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Language and National Identity in Greece 1766–1976 This page intentionally left blank Language and National Identity in Greece 1766–1976 PETER MACKRIDGE 1 3 Great Clarendon Street, Oxford ox2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Peter Mackridge 2009 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging-in-Publication Data Mackridge, Peter. -
PARABASIS 15 ENGLISH.Pdf
ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ 3 4 ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ 5 PARABASIS ΠΑΡΑΒΑΣΙΣ Journal of the Επιστημονικό Περιοδικό Department of Theatre Studies Τμήματος Θεατρικών Σπουδών University of Athens Πανεπιστημίου Αθηνών Volume 15/1 Τόμος 15/1 6 ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ Παράβασις· τοῦτο λέγεται παράβασις, ἅπερ ἔλεγον ἐπιστρέφοντες οἱ χο- ρευταὶ πρὸς τοὺς θεωμένους. ἔστι δὲ ὁ τρόπος, ὅταν καταλιπὼν τὰ ἑξῆς τοῦ δράματος ὁ ποιητὴς συμβουλεύῃ τοῖς θεωμένοις ἢ ἄλλο ἐκτὸς λέγῃ τι τῆς ὑποθέσεως. Παράβασις δὲ λέγεται, ἐπειδὴ ἀπήρτηται τῆς ἄλλης ὑποθέσε- ως, ἢ ἐπεὶ παραβαίνει ὁ χορὸς τὸν τόπον. ἐστᾶσι μὲν γὰρ κατὰ στοῖχον οἱ πρὸς τὴν ὀρχήστραν ἀποβλέποντες· ὅταν δὲ παραβῶσιν, ἐφεξῆς ἑστῶτες καὶ πρὸς τὸ θέατρον ἀποβλέποντες τὸν λόγον ποιοῦνται. ΛΕΞΙΚΟΝ ΣΟΥΔΑΣ ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ 7 PARABASIS ΠΑΡΑΒΑΣΙΣ Journal of the Επιστημονικό Περιοδικό Department of Theatre Studies Τμήματος Θεατρικών Σπουδών University of Athens Πανεπιστημίου Αθηνών Volume 15/1 Τόμος 15/1 C. FANOURAKI Κ. ΦΑΝΟΥΡΑΚΗ V. GARAVAGLIA Β. ΓΚΑΡΑΒΑΛΙΑ E. HALL E. ΧΩΛ CHR. OIKONOMOPOULOU Χ. ΟΙΚΟΝΟΜΟΠΟΥΛΟΥ W. PUCHNER Β. ΠΟΥΧΝΕΡ A. VASILIOU Α. ΒΑΣΙΛΕΙΟΥ G. VARZELIOTI Γ. ΒΑΡΖΕΛΙΩΤΗ BOOK REVIEWS ΒΙΒΛΙΟΚΡΙΣΙΕΣ SUMMARIES ΠΕΡΙΛΗΨΕΙΣ THE AUTHORS OF THE VOLUME ΣΥΓΓΡΑΦΕΙΣ ΤΟΥ ΤΟΜΟΥ NATIONAL AND KAPODISTRIAN ΕΘΝΙΚΟ ΚΑΙ ΚΑΠΟΔΙΣΤΡΙΑΚΟ UNIVERSITY OF ATHENS ΠΑΝΕΠΙΣΤΗΜΙΟ ΑΘΗΝΩΝ DEPARTMENT OF THEATRE STUDIES ΤΜΗΜΑ ΘΕΑΤΡΙΚΩΝ ΣΠΟΥΔΩΝ ATHENS 2017 ΑΘΗΝΑ 2017 8 ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ PARABASIS Journal of the Department of Theatre Studies of the National and Kapodistrian University of Athens Editorial Board Minas I. Alexiadis, Alexia Altouva, Kaiti Diamantakou-Agathou, Spyros A. Evangelatos, Sofia Felopoulou Konstantza Georgakaki, Grigoris Ioannidis, Anna Karakatsouli, Platon Mavromoustakos, Kyriaki Petrakou, George P. Pefanis, Walter Puchner, Ioanna Remediaki, Chrysothemis Stamatopoulou-Vassilakou, Eva Stefani, Manos Stefanidis, Evanthia Stivanaki, Anna Tabaki, Gogo K. -
Schriftenverzeichnis Walter Puchner A
Schriftenverzeichnis Walter Puchner A Monographien und Studienbände Β Übersetzungen C Textausgaben (mit Einleitung) D Bibliographien E Wissenschaftliche Aufsätze F Buchrezensionen A Monographien und Studienbände Das neugriechische Schattentheater Karagiozis, Diss. Wien 1972, S. 219 (masch.), Abb. Das neugriechische Schattentheater Karagiozis, München, Institut für Byzantinistik und Neugriechische Philologie der Universität München, 1975 (Miscellanea Byzantina Monacensia 21), S. 250, 30 Abb. Brauchtumserscheinungen im griechischen Jahreslauf und ihre Beziehungen zum Volkstheater. Theaterwissenschaftlich - volkskundliche