Sv. Venancije Prvi Biskup Solinski . I Mučenik Duvanjski
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Illyrian Religion and Nation As Zero Institution
Studies in Visual Arts and Communication: an international journal Vol 3, No 1 (2016) on-line ISSN 2393 - 1221 Illyrian religion and nation as zero institution Josipa Lulić * Abstract The main theoretical and philosophical framework for this paper are Louis Althusser's writings on ideology, and ideological state apparatuses, as well as Rastko Močnik’s writings on ideology and on the nation as the zero institution. This theoretical framework is crucial for deconstructing some basic tenants in writing on the religious sculpture in Roman Dalmatia, and the implicit theoretical constructs that govern the possibilities of thought on this particular subject. This paper demonstrates how the ideological construct of nation that ensures the reproduction of relations of production of modern societies is often implicitly or explicitly projected into the past, as trans-historical construct, thus soliciting anachronistic interpretations of the material remains of past societies. This paper uses the interpretation of religious sculpture in Roman Dalmatia as a case study to stress the importance of the critique of ideology in the art history. The religious sculpture in Roman Dalmatia has been researched almost exclusively through the search for the presumed elements of Illyrian religion in visual representations; the formulation of the research hypothesis was firmly rooted into the idea of nation as zero institution, which served as the default framework for various interpretations. In this paper I try to offer some alternative interpretations, intending not to give definite answers, but to open new spaces for research. Keywords: Roman sculpture, province of Dalmatia, nation as zero institution, ideology, Rastko Močnik, Louis Althusser. -
University of Zadar [email protected] Tea TEREZA VIDOVIĆ-SCHRE
LINGUA MONTENEGRINA, god. XIII/1, br. 25, Cetinje, 2020. Fakultet za crnogorski jezik i književnost UDK 070:929Bettiza E. Izvorni naučni rad Josip MILETIĆ (Zadar) University of Zadar [email protected] Tea TEREZA VIDOVIĆ-SCHREIBER (Split) University of Split [email protected] DALMATIA – BETTIZA’S LOST HOMELAND The paper analyses the potential of Bettiza’s fiction for the deve- lopment of Croatian and Italian cultural relations as well as tourist promotion of the Croatian historical region of Dalmatia. Particular attention is focused on the novel Exile, in which the author writes a family chronicle by evoking his Split roots. At the same time, he describes the atmosphere, customs and picturesque figures of Dal- matian towns in the interwar period, the encounter of Slavic and Roman culture, as well as the destiny of the Italian population there who, due to the turmoil of war and socialist revolution, decided to leave their homeland. Reception of Bettiza’s work, as an account of an individual history that is completely different from the written (national), the collective history, can positively affect the Italian perception of Dalmatia as a tourist destination, and it can improve the distorted image of Croats living there, which has been created for decades in Italy, through the activist action of extreme groups, therefore it can be of multiple use. Proving that not all Italians for- cibly left their former homeland, but that a part of them left freely seeking a better life for themselves and their families not seeing any perspective in the upcoming communism, allows for the constructi- on of bridges between Slavic and Roman culture, and an even better and more effective tourism promotion of this Croatian region in the context of Italian tourist interests. -
Vladimir-Peter-Goss-The-Beginnings
Vladimir Peter Goss THE BEGINNINGS OF CROATIAN ART Published by Ibis grafika d.o.o. IV. Ravnice 25 Zagreb, Croatia Editor Krešimir Krnic This electronic edition is published in October 2020. This is PDF rendering of epub edition of the same book. ISBN 978-953-7997-97-7 VLADIMIR PETER GOSS THE BEGINNINGS OF CROATIAN ART Zagreb 2020 Contents Author’s Preface ........................................................................................V What is “Croatia”? Space, spirit, nature, culture ....................................1 Rome in Illyricum – the first historical “Pre-Croatian” landscape ...11 Creativity in Croatian Space ..................................................................35 Branimir’s Croatia ...................................................................................75 Zvonimir’s Croatia .................................................................................137 Interlude of the 12th c. and the Croatia of Herceg Koloman ............165 Et in Arcadia Ego ...................................................................................231 The catastrophe of Turkish conquest ..................................................263 Croatia Rediviva ....................................................................................269 Forest City ..............................................................................................277 Literature ................................................................................................303 List of Illustrations ................................................................................324 -
Bibliografija
A. Steinbüchel, Dalmatien. Eine Reiseskizze, Jahrbuch für Literatur 12, Wien 1820, Anzeigeblatt, str. 15–16. P. Kandler, Antichita Dalmatiche, Istrien 4/1849, br. 49–50, str. 199–200. Š. Milinović, O Sinju u Dalmaciji s okolišnim starinami, Arkiv za povjestnicu jugoslavensku 7, Zagreb 1863, str. 143. G. Alačević, Delminium, Bullettino di archeologia e storia dalmata 2, Split 1878, str. 21–25. T. Mommsen (ur.), Corpus inscriptionum latinarum, Vol. III, S. 358, 359. T. Mommsen, O. Hirschfeld, A. Domaszewski, Corpus inscriptionum latinarum, Vol. III, S. 1611, 1612, 2161, 2181, 2269–2270, 2328 (154), 2328 (155). T. Mommsen, Additamenta secunda ad Corporis, Vol. III, Ephemeris epigraphica Corporis inscriptionum latinarum supplementum 4/1881, str. 107 i 109. S. Frankfurter, Epigraphischer Bericht aus Österreich, Archäologische epigraphische Mitteilungen 8, Wien 1884, str. 148. R. Schneider, Bericht über eine Reise in Dalmatien II, Archäologische epigraphische Mitteilungen 9, Wien 1885, str. 44. F. Bulić, Inscriptiones quae in museo archaelogico Salonitano Spalati asservantur, Program carske i kraljevske Velike gimnazije u Spljetu 21, Split 1885-1886, str. 37–38. F. Bulić, Gardun (Delminium?), Bullettino di archaeologia e storia dalmata 11, Split 1888, br. 7, str. 99–100. F. Bulić, Arduba (Gardun, Donji Dolac), Bullettino di archaeologia e storia dalmata 13, Split 1890, br. 5, str. 65. K. Klement, Sculpturen von Dalmatien, Archälogisch-epigraphische Mitteilungen 13, Wien 1890, str. 6–8. F. Bulić, Inscriptiones quae in C. r. museo archaeologico Salonitano Spalati asservantur, Program carske i kraljevske Velike gimnazije u Spljetu 27, Split 1891-1892, str. 400, 458, 467, 486; 29/1893-1894, str. 536, 537, 538, 539, 558, 575, 557, 586. -
The Influence of Islam on Albanian Culture
The Influence of Islam on Albanian Culture Fatmir Shehu ∗ Abstract This paper examines the influence of Islam on Albanian culture. The Islamization process of the Albanian culture was very crucial for the Albanians themselves as it gave them a new identity, which they lacked since their settlement on the Adriatic shores. According to history, Albanians, the biggest Muslim nation dwelling in the Balkans, South-East of Europe, are believed to be the descendents of the ancient Illyrians, who settled in Europe around 2500 years ago. They lived a social life based on tribalism, where every tribe had established its own cultural system and way of life. Thus, their cultural differences disallowed them to unite. Such situation did not change, even when Christianity was introduced to them. Because, Christianity came to Albania through two great dominations: Christian Catholics of Vatican (the Northern part of Albanian) and Christian Orthodox of Greece (the Southern part of Albania). The continuous religious and political suppression faced by the Albanians from their Byzantine and Latin masters enabled them to be the first people of the Balkans, who welcomed openheartedly the Ottoman Muslims and embraced Islam as their new way of life in the 15th century. The study focuses on the following issues: (1) Historical background of Albania and Albanians; (2) The genesis of Albanian culture; and (3) The process of integration between Islamic culture and Albanian culture. This research attempts to provide important findings, which will be very helpful to the Muslims and others. Abstrak Karya ini mengkaji pengaruhan Islam terhadap budaya Albania. Proses pengislaman budaya Albania adalah amat penting kepada orang-orang Albania sendiri kerana ia telah memberi mereka suatu identiti baru yang mereka kekurangan sejak penempatan mereka di pesisiran Adriatic. -
