DOCSLIB.ORG

32-01 Cover BC Summer2011.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
32-01 Cover BC Summer2011.Indd Prsrt Std U.S. Postage Paid Santa Ana, CA Make-up Artists and Hair Stylists Guild Permit No. 450 Local 706–I.A.T.S.E. 828 N. Hollywood Way Burbank, California 91505 Berlin London San Francisco Chennai KRYOLAN Corp. KRYOLAN City* 132 Ninth Street 2034 North Halsted Street 7ER*VERGMWGS'%97% Chicago, IL 6061497% Phone: +1 1800/kryolan Phone: +1 415/863 9684 +1 773/248 1419 Fax: +1 415/863 9059 Fax: +1 773/248 1486 E-mail: [email protected] E-mail: [email protected] Web: www.kryolan.com Web: www.kryolan.com Find KRYOLAN on VOLUME 7 NUMBER 3 Summer 2011 what’s inside 20 Features 19 Emmy Awards Primetime nominees & daytime winners 20 Introducing the Immortals A make-up designer’s dream 24 Grimm Tales Scary characters come to life 19 10 24 IT’S TIME TO GET INSPIRED. Departments Study the basics. Experiment with colors and textures. Achieve your dreams. At Make-Up 4 From the President Stand Up, Fight Back campaign Designory (MUD), we provide the building blocks for an exceptional learning experience. 6 Local Perspective MUD was founded over a decade ago by accomplished professional make-up artisans. At our two thriving campuses From the Business Rep in Los Angeles and New York, students from around the world join us to study the latest techniques in beauty make-up 10 Guild News artistry, hairstyling, character and special effects make-up. We’ve graduated some of the fi nest make-up artists in the A trade show & on the set visit industry into “starring roles” – from Hollywood to Broadway and the runways of Europe. 12 Calendar of Events 16 Theater News 26 Extended Family News CONNECT WITH US: mudblog.net FOR MORE INFORMATION OR TO 30 The Finishing Touch REQUEST A SCHOOL CATALOG, 30 Last Looks PLEASE VISIT WWW.MUD.EDU OR youtube.com/makeupdesignory myspace.com/mudschools Cover: Courtesy of the Immortals CALL 818-729-9420 (LOS ANGELES) OR 212-925-9250 (NEW YORK). facebook.com/mudschools twitter.com/mudschools Financial aid available to qualifi ed applicants 3 PRESIDENT FROM THE PRESIDENT Our recent IATSE District 2 meeting in San Francisco began with an invocation by Fr. Joe Walsh of San Francisco. His words were passionate, heartfelt and he Official Magazine of Hollywood SUBSCRIBE FREE energized the crowd with understanding of the frustrations many of us feel for our sisters and broth- Make-up Artists & Hair Stylists. ers whose union membership is being challenged. There was no room for complacency or mediocrity. Published in the Interest of digital magazine for makeup artists It was a great way to start the conference that deals primarily with legislation as it pertains to IATSE ALL the Members of Make-up Artists members, and we were joined by our Regional Stewards Susan Stone and Robin Church. Fr. Joe gave & Hair Stylists I.A.T.S.E. Local 706 • animated permission for me to reprint his words. Supervising Editor • interactive O God, your Prophet Isaiah spoke your word to They blamed the immigrants and pitted working people against each other. JEFF ANGELL • award-winning* A people who were in bondage: Then they demonized our Public Sector Unions, and we can only wonder “For Zion’s sake I shall not be silent If our own unions are next. Contributing Writers See artist profi les, For Jerusalem’s sake I shall not be quiet.” Is 62:1 Today they balance their budgets on the backs of the Working Class. MICHAEL FRANCIS BLAKE hot products, For more than a quarter century of serving your people in the Archdiocese Tax breaks go to the wealthy. SUSAN CABRAL-EBERT new techniques of San Francisco, TOMMY COLE I have witnessed your people’s cry becoming ever louder. They say our unions have too much voice in political life. Something has gone terribly wrong in this country of ours. RANDY SAYER and more! Lord, do not allow us to be silent, do not permit us to be quiet We have been too silent about this for far too long. For something has gone wrong in America, and guided by you, we all us, Publisher must speak out. Lord, you gave the prophets the courage to speak out. You gave that courage a century ago to people in this city INGLEDODD PUBLISHING Subscribe FREE now I remember a time in this country when a man could count on a fair day’s like Fr. Peter Yorke. on your smartphone pay—but not today. More recently, you gave that spirit to the late Fr. Peter Sammon Office Manager and get every issue …A time in this country when, after a lifetime of hard work, a man could in this city. KATHY