Make-Up Artists and Hair Stylists Guild Local 706–I.A.T.S.E. 828 N
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LOGAN MARSHALL-GREEN Jewel
Festival de Cannes 2013 Un Certain Regard METROPOLITAN FILMEXPORT présente une production Millennium Films en association avec Rabbit Bandini Productions et Lee Caplin/Picture Corporation un film de James Franco AS I LAY DYING James Franco Tim Blake Nelson Danny McBride Logan Marshall-Green Ahna O’Reilly Jim Parrack Beth Grant Brady Permenter Scénario : James Franco, Matt Rager D’après le livre Tandis que j’agonise de William Faulkner Durée : 1h50 Notre nouveau portail est à votre disposition. Inscrivez-vous à l’espace pro pour récupérer le matériel promotionnel du film sur : www.metrofilms.com Distribution : Relations presse : METROPOLITAN FILMEXPORT MOONFLEET 29, rue Galilée - 75116 Paris Jérôme Jouneaux, Cédric Landemaine & Tél. 01 56 59 23 25 Mounia Wissinger Fax 01 53 57 84 02 10, rue d’Aumale - 75009 Paris Tél. 01 53 20 01 20 info@metropolitan -films.com cedric [email protected] Programmation : Partenariats et promotion : Tél. 01 56 59 23 25 AGENCE MERCREDI Tél. 01 56 59 66 66 1 L’HISTOIRE Après le décès d’Addie Bundren, son mari et ses cinq enfants entament un long périple à travers le Mississippi pour accompagner la dépouille jusqu’à sa dernière demeure. Anse, le père, et leurs enfants Cash, Darl, Jewel, Dewey Dell et le plus jeune, Vardaman, quittent leur ferme sur une charrette où ils ont placé le cercueil. Chacun d’eux, profondément affecté, vit la mort d’Addie à sa façon. Leur voyage jusqu’à Jefferson, la ville natale de la défunte, sera rempli d’épreuves, imposées par la nature ou le destin. Mais pour ce qu’il reste de cette famille, rien ne sera plus dangereux que les tourments et les blessures secrètes que chacun porte au plus profond de lui… 2 NOTES DE PRODUCTION « Il faut deux personnes pour faire un homme, mais il n’en faut qu’une pour mourir. -
Download Ivan Poharnok's Curriculum Vitae
IVAN POHARNOK Head of Filmefex Studio Filmefex Studio is a special effects facility, where we design and create effects for the motion picture industry. Our speciality is creating creatures, puppets, models, special make-ups and costumes or the combinations of them. e-mail: [email protected] www.filmefex.com phone: +36 20 960 9477 Education 1994: Studied sculpture at the Hungarian College of Fine Arts 1992: Completed Dick Smith’s Advanced Professional Make-up Course 1992: Studied Industrial Design at the Hungarian College of Applied Arts Feature and Television films: Shadow and Bone (2020, Netflix) Prosthetic makeup designer The Witcher (2019, Netflix) Prosthetic makeup designer and creature supervisor Barbarian (2019, Netflix) Prop making: human dummies and horses Midsommar (2018, A24) Prop making: human dummies and horses Alienist (TV series, TNT, 2017) Prosthetic Makeup Designer: Ivan Poharnok Terror (TV series, AMC, 2017) Head of Makeup: Aileen Sheaton Prosthetic Makeup: Ivan Poharnok Bladerunner 2049 (Scott Free, Columbia, 2017) Special prop supplier for Doug Harlocker Mars S1 and S2 (National Geographic, 2017) Speciality costume supplier Emerald City (TV series, NBC, 2016) Special prop supplier Neanderthaler (TV series, RTL 2, Germany, 2016) Prosthetic makeup designer and supervisor The Great Wall (Legendary East, 2016) Prosthetic makeup supplier for Matt Demon Underworld 5 (Lakeshore, 2016) Head of Makeup: Davina Lamont Prosthetics: Ivan Poharnok Prosthetic wounds, scars, fake heads, dummies, dummy parts Marco Polo season 2 (TV -
A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M. -
Drafting Disney for Victory: Animation, Propaganda, and Political Resistance, 1941-1942
DRAFTING DISNEY FOR VICTORY: ANIMATION, PROPAGANDA, AND POLITICAL RESISTANCE, 1941-1942 by John Michael Gregory A thesis submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in History Charlotte 2019 Approved by: ______________________________ Dr. Mark Wilson, Thesis Director ______________________________ Dr. Peter Thorsheim ______________________________ Dr. David Johnson ©2019 John Michael Gregory ALL RIGHTS RESERVED ABSTRACT JOHN MICHAEL GREGORY. Drafting Disney for Victory: Animation, Propaganda, and Political Resistance, 1941-1942. (Under the direction of DR. MARK WILSON) History has forgotten animation, and film companies are often complicit in failing to acknowledge its influence on our social and cultural history. Walt Disney came of age in the film industry during the Golden Age of Hollywood, an era that coincided with a world stage set for war and conflict. The threat of Nazi Germany was felt both home and abroad, and the United States struggled with indecision on whether or not to support its European allies or remain isolationist. When the Second World War began, the American response was lukewarm with Lend-Lease being the only acceptable political means of interference in the European conflict. Walt Disney, struggling over lack of profits due to war-related distribution overseas, sought US Government contracts for morale and instructional films to keep his company afloat and his artists paid. Though Disney’s popularity and success in Hollywood in the late 1930s should have made him an easy sell to politicians, he was largely met with distrust over questions of cost and the future viability of animation in government use. -