Gardun – Antički Tilurium*
M. Sanader – D. Tončinić Gardun – antički Tilurium∗ Gardun – The Ancient Tilurium∗ M. Sanader – D. Tončinić, Gardun – antički Tilu- M. Sanader – D. Tončinić rium.1∗ Gardun – the Ancient Tilurium1∗ elo Gardun nalazi se na uzvisini iznad desne he village of Gardun is perched on a plateau over- obale rijeke Cetine, na dominantnom i stra- looking the right bank of the Cetina river, on a teškom položaju s kojeg se nadziru sva okolna dominating and strategic position controlling Tthe surrounding fields and plateaus, as well as the crossing Spolja i visoravni te prijelaz preko rijeke Cetine na području grada Trilja. Trilj se razvio na mjestu na over the Cetina in the area of the town of Trilj. Trilj has kojem je bio moguć lakši prijelaz preko rijeke Ce- developed on the spot that offered an easy crossing over tine i na kojem ona napušta Cetinsko polje te poči- the Cetina, at the point where the river leaves the Cetina nje sječi duboki klanac kroz Zamosorje. Za razliku Plain and starts intersecting the deep canyon through the od Trilja koji se nalazi na nadmorskoj visini od 300 Zamosorje region. Unlike Trilj, which lies at 300 m above m, kod crkva sv. Petra, u sjeveroistočnom dijelu sela the sea level, at St. Peter's church in the northeastern part Gardun, apsolutna nadmorska visina doseže 429 m, of the Gardun village the absolute height reaches 429 m. a prema sjeverozapadu sela, gdje se nalazi lokalitet Towards the northwest of the village, at the site of Ogla- Oglavak, teren se stepenasto penje do visine od go- vak, the terrain rises over several terraces to almost 450 m, tovo 450 m, dok se prema jugu i lokalitetu Podvor- while to the south, towards the Podvorice site, the terrain nice teren spušta na ispod 420 m. -
Travel Guide Split/Central Dalmatia Activities/Destinations/Events Photo: Archive Tourist Board Split, by Ante Verzotti Ante by Board Split, Tourist Archive Photo
FREE COPY! DiscoverSplit Travel Guide Split/Central Dalmatia Activities/Destinations/Events Photo: Archive Tourist Board Split, by Ante Verzotti Ante by Board Split, Tourist Archive Photo: with support from the Tourist Board of Split more than 100 different day trips including complete list of agencies! Welcome to Split! I am pleased to welcome you to our beautiful city by the sea. Continuously occupied for more than 1,700 years, Split is a living ZAGREB city, a city where tourists and citizens alike can enjoy the sea, the sun, music, art, history, wonderful gastronomy and so much more! PULA DiscoverSplit’s 2017 Guide to Split-Central Dalmatia Activities/ Destinations/Events is just one of the ways we help new visitors ZADAR enjoy the Split experience. ŠIBENIK If you need more information about our city, the official tourist offices on the Peristil square and on the waterfront Riva are staffed TROGIR with multi-lingual professionals who can help you with everything from where the closest laundromat is to finding a dentist! SPLIT We are glad you are here..... enjoy your stay! DUBROVNIK Alijana Vukšić / Director, Tourist Board of Split +385 72 535 535 Welcome to DiscoverSplit’s Guide ACTIVITIES, DAY TRIPS AND DESTINATIONS FROM SPLIT to Activities/Destinations/Events! Adventure/Sports 11 Culture/Historical sites 44 Dear Visitor, Aqueduct tour ................................................ 13 Split city sightseeing .............................. 45 Central Dalmatia and Split, Croatia’s second largest city with a bit Biking .............................................................. 14 Archeaological Museum of Split ....... 46 under 200,000 residents, are rapidly becoming one of the “must Canyoning .................................................... 15 Art Museum of Split ................................ 47 visit” Mediterranean destinations. -
Map 20 Pannonia-Dalmatia Compiled by P. Kos and M. Šašel Kos, 1995