SAIN delivered right to look forward to retirement. But not today. You have given it to many here over the time. your inbox! Mailing List Manager …A time in this country when we respected the women and men who Now is the time to renew that same spirit in this same City of St. Francis. worked in our schools, So give us that courage today. DIANE BURNS protected our cities, made all levels of government work. But not today. The stakes of working people have never been higher. beautyetc.com/subscribe Enter promo key CMUAR to claim your free subscription. Somebody has changed the rules, We are Labor. We are America’s working people. The Artisan is published quarterly And we should not be silent about it. And we have had enough. *Best Digital Edition Publication / Trade and Consumer (Western Publishing Association) by Make-up Artists & Hair Stylists, First came the Wall Street gamblers who crippled our economy, We will not walk quietly away into some dark corner; I.A.T.S.E. Local 706, 828 No. Hollywood gave themselves obscene bonuses and told We will not be silent. Way, Burbank, CA 91505 The Big Lie: That those to blame are Labor Unions and the Middle Class. So bless us now with courage, Lord— Phone (818) 295-3933. Fax 818-295-3930 This is a lie—and we should not be silent about it. Bless us today with the wisdom to begin to talk and to act All editorial and photo submissions A PLEA FROM YOUR When they couldn’t fool us on that one, Lord, on behalf of all decent working people in this land and in this city. Amen should be sent to e-mail address: BUSINESS REPRESENTATIVE: [email protected] Certainly we can all pick singular phrases we can debate, but the gist of the invocation applies to all of us. It was the old directive that Inasmuch as the eligibility rules have changed from 300 hours we should remain neutral and not be involved. Many believe that the other guys are rank-and-file union members, and we’re artists who have Advertising inquiries: to belong to a union. We shuffle around uncomfortably and pretend that we’re different. A stanza from a famous poem written about the Dan Dodd, Advertising Director to 400 hours for health coverage under the MPIPHP, Motion Holocaust reads, “And then they came for the trade unionists, but I did not speak out because I was not a trade unionist.” We come from (310) 207-4410 x 236 Picture Industry Pension and Health Plans, I am asking for your a long line of creative, talented, exquisitely skilled artisans who are trade unionists and should be proud that our predecessors stood strong [email protected] help. For some of our members it is going to be harder then ever and led the way. We have to speak out and stand up for ourselves. to get those all important hours. PLEASE HELP THOSE IN But the playing field has changed tremendously in 2011. The new leadership of the International is now asking each and every member, Officers of I.A.T.S.E. Local 706 no matter if you work in film, television, commercials, theater, theme parks, trade shows—all of us—to become involved in the Stand NEED. If you have the opportunity to give someone some work Up, Fight Back campaign in response to the relentless assault on our rights. Our “at home” issues of film production tax incentives, President Susan Cabral-Ebert to help keep them from losing their benefits, please do so. It will digital theft, or collective bargaining are only part of the bigger picture. Giving to the PAC allows us to individually support the fight for Vice President be one of the greatest gifts you can give. Besides helping someone legislation that benefits the IATSE and against legislation that hurts us. When you read about the struggles of our brothers and sisters Linda Arnold in Wisconsin, also know that Ohio, Michigan, Florida, Massachusetts, Iowa, Indiana, are also under attack. It is a completely planned, save their benefits, you could also be putting food on the table strategized attempt to destroy unions. If we look away and pretend that it won’t affect us, think again. As a Local, we cannot pretend to be Recording Secretary Kim M. Ferry and a roof over their heads, not just for them, but their families autonomous and let everyone else fight the battles. We cannot remain silent anymore. In order to participate in the political process and have a greater voice on issues impacting you as a member Secretary-Treasurer too. I am a firm believer that you get what you give. It is called John E. Jackson of Local 706, I encourage you to become part of the IATSE’s Stand Up, Fight Back PAC campaign.
Load more

Recommended publications
  • Or Shchelkunchik; Or Ballet-Féerie
    Early Autumn Collegiate Novice 3 (Fall 2012), Packet #2 Written by Farrah Bilimoria, Nick Conder, Siddhant Dogra, Aaron Dos Remedios, Ian Drayer, Michael Garn, Alex Gerten, Abid Haseeb, Matthew Hill, Michael Hundley, Melanie Keating, Shan Kothari, Tanay Kothari, Ryan McLaren, Colin McNamara, Jacob O’Rourke, Zach Pace, Srijay Rajan, Ryan Rosenberg, Tony Song, Spencer Weinreich, Tristan Willey, Richard Yu, and Ben Zhang Edited by Andrew Hart Tossups 1. In one of this group’s myth stories, the Four Hundred Southerners demand to know the identity of their mother’s impregnator. This group, whose creation myth involves five suns, reveres a god of a “smoking mirror” and a “left-handed hummingbird.” This group believed that the dead were ferried by a dog-headed psychopomp to the realm of Mictlan. Tlaloc, this group’s god of rain, was the dedicatee of many child sacrifices. For 10 points, name this Mesoamerican civilization whose gods included Huitzilopochtli, Tezcatlipoca, and Quetzalcoatl. ANSWER: the Aztec s [or Mexica ] 2. This ballet’s divertissement features a trepak dance followed by a group of pipers who perform en pointe to this ballet’s “Dance of the Mirlitons.” In Act One of this ballet, the protagonist uses a shoe to protect the title character after he is wounded in a battle orchestrated by Drosselmeyer. This ballet’s composer used the newly invented celesta in a piece depicting a character who gives a necklace to Clara during her visit to the land of sweets. For 10 points, the Sugar Plum Fairy appears in what Tchaikovsky ballet in which Clara receives a toy that comes to life? ANSWER: The Nutcracker [or Shchelkunchik ; or Ballet-Féerie ] 3.
    [Show full text]
  • Mels Resume:Update2020
    Melissa Street Makeup Artist Film/Television/Theater/Live Events cell: (858) 344-7201 email: [email protected] FILM: 2020 MAKEUP DEPARTMENT HEAD - GIGI - Director: Drew Sackheim. 2018 MAKEUP ARTIST - TOP GUN MAVERICK - PARAMOUNT - Director: Joseph Kosinski - Starring: Tom Cruise, Jennifer Connelly, Jon Hamm, Val Kilmer, Miles Teller. 2016 MAKEUP DEPARTMENT HEAD - THE RIDE - 100 ACRE FILMS - SHORT FILM - Director: Eric Addison 2014 MAKEUP DEPARTMENT HEAD - WALTER - ZERO GRAVITY Director: Anna Mastro - Starring: Andrew J. West, Virginia Madsen, William H. Macy, Leven Rambin, Peter Facinelli, Neve Campbell, Brian White, Jim Gaffigan, Justin Kirk, Milo Ventimiglia. Personal artist to: Virginia Madsen, William H. Macy, Andrew J. West, Peter Facinelli, Neve Campbell, Brian White. 