The Incredible, Invisible World of Robert Hooke

Total Page:16

File Type:pdf, Size:1020Kb

The Incredible, Invisible World of Robert Hooke THE MICROSCOPE • Vol. 63:1, pp 23–34 (2015) C R I T I C A L FOCUS Brian J. Ford The Incredible, Invisible World of Robert Hooke t is time to celebrate. handsome house in Hamp- I The first popular sci- As the science world celebrates the 350th shire) and was satirized on ence book in the world is anniversary of the book Micrographia, the stage. When a popular 350 years old this year — biography was recently and it was a volume de- its brilliant author remains an obscure published with his por- voted to the world of the figure forgotten by the world at large. trait on the cover, the pic- microscope, aptly titled ture turned out to be of Micrographia. Our modern someone else entirely. era is dominated by the indul- Hooke’s life is one of perplexity gent irrelevance of fairytale and confusion. physics that no one under- Mention the name of Hooke stands, so a hands-on, relevant to most people and they will subject like microscopy attracts immediately assume you’re little popular interest. Back in talking of Peter Pan’s evil adver- the intellectual dynamism of the sary (though that sea captain 17th century, microscopy was a was actually named James). major talking point. The book’s Robert Hooke is unfamiliar. In author was a multi-talented pio- science he is associated with neer named Robert Hooke. What Hooke’s Law. This is the elemen- a series of paradoxes he poses. tary observation that the load Hooke was born on the tiny Isle upon a coiled spring is propor- of Wight, yet became one of the tional to its extension. Hooke ex- greatest figures of early science. pressed that in Latin as ut tensio, In spite of it all, he was destined sic vis (“as the tension, the to be forgotten by the world at force”), but he was so paranoid large. Hooke was a drug addict about someone plagiarizing his who had an affair with his teen- idea that he originally wrote it age niece, wrote extensive per- in code, listing the letters alpha- sonal papers that were believed Robert Hooke’s achievements were many, but oddly betically as ceiiinosssttuv. Most lost forever (they recently turned no image of him survives. Rita Geer painted this sources describe this as an ana- up in the back of a cupboard in a conjectured portrait in 2007. gram, but it isn’t. Rearranging 23 the letters of a word to become an anagram has to were named. Within a year Hooke became an assis- result in a word that can be read and, whatever else tant to Dr. John Wilkins of Wadham College, Oxford, ceiiinosssttuv might be, a word it isn’t. Not only is joining a circle of young enthusiasts, including Chris- Hooke’s Law obvious, but it is also wrong — a spring topher Wren, the architect of St Paul’s Cathedral. The extends in proportion to the applied force only within two became close and enduring friends; in strict and undefined limits. A small coiled spring may Micrographia, Hooke wrote of Wilkins: “He is indeed a increase its length from 3 to 6 inches if you double the man born for the good of mankind … in the sweetness mass hanging on the end from two ounces to four, but of whose behavior, in the calmness of his mind, in the it won’t become a mile long if you hang a ton on the unbounded goodness of his heart.” Wilkins recom- end. Well, it might if you conduct the experiment over mended the young Hooke to Robert Boyle, remem- a deep mine shaft and with a uniquely ductile metal, bered for Boyle’s Law: P1V1 = P2V2 (pressure exerted by but this would not be because of Hooke’s Law. a gas is inversely proportional to its volume). Boyle Freshwater, where Hooke was born on July 18, was also the man who bequeathed to us the present- 1635, is a village on the Isle of Wight, an island nest- day definition of an element. ling offshore from England’s south coast. Those com- ing to Britain from America by sea always cruise along ROYAL SOCIETY LECTURES the length of the Isle of Wight before reaching Southampton. Hooke’s father John was the local cu- The Royal Society was established in London in rate at All Saints Church, where the baby Robert was 1660, and one of the Society’s luminaries, Sir Robert christened the day following his birth. The island at Moray, proposed that an official curator should be the time was a busy and productive place, exporting appointed to demonstrate experiments regularly for minerals to the mainland and grain to Europe. Young the membership. On Nov. 12, 1661, Hooke was in- Robert spent much time studying the