Pressioni Facciali Di Wink E I Movimenti Della Sua Mano Tipo-Arma (Con Mazza Incorporata) Venivano Controllati Via Radio Dai ‚Burattinai‘
Note di produzione Nel 2004, il visionario regista e sceneggiatore GUILLERMO DEL TORO ha portato sul grande schermo l’eroe del fumetto di MIKE MIGNOLA Hellboy (RON PERLMAN di Blade II, Alien: la clonazione). Il muscolosissimo agente segreto, con tanto di corna, coda e caratteraccio, era un Signor nessuno che sarebbe diventato il favorito di tanti ragazzi a appassionati del genere in tutto il mondo, compreso del Toro. Del Toro ha fatto conoscere il riluttante combattente del crimine ad un pubblico globale con la pellicola Hellboy, e lo spirito del film, le splendide scene d‘azione e gli ingegnosi effetti speciali lo hanno trasformato in un successo commerciale e di critica apprezzato sia dagli amanti del fumetto che dal pubblico in genere. L’odissea epica del cineasta continua con l‘action-thriller Hellboy: The Golden Army, film che segue il suo capolavoro del 2006, vincitore di tre Oscar® Il labirinto del fauno. Con muscoli più grandi, armi più potenti, moltitudini di mostri e un piccolo conflitto domestico, ritorna il nostro eroe rosso amante dei gattini. E questa volta prenderà a calci nel sedere molti più cattivi. Hellboy combatte la giusta battaglia quando il dovere lo chiama attraverso il suo ‚datore di lavoro‘: il top-secret Bureau for Paranormal Research and Defense (Istituto per la Ricerca e Difesa del Paranormale - un’agenzia clandestina creata nel 1943 da Roosevelt che utilizza tecnologie segrete, poteri misteriosi e una rete di operativi con poteri fuori dal comune per difendere il mondo dai più violenti esseri soprannaturali — noto anche come B.P.R.D. Preferirebbe di gran lunga starsene rilassato a fumare un sigaro, bere una birra confezione da sei, con la sua pirocinetica fidanzata Liz Sherman (SELMA BLAIR di La rivincita delle bionde, In Good Company) e i loro innumerevoli gatti. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
De9c1iptors Document Resume Vt 011 240
DOCUMENT RESUME ED 041 122 VT 011 240 TTTLE Rehabilitation Research and Demonstration Grants, An Annotated Listing; And Cooperative Research and Demonstration Projects, A Listing. INSTITUTION Social and Rehabilitation Service (DHEW) , Washington, D.C. PUB DATE 68 NOTm, 243p. EDRS PRICE FDRS Price MF-$1.00 HC-$12.25 DE9C1IPTORS *Annotated Bibliographies, *Demonstration Projects, *Rehabilitation, *Research, *Research Projects ABSTRACT Prepared by the Social and Rehabilitation Service of the Department of Health, Fducation, and Welfare, this publication contains annotations of 5,1112 rehabilitation research and demonstration projects authorized from 1955 to 1968 by the 195L Amendments to the Vocational Rehabilitation Act and 143 cooperative research and demonstration projects authorized from 1962 to 1968 by Title XI, Section 1110 of the Social Security Act,as amended. The rehabilitation projects are grouped into 21 sections, and each annotation includes the name and address of the grantee, the project director, and a brief description of the project purpose. Also included are topical and numerical indexes. The cooperative projects are listed in numerical order, and each annotation contains the name and location of the grantee, the project director, title, and the expected completion date. Copies of completed projectsare available from the institution or agency listed for the project. (SB) -SOCIA'LAND' REHABILITATION 0SERVIOE RESEARCH., and, 4 DEMONSTRATION PROJECTS 96 8 1 A TA 4. AS \ gm* .'U.S.DEPARTENT OF \14 EALT11,,r,E1)UCIATION AND NVELFARE Social and Rehabilitation Service. DISCRIMINATION PROHIBITED--Title VI of the Civil Rights Act of 1964 states: "No person in the United States shall, on the ground of race, color, ornational origin, be excluded from participation in, be denied the benefits of, or be subject to discriminationunder any program or activity receiving Federal financial assistance". -
“Oscar ® ” and “Academyawards
