Benvenuto Cellini Tells Us in His Memoirs, That, After a Certain Terrible Dream Or Vision Which He Had During His Confinement in the Castle of St

Total Page:16

File Type:pdf, Size:1020Kb

Benvenuto Cellini Tells Us in His Memoirs, That, After a Certain Terrible Dream Or Vision Which He Had During His Confinement in the Castle of St PEOPLE MENTIONED IN WALDEN: PEOPLEBENVENUTO MENTIONED IN CWALDENELLINI WALDEN: Once it chanced that I stood in the very abutment PEOPLE OF of a rainbow’s arch, which filled the lower stratum of the WALDEN atmosphere, tinging the grass and leaves around, and dazzling me as if I looked through colored crystal. It was a lake of rainbow light, in which, for a short while, I lived like a dolphin. If it had lasted longer it might have tinged my employments and life. As I walked on the railroad causeway, I used to wonder at the halo of light around my shadow, and would fain fancy myself one of the elect. One who visited me declared that the shadows of some Irishmen before him had no halo about them, that it was only natives that were so distinguished. Benvenuto Cellini tells us in his memoirs, that, after a certain terrible dream or vision which he had during his confinement in the castle of St. Angelo, a resplendent light appeared over the shadow of his head at morning and evening, whether he was in Italy or France, and it was particularly conspicuous when the grass was moist with dew. This was probably the same phenomenon to which I have referred, which is especially observed in the morning, but also at other times, and even by moonlight. Though a constant one, it is not commonly noticed, and, in the case of an excitable imagination like Cellini’s, it would be basis enough for superstition. Beside, he tells us that he showed it to very few. But are they not indeed distinguished who are conscious that they are regarded at all? ROME ITALY BENVENUTO CELLINI HDT WHAT? INDEX THE PEOPLE OF WALDEN: BENVENUTO CELLINI PEOPLE MENTIONED IN WALDEN 1500 November 3, Tuesday (Old Style): Benvenuto Cellini was born in Florence. HDT WHAT? INDEX THE PEOPLE OF WALDEN: BENVENUTO CELLINI PEOPLE MENTIONED IN WALDEN 1510 At about this point Benvenuto Cellini was banished from his native Florence for his alleged role in a brawl. As a result, he would receive his early artistic training not only from the Florentine goldsmith Antonio di Sandro, also known as “Marcone,” but also from a goldsmith in Siena, Francesco Castoro. THE TASK OF THE HISTORIAN IS TO CREATE HINDSIGHT WHILE INTERCEPTING ANY ILLUSION OF FORESIGHT. NOTHING A HUMAN CAN SEE CAN EVER BE SEEN AS IF THROUGH THE EYE OF GOD. The People of WALDEN: “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX THE PEOPLE OF WALDEN: BENVENUTO CELLINI PEOPLE MENTIONED IN WALDEN 1519 Benvenuto Cellini removed to Rome, where he would reside until that bastion would fall to the Spanish emperor in 1527. Lucrezia Borgia died. Lorenzo (not the magnificent Lorenzo, but another one of the Medici family named after him) died and the family needed a place to put him. (What do you do for a family that has everything? –You build them a container to put it all in.) Giulio de Medici (who would become Pope Clement VII in 1523) succeeded Lorenzo at Florence. “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY The People of WALDEN: “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX THE PEOPLE OF WALDEN: BENVENUTO CELLINI PEOPLE MENTIONED IN WALDEN 1527 This was a poor harvest year in Europe. The first Protestant University was founded in Marburg. German mercenary soldiers, troops in the pay of Holy Roman Emperor Charles V, put Rome to fire and sword, killing 4,000 of its inhabitants and looting its art treasures — well, so much for the Renaissance. The Swiss guards transferred Pope Clement VII to safe custody at the Castel Sant’Angelo, with in