tides and direc- stalled in that office at the age of 29. Three years later tion of movement of the sea. He recorded how observ- he was granted £50 per year, and on Jan. 11, 1665, ers on dry land could direct small fishing boats to the Hooke was appointed curator for life with an addi- places where shoals of fish might lie by looking at the tional annual payment of £30. It is impossible to make color of the ocean. Alum Bay lies nearby; we visited it direct currency comparisons, but in today’s terms, this regularly on vacation when I was a child, and I was meant that he earned as much as a physician, say, or fascinated by the multi-colored sand layers. The young an accountant, even if not as much money as a leading Hooke had also spent time there, watching as alum lawyer. was mined and sent off for use as a mordant in the Some of Hooke’s lectures involved practical dem- dying of textiles. He studied fossils as a boy and once onstrations, including experiments with pendulums disassembled a clock, then built a working version of different lengths, of capillary action of liquids in out of hardwood. fine tubes, and on the effects of gravity. His lectures Hooke’s father died in 1648, and young Robert was were sometimes poorly attended — one record cites soon in London at the prestigious Westminster School an audience of only three people — though Hooke also under the personal tutelage of the head teacher Dr. gave popular demonstrations. One was the vivisec- Richard Busby. Latin, Greek, Hebrew and the biblical tion of a dog in which he showed that the lungs could language Aramaic were high on the curriculum, and be artificially inflated with bellows, work that reso- Hooke became able to translate Greek and Latin with nates in today’s medical practice. He made important ease. He was also taught from William Oughtred’s Key inventions, including a device that could cut the fin- to Mathematics (1631), the book that introduced the x est toothed gear wheels for a pocket watch and in- sign for multiplication (or magnification, as we would struments to monitor the movement of heavenly bod- say in microscopy; it is “times” not “ex”). Busby and ies across the sky. Hooke remained lifelong friends; indeed some people In 1663, Hooke was formally solicited by the Royal thought they were actually related. Society to offer microscopical demonstrations for the In 1653, Hooke transferred from London to Ox- members each weekend. On April 8, 1663, he presented ford and enrolled at Christ Church college, where what I identify as a specimen of Funaria hygrometrica, Busby had formerly been a teaching fellow. Hooke ex- the wall-screw moss, and a week later he showed fine celled at instrument making and studied under Dr. sections of cork. On April 22, he demonstrated “leeches Thomas Willis, after whom the blood vessels at the in vinegar” and blue mold, a week later he turned his base of the brain which we call the Circle of Willis attention to crystals in flint and the eyes of a spider; 24 THE MICROSCOPE 63 (2015) CRITICAL FOCUS | BRIAN J. FORD on May 6 he demonstrated gnats of the genus Culex; later that month he exhibited the point of a needle, an ant, and the pores in petrified wood. Then, on July 6, 1663, Hooke was instructed to compile all the result- ing drawings into a handsome volume that could be presented to King Charles II. Hooke took to the microscope as a teenager today is drawn to a 3-D printer — not because it was novel, but because it was fashionable. Magnifying is a much older fascination than we imagine. Hooke has fre- quently been thought of as the person who invented the microscope, but this instrument was popular de- cades before. In 1629, when Hooke was only three, Constantijn Huygens in the Netherlands was shown the view through a microscope by Cornelius Drebbel and wrote: “Material objects that till now were clas- sified among atoms since they far elude all human eyesight, present themselves so clearly to the observer … that they cry out that they perceive marvelous ob- jects with their eyes. For in fact this concerns a new theater of nature, another world.” The earliest book devoted to microscopical images was Apiarium e Melissographia, published in 1625 by Federico Cesi and Francesco Stelluti. The work was originally going to be a chapter for a larger encyclope- dia, but only this section appeared in print. The com- pound eye of a bee and other microscopical studies mark this out as a landmark. Another book about mi- croscopic revelation was proposed to the Flemish art- ist Jacob de Gheyn II in 1628.
