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Download Ivan Poharnok's Curriculum Vitae
IVAN POHARNOK Head of Filmefex Studio Filmefex Studio is a special effects facility, where we design and create effects for the motion picture industry. Our speciality is creating creatures, puppets, models, special make-ups and costumes or the combinations of them. e-mail: [email protected] www.filmefex.com phone: +36 20 960 9477 Education 1994: Studied sculpture at the Hungarian College of Fine Arts 1992: Completed Dick Smith’s Advanced Professional Make-up Course 1992: Studied Industrial Design at the Hungarian College of Applied Arts Feature and Television films: Shadow and Bone (2020, Netflix) Prosthetic makeup designer The Witcher (2019, Netflix) Prosthetic makeup designer and creature supervisor Barbarian (2019, Netflix) Prop making: human dummies and horses Midsommar (2018, A24) Prop making: human dummies and horses Alienist (TV series, TNT, 2017) Prosthetic Makeup Designer: Ivan Poharnok Terror (TV series, AMC, 2017) Head of Makeup: Aileen Sheaton Prosthetic Makeup: Ivan Poharnok Bladerunner 2049 (Scott Free, Columbia, 2017) Special prop supplier for Doug Harlocker Mars S1 and S2 (National Geographic, 2017) Speciality costume supplier Emerald City (TV series, NBC, 2016) Special prop supplier Neanderthaler (TV series, RTL 2, Germany, 2016) Prosthetic makeup designer and supervisor The Great Wall (Legendary East, 2016) Prosthetic makeup supplier for Matt Demon Underworld 5 (Lakeshore, 2016) Head of Makeup: Davina Lamont Prosthetics: Ivan Poharnok Prosthetic wounds, scars, fake heads, dummies, dummy parts Marco Polo season 2 (TV -
Paul Boyce Make up and Hair Designer
Paul Boyce Make Up and Hair Designer Credits include: MONSOON Director: Hong Khaou Drama Producers: Tracy O’Riordan, Ameenah Ayub Allen Featuring: Henry Golding, Parker Sawyers, Molly Harris Production Co: BFI / BBC Films / Moonspun Films THE LAST DRAGONSLAYER Director: Jamie Magnus Stone Fantasy Action Drama Producer: Laura Hastings-Smith Ellise Chappell, John Bradley, Ricky Make-Up & Hair Supervisor Featuring: Tomlinson Designer: Sue Michael Production Co: Blueprint Pictures / Sky One HOUDINI AND DOYLE Director: Jeff Renfroe Mystery Drama Series - Eps 9, 10 Producers: Suzanne Colvin, Adrian Sturges Michael Weston, Stephen Managan, Make-Up & Hair Supervisor Featuring: Rebecca Liddiard Designer: Sue Michael Production Co: Big Talk Productions / Fox / ITV EVE Directors: Adrian McDowall, Adrian Mead Sci-Fi Drama Jonathan Fox Bassett, Lynsey Miller Producers: Peter Gallagher, Jeremy Swimer Poppy Lee Friar, Jane Asher, Michael Featuring: Wildman Production Co: Leopard Drama / CBBC IN THE HEART OF THE SEA Director: Ron Howard Brian Grazer, Ron Howard, Marshall Period Action Adventure Producers: Herskovitz Make-Up & Hair, Prosthetic Artist Joe Roth, Paula Weinstein Chris Hemsworth, Cillian Murphy, Charlotte Designer: Fae Hammond Featuring: Riley Production Co: Spring Creek Productions / Warner Bros. WHITE SETTLERS Director: Simeon Halligan Horror Mystery Thriller Producer: Rachel Richardson-Jones Pollyanna McIntosh, Lee Williams, Joanne Featuring: Mitchell Production Co: Not A Number HYENA Director: Gerard Johnson Elizabeth Karlsen, Joanna -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
P E R F O R M I N G
PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales). -
Meryl Streep Emily Blunt James Corden Anna Kendrick Chris Pine Johnny Depp