the process 147 of them losing their lives. Benvenuto Cellini, participating in the unsuccessful defense of the city, at one point –if we are to take his word for it– slew the Constable of Bourbon and at another point slew the Prince of Orange, Philibert — he was, it seems, quite the slewer. King Charles V himself also was slewed during this Roman holiday event. Also, the authentic foreskin of Jesus Christ, which had been passed along to the pope by the emperor Charlemagne upon the occasion of his coronation on Christmas Day, 800 CE, was taken by a German soldier from the Sanctum sanctorum of the Lateran basilica in Rome, in its jeweled reliquary. That soldier would soon be captured in the village of Calcata, just a day or two’s travel north of Rome, and taken into confinement, and would hide the precious object in his cell for the following three decades, until it would be discovered there in 1557 and taken to the local church. CATHOLICS With the sack of Rome, Pope Clement was put to ignominious flight — and so Florence revolted against the Medici and restored its traditional republic. The Medici were expelled. The left arm of Michelangelo’s “David” was struck with a bench during a riot, and broken into three pieces (it would be reattached but the seams still show). HDT WHAT? INDEX THE PEOPLE OF WALDEN: BENVENUTO CELLINI PEOPLE MENTIONED IN WALDEN Michelangelo completed the marble interior of the Medici family chapel devoted to the memory of their dear departed youths Giuliano and Lorenzo. This was a fateful year for Anglican religion — King Henry VIII began the divorce proceedings against his wife Queen Consort Catherine of Aragón which would radically divorce London from Rome. In London, Boccaccio’s THE FALL OF PRINCES, PRINCESSES, AND OTHER NOBLES was translated by John Lydgate and printed by Richard Pynson who, in addition to William Caxton and Wynkyn de Worde, was among the 1st to bring printing to the British Isles. He had been Printer to the King since 1508 and would continue in that capacity until 1529. He was still using black-letter face, though this had long since been abandoned in Italy and elsewhere on the Continent. HISTORY OF THE PRESS HDT WHAT? INDEX THE PEOPLE OF WALDEN: BENVENUTO CELLINI PEOPLE MENTIONED IN WALDEN 1529 Benvenuto Cellini was appointed to direct Pope Clemente VII’s artistic workshop. He slew a man who had slain his brother. Later this year, upon wounding a notary of the city, he was forced to flee briefly to Naples. Women actors appeared for the first time on the Italian stage. Italian physician Giovanni Battista da Monte introduced clinical examinations of patients at the sickbed. THE FUTURE CAN BE EASILY PREDICTED IN RETROSPECT The People of WALDEN: “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX THE PEOPLE OF WALDEN: BENVENUTO CELLINI PEOPLE MENTIONED IN WALDEN 1530 Due to the change in popes, at about this point Benvenuto Cellini was able to return from Naples to Rome. However, he would fall afoul of one member of Pope Paul III’s illegitimate brood, Pietro Alvise Farnese, and would need to flee to Florence and Venice. Florence was taken by imperial troops. Alessandro de Medici became a hereditary duke. Philipp Melanchthon wrote APOLOGIA. The Confession of Augsburg, prepared by Melanchthon, defining the basic tenets of Lutheranism, was approved by Herr Professor Martin Luther and signed by the German Protestant princes. They formed the Schamalkaldic League against Holy Roman Emperor Charles V and his Catholic allies. HDT WHAT? INDEX THE PEOPLE OF WALDEN: BENVENUTO CELLINI PEOPLE MENTIONED IN WALDEN THE FUTURE IS MOST READILY PREDICTED IN RETROSPECT The People of WALDEN: “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX THE PEOPLE OF WALDEN: BENVENUTO CELLINI PEOPLE MENTIONED IN WALDEN 1535 In Venice, Benvenuto Cellini designed a 40-soldi