Recommended publications
  • Royal Society Inspiring Scientists Final Report FINAL
    INSPIRING SCIENTISTS: DIVERSITY IN BRITISH SCIENCE FINAL REPORT Interviewee Mah Hussain Gambles (left) with neighbour and brother (front) in Islamabad, dressed as Star Trek characters . In May 2013 the Royal Society Diversity Programme began a new oral history project entitled ‘Inspiring Scientists: Diversity in British Science’, in partnership with National Life Stories at the British Library. ‘Inspiring Scientists’ has recorded the lif e stories of ten British scientists with minority ethnic heritage. Interviewees range from Professors to PhD students and the focus on science is wide, covering academia, big industry and individual entrepreneurship. 1 Contents 1 Summary 3 1.1 Work completed 3 1.2 Key findings and recommendations 4 2 Background 4 3 Table of audio interviews 6 4 Interviewee biographies 7 5 Discussion of content of interviews 10 5.1 Experience of scientific workplaces 10 5.2 Aspirations – becoming a BME scientist 12 5.3 Gender and parenting 13 2 1 Summary 1.1 Work Completed • A substantial scoping study, authored by Dr Paul Merchant (National Life Stories) and Dr Sally Horrocks (NLS/University of Leicester) and previously submitted to the Royal Society, reviewed existing oral history collections and recent literature on the ethnic composition of the British scientific workforce in order to establish the criteria for selection of interviewees for this project. • The Project Interviewer, Paul Merchant, completed ten extended audio life story interviews of between 6 and 10.5 hours with scientists of minority ethnic heritage at different stages of their careers. These were selected in conjunction with Royal Society colleagues to include a range of ethnic heritages, educational backgrounds and scientific disciplines, particularly those in which scientists with these backgrounds are under-represented.
    [Show full text]
  • Compréhension De L'écrit
    Compréhension de l’écrit Buzzoff, Harrry Potter – we need reinventing Nature of the document : Origin : 4 Topic : point Whose opinion is presented ? s Identity of this person : status, age, job, This person’s opinion on Harry Potter: A1 A2 Who agrees with him ? 7 What do they want to promote ? point Why ? s How ? B1 How is James Dyson’s world presented ? What about Harry Potter’s world ? 8 point s B2 What arguments does J. Dyson give to support his opinion ? What does this reveal of Richard Wood’s point of view ? CORRECTION DE LA CE - Buzz off, Harry Potter – we need reinventing A1 E Prélèvements de mots transparents ou usuels L • The Times , May 9, 2010 by Richard Woods E • Harry Potter = A public school fantasy world, Malign influence: yes for Dyson M • Reinventing + Re-engineer Britain E N • Inventor James Dyson, Dyson vortex: Culture of science, Not fantasy, Modernism: His T ideas for the future - His product: bright, smart A • His appearance: Multi-millionnaire looks 10 years younger : 63, style I • Phenomenal success in business: Entrepreneur+ Designer (Office with a drawing table) R and engineer +Scientists and engineers E • David Cameron, S. Hawking, R. Dawkins, Sir D Attenborough. • UK’s culture - Popular attention • Dyson doesn’t like this fantasy books - Love science and have a passion- Celebration of science and technology • Television series: the Genius of Britain - Modern electromagnetic life • Royal College of Art - Favour arts A2 Prélèvements basés sur les éléments factuels essentiels et les liens simples E • Dyson is in favour of science not fantasy, so he dislikes the HP world.
    [Show full text]
  • Toby Farrell
    CURRICULUM VITAE Toby Farrell WANTED: A Family of My Own 2 x 60’ Observational Documentary Wall To Wall/ITV1 Avid Offline; currently editing. Director: Carol White None Of The Above 30’ Factual Entertainment Renegade/Nat Geo Avid Offline. Host Tim Shaw takes science to the people, conducting a series of man-on-the-street experiments that involve science, physics and engineering. Edit Producer: Al Blane Science Of Stupid 2 x 30’ Documentary IWC Media/Nat Geo Avid Offline. Series exploring the science behind human misadventure. Producer/Director: Al Blane Undercover Boss Series 5 1 x 60’ Observational Documentary Studio Lambert/Ch. 4 Avid Offline; additional editing. High-flying executives take extraordinary steps to ensure their companies are fighting fit by going undercover in their own businesses. Producer: Guy Harris A Very British Ramadan 1 x 30’ Documentary Watershed TV/Ch. 4 Avid Offline. Rashid Khan, former professional rugby league player, travels across Britain exploring the physical, logistical and spiritual preparations for the holy month of Ramadan. Director: Catie Fexton Unreported World: Making Brazil Beautiful 1 x 30’ Documentary Quicksilver Media/Ch. 4 Avid Offline. Reporting on the huge growth in cosmetic plastic surgery in Brazil. Director: Suemay Oram What Do Artists Do All Day? 1 x 30’ Documentary BBC/BBC4 FCP Offline. This documentary paints an intimate portrait of one of Britain’s finest landscape artist, Norman Ackroyd. Ackroyd reflects on how a working class lad from Leeds found himself at the Royal College of Art in the Swinging Sixties. Director: Matthew Hill The Siege Of Malta 1 x 60’ Documentary Maya Vision Intl/BBC2 Avid Offline.