“OSCAR®” AND “ACADEMY AWARDS®” ARE REGISTERED TRADEMARKS OF THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES, AND USED WITH PERMISSION. THIS IS NOT AN ACADEMY RELEASE. A SISTER BELGIUM /16MINS/2018 Native Title: UNE SOEUR Director: DElphiNE GiRaRD Producers: JacqUES-hENRi BRONckaRt (VERSUS pRODUctiON) Synopsis: a night. a car. alie is in trouble. to get by she must make the most important call of her life. Director’s Biography: Born in the heart of the French-canadian winter, Delphine Girard moved to Belgium a few years later. after starting her studies as an actress, she transferred to the directing department at the iNSaS in Brussels. her graduation film, MONSTRE , won several awards in Belgium and around the world. after leaving the school, she worked on several films as an assistant director, children's coach or casting director ("Our children" by Joachim lafosse, "Mothers’ instinct" by Olivier Masset-Depasse) while writing and directing the short film CAVERNE , adapted from a short story by the american author holly Goddard Jones. A SISTER is her second short film. She is currently working on her first feature and a fiction series. Awards: Jury Prize - Saguenay IFF (Canada) Grand Prize Rhode Island IFF (USA) Best International Short Film Sulmona IFF (Italy) Grand Prize Jury SPASM Festival (Canada) Best Short Film, Public Prize, Be tv Prize, University of Namur Prize - Namur Film Festival (Belgium) Public Prize & Special mention by press - BSFF (Belgium) Best Belgian Short Film RamDam FF (Belgium) Prize Creteil Film Festival Festivals/Screenings: -
Documentaries Feature Length
feature length documentaries LIBRARY latest acquisitions SONS OF HONOUR NO KINGS CPH:DOX by Sophia Luvarà by Emilia Mello In the most violent region of Italy - Calabria - the In a place where conventional structures of authority fall 'Ndrangheta mafia rules. One of the few who dares to away, a tomboy, a sea captain, a fiercely independent stand up against the mafia is the President of the juvenile pregnant mother, and two wayward fishermen must find court, Roberto Di Bella. He took a drastic step by starting their place in the space between the urban and a traditional a re-education programme titled "Free to Choose". The life threatened by impending forces. An ode to nature programme separates teenage boys from their mafia and human relations, No Kings explores the freedom of families to break a generational cycle of criminality. The one of the last Caiçara communities. What begins as a goal is straightforward: to show the teenager that there is simple ethnography becomes a deeply personal journey, another way of life. Sons of Honor is an epic coming-of-age contemplating the current direction of modern Brazil. drama that follows the crusade of Roberto Di Bella, a man living under protection 24/7. Through him and his team of the Juvenile Court, we will meet the sons of some of the most dangerous men in Italy. Encyclopedia Of Imaginary Places - Pulpa Film - Saboteur Witfilm - Doclab Media - Antevita Film The Netherlands - Italy / 52' & 90' / 2020 Brazil - Usa - Luxembourg / 52' & 85' / 2020 THESSALONIKI DOC FF SXSW NOW CPH:DOX THE MYSTERY OF by Jim Rakete THE PINK FLAMINGOS by Javier Polo Featuring: Greta Thunberg, Patti Smith, Wim Wenders, Dr. -
Abstract Taiwanese Identity and Transnational Families
ABSTRACT TAIWANESE IDENTITY AND TRANSNATIONAL FAMILIES IN THE CINEMA OF ANG LEE Ting-Ting Chan, Ph.D. Department of English Northern Illinois University, 2017 Scott Balcerzak, Director This dissertation argues that acclaimed filmmaker Ang Lee should be regarded as a Taiwanese transnational filmmaker. Thus, to best understand his work, a Taiwanese sociopolitical context should be employed to consider his complicated national identity as it is reflected in his films across genres and cultures. Previous Ang Lee studies see him merely as a transnational Taiwanese-American or diasporic Chinese filmmaker and situate his works into a broader spectrum of either Asian-American culture or Chinese national cinema. In contrast, this dissertation argues his films are best understood through a direct reference to Taiwan’s history, politics, and society. The chapters examine eight of Lee’s films that best explain his Taiwanese national identity through different cultural considerations: Pushing Hands (1992) and Eat Drink Man Woman (1994) are about maternity; The Wedding Banquet (1993) and Brokeback Mountain (2005) consider homosexuality; The Ice Storm (1997) and Taking Woodstock (2009) represent a collective Taiwanese view of America; and Crouching Tiger, Hidden Dragon (2000) and Lust, Caution (2007) reflect and challenge traditions of Taiwan Cinema. The eight films share three central leitmotifs: family, a sympathetic view of cultural outsiders, and a sympathy for the losing side. Through portraying various domestic relations, Lee presents archetypal families based in filial piety, yet at the same time also gives possible challenges represented by a modern era of equal rights, liberalism, and individualism – which confront traditional Taiwanese-Chinese family views. -
Starlog Magazine Issue
'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws: