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PARABASIS 15 ENGLISH.Pdf ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ 3 4 ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ 5 PARABASIS ΠΑΡΑΒΑΣΙΣ Journal of the Επιστημονικό Περιοδικό Department of Theatre Studies Τμήματος Θεατρικών Σπουδών University of Athens Πανεπιστημίου Αθηνών Volume 15/1 Τόμος 15/1 6 ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ Παράβασις· τοῦτο λέγεται παράβασις, ἅπερ ἔλεγον ἐπιστρέφοντες οἱ χο- ρευταὶ πρὸς τοὺς θεωμένους. ἔστι δὲ ὁ τρόπος, ὅταν καταλιπὼν τὰ ἑξῆς τοῦ δράματος ὁ ποιητὴς συμβουλεύῃ τοῖς θεωμένοις ἢ ἄλλο ἐκτὸς λέγῃ τι τῆς ὑποθέσεως. Παράβασις δὲ λέγεται, ἐπειδὴ ἀπήρτηται τῆς ἄλλης ὑποθέσε- ως, ἢ ἐπεὶ παραβαίνει ὁ χορὸς τὸν τόπον. ἐστᾶσι μὲν γὰρ κατὰ στοῖχον οἱ πρὸς τὴν ὀρχήστραν ἀποβλέποντες· ὅταν δὲ παραβῶσιν, ἐφεξῆς ἑστῶτες καὶ πρὸς τὸ θέατρον ἀποβλέποντες τὸν λόγον ποιοῦνται. ΛΕΞΙΚΟΝ ΣΟΥΔΑΣ ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ 7 PARABASIS ΠΑΡΑΒΑΣΙΣ Journal of the Επιστημονικό Περιοδικό Department of Theatre Studies Τμήματος Θεατρικών Σπουδών University of Athens Πανεπιστημίου Αθηνών Volume 15/1 Τόμος 15/1 C. FANOURAKI Κ. ΦΑΝΟΥΡΑΚΗ V. GARAVAGLIA Β. ΓΚΑΡΑΒΑΛΙΑ E. HALL E. ΧΩΛ CHR. OIKONOMOPOULOU Χ. ΟΙΚΟΝΟΜΟΠΟΥΛΟΥ W. PUCHNER Β. ΠΟΥΧΝΕΡ A. VASILIOU Α. ΒΑΣΙΛΕΙΟΥ G. VARZELIOTI Γ. ΒΑΡΖΕΛΙΩΤΗ BOOK REVIEWS ΒΙΒΛΙΟΚΡΙΣΙΕΣ SUMMARIES ΠΕΡΙΛΗΨΕΙΣ THE AUTHORS OF THE VOLUME ΣΥΓΓΡΑΦΕΙΣ ΤΟΥ ΤΟΜΟΥ NATIONAL AND KAPODISTRIAN ΕΘΝΙΚΟ ΚΑΙ ΚΑΠΟΔΙΣΤΡΙΑΚΟ UNIVERSITY OF ATHENS ΠΑΝΕΠΙΣΤΗΜΙΟ ΑΘΗΝΩΝ DEPARTMENT OF THEATRE STUDIES ΤΜΗΜΑ ΘΕΑΤΡΙΚΩΝ ΣΠΟΥΔΩΝ ATHENS 2017 ΑΘΗΝΑ 2017 8 ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ PARABASIS Journal of the Department of Theatre Studies of the National and Kapodistrian University of Athens Editorial Board Minas I. Alexiadis, Alexia Altouva, Kaiti Diamantakou-Agathou, Spyros A. Evangelatos, Sofia Felopoulou Konstantza Georgakaki, Grigoris Ioannidis, Anna Karakatsouli, Platon Mavromoustakos, Kyriaki Petrakou, George P. Pefanis, Walter Puchner, Ioanna Remediaki, Chrysothemis Stamatopoulou-Vassilakou, Eva Stefani, Manos Stefanidis, Evanthia Stivanaki, Anna Tabaki, Gogo K. Varzelioti, Iosif Vivilakis Director: Walter Puchner Editor: Gogo K. Varzelioti Address: Department of Theatre Studies Faculty of Philosophy University Campus 15784 Athens Parabasis publishes only scientific articles promoting in a definite way concrete research topics concerning the area of history and theory of theatre and drama. Contributions and reviews in English, French, German and Italian should be sent to the above address and the electronic address [email protected] (prof. Walter Puchner). The edition performed with the financial support of the Foundation Kostas and Eleni Ourani © Copyright: Department of Theatre Studies of the National and Kapodistrian University of Athens Pagination - Printing: Papadakis Bros LTD, tel.: 210 3631298 ΠΑΡΑΒΑΣΙΣ Επιστημονικό Περιοδικό του Τμήματος Θεατρικών Σπουδών Εθνικού και Καποδιστριακού Πανεπιστημίου Αθηνών Συντακτική Επιτροπή Μηνάς Ι. Αλεξιάδης, Αλεξία Αλτουβά, Γωγώ Κ. Βαρζελιώτη, Ιωσήφ Βιβιλάκης, Κωνστάντζα Γεωρ- γακάκη, Καίτη Διαμαντάκου-Αγάθου, Σπύρος Α. Ευαγγελάτος, Γρηγόρης Ιωαννίδης, Άννα Καρα- κατσούλη, Πλάτων Μαυρομούστακος, Κυριακή Πετράκου, Γιώργος Π. Πεφάνης, Βάλτερ Πούχνερ, Ιωάννα Ρεμεδιάκη, Χρυσόθεμις Σταματοπούλου-Βασιλάκου, Εύα Στεφανή, Μάνος Στεφανίδης, Ευ- ανθία Στιβανάκη, Άννα Ταμπάκη, Σοφία Φελοπούλου Διευθυντής: Βάλτερ Πούχνερ Επιμελητής έκδοσης: Γωγώ Κ. Βαρζελιώτη Διεύθυνση: Τμήμα Θεατρικών Σπουδών Φιλοσοφική Σχολή Πανεπιστημιούπολη Ιλισίων 15784 Αθήνα Η Παράβασις δημοσιεύει μόνο επιστημονικές μελέτες που προάγουν με τρόπο σαφή συγκεκριμένα θέμα- τα της θεατρολογικής έρευνας, κυρίως γύρω από την ιστορία και θεωρία του νεοελληνικού θεάτρου. Αποστολή χειρογράφων και βιβλιοκρισιών στην παραπάνω διεύθυνση και στην ηλεκτρονική διεύ- θυνση [email protected] (καθ. Βάλτερ Πούχνερ). Η έκδοση πραγματοποιείται με την οικονομική ενίσχυση του Ιδρύματος Κώστα και Ελένης Ουράνη © Copyright: Τμήμα Θεατρικών Σπουδών του Εθνικού και Καποδιστριακού Πανεπιστημίου Αθηνών Σελιδοποίηση - Εκτύπωση: «Στοιχειάγρα» Αφοί Εμμ. Παπαδάκη ΕΠΕ, τηλ.: 210 3631298 ISSN 2241-7001 CONTENTS 7 CONTENTS SPECIAL ISSUE: MUSIC AND DANCE IN THE THEATRE Walter Puchner, Foreward .................................................................................................................... 9 Walter Puchner, A Typology of Western Music and Theatre Activity in Southeast Europe, the Eastern Mediterranean and the Black Sea Region in Premodern Times ........ 11 Areti Vasiliou, Transatlantic Art and International Politics. The chronicle of George Gershwin’s «Folk Opera» Porgy and Bess in Cold War Athens (1955) ........... 27 S TUDIE Valentina Garavaglia, Per una rigenerazione dei legami nel Mediterraneo, tra spirito religioso elaico: I Misteri di Trapani ..................................................................................... 49 Gogo Varzelioti, La figura del maestro nei testi drammaturgici di Creta veneziana e la sua presenza nelle fonti notarili (XVI-XVII sec.) .................................................... 61 Christina Oikonomopoulou, Ιdentité topographique – aspirations identitaires: le cas du théâtre de Thierry Debroux ..................................................................................................... 67 Clio Fanouraki, E-Antigone through Drama Education with the use of Digital Technologies ....... 83 MI SCELLANEA Edith Hall, Aristotle and the Idea of an Athenian University ............................................. 93 BO VO K RE IEWS ♦ Ηayali Sotiris Spatharis’in anıları. Otobiyografi v Karagiozis sanatı. Sotiris Spatharis, Çeviren ve Notlayan: Peri Efe, İstanbul: Türkiye iş Bankası Kültür Yayınları 2015, S. XXIV+200, zahlreiche Abb., ISBN 978-605-332-392-1. / Konstantina Georgiadi (ed.), Για μια επιστημονική προσέγγιση του Καραγκιόζη. Πρακτικά ημερίδας [Zu einer wissenschaftlichen Beschäftigung mit dem Karagiozis. Akten einer Tagung], Heraklion, Crete Univ. Press 2015, S. XII+375, zahlreiche Abb., ISBN 978-960-524-441-5. / I. V. Tresorukova, Karagiozis – grečeskij Petruška. Sovremennij grečeskij teatr tenej. Istoki, personaži, sjužeti, jazik (Karagkiozis – Hellenic Petrushka. Modern Greek Shadow Theater: Roots, Heroes, Plots, Language), Moskva: Maks Press 2016, S. 200, 8 Abb., English summary, ISBN 978-5-317-05225-6 ...........................................................................................105 8 CONTENTS ♦ K onstantza Georgakaki, Βίος και πολιτεία μιας γηραιάς κυρίας στην επταετία. Επιθεώρηση και δικτατορία (1967-1974) [Leben und Wirken einer alten Dame zur Junta-Zeit. Theaterrevue und Diktatur 1967-1974], Thessaloniki, Ziti-Verlag 2015, S. 399, zahlreiche Abb., ISBN 978-960-456-437-8 ......................................................................................................111 ♦ K onstantinos A. Dimadis, Power and Prose Fiction in Modern Greece, Athens, Armos Publications 2016, S. 273, ISBN 978-960-527-922-6 ....................113 ♦ Λογείον / Logeion. Περιοδικό για το αρχαίο θέατρο / A Journal of Ancient Theater 3 (2013), S. 262, Abb., 4 (2014), S. IX+397, Abb .........................117 ♦ Michael Hüttler / Emily M. N. Kugler / Hans Ernst Weidinger (eds), Ottoman Empire and European Theatre. III. Images of the Harem in Literature and Theatre. A Commemoration of Lord Byron’s Sojourn in the Ottoman Empire, Wien, Hollitzer Verlag 2015 (Ottomania 5), S. 487, Abb. ISBN 978-3-99012-071-2.......................................................................121 ♦ Christian M. Billing / Pavel Drábek (eds), Czech Puppet Theatre in Global, Contexts, theatralia. Revue of Contemporary Scholarship on Theatre Culture, 18/2 (2015) S. 528, zahlreiche Abb., ISBN 978-80-210-7952-6, ISSN 1803-845X. ........................................................................................................124 ♦ Τάσος Λιγνάδης, Κριτικές Θεάτρου. Νεοελληνική Δραματουργία (1975-1989), φιλολογική επιμέλεια Καίτη Διαμαντάκου-Αγάθου [Tasos Lignadis, Theaterkritiken. Neugriechische Dramatik (1975-1989), ed. Kaiti Diamantakou-Agathou), Athen, Ίδρυμα Κώστα & Ελένης Ουράνη 2015, S. 675, ISBN 978-960-7316-66-0 ................................................................................126 ♦ M anto Malamou, Τα προσωπεία του Διονύσου. Η Θυμέλη του Άγγελου Σικελιανού και το αρχαίο δράμα [Die Maske des Dionysos. Die Thymele von Angelos Sikelianos und das antike Drama], Athen, Grigoris- Verlag 2014, S. 479, ISBN 978-960-333-770-6 .........................................................128 ♦ M elike Nihan Alpargin, Istanbuls theatralische Wendezeit. Die Rezeption des westlichen Theaters im 19. und frühen 20. Jahrhundert des Osmanischen Reiches, München, Herbert Utz Verlag 2013 (Münchener Universitätsschriften. Theaterwissenschaft, Band 23), S. 305, 48 Abb., ISBN 978-3-8316-4130-7 ...........................................................................................131 ♦ Nikolaos Vakonakis, Das griechische Drama auf dem Weg nach Byzanz. Der euripideische Cento Christos Paschon, Tübingen, Narr Francke Attempto Verlag 2011 (Classica Monacensia 42) S. X+184, ISBN 978-3-8233-6582-2 ...........................................................................................134 ΠΕΡΙΛΗΨΕΙΣ ..........................................................................................................139 THE AUTHORS OF THE VOLUME ..................................................................143 FOREWORD 9 FOREWORD Music and dance are inevitable ingredients of most theatre performances in the world. The theatre of words, with exclusively spoken language, seems to be a pe- culiarity of the European theatre which in most cases does not correspond to the more
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