Meryl Streep Emily Blunt James Corden Anna Kendrick Chris Pine Johnny Depp Diretto da Rob Marshall Sceneggiatura di James Lapine Musiche e testi di Stephen Sondheim Tratto dal Musical di Stephen Sondheim e James Lapine Prodotto da Rob Marshall, John DeLuca, Marc Platt, Callum McDougall Direttore della fotografia Dion Beebe Scenografie di Dennis Gassner Montaggio di Wyatt Smith Costumi di Colleen Atwood Social Network http://twitter.com/DisneyStudiosIt http://instagram.com/disneyitalia https:/fb.com/WaltDisneyStudiosIT Hashtag #IntoTheWoods Data di uscita: 2 aprile 2015 Distribuzione: The Walt Disney Company Italia Durata: 125 minuti Materiali stampa: www.image.net Attento alle cose che dici, i figli ascoltano. Attento alle cose che fai, i figli vedono. E imparano. Attento a ciò che desideri, i desideri sono figli. Attento alla strada che prendono, i desideri si avverano ma a caro prezzo… Finale/Children Will Listen L’INIZIO DEL VIAGGIO Dodici anni fa, dopo lo straordinario successo dell’adattamento cinematografico del musical di Broadway Chicago (vincitore di sei premi Oscar®, incluso quello per il Miglior film), il regista Rob Marshall incontrò Stephen Sondheim e si dichiarò interessato a dirigere una versione cinematografica di uno degli spettacoli teatrali firmati dal leggendario compositore. In cima alla lista di Sondheim c’era Into the Woods, uno dei suoi lavori più acclamati e toccanti, che secondo l’autore sarebbe stato perfetto per Marshall. Marshall e il suo partner produttivo John DeLuca erano appassionati del musical di Sondheim -
Once Upon a Time: Fairy Tales and Special Effects Makeup in Pop Culture
Once Upon a Time: Fairy Tales and Special Effects Makeup in Pop Culture Lauren Melody Shell Florence, South Carolina Master of Fine Arts, Mary Baldwin College, 2009 Master of Letters, Mary Baldwin College, 2008 Bachelor of Arts in English and Theatre, Anderson University, 2006 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Fine Arts Department of Drama University of Virginia May, 2014 ii Approval Name: Lauren Melody Shell Degree: Master of Fine Arts (Technical Direction) Title of Thesis: Once Upon a Time: Fairy Tales and Special Effects Makeup in Pop Culture Review Committee: ________________________________________ LaVahn Hoh, MFA; M.A Supervisor and Department Head Professor of Technical Direction ________________________________________ Michael Rasbury Graduate Faculty Associate Professor of Sound Design ________________________________________ Steven Warner, MFA Technical Director/Lecturer University of Virginia Technical Director Date Defended/Approved: _________________________ iii Table of Contents Part I: Introduction……………………………………………………………………… 1 Part II: The Movement and Evolution of Fairy Tales…………………………………... 3 Part III: Special Effects Makeup Throughout Time…………………………………….. 11 Part IV: Fairy Tales Found in TV and Film…………………………………………….. 19 Part V: Conclusion……………………………………………………………………… 32 Appendix A: Materials and Construction Glossary…………………………………….. 33 Appendix B: Step-by-Step Process of Fairy Tale Makeup Creation……………………. 36 Appendix C: Character Flowchart for Once Upon a Time……………………………… 50 Works Cited……………………………………………………………………………... 51 Works Consulted………………………………………………………………………... 54 1 Part I: Introduction “Once upon a time…” These words create a formula that signifies the beginning of a tale. This tale will inevitably contain any number of the following constructs: acts of heroism, a maiden in peril, an evil queen, a magical kiss, an impish trickster, an epic duel, and/or a happily ever after. -
86Th Academy Awards
LIVE OSCARS SUNDAY March 2, 2014 7e|4p THE http://oscar.go.com/nominees OSCARS 86th Academy Awards Best Picture Actor–in a Leading Role Actress–in a Leading Role Actor–in a Supporting Role American Hustle Christian Bale “American Hustle” Amy Adams “American Hustle Barkhad Adbi “Captain Phillips” Captain Phillips Chiwetel Ejiofor “12 Years a Slave” Cate Blanchett “Blue Jasmine” Bradley Cooper “American Hustle” Dallas Buyers Club Bruce Dern “Nebraska” Sandra Bullock “Gravity” Michael Fassbender “12 Years a Slave” Gravity Leonardo DiCaprio “The Wolf of Wall Street Judi Dench “Philomena” Jonah Hill “The Wolf of Wall Street Her Matthew McConaughey “Dallas Buyers Club Meryl Streep “August: Osage County” Jared Leto “Dallas Buyers Club” Nebraska Philomena 12 Years a Slave The Wolf of Wall Street Actress–in a Supporting Role Animated Feature Film Cinematography Costume Design Sally Hawkins “Blue Jasmine” The Croods “The Grandmaster” Philippe Le Sourd “American Hustle” Michael Wilkinson Jennifer Lawrence “American Hustle” Despicable Me 2 “Gravity” Emmanuel Lubezki “The Grandmaster” William Chang Suk Ping Lupita Nyong’o “12 Years a Slave” Ernest and Celestine “Inside Llewyn Davis” Bruno Delbonnel “The Great Gatsby” Catherina Martin Julia Roberts “August: Osage County” Frozen “Nebraska” Phedon Papamichael “The Invisible Woman” Michael O’Connor June Squibb “Nebraska” The Wind Rises “Prisoners” Roger A. Deakins “12 Years a Slave” Patricia Norris Directing Documentary Feature Documentary Short Subject Film Editing “American Hustle” David O. Russell -
See 2019 Festival Program for Review
Celebrating 10 years in the Media Capital of the World September 5th - 9th September 5, 2018 Dear Friends: On behalf of the City of Los Angeles, welcome to the 2018 Burbank International Film Festival. Since 2009, the Burbank International Film Festival has promoted up-and-coming filmmakers from around the world by providing a gateway to expand their careers in the entertainment industry. I applaud the efforts of the Festival’s organizers and sponsors to create an event that generates an appreciation of storytelling through film. Thank you for your contributions to the vibrant artistic culture of Los Angeles. Congratulations to all the Industry Icon honorees. I send my best wishes for what is sure to be a successful and memorable event. Sincerely, ERIC GARCETTI Mayor September 5, 2018 Dear Friends, Welcome to the 2018 Burbank International Film Festival as we celebrate 10 successful years in "The Media Capitol of the World." The Burbank International Film Festival has given a platform to promising filmmakers, sharing their hard work with an eager audience and providing the means to expand their budding careers. As champions of independent filmmaking, the Festival organizers represent true benefactors to the colorful Los Angeles arts scene that we all enjoy. Congratulations to all the Festival honorees at this pivotal point in their careers. We appreciate your dedication and the contribution it makes to our arts culture. Sincerely, ANTHONY J. PORTANTINO Senator 25th Senate District Board of Directors Jeff Rector President / Festival Director Jeff is an award-winning filmmaker and working actor. His feature film “Revamped” which he wrote, directed and produced, is currently being distributed worldwide. -
Innovation Magazine Spring 2016
SPRING 2016 SPRING 2016 SPECIAL ciweek 2016 PROGRAM EDITION FREE To Dream THE POWER of Dreaming Big CHASING DREAMS COVER PHOTO: and the Nasty Side of Mother Nature JAMIE FOXX IN FULL ELECTRO MAKEUP FOR THE AMAZING SPIDERMAN 2. THE ART OF MAKEUP and So Much More DREAM with Focus www.dmacc.edu/ciweek LAURA JOHNSON | Merit Resources When you partner with the INS Family of Companies for your business solutions, you’re freed up to focus on what you do best. We’ll equip and support you with a full suite of business solutions including Technology, HR and Contact Center services. Offering our unique combination of top-level talent, technology and tools, we’re your valued productivity partner on the road to success. INSFamilyOfCompanies.com THE INS FAMILY OF COMPANIES One experience for everything in your life Come to Microsoft and check out Surface Pro 3, Windows Phones, and more Microsoft at Jordan Creek Town Center 101 Jordan Creek Parkway West Des Moines, IA 50266 Some apps sold separately. Some features require Windows 8.1 Update, available through Windows Update. Internet access required; fees may apply. FEATURES 7 | The Power of Dreaming Big BY SCOTT SIEPKER 13 | Chasing Dreams and the Nasty Side of Mother Nature BY DR. REED TIMMER 19 | The Art of Makeup And So Much More BY HOWARD BERGER 25 | Dream with Focus BY JASON KIESAU 31 | Student Spotlight: Dreaming Reality BY JAMIN MYCAL HARDENBROOK PROGRAM CELEBRATE! INNOVATION MAGAZINE 34 | Welcome IS PUBLISHED BIANNUALLY PROVOST ANTHONY D. PAUSTIAN, Ph.D. BY DES MOINES AREA COMMUNITY COLLEGE WEST CAMPUS. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Makeup-Hairstyling-2019-V1-Ballot.Pdf
2019 Primetime Emmy® Awards Ballot Outstanding Hairstyling For A Single-Camera Series A.P. Bio Melvin April 11, 2019 Synopsis Jack's war with his neighbor reaches a turning point when it threatens to ruin a date with Lynette. And when the school photographer ups his rate, Durbin takes school pictures into his own hands. Technical Description Lynette’s hair was flat-ironed straight and styled. Glenn’s hair was blow-dried and styled with pomade. Lyric’s wigs are flat-ironed straight or curled with a marcel iron; a Marie Antoinette wig was created using a ¾” marcel iron and white-color spray. Jean and Paula’s (Paula = set in pin curls) curls were created with a ¾” marcel iron and Redken Hot Sets. Aparna’s hair is blow-dried straight and ends flipped up with a metal round brush. Nancy Martinez, Department Head Hairstylist Kristine Tack, Key Hairstylist American Gods Donar The Great April 14, 2019 Synopsis Shadow and Mr. Wednesday seek out Dvalin to repair the Gungnir spear. But before the dwarf is able to etch the runes of war, he requires a powerful artifact in exchange. On the journey, Wednesday tells Shadow the story of Donar the Great, set in a 1930’s Burlesque Cabaret flashback. Technical Description Mr. Weds slicked for Cabaret and two 1930-40’s inspired styles. Mr. Nancy was finger-waved. Donar wore long and medium lace wigs and a short haircut for time cuts. Columbia wore a lace wig ironed and pin curled for movement. TechBoy wore short lace wig. Showgirls wore wigs and wig caps backstage audience men in feminine styles women in masculine styles. -
Star Trek: the Next Generation the Ron Jones Project Supplemental Liner Notes
FSM Box 05 Star Trek: The Next Generation The Ron Jones Project Supplemental Liner Notes Contents The Defector . 28 The High Ground . 29 Foreword 1 A Matter of Perspective . 29 The Offspring . 30 Season One 2 Allegiance . 31 The Naked Now . 3 Menage´ a` Troi . 32 Where No One Has Gone Before . 4 Lonely Among Us . 6 Season Four 33 The Battle . 6 Brothers . 36 Datalore . 7 Reunion . 37 11001001 . 8 Final Mission . 38 When the Bough Breaks . 9 Data’s Day . 39 Heart of Glory . 10 Devil’s Due . 40 Skin of Evil . 11 First Contact . 40 We’ll Always Have Paris . 12 Night Terrors . 41 The Neutral Zone . 12 The Nth Degree . 42 Season Two 13 The Drumhead . 43 Where Silence Has Lease . 14 The Best of Both Worlds . 43 The Outrageous Okona . 15 Afterword 44 Loud as a Whisper . 16 A Matter of Honor . 17 Additional and Alternate Cues 45 The Royale . 18 The Icarus Factor . 19 Data and Statistics 46 Q Who . 19 Up the Long Ladder . 21 Interplay Computer Games 48 The Emissary . 22 Starfleet Academy . 48 Shades of Gray . 23 Starfleet Command . 48 Season Three 24 1992 Ron Jones Interview 49 Evolution . 25 Who Watches the Watchers . 26 1996 Ron Jones Interview 55 Booby Trap . 26 The Price . 27 2010 Rob Bowman Interview 58 Liner notes ©2010 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com Star Trek: The Next Generation P 2010, ©1987–1991, 2010 CBS Studios Inc.