    [Show full text]
  • University of Bradford Ethesis
    Self, Society and the Second World War. The Negotiation of Self on the Home Front by Diarist and Keighley Schoolmaster Kenneth Preston 1941-1945 Item Type Thesis Authors Krutko, Lauren K. Rights <a rel="license" href="http://creativecommons.org/licenses/ by-nc-nd/3.0/"><img alt="Creative Commons License" style="border-width:0" src="http://i.creativecommons.org/l/by- nc-nd/3.0/88x31.png" /></a><br />The University of Bradford theses are licenced under a <a rel="license" href="http:// creativecommons.org/licenses/by-nc-nd/3.0/">Creative Commons Licence</a>. Download date 28/09/2021 06:01:59 Link to Item http://hdl.handle.net/10454/14631 University of Bradford eThesis This thesis is hosted in Bradford Scholars – The University of Bradford Open Access repository. Visit the repository for full metadata or to contact the repository team © University of Bradford. This work is licenced for reuse under a Creative Commons Licence. SELF, SOCIETY AND THE SECOND WORLD WAR L.K. KRUTKO PHD 2016 SELF, SOCIETY AND THE SECOND WORLD WAR The Negotiation of Self on the Home Front by Diarist and Keighley Schoolmaster Kenneth Preston 1941-1945 Lauren Kristina KRUTKO Submitted for the Degree of Doctor of Philosophy School of Archaeological Sciences Faculty of Life Sciences University of Bradford 2016 Abstract Lauren K. Krutko Self, Society and the Second World War The Negotiation of Self on the Home Front by Diarist and Keighley Schoolmaster Kenneth Preston 1941-1945 Keywords: self, community, Second World War, citizenship, masculinity, twentieth century modernity, civilian defence, voluntarism, religion, Keighley This study examines the interaction of the Second World War with the selfhood of Kenneth Preston, a Keighley schoolmaster, using primarily the exceptionally rich content of Preston’s Diary, maintained 1941-1945.
    [Show full text]
  • Albert Wendt
    NEW OPEN ACCESS EDITION ENDORSED BY 30 PROMINENT SCHOLARS FROM AUSTRALIA, ENGLAND, FRANCE, BOROFSKY GUAM, NEW ZEALAND, and UNITED STATES MELANI ANAE (Senior Lecturer, University of Auckland) • BENEDICT ANDERSON (Aaron L. Binenkorb Professor Emeritus, Cornell University) • CHRIS BALLARD (Senior Fellow, REMEMBRANCE Australian National University) • ALFRED CROSBY (Professor Emeritus, University of Texas) • ROBERT DARNTON (Carl H. Pforzheimer University Professor Emeritus, Harvard Uni- versity) • NATALIE ZEMON DAVIS (Professor of Medieval Studies, University of Toronto) • THE REMEMBRANCE HONORABLE KALANI ENGLISH (Senate Majority Leader, Hawai‘i State Legislature) • PAUL - of PACIFIC PASTS GILROY (Professor, University College London) • NOELANI GOODYEAR-KA‘OPUA (Associate Professor, University of Hawai‘i) • STEPHEN GREENBLATT (John Cogan University Professor, Harvard University) • ANNE PEREZ HATTORI (Professor, University of Guam) • BRUCE HILL AN INVITATION TO REMAKE HISTORY (Radio Australia’s Pacifi c Beat Program) • CLAUDE LÉVI-STRAUSS (Collège de France, Aca- démie française) • SA’ILIEMANU LILOMAIAVA-DOKTOR (Associate Professor, University of Hawai‘i-West Oahu) • DAVID LOWENTHAL (Professor, University College, London) • GEORGE Edited by ROBERT BOROFSKY MARCUS (Chancellor’s Professor, University of California, Irvine) and PATRICIA SEED (Profes- sor, University of California, Irvine) • IAN ‘AKAHI MASTERSON (Coordinator, Windward Com- munity College) • MATT MATSUDA (Professor, Rutgers University-New Brunswick) • ALEX- ANDER MAWYER (Associate