2013 MAKEUP DEPARTMENT HEAD - SUPER ATHLETE - WHITE NIGHT PRODUC- TIONS Director: John Comrie - Starring: Tony Sirico, Christopher Lloyd, Faran Tahir, Cameron Rodriguez, Larry Van- Buren Jr. Personal artist to: Tony Sirico, Christopher Lloyd, Faran Tahir. 2011 KEY MAKEUP ARTIST - WHEN YOU FIND ME - SHORT FILM - PROJECT IMAG- IN8TION/FREESTYLE Director: Bryce Dallas-Howard - Starring: Marianna Palka, Erin Way, Jacy King, Karley Scott Collins, Devon Woods, Zachary James Rukavina. 2010 MAKEUP DEPARTMENT HEAD - THE HEIRESS LETHAL - SHORT FILM - EYE- FULL STUDIOS Director: Michael Brueggemeyer - Starring: Merrick McCartha, Cristyn Chandler, Ron Christopher Jones, Theresa Layne. 2003 MAKEUP DEPARTMENT HEAD - CARROT TOP ROCKS LAS VEGAS - DELTA EN- TERTAINMENT Director: Steve Hanft - Starring: Scott “Carrot Top” Thompson, Penn Jillette, Teller. 1986 UNCREDITED MAKEUP ASSISTANT - INVADERS FROM MARS - CANNON PIC- TURES Director: Tobe Hooper - Starring: Karen Black, Hunter Carson, Timothy Bottoms, James Karen, Laraine Newman. Makeup Assistant to Stan Winston F/X lab team.
    [Show full text]
  • ASC History Timeline 1919-2019
    American Society of Cinematographers Historical Timeline DRAFT 8/31/2018 Compiled by David E. Williams February, 1913 — The Cinema Camera Club of New York and the Static Camera Club of America in Hollywood are organized. Each consists of cinematographers who shared ideas about advancing the art and craft of moviemaking. By 1916, the two organizations exchange membership reciprocity. They both disband in February of 1918, after five years of struggle. January 8, 1919 — The American Society of Cinematographers is chartered by the state of California. Founded by 15 members, it is dedicated to “advancing the art through artistry and technological progress … to help perpetuate what has become the most important medium the world has known.” Members of the ASC subsequently play a seminal role in virtually every technological advance that has affects the art of telling stories with moving images. June 20, 1920 — The first documented appearance of the “ASC” credential for a cinematographer in a theatrical film’s titles is the silent western Sand, produced by and starring William S. Hart and shot by Joe August, ASC. November 1, 1920 — The first issue of American Cinematographer magazine is published. Volume One, #1, consists of four pages and mostly reports news and assignments of ASC members. It is published twice monthly. 1922 — Guided by ASC members, Kodak introduced panchromatic film, which “sees” all of the colors of the rainbow, and recorded images’ subtly nuanced shades of gray, ranging from the darkest black to the purest white. The Headless Horseman is the first motion picture shot with the new negative. The cinematographer is Ned Van Buren, ASC.