coin showing Duke Alessandro de Medici on one side and Saints Cosmo and Peter Damian on the other. Milan would be under Spanish rule from this year until 1713. YOU HAVE TO ACCEPT EITHER THE REALITY OF TIME OVER THAT OF CHANGE, OR CHANGE OVER TIME — IT’S PARMENIDES, OR HERACLITUS. I HAVE GONE WITH HERACLITUS. The People of WALDEN: “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX THE PEOPLE OF WALDEN: BENVENUTO CELLINI PEOPLE MENTIONED IN WALDEN 1537 Benvenuto Cellini was thrown in the lockup on suspicion of having pocketed some of the gems on one of the Pope’s tiaras. He may not have been guilty, for Cardinal d`Este of Ferrara, for whom he had created a silver cup, and others, would be able to secure his release. He abandoned Rome in favor of the court of King Francis I of France. Duke Alessandro of Florence was murdered. Cosimo I began to found the younger branch of the Medici (this would persist until 1737). NO-ONE’S LIFE IS EVER NOT DRIVEN PRIMARILY BY HAPPENSTANCE The People of WALDEN: “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX THE PEOPLE OF WALDEN: BENVENUTO CELLINI PEOPLE MENTIONED IN WALDEN 1545 Benvenuto Cellini, who had become entangled in disputes at the court of King Francis I of France, returned to his native Florence. LIFE IS LIVED FORWARD BUT UNDERSTOOD BACKWARD? — NO, THAT’S GIVING TOO MUCH TO THE HISTORIAN’S STORIES. LIFE ISN’T TO BE UNDERSTOOD EITHER FORWARD OR BACKWARD. The People of WALDEN: “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX THE PEOPLE OF WALDEN: BENVENUTO CELLINI PEOPLE MENTIONED IN WALDEN 1558 Alfonso II d'Este became Duke of Ferrara (until 1597). Of the 103 cases of homicide reported in the English county of Nottinghamshire between 1458 and 1558, the quarterstaff was the murder weapon in 53. What this indicates to us is that the “Robin Hood” stories, which depict dozens of the Sheriff’s men being offed by means of bow and arrow, have probably been based not on historical records but on the sorts of mummeries that were done during May Day fairs.
Recommended publications
  • Electricity and Magnetism (Cont'd), Light and Optics
    Problems 931 53. Suppose you install a compass on the center of a car’s needle” is a magnetic compass mounted so that it can dashboard. (a) Assuming the dashboard is made rotate in a vertical north–south plane. At this location, mostly of plastic, compute an order-of-magnitude esti- a dip needle makes an angle of 13.08 from the vertical. mate for the magnetic field at this location produced What is the total magnitude of the Earth’s magnetic by the current when you switch on the car’s headlights. field at this location? (b) How does this estimate compare with the Earth’s 59. A very large parallel-plate capacitor has uniform magnetic field? S charge per unit area 1s on the upper plate and 2s 54. Why is the following situation impossible? The magnitude on the lower plate. The plates are horizontal, and both of the Earth’s magnetic field at either pole is approxi- move horizontally with speed v to the right. (a) What mately 7.00 3 1025 T. Suppose the field fades away to is the magnetic field between the plates? (b) What is zero before its next reversal. Several scientists propose the magnetic field just above or just below the plates? plans for artificially generating a replacement mag- (c) What are the magnitude and direction of the mag- netic field to assist with devices that depend on the netic force per unit area on the upper plate? (d) At presence of the field. The plan that is selected is to lay what extrapolated speed v will the magnetic force on a a copper wire around the equator and supply it with a plate balance the electric force on the plate? Suggestion: current that would generate a magnetic field of magni- Use Ampere’s law and choose a path that closes tude 7.00 3 1025 T at the poles.