Querschnittstudien zur südbalkan - mediterranen Volkskultur, Wien, Selbstverlag des Österreichischen Museums für Volkskunde, 1977 (Veröffentlichungen des Österreichischen Museums für Volkskunde, Band XVIII), S. 437, 28 Abb., Skizzen, Diagramme, Karten, Faltkarte. Fasulis. Griechisches Puppentheater italienischen Ursprungs aus der zweiten Hälfte des 19. Jahrhunderts, Bochum, Deutsches Institut für Puppenspiel 1978 (Puppenspielkundliche Quellen und Forschungen, Nr. 2), S. 38, 4 Skizzen. Eυρωπαϊκή Θεατρολογία. Ένδεκα µελετήµατα, Aθήνα, Ίδρυµα Γουλανδρή-Xορν 1984, σελ. 557. Iστορικά νεοελληνικού θεάτρου. 'Eξι µελετήµατα, Aθήνα, Παϊρίδης 1984, σελ. 221. M. I. Manusakas / W. Puchner, Die vergessene Braut. Bruchstücke einer unbekannten kretischen Komödie des 17. Jahrhunderts in den griechischen Märchenvarianten vom Typ AaTh 313c, Wien, Verlag der Österreichischen Akademie der Wissenschaften 1984 (Sitzungsberichte der phil.-histor. -
Volume 12/1, 2014
ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ 1 2 ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ 3 4 ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ 5 PARABASIS ΠΑΡΑΒΑΣΙΣ Journal of the Επιστημονικό Περιοδικό Department of Theatre Studies Τμήματος Θεατρικών Σπουδών University of Athens Πανεπιστημίου Αθηνών Volume 12/1 Τόμος 12/1 6 ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ Παράβασις· τοῦτο λέγεται παράβασις, ἅπερ ἔλεγον ἐπιστρέφοντες οἱ χο- ρευταὶ πρὸς τοὺς θεωμένους. ἔστι δὲ ὁ τρόπος, ὅταν καταλιπὼν τὰ ἑξῆς τοῦ δράματος ὁ ποιητὴς συμβουλεύῃ τοῖς θεωμένοις ἢ ἄλλο ἐκτὸς λέγῃ τι τῆς ὑποθέσεως. Παράβασις δὲ λέγεται, ἐπειδὴ ἀπήρτηται τῆς ἄλλης ὑποθέσε- ως, ἢ ἐπεὶ παραβαίνει ὁ χορὸς τὸν τόπον. ἐστᾶσι μὲν γὰρ κατὰ στοῖχον οἱ πρὸς τὴν ὀρχήστραν ἀποβλέποντες· ὅταν δὲ παραβῶσιν, ἐφεξῆς ἑστῶτες καὶ πρὸς τὸ θέατρον ἀποβλέποντες τὸν λόγον ποιοῦνται. ΛΕΞΙΚΟΝ ΣΟΥΔΑΣ ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ 7 PARABASIS ΠΑΡΑΒΑΣΙΣ Journal of the Επιστημονικό Περιοδικό Department of Theatre Studies Τμήματος Θεατρικών Σπουδών University of Athens Πανεπιστημίου Αθηνών Volume 12/1 Τόμος 12/1 M. ALEXIADIS Μ. ΑΛΕΞΙΑΔΗΣ D. ANASTASIADI Δ. ΑΝΑΣΤΑΣΙΑΔΗ M. CARLSON M. ΚΑΡΛΣΟΝ K. DIAKOUMOPOULOU-ZARAMBOUKA Κ. ΔΙΑΚΟΥΜΟΠΟΥΛΟΥ-ΖΑΡΑΜΠΟΥΚΑ M. KONOMIS Μ. ΚΟΝΟΜΗ CHR. OIKONOMOPOULOU ΧΡ. ΟΙΚΟΝΟΜΟΠΟΥΛΟΥ W. PUCHNER Β. ΠΟΥΧΝΕΡ BOOK REVIEWS ΒΙΒΛΙΟΚΡΙΣΙΕΣ SUMMARIES ΠΕΡΙΛΗΨΕΙΣ THE AUTHORS OF THE VOLUME ΣΥΓΓΡΑΦΕΙΣ ΤΟΥ ΤΟΜΟΥ DISSERTATIONS ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ NATIONAL AND KAPODISTRIAN ΕΘΝΙΚΟ ΚΑΙ ΚΑΠΟΔΙΣΤΡΙΑΚΟ UNIVERSITY OF ATHENS ΠΑΝΕΠΙΣΤΗΜΙΟ ΑΘΗΝΩΝ DEPARTMENT OF THEATRE STUDIES ΤΜΗΜΑ ΘΕΑΤΡΙΚΩΝ ΣΠΟΥΔΩΝ ATHENS 2014 ΑΘΗΝΑ 2014 8 ΔΙΔΑΚΤΟΡΙΚΕΣ ΔΙΑΤΡΙΒΕΣ PARABASIS Journal of the Department of Theatre Studies of the National and Kapodistrian University of Athens Editorial Board Minas I. Alexiadis, Alexia Altouva, Kaiti Diamantakou-Agathou, Spyros A. Evangelatos, Sofia Felopoulou Konstantza Georgakaki, Grigoris Ioannidis, Anna Karakatsouli, Platon Mavromoustakos, Kyriaki Petrakou, George P. -
Contributors