    [Show full text]
  • Eastern Progress 1979-1980 Eastern Progress
    Eastern Kentucky University Encompass Eastern Progress 1979-1980 Eastern Progress 9-13-1979 Eastern Progress - 13 Sep 1979 Eastern Kentucky University Follow this and additional works at: http://encompass.eku.edu/progress_1979-80 Recommended Citation Eastern Kentucky University, "Eastern Progress - 13 Sep 1979" (1979). Eastern Progress 1979-1980. Paper 4. http://encompass.eku.edu/progress_1979-80/4 This News Article is brought to you for free and open access by the Eastern Progress at Encompass. It has been accepted for inclusion in Eastern Progress 1979-1980 by an authorized administrator of Encompass. For more information, please contact [email protected]. % » 14 l»4»es Vol.58/No. 4 Official Stud.nl Publication of Eaatarn Kentucky' Unnreraity Thund.y. Saptm.bar 13. 1979 Richmond. Ky- 40475 College of Business seeks accreditation Faculty Senate approves phasing out of seven associate degrees B\ ROBIN PATER separate faculty would be too costly. inflated." Thompson told the Progress ratio of student credit hours taught per New* Kditor Thompson explained later Some students who take evening faculty member, explained Thompson Approval of the proposed phasing out Consequently, in seeking ac- classes - only one or two classes - In other business discussed at the of seven associate degree programs in creditation from the American never intend to get a degree, he added Kaculty Senate meeting, a request for the College of Business highlighted the Assembly of Collegiate Schools of "The students about half of them approval of a new associate degree in meeting of the Kaculty Senate on Business 1AACSB1. these programs would go ahead and get their degrees " quality assurance technology was Monday must be dropped in order to comply The total number of graduates from passed The degree, which involves a The action cleared the way for the with Ihe rules of accreditation that the the College of Business for last year, cooperative arrangement with the last hurdle for the proposal, which is AACSB has set up including the summer session of 1979.
    [Show full text]
  • How You Will Lose How You Might Win Setup
    How You Might Win 1. The Monster deck contains one Shadowrift per hero. Seal them all and you win. Jeremy K. Anderson 2. Turn the Town into an impenetrable fortress by building all eight Walls and you win. Haven Town is facing total annihilation at the hands (and teeth) of a horde of monsters from beyond the Shadowrift. The villagers will Setup defend their town...until they get burned to a crisp, subverted by an See page 8 for box organization. evil cult, or twisted into horrible flesh-eating zombies. Give each hero a starter deck. Starter decks consist of 1 So really, you probably shouldn’t leave defense of the town up to the Explore, 2 Strikes, 7 Prowess. Starter cards have at the villagers. This is a job for enchanted swords and mighty spells, for bottom of the card where other cards have cost. Shuffle them. people of guile and indomitable will. This is a job for adventurers willing to face off against beasts with claws the size of swords. You, Choose a Monster faction and eight stacks of hero cards, either the heroes, must band together to bring these creatures down and, randomly or with care. (Learn more about the monsters on by spell or by craft, to eliminate the threat to Haven Town once and page 7, or see the scenario cards for suggestions.) for all. Lay out the stacks of base cards face up: Coin, Might, Strike, and Seal. In two more rows below them, lay out your eight How You Will Lose hero stacks face up.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • THE SHARAKAI TRIBE HISTORY Notice: the Information Contained in This Work Is Not Authorized for Duplication Or Distribution to Other Websites Or Repositories
    7/20/2008 THE SHARAKAI TRIBE HISTORY Notice: The information contained in this work is not authorized for duplication or distribution to other websites or repositories. The information contained in this work is not official, until the final version appears in Tribal Law vs. Dragon’s Rule. 6,500,000 BC The Trine are summoned from the Labyrinth by the Imaja Kith and agree to take corporeal form, protecting the inhabitants of Babel from the Primals at the end of their war with the Abzulim. 400,000 BC Sharakai leads the Anopheles to Sheol where they destroy the Malice Shard, other immortals in the area get their first real look at the Eidolon 19,000 BC Sharakai agrees to enter Sheol and remain there under the watch of the Nimrod, protecting prisoners there from drove attacks for the next 12,000 years. 6,000 BC The Apocrypha attempt to place Sharakai under their control but fail, many of their leaders die in the process. Sharakai moves into what is now present-day Mongolia. 4,000 BC The first students of Sharakai come to learn his teachings in the Gobi desert, the immortals become known as the Spring Pilgrims and the mortals the Gongong. A fortress is constructed to protect the followers. 2,850 BC Sharakai tricks the Anopheles into bringing him into the Mesopotamian city of Ur. Believing he has been captured by them to breed new immortals, Sharakai’s followers travel to Ur and storm the city, routing the Anopheles. The Stratagem Pact offers a place to Sharakai’s followers and they become part of it as the Pride Dracul.