    [Show full text]
  • Autobiography of Benvenuto Cellini November 3, 1500 – February 13, 1571
    Autobiography of Benvenuto Cellini November 3, 1500 – February 13, 1571 I ALL men of whatsoever quality they be, who have done anything of excellence, or which may properly resemble excellence, ought, if they are persons of truth and honesty, to describe their life with their own hand; but they ought not to attempt so fine an enterprise till they have passed the age of forty. This duty occurs to my own mind now that I am travelling beyond the term of fifty-eight years, and am in Florence, the city of my birth. Many untoward things can I remember, such as happen to all who live upon our earth; and from those adversities I am now more free than at any previous period of my career-nay, it seems to me that I enjoy greater content of soul and health of body than ever I did in bygone years. I can also bring to mind some pleasant goods and some inestimable evils, which, when I turn my thoughts backward, strike terror in me, and astonishment that I should have reached this age of fifty-eight, wherein, thanks be to God, I am still travelling prosperously forward. II IT is true that men who have laboured with some show of excellence, have already given knowledge of themselves to the world; and this alone ought to suffice them; I mean the fact that they have proved their manhood and achieved renown. Yet one must needs live like others; and so in a work like this there will always be found occasion for natural bragging, which is of divers kinds, and the first is that a man should let others know he draws his lineage from persons of worth and most ancient origin.
    [Show full text]
  • Catalogue of New Plays 2016–2017
    PRESORTED STANDARD U.S. POSTAGE PAID GRAND RAPIDS, MI PERMIT #1 Catalogue of New Plays 2016–2017 ISBN: 978-0-8222-3542-2 DISCOUNTS See page 6 for details on DISCOUNTS for Educators, Libraries, and Bookstores 9 7 8 0 8 2 2 2 3 5 4 2 2 Bold new plays. Recipient of the Obie Award for Commitment to the Publication of New Work Timeless classics. Since 1936. 440 Park Avenue South, New York, NY 10016 Tel. 212-683-8960 Fax 212-213-1539 [email protected] OFFICERS Peter Hagan, President Mary Harden, Vice President Patrick Herold, Secretary David Moore, Treasurer Stephen Sultan, President Emeritus BOARD OF DIRECTORS Peter Hagan Mary Harden DPS proudly represents the Patrick Herold ® Joyce Ketay 2016 Tony Award winner and nominees Jonathan Lomma Donald Margulies for BEST PLAY Lynn Nottage Polly Pen John Patrick Shanley Representing the American theatre by publishing and licensing the works of new and established playwrights Formed in 1936 by a number of prominent playwrights and theatre agents, Dramatists Play Service, Inc. was created to foster opportunity and provide support for playwrights by publishing acting editions of their plays and handling the nonprofessional and professional leasing rights to these works. Catalogue of New Plays 2016–2017 © 2016 Dramatists Play Service, Inc. CATALOGUE 16-17.indd 1 10/3/2016 3:49:22 PM Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: A lot happened in 1936. Jesse Owens triumphed at the Berlin Olympics. Edward VIII abdicated to marry Wallis Simpson. The Hindenburg took its maiden voyage. And Dramatists Play Service was founded by the Dramatists Guild of America and an intrepid group of agents.
    [Show full text]
  • Christopher Hampton, John Patrick Shanley, Patricia Marx and Theresa Rebeck December 2009 | Volume #31
    IN THIS ISSUE: Christopher Hampton, John Patrick Shanley, Patricia Marx and Theresa Rebeck December 2009 | Volume #31 EDITOR A NOTE FROM THE EDITOR Arlene Hellerman Donald Westlake often said, “When I write a COPY EDITOR novel, I’m God, and when I write a screenplay, Shelley Wolson I’m cup-bearer to the gods.” The same could be DESIGNER said of the relationship between screenwriting Tom Beckham and playwriting. SUPERVISING CONSULTANT The conversations in this issue cover both Marsha Seeman of these genres. John Patrick Shanley and CONSULTANT Christopher Hampton talk about playwriting, Nicole Revere screenwriting and directing. Theresa Rebeck and Patricia Marx talk about writing plays and films, ADVISOR but also about the process of writing prose. Marc Siegel On The Back Page we’re publishing Gina Gionfriddo’s one-act play America’s Got Tragedy. Michael Winship | president Bob Schneider | vice president Gail Lee | secretary-treasurer — Arlene Hellerman Lowell Peterson | executive director All correspondence should be addressed to The Writers Guild of America, East 555 West 57th Street New York, New York 10019 Telephone: 212-767-7800 Fax: 212-582-1909 www.wgaeast.org Copyright © 2009 by the Writers Guild of America, East, Inc. Christopher Hampton AND John Patrick Shanley New York CitY – April 27, 2009 SHANLEY: I have questions for you. HAMPTON: Between 5 and 10. HAMPTON: Oh, do you? ON WRITING: Do you think that gave you a different perspective when you got back to England? Did you SHANLEY: Questions that are sort of simple but inter- see it as an outsider? esting to me. One is, when you started writing, was there either a play that you wanted to do something HAMPTON: Yes, very much so.