    [Show full text]
  • Britishness and Problems of Authenticity in Post-Union Literature from Addison to Macpherson
    "Where are the originals?" Britishness and problems of authenticity in post-Union literature from Addison to Macpherson. Melvin Eugene Kersey III Submitted in accordance with the requirements for the degree of Doctor of Philosophy. University of Leeds, School of English September 2001 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. Acknowledgements This thesis would not have been possible without the generous help, encouragement and support of many people. My research has benefited beyond reckoning from the supervision of Professor David Fairer, whose inspired scholarship has never interfered with his commitment to my research. It is difficult to know whether to thank or to curse Professor Andrew Wawn for introducing me to James Macpherson's Ossianic poetry during my MA at Leeds, but at any rate I am now doubly indebted to him for his insightful reading of a chapter of this thesis. I am also grateful to Professor Paul Hammond for his enormously helpful comments and suggestions on another chapter. And despite the necessary professional distance which an internal examiner must maintain, I have still enjoyed the benevolent proximity effect of Professor Edward Larrissy. I am grateful to Sue Baker and the administrative staff of the School of English for providing me with employment and moral support during this thesis, especially Pamela Rhodes. Special thanks to the inestimable help, friendship and rigorous mind of Dr. Michael Brown, and to Professor Terence and Sue Brown for their repeated generous hospitality in Dublin.
    [Show full text]
  • Download Full Book
    Staging Governance O'Quinn, Daniel Published by Johns Hopkins University Press O'Quinn, Daniel. Staging Governance: Theatrical Imperialism in London, 1770–1800. Johns Hopkins University Press, 2005. Project MUSE. doi:10.1353/book.60320. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/60320 [ Access provided at 30 Sep 2021 18:04 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Staging Governance This page intentionally left blank Staging Governance theatrical imperialism in london, 1770–1800 Daniel O’Quinn the johns hopkins university press Baltimore This book was brought to publication with the generous assistance of the Karl and Edith Pribram Endowment. © 2005 the johns hopkins university press All rights reserved. Published 2005 Printed in the United States of America on acid-free paper 987654321 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data O’Quinn, Daniel, 1962– Staging governance : theatrical imperialism in London, 1770–1800 / Daniel O’Quinn. p. cm. Includes bibliographical references and index. ISBN 0-8018-7961-2 (hardcover : acid-free paper) 1. English drama—18th century—History and criticism. 2. Imperialism in literature. 3. Politics and literature—Great Britain—History—18th century. 4. Theater—England— London—History—18th century. 5. Political plays, English—History and criticism. 6. Theater—Political aspects—England—London. 7. Colonies in literature. I. Title. PR719.I45O59 2005 822′.609358—dc22 2004026032 A catalog record for this book is available from the British Library.