Map 20 Pannonia-Dalmatia Compiled by P. Kos and M. Šašel Kos, 1995 Introduction The map covers very heterogeneous landscapes ranging from the Adriatic coast to the Alps, and from the mountainous interiors of the provinces of Dalmatia and Pannonia with their rich ore sources to the Pannonian plain. The current state of research–to some degree reflected by the map–is uneven. Thus the Carinthian province of Austria (Piccottini 1989), Slovenia (ANSl 1975), and Bosnia and Herzegovina (ALBiH) are better explored topographically than other regions where no compilations of archaeological sites have been published. The results of topographical research conducted over the past thirty years by Bojanovski (1988) are of great importance. Much antiquarian and topographic information has been collected for Histria and Venetia by Vedaldi Iasbez (1994), with particular attention to Greek and Latin writers. Similarly substantial collection and assessment of data for the Dalmatian coast and islands are provided by Kozličić (1990). TIR Tergeste (1961), TIR Aquincum (1968) and TIR Naissus (1976) are also of value for the areas they cover, though not always reliable. Mócsy’s work (RE Suppl. 9 Pannonia) remains fundamental for the province of Pannonia. As Kozličić (1986) has shown, since antiquity geomorphological changes along the Dalmatian and Istrian coasts have been minimal, if only because no very large rivers flow into the Adriatic; the map therefore retains the modern coastline. The coast of the eastern Adriatic is, however, sinking at a minimal rate annually (Šegota 1976). Geographic names by no means always appear in the nominative in the Greek and Latin sources; the point applies especially to ItAnt, ItBurd, TabPeut and GeogRav, which often represent the only evidence. -
ZAGORAA Cultural/Historical Guide to the Zagora (Inland) Region of Split
A cultural/historical guide to the Zagora (inland) region of Split-Dalmatia County ZAGORA THE DALMATIAN ZAGORA (INLAND) Joško Belamarić THE DALMATIAN ZAGORA (INLAND) A cultural/historical guide to the Zagora (inland) region of Split-Dalmatia County 4 Zagora 14 Klis Zagora 24 Cetinska krajina 58 Biokovo, Imotski, Vrgorac 3 Zagora THE DALMATIAN ZAGORA (INLAND) A cultural/historical guide to the Zagora (inland) region of Split-Dalmatia County Here, from Klis onwards, on the ridge of the Dinara mountain chain, the angst of inland Dalmatia’s course wastelands has for centuries been sundered from the broad seas that lead to a wider world. The experience of saying one’s goodbyes to the thin line of Dalmatia that has strung itself under the mountain’s crest, that viewed from the sea looks like Atlas’ brothers, is repeated, not without poetic chills, by dozens of travel writers. To define the cultural denominators of Zagora, the Dalmatian inland, is today a difficult task, as the anthropological fabric of the wider Dalmatian hinterland is still too often perceived through the utopian aspect of the Renaissance ideal, the cynicism of the Enlightenment, or the exaggeration of Romanticism and the 18th century national revival. After the fall of medieval feudalism, life here has started from scratch so many times - later observers have the impression that the local customs draw their roots from some untroubled prehistoric source in which the silence of the karst on the plateau towards Promina, behind Biokovo, the gurgling of the living waters of the Zrmanja, Krka, Čikola and Cetina Ri- vers, the quivering of grain on Petrovo, Hrvatac and Vrgorac Fields, on 4 Zagora the fat lands along Strmica and Sinj, create the ide- al framework for the pleasant countenance, joyous heart and sincere morality of the local population of which many have written, each from their own point of view: from abbot Fortis and Ivan Lovrić during the Baroque period, Dinko Šimunović and Ivan Raos not so long ago to Ivan Aralica and, in his own way, Miljenko Jergović today. -
Dios Roman History
HISTORICAL NARRATIVE ORIGINALLY COMPOSED IN GREEK DUR T HE S O F SEPTIMIUS S RUS ING REIGN EVE , GETA C MACRINUS ELA A AND ARACALLA , , G BALUS AND ALEXANDER SEVERUS AN D NOW PRESENTED IN ENGLISH FORM HERBERT BALDW N FOST ER I , A B H ar ard Ph D ohn s H o in s . k ( v ) , ( J p ) , Acting Professor of G ree k in Lehigh University SI XTH VOL UJPI E - I . Books 77 80 ( A . D . 21 1 m n - II . F ra e ts of Books 1 21 Melb er s Arr em n g ( ang e t) . III . Glossar of L atin e y T rms . IV. TROY NEW Y ORK PAFRAET S BO OK C OMPANY 1 906 COPY R I G HT 1 90 5 PA FRAETS BOOK COMPANY TR OY NEW YORK DI O ’ S ROMAN HI STO RY 77 Antoninus begi ns his reign by having vari ous persons assas n th m hi r ther ta cha t r 1 l ins ted, amo g e s b o Ge ( p e s l An ni s r i ni anus ilo an d he Cru e ty of to nu towa d Pap , C , ot rs ( chapters 4 Antoni nus as emulator of Alexander of Macedon ( chapters 7, Hi s levi es an d extravagance ( chapters 9 Hi h r f s h n d s treac e y toward Abgarus o O r oe e, towar the Armeni an ki n the Parthi an kin an d the Germans cha ters g, g, ( p The Cen ni conquer Antoni nus in battle ( chapter He strives to dri ve out hi s di sease of min d by con sulting spirits and oracles ( chapter lau h l n h e emi f oth r S g ter of v esta s, i sults to t e senat , d se o e s ’ contrary to hi s mother s wi shes ( chapters 1 6 ’ Anton inus s Parthi an war ( chapters 1 9 Massacres of Alexandri an s caused by An toninus ( chapters DURATI O OF TI N ME. -
Illyrian Policy of Rome in the Late Republic and Early Principate
ILLYRIAN POLICY OF ROME IN THE LATE REPUBLIC AND EARLY PRINCIPATE Danijel Dzino Thesis submitted for the degree of Doctor of Philosophy in the Department of Classics University of Adelaide August 2005 II Table of Contents TITLE PAGE I TABLE OF CONTENTS II ABSTRACT V DECLARATION VI ACKNOWLEDGMENTS VII LIST OF FIGURES VIII LIST OF PLATES AND MAPS IX 1. Introduction, approaches, review of sources and secondary literature 1.1 Introduction 1 1.2 Rome and Illyricum (a short story) 2 1.3 Methodology 6 1.4.1 Illyrian policy of Rome in the context of world-system analysis: Policy as an interaction between systems 9 1.4.2 The Illyrian policy of Rome in the context of world-system analysis: Working hypothesis 11 1.5 The stages in the Roman Illyrian relationship (the development of a political/constitutional framework) 16 1.6 Themes and approaches: Illyricum in Roman historiography 18 1.7.1 Literature review: primary sources 21 1.7.2 Literature review: modern works 26 2. Illyricum in Roman foreign policy: historical outline, theoretical approaches and geography 2.1 Introduction 30 2.2 Roman foreign policy: Who made it, how and why was it made, and where did it stop 30 2.3 The instruments of Roman foreign policy 36 2.4 The place of Illyricum in the Mediterranean political landscape 39 2.5 The geography and ethnography of pre-Roman Illyricum 43 III 2.5.1 The Greeks and Celts in Illyricum 44 2.5.2 The Illyrian peoples 47 3. The Illyrian policy of Rome 167 – 60 BC: Illyricum - the realm of bifocality 3.1 Introduction 55 3.2 Prelude: the making of bifocality 56 3.3 The South and Central Adriatic 60 3.4 The North Adriatic 65 3.5 Republican policy in Illyricum before Caesar: the assessment 71 4. -
The Dalmatian Coast
The Dalmatian Coast Where the Balkans Meet The Mediterranean September 19th - 28th 2020 The beauty of the long, rugged Dalmatian Coast, backed by high mountains with hundreds of offshore islands, remains one of Europe’s best- kept secrets. Stretching from the Bay of Kotor in Montenegro in the south, to the coast of Slovenia in the north, the region was named by the Romans after the Illyrian tribe, the Dalmatae, living in the area. We begin our adventures in the fabulous walled city of Dubrovnik, known as “the Pearl of the Adriatic,” above all because of its great wealth of heritage in the arts and history. The Irish playwright Dubrovnik and Nobel prize winner, George Bernard Shaw, once remarked that “Those who seek heaven on earth must come to Dubrovnik.” From Dubrovnik, we work our way north up the coast to the Istrian Peninsula. On the way we’ll stop to explore the ancient cities of Zadar and Split. Finally we cross the border into Italy, spending a final night in the port city of Trieste. You will be amazed to learn that their recent history included a long, unsettling period of sectarianism that stretched out over centuries. It is hard believe it could ever have happened to such warm, welcoming people living in such beautiful surroundings. The cost of this itinerary, per person, double occupancy is: This fall, join Discover Europe and travel along Land only (no airfare included): $3840 The Dalmatian Coast basking in “the Pearl of the Single supplement: $ 890 Adriatic;” one of Europe’s best-kept secrets.