderly Antonio Salieri. Dick received an would run around the campus at night scaring unsuspecting Oscar nomination in 1989 for aging in Dad. students. Those were his favorite types of characters to re- The Guild is mourning In 2011, he was the first make-up artist to be awarded an create. Dick joined Yale’s drama group and began applying Academy Honorary Award for his life’s work. make-up for their University’s plays. the loss of the legendary Born Richard Emerson Smith on June 26, 1922, in With WWII in full force, Dick joined the ROTC. He “Godfather of Makeup,” Larchmont, New York, Dick was the only child of Coral and enlisted in the Army and was honorably discharged as a sec- Richard Roy Smith. His father ond lieutenant in the artillery in November of 1944. When Oscar winner Dick Smith. was a successful book publisher Dick returned from service, he knew the dental profession and a Yale graduate. When Dick would not be satisfying to him. He heard about a new craze Dick began his career was a child, he attended the pres- called television. NBC TV in New York City was starting. tigious, private, Wooster School A whole new world was opening up, and young Dick Smith in New York at WNBC in Connecticut. wanted to be a part of it. in the 1940s, where he As a young man, Dick had a In 1945, Dick ran and headed NBC TV’s first make-up pioneered make-up tech- job at the Museum of Natural department. All shows, including live television shows that History in NYC. He worked started pouring in, were under the guidance of Smith. These niques that would be with the realistic displays and included The Milton Berle Show, Shakespeare Theater, Man on Half Dick Smith dioramas. It was here, I think, Moon Street and Jane Eyre to name a few. David Susskind used worldwide, even to that Dick first learned about making something artificial produced many of NBC’s shows. One of them called Way look realistic. This of course, would help him later in life. Out, is where Dick worked very hard to solve and execute this day. He transformed elaborate make-up problems every week. There were prob- Dick decided to follow in his father’s footsteps and attend some of Hollywood’s big- Yale University. His parents had high hopes for their son becoming a doctor. He studied pre-med, with intentions gest stars for high-profile of becoming a dentist. Dick still felt something was roles in television and missing. He was always looking around for things that interested him. One day, while Dick was looking film, and influenced gen- through a local bookstore, he came across a book enti- tled Paint, Powder, and Make-up. He seemed fascinated erations of make-up art- with the idea. He bought the book, and bringing it back to his dorm, he started a long history of pranks. ists who came after him. He learned basic techniques from that book to create

Dick Smith and Marlon Brando Smith with some of on the set of The Godfather his scary creations

24 25 .

Above: Smith applying his Oscar-winning make-up to F. Murray Abraham for Amadeus. Top right: Linda Blair in The Exorcist. Clockwise from top left: in Little Big Man; Hal Bottom right: in Taxi Driver. Holbrook as Mark Twain; Altered States; Jack Lemmon in Dad.