    [Show full text]
  • Adult Author's New Gig Adult Authors Writing Children/Young Adult
    Adult Author's New Gig Adult Authors Writing Children/Young Adult PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 31 Jan 2011 16:39:03 UTC Contents Articles Alice Hoffman 1 Andre Norton 3 Andrea Seigel 7 Ann Brashares 8 Brandon Sanderson 10 Carl Hiaasen 13 Charles de Lint 16 Clive Barker 21 Cory Doctorow 29 Danielle Steel 35 Debbie Macomber 44 Francine Prose 53 Gabrielle Zevin 56 Gena Showalter 58 Heinlein juveniles 61 Isabel Allende 63 Jacquelyn Mitchard 70 James Frey 73 James Haskins 78 Jewell Parker Rhodes 80 John Grisham 82 Joyce Carol Oates 88 Julia Alvarez 97 Juliet Marillier 103 Kathy Reichs 106 Kim Harrison 110 Meg Cabot 114 Michael Chabon 122 Mike Lupica 132 Milton Meltzer 134 Nat Hentoff 136 Neil Gaiman 140 Neil Gaiman bibliography 153 Nick Hornby 159 Nina Kiriki Hoffman 164 Orson Scott Card 167 P. C. Cast 174 Paolo Bacigalupi 177 Peter Cameron (writer) 180 Rachel Vincent 182 Rebecca Moesta 185 Richelle Mead 187 Rick Riordan 191 Ridley Pearson 194 Roald Dahl 197 Robert A. Heinlein 210 Robert B. Parker 225 Sherman Alexie 232 Sherrilyn Kenyon 236 Stephen Hawking 243 Terry Pratchett 256 Tim Green 273 Timothy Zahn 275 References Article Sources and Contributors 280 Image Sources, Licenses and Contributors 288 Article Licenses License 290 Alice Hoffman 1 Alice Hoffman Alice Hoffman Born March 16, 1952New York City, New York, United States Occupation Novelist, young-adult writer, children's writer Nationality American Period 1977–present Genres Magic realism, fantasy, historical fiction [1] Alice Hoffman (born March 16, 1952) is an American novelist and young-adult and children's writer, best known for her 1996 novel Practical Magic, which was adapted for a 1998 film of the same name.
    [Show full text]
  • Neuerwerbungsliste Januar 2011, Sortiert Nach Autorinnen
    Universität Zürich, Historisches Seminar, Bibliothek Neuerwerbungsliste Januar 2011, sortiert nach AutorInnen Titelnummer: 1 Abugideiri, Hibba Gender and the making of modern medicine in colonial Egypt / Hibba Abugideiri. - Farnham : Ashgate, 2010. - 268 S.. - (Empires and the making of the modern world, 1650-2000). - Includes bibliographical references and index. - 978-0-7546-6720-9 (hardcover : alk. paper). - 0-7546-6720-0 (hardcover : alk. paper). - 978-1-4094-0621-1 (ebk). - 1-4094-0621-0 (ebk) 268 S. ((Empires and the making of the modern world, 1650-2000) ) Historisches Seminar Sign.: ND 15260 Systemnr: [001934608 ] Titelnummer: 2 Achenbaum, W. Andrew Crossing frontiers : gerontology emerges as a science / W. Andrew Achenbaum. - Cambridge : Cambridge University Press, 2009. - XIII, 278 S.. - 0-521-48194-5 (hbk.). - 978-0-521-48194-6 (hbk.). - 0-521-55880-8 (pbk.). - 978-0-521-55880-8 (pbk.) XIII, 278 S. Historisches Seminar Sign.: G 4281 Systemnr: [001931835 ] Titelnummer: 3 Adamowsky, Natascha Das Wunder in der Moderne : eine andere Kulturgeschichte des Fliegens / Natascha Adamowsky. - Paderborn : Fink, 2010. - 264 S. : Ill.. - 978-3- 7705-4963-4 264 S. : Ill. Historisches Seminar Sign.: G qu 196 Systemnr: [001931799 ] Titelnummer: 4 Politica e cultura nelle repubbliche italiane dal medioevo all'età moderna : Firenze, Genova, Lucca, Siena, Venezia : atti del convegno (Siena 1997) / a cura di Simonetta Adorni Braccesi ... [et al.]. - Roma : Istituto Storico Italiano per l'Età Moderna e Contemporanea, 2001. - 360 S. : Ill.. - (Annuario dell'Istituto Storico Italiano per l'Età Moderna e Contemporanea ; 43-44 (2001)) 360 S. : Ill. ((Annuario dell'Istituto Storico Italiano per l'Età Moderna e Contemporanea ; 43-44 (2001)) ) Historisches Seminar Sign.: G qu 197 Systemnr: [001926748 ] Titelnummer: 5 Alden, Chris The South in world politics / Chris Alden, Sally Morphet, Marco Antonio Vieira.