CONTRIBUTORS Ann Cooper Albright is a dancer and scholar, Professor and Chair of Dance at Oberlin College and President of the Society of Dance History Scholars. Combining her interests in dancing and cultural theory, she is involved in teaching a variety of courses that seek to engage students in both practices and theories of the body. She is the author of Engaging Bodies: The Politics and Poetics of Corporeality (2013), which won the Selma Jeanne Cohen Prize from the American Society for Aesthetics; Modern Gestures: Abraham Walkowitz Draws Isadora Duncan Dancing (2010); Traces of Light: Absence and Presence in the Work of Loïe Fuller (2007); Choreo- graphing Difference: the Body and Identity in Contemporary Dance (1997) (to be published in Greek by Nissos Press in September 2016, titled Χορογραφώντας τη διαφορά. Το σώμα και η ταυτότητα στον σύγχρονο χορό); and co-editor of Moving History/Dancing Cultures (2001) and Taken by Surprise: Improvisation in Dance and Mind (2003). The book Encounters with Contact Improvisation (2010) is the product of one of her adventures in writing and dancing and dancing and writing with others. Ann is founder and director of Girls in Motion, an award-winning after- school program in the Oberlin public schools, and codirector of the digital humanities website Accelerated Motion: Towards a New Dance Literacy in America. Nina Alcalay studied Political Science at the School of Law, University of Athens, as well as Dance in Athens, Israel, Belgium and London (ΜΑ in Dance Studies, Laban Centre, City University London). Since 1986, Nina has been actively and variously involved in dance, as a dancer, con- temporary dance teacher, and writer. -
Acta Universitatis Carolinae Philologica 2/2016 Graecolatina Pragensia
ACTA UNIVERSITATIS CAROLINAE PHILOLOGICA 2/2016 GRAECOLATINA PRAGENSIA ACTA UNIVERSITATIS CAROLINAE PHILOLOGICA 2/2016 GRAECOLATINA PRAGENSIA Editors DAGMAR MUCHNOVÁ, MARTIN BAŽIL, JÁN BAKYTA CHARLES UNIVERSITY IN PRAGUE KAROLINUM PRESS 2016 Editors: Dagmar Muchnová (Charles University in Prague) Martin Bažil (Charles University in Prague) Ján Bakyta (Charles University in Prague) http://www.karolinum.cz/journals/philologica © Charles University in Prague, 2016 ISSN 0567-8269 (Print) ISSN 2464-6830 (Online) In memoriam professor Růžena Dostálová (22. 4. 1924 – 18. 8. 2014) CONTENTS Konstantinos Tsivos: Růžena Dostálová (22 avril 1924 – 18 août 2014) .................... 9 Graeca antiqua Byzantina novaque Edita Wolf: Others as matter of indifference in Marcus Aurelius ’ Meditations ............ 13 Walter Puchner: Die Chorführung im mittelalterlichen Christus patiens ................ 25 Ivan Prchlík: Photius and μεταγράφειν: Some notes on the linguistic aspect of Photius ’ testimony to the nature of Zosimus ’ drawing upon the Histories by Eunapius of Sardis .............................................................. 33 Eugenia Marinakou: Talion social et plaidoyer littéraire dans La Mère du chien de Pavlos Matessis ................................................................. 43 Latina antiqua mediaevalia recentioraque Lucie Pultrová: The Latinbonus – melior – optimus .................................... 59 Benjamin Hübbe: ‚Hymnisches‘ in den Laudes Dei des Dracontius ...................... 69 Francesco Lubian: Un caso di riscrittura