Karhapää, Henna Veera (2016) Graphic satire and the rise and fall of the First British Empire: political prints from the Seven Years' War to the Treaty of Paris, c. 1756-1783. PhD thesis. https://theses.gla.ac.uk/7509/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/
[email protected] Graphic Satire and the Rise and Fall of the First British Empire: Political Prints from the Seven Years' War to the Treaty of Paris, c. 1756- 1783 Henna Veera Karhapää M.A., MLitt Submitted in fulfilment of the requirements for the degree of PhD History of Art School of Culture and Creative Arts College of Arts University of Glasgow December 2015 © Henna Veera Karhapää 2015 ABSTRACT This thesis examines the early stages of the transformation of emblematic political prints into political caricature from the beginning of the Seven Years' War (1756) to the Treaty of Paris, which ended the American Revolutionary War (1783). Both contextual and iconographical issues are investigated in relation to the debates occasioned by Britain's imperial project, which marked a period of dramatic expansion during the Seven Years' War, and ended with the loss of the American colonies, consequently framing this thesis as a study of political prints during the rise and fall of the so-called 'First British Empire'.