    [Show full text]
  • Graphic Satire and the Rise and Fall of the First British Empire: Political Prints from the Seven Years' War to the Treaty of Paris, C
    Karhapää, Henna Veera (2016) Graphic satire and the rise and fall of the First British Empire: political prints from the Seven Years' War to the Treaty of Paris, c. 1756-1783. PhD thesis. https://theses.gla.ac.uk/7509/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Graphic Satire and the Rise and Fall of the First British Empire: Political Prints from the Seven Years' War to the Treaty of Paris, c. 1756- 1783 Henna Veera Karhapää M.A., MLitt Submitted in fulfilment of the requirements for the degree of PhD History of Art School of Culture and Creative Arts College of Arts University of Glasgow December 2015 © Henna Veera Karhapää 2015 ABSTRACT This thesis examines the early stages of the transformation of emblematic political prints into political caricature from the beginning of the Seven Years' War (1756) to the Treaty of Paris, which ended the American Revolutionary War (1783). Both contextual and iconographical issues are investigated in relation to the debates occasioned by Britain's imperial project, which marked a period of dramatic expansion during the Seven Years' War, and ended with the loss of the American colonies, consequently framing this thesis as a study of political prints during the rise and fall of the so-called 'First British Empire'.
    [Show full text]
  • Telegraph.Co.Uk Stephen Hawking: God Was Not Needed to Create The
    Telegraph.co.uk Stephen Hawking: God was not needed to create the Universe The Big Bang was the result of the inevitable laws of physics and did not need God to spark the creation of the Universe, Stephen Hawking has concluded. by Laura Roberts Published 02 September 2010; 06:15AM BST http://www.telegraph.co.uk/science/science-news/7976594/Stephen-Hawking-God-was-not-needed- to-create-the-Universe.html (2010) CMG Archives http://campbellmgold.com --()-- The scientist [Stephen Hawking] has claimed that no divine force was needed to explain why the Universe was formed. In his latest book, The Grand Design, an extract of which is published in Eureka magazine in The Times, Hawking said: “Because there is a law such as gravity, the Universe can and will create itself from nothing. Spontaneous creation is the reason there is something rather than nothing, why the Universe exists, why we exist.” He added: “It is not necessary to invoke God to light the blue touch paper and set the Universe going.” In A Brief History of Time, Prof Hawking's most famous work, he did not dismiss the possibility that God had a hand in the creation of the world. He wrote in the 1988 book: "If we discover a complete theory, it would be the ultimate triumph of human reason -- for then we should know the mind of God.” In his new book he rejects Sir Isaac Newton's theory that the Universe did not spontaneously begin to form but was set in motion by God. In June this year Prof Hawking told a Channel 4 series that he didn't believe that a "personal" God existed.
    [Show full text]
  • Epi-Revel@Nice
    Reconceptualizing Britishness on the Far Right: An Analysis of the British National Party’s Identity Magazine Bonifas Gilbert Pour citer cet article Bonifas Gilbert, « Reconceptualizing Britishness on the Far Right: An Analysis of the British National Party’s Identity Magazine », Cycnos, vol. 25.2 (Britishness - Whence and Whither?), 2008, mis en ligne en mars 2010. http://epi-revel.univ-cotedazur.fr/publication/item/275 Lien vers la notice http://epi-revel.univ-cotedazur.fr/publication/item/275 Lien du document http://epi-revel.univ-cotedazur.fr/cycnos/275.pdf Cycnos, études anglophones revue électronique éditée sur épi-Revel à Nice ISSN 1765-3118 ISSN papier 0992-1893 AVERTISSEMENT Les publications déposées sur la plate-forme épi-revel sont protégées par les dispositions générales du Code de la propriété intellectuelle. Conditions d'utilisation : respect du droit d'auteur et de la propriété intellectuelle. L'accès aux références bibliographiques, au texte intégral, aux outils de recherche, au feuilletage de l'ensemble des revues est libre, cependant article, recension et autre contribution sont couvertes par le droit d'auteur et sont la propriété de leurs auteurs. Les utilisateurs doivent toujours associer à toute unité documentaire les éléments bibliographiques permettant de l'identifier correctement, notamment toujours faire mention du nom de l'auteur, du titre de l'article, de la revue et du site épi-revel. Ces mentions apparaissent sur la page de garde des documents sauvegardés ou imprimés par les utilisateurs. L'université Côte d’Azur est l'éditeur du portail épi-revel et à ce titre détient la propriété intellectuelle et les droits d'exploitation du site.
    [Show full text]