lems of “quick-changes,” old-age make-up and others were to 1960. He left NBC to pursue a movie career and face and Sciences awarded Dick with a special Honorary Oscar. all developed and solved by Smith. Then, there were other those challenges. I knew Dick for more than 35 years. He No other make-up artist in the world ever received such challenges for Dick to solve. Color television was starting was never satisfied unless he had new challenges keeping him praise. He received his Oscar alongside Oprah Winfrey and for NBC. It was about a full year ahead of Hollywood, whose consumed. On Dick’s very first film in 1961, Misty, he was . It was an exquisite night known as the TV programs were still in black & white. Make-ups for black injured. He reached into a truck to grab his make-up gear, “.” & white photography are VERY different than make-up for just as the driver, not seeing Dick, started to drive off. His color photography. Dick Smith traveled to Hollywood to wedding band got caught on something and ripped all the Dick Smith is best known for films like Requiem for a Heavyweight the Max Factor make-up laboratories. Max Factor at the flesh off that finger. Later, he had surgery with a very good (1962), The World of Henry Orient (1964), Midnight Cowboy time was the leading manufacturer of theatrical make-up. surgeon who removed the whole finger and bones to make (1968), Little Big Man (1969), House of Dark Shadows (1970), He worked alongside cosmetic chemists developing all the the hand look natural with only three fingers. The Godfather (1971), The Exorcist (1973), The Godfather: Part II shades of make-up that had a “color warmth” needed for (1973), The Stepford Wives (1974), The Sunshine Boys (1975), color television. Dick Smith contributed an amazing amount to the film and Taxi Driver (1975), Marathon Man (1975), The Deer Hunter television industry. No other single person has ever left his (1977), Altered States (1979), The Formula (1980), Dick met his wife Jocelyn De Rosa after WWII. One of or her mark like Dick has. In 1986, Dick developed a cor- (1981), Ghost Story (1981), The Hunger (1982), Amadeus Dick’s constant chores for NBC was researching photo- respondence make-up course so he could share everything (1983), Prizzi’s Honor (1984), Everybody’s All-American (1988), graphs so he could duplicate them accurately for his TV he taught himself to others. He trained hundreds, maybe Dad (1989), just to mention a few. Dick’s last film before he shows. Many times, he would end up at the Museum of thousands of make-up artists around the world. He had pro- retired was Forever Young (1992). Modern Art in New York. There was a very cute secretary tégés in Japan, Sweden, Spain, Hungary, England, Holland, that worked there who would allow Dick to see photographs Argentina and many other countries. His most famous After his retirement, Dick Smith came to live in California that were not otherwise allowed viewing. Dick took a fancy protégés Dick met when they were barely teens: and enjoyed the care and friendship of his dearest friends and to this young lady, and he proposed marriage to her on the (won seven Oscars), Greg Cannom (won three Oscars), colleagues, attended many events and was the focus of adora- 59th Street Bridge in NYC. Dick always referred to his (won one Oscar) and Kazuhiro Tsuji (nomi- tion of fans of the world of make-up from all over the world. bride, Jocelyn, affectionately as “Lyn.” Dick and Lyn had two nated for two Oscars). sons, Douglas and David. Lyn sadly passed away from cancer Sadly, Dick passed away on July 30, 2014, at the age of 92. in 2003. They were married 54 years. He pioneered techniques, products, a higher pay wage for He is survived by his sons, David and Douglas. A tribute in Top: James Earl Jones, Oprah Winfrey and Smith at the Oscars. make-up artists and a respect for them. That is why on his honor was held at the Academy of Motion Picture Arts Center: Smith applying make-up to Hoffman. Above: Rick Baker Dick Smith headed NBC’s make-up department from 1945 November 12, 2011, the Academy of Motion Pictures Arts and Sciences on August 17. • with Dick Smith.

26 EDUCAT ION PRESIDENT THEATER EDUCAT ION NEWS FROM THE PRESIDENT THEATER NEWS

CINEMAMAKEUPSLOCALCHOOL NEWS LOCAL BUSINESS EXTENDED FAMILY NEWS GUILD Hollywood’s professional makeup school GUILD NEWS Graduation! Cassy Abbott is the daughter of journeyman make-up artist David Abbott.

Wedding Thank you to all her family and REPORT LOOKS Make-up artist friends that helped her on her FROM THE SECRETARY- TREASURER LAST LOOKS Levi Vieira mar- way. It has been a long jour- ried Zack Bunker ney but she did it all on her on June 14. own. She has worked real hard through all the different chal- lenges. She’s now on her way Cassandra Abbott Levi and Zack to college. She starts the Art Institute in graphic design next month. LETTERS NEWS LETTERS TO THE ARTISAN HEALTH AND WELFARE NEWS

Congrats Karen Westerfield, journeyman make-up artist and Local 706 Recording Secretary, graduated from Brushstrokes or keystrokes, LA Trade Tech/UCLA with a degree in labor studies. Karen it’s all makeup to us. Westerfield HIGHLIGHTS CREW HIGHLIGHTS AND SHADOWS CREW SHOTS ZBrush EVENTS CREDITS PHOTO CREDITS CALENDAR OFD EVENigTSital Creature Design

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