    [Show full text]
  • Download 2018–2019 Catalogue of New Plays
    Catalogue of New Plays 2018–2019 © 2018 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: Take a look at the “New Plays” section of this year’s catalogue. You’ll find plays by former Pulitzer and Tony winners: JUNK, Ayad Akhtar’s fiercely intelligent look at Wall Street shenanigans; Bruce Norris’s 18th century satire THE LOW ROAD; John Patrick Shanley’s hilarious and profane comedy THE PORTUGUESE KID. You’ll find plays by veteran DPS playwrights: Eve Ensler’s devastating monologue about her real-life cancer diagnosis, IN THE BODY OF THE WORLD; Jeffrey Sweet’s KUNSTLER, his look at the radical ’60s lawyer William Kunstler; Beau Willimon’s contemporary Washington comedy THE PARISIAN WOMAN; UNTIL THE FLOOD, Dael Orlandersmith’s clear-eyed examination of the events in Ferguson, Missouri; RELATIVITY, Mark St. Germain’s play about a little-known event in the life of Einstein. But you’ll also find plays by very new playwrights, some of whom have never been published before: Jiréh Breon Holder’s TOO HEAVY FOR YOUR POCKET, set during the early years of the civil rights movement, shows the complexity of choosing to fight for one’s beliefs or protect one’s family; Chisa Hutchinson’s SOMEBODY’S DAUGHTER deals with the gendered differences and difficulties in coming of age as an Asian-American girl; Melinda Lopez’s MALA, a wry dramatic monologue from a woman with an aging parent; Caroline V. McGraw’s ULTIMATE BEAUTY BIBLE, about young women trying to navigate the urban jungle and their own self-worth while working in a billion-dollar industry founded on picking appearances apart.
    [Show full text]
  • Catalogue1516.Pdf
    Catalogue of New Plays 2015–2016 © 2015 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: Once again, the Play Service is delighted to have all of this year’s Tony nominees for Best Play. The winner, Simon Stephens’ THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, based on Mark Haddon’s best-selling novel, is a thrilling and emotional journey into the mind of an autistic boy. We acquired Ayad Akhtar’s Pulitzer Prize- winning play DISGRACED after its run at Lincoln Center, and we are also publishing his plays THE WHO & THE WHAT and THE INVISIBLE HAND. Robert Askins’ subversive, hilarious play HAND TO GOD introduced this young American writer to Broadway, and the Play Service is happy to be his first publisher. Rounding out the nominess are Mike Poulton’s dazzling adaptations of Hilary Mantel’s WOLF HALL novels. THIS IS OUR YOUTH by Kenneth Lonergan and perennial favorite YOU CAN’T TAKE IT WITH YOU by Kaufman and Hart were nominated for Best Revival of a Play. We have our 45th Pulitzer Prize winner in the moving, profane, and deeply human BETWEEN RIVERSIDE AND CRAZY, by Stephen Adly Guirgis, which is under option for Broadway production next season. Already slated for Broadway is Mike Bartlett’s “future history” play, KING CHARLES III, following its hugely successful production in the West End. Bess Wohl, a writer new to the Play Service, received the Drama Desk Sam Norkin Off-