    [Show full text]
  • 1 April 2012 DEAD by DAWN 29 March - 1 April 2012 All Screenings in Cinema One
    29 March - 1 April 2012 DEAD BY DAWN 29 March - 1 April 2012 All screenings in Cinema One Thursday THE FIELDS 2330 – 0115 Friday RED TEARS 1200 – 1335 What You Make It short film programme 1415 – 1515 THE OMEN 1600 – 1800 Long Shorts short film programme 1900 – 2035 BELOW ZERO + Q&A with Signe Olynyk and Bob Schultz 2115 – 2315 THE PUPPET MONSTER MASSACRE 0015 – 0130 Saturday DELIVERANCE 1245 – 1445 Cutting Edge short film programme 1530 – 1715 NIGHTMARE FACTORY 1815 – 1950 LOBOS DE ARGA + Q&A with Juan Martinez Moreno 2045 – 2250 Late Night Triple Bill Bear + JUAN DE LOS MUERTOS 0000 – 0155 Infernal Nuns + DEMONS 0230 – 0405 MACABRE 0425 – 0600 Sunday CREEPSHOW 1345 – 1550 2D & Deranged short animation programme 1630 – 1740 RED NIGHTS 1830 – 2015 HAUNTERS 2100 – 2245 Freebies, Blethering, Shit Film Amnesty 2330 – 2350 THE CABIN IN THE WOODS 2350 – 0140 Some times may be subject to slight change. Welcome to Dead by Dawn! It’s sound advice to be more afraid of the living than the dead. Sure, the dead can kill you, but at least they’re easy to spot. In this year’s programme too many of the monsters will smile when they meet you, and will still be smiling when they lock you in a meat freezer. Or encourage you onto a ledge. Or offer to share their martini. You could try politely declining their kind offer, see how that works out... Dead by Dawn is a discovery festival which exists to showcase potential and vibrant emerging talent, but also aims to screen the widest possible range of what can be described as horror both in feature and short form.
    [Show full text]
  • Once Upon a Time: Fairy Tales and Special Effects Makeup in Pop Culture
    Once Upon a Time: Fairy Tales and Special Effects Makeup in Pop Culture Lauren Melody Shell Florence, South Carolina Master of Fine Arts, Mary Baldwin College, 2009 Master of Letters, Mary Baldwin College, 2008 Bachelor of Arts in English and Theatre, Anderson University, 2006 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Fine Arts Department of Drama University of Virginia May, 2014 ii Approval Name: Lauren Melody Shell Degree: Master of Fine Arts (Technical Direction) Title of Thesis: Once Upon a Time: Fairy Tales and Special Effects Makeup in Pop Culture Review Committee: ________________________________________ LaVahn Hoh, MFA; M.A Supervisor and Department Head Professor of Technical Direction ________________________________________ Michael Rasbury Graduate Faculty Associate Professor of Sound Design ________________________________________ Steven Warner, MFA Technical Director/Lecturer University of Virginia Technical Director Date Defended/Approved: _________________________ iii Table of Contents Part I: Introduction……………………………………………………………………… 1 Part II: The Movement and Evolution of Fairy Tales…………………………………... 3 Part III: Special Effects Makeup Throughout Time…………………………………….. 11 Part IV: Fairy Tales Found in TV and Film…………………………………………….. 19 Part V: Conclusion……………………………………………………………………… 32 Appendix A: Materials and Construction Glossary…………………………………….. 33 Appendix B: Step-by-Step Process of Fairy Tale Makeup Creation……………………. 36 Appendix C: Character Flowchart for Once Upon a Time……………………………… 50 Works Cited……………………………………………………………………………... 51 Works Consulted………………………………………………………………………... 54 1 Part I: Introduction “Once upon a time…” These words create a formula that signifies the beginning of a tale. This tale will inevitably contain any number of the following constructs: acts of heroism, a maiden in peril, an evil queen, a magical kiss, an impish trickster, an epic duel, and/or a happily ever after.
    [Show full text]
  • Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
    DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.
    [Show full text]
  • Makeup-Hairstyling-2019-V1-Ballot.Pdf
    2019 Primetime Emmy® Awards Ballot Outstanding Hairstyling For A Single-Camera Series A.P. Bio Melvin April 11, 2019 Synopsis Jack's war with his neighbor reaches a turning point when it threatens to ruin a date with Lynette. And when the school photographer ups his rate, Durbin takes school pictures into his own hands. Technical Description Lynette’s hair was flat-ironed straight and styled. Glenn’s hair was blow-dried and styled with pomade. Lyric’s wigs are flat-ironed straight or curled with a marcel iron; a Marie Antoinette wig was created using a ¾” marcel iron and white-color spray. Jean and Paula’s (Paula = set in pin curls) curls were created with a ¾” marcel iron and Redken Hot Sets. Aparna’s hair is blow-dried straight and ends flipped up with a metal round brush. Nancy Martinez, Department Head Hairstylist Kristine Tack, Key Hairstylist American Gods Donar The Great April 14, 2019 Synopsis Shadow and Mr. Wednesday seek out Dvalin to repair the Gungnir spear. But before the dwarf is able to etch the runes of war, he requires a powerful artifact in exchange. On the journey, Wednesday tells Shadow the story of Donar the Great, set in a 1930’s Burlesque Cabaret flashback. Technical Description Mr. Weds slicked for Cabaret and two 1930-40’s inspired styles. Mr. Nancy was finger-waved. Donar wore long and medium lace wigs and a short haircut for time cuts. Columbia wore a lace wig ironed and pin curled for movement. TechBoy wore short lace wig. Showgirls wore wigs and wig caps backstage audience men in feminine styles women in masculine styles.
    [Show full text]
  • Creature Designers- the Frankenstein Complex Press Release.Indd
    31 Southampton Row, London WC1B 5HJ Tel: 0203 585 1396 Web: fetch.fm PRESS RELEASE Creature Designers: The Frankenstein Complex RELEASE INFORMATION Distributor Studiocanal “A wealth of pure ________________________________________________ Certifi cate 12 craftsmanship and magic” ________________________________________________ Release date 3rd October, 2016 Ain’t It Cool ________________________________________________ Extras Soundtrack / Designing On DVD from Monday 3rd Oct. 2016. the Opening Credits / A conversation with John Fast sell: Landis & Joe Dante / A conversation with Steve Like modern Frankensteins, special effects wizards create Johnson & John Vulich / life out of raw material, art and complex machinery, from Stills Gallery / Guillermo slavering werewolves to robots and zombies! Del Toro Masterclass This fascinating documentary, looking at the visionaries KEY TALENT INFORMATION responsible for some of cinema’s most fearsome and thrilling onscreen monsters, from King Kong climbing the Empire Director Gilles Penso / State through to the astonishing trickery of Terminator 2, is a Alexandre Poncet treat for creature feature fans and fi lm afi cionados alike. CONTACT/ORDER MEDIA Key talent: Thomas Hewson - [email protected] Rick Baker (Oscar-winning make up genius, An American Werewolf in London) Joe Dante (Director, Gremlin, The ‘Burbs) Guillermo del Toro (Director, Hellboy, Pacifi c Rim, Pan’s Labyrinth) Greg Nicotero (Special effects master, From Dusk Till Dawn, The Walking Dead, Kill Bill, Evil Dead 2) Steve Johnson (Creature designer, The Abyss) Gilles Penso/Alexandre Poncet (Directors, Ray Harryhausen: Special Effects Titan) Synopsis: From King Kong to Avatar, from Star Wars to Lord of the Rings, movie creatures have never been as popular as they are today! Yet the art of creating monsters for the big screen is as old as cinema itself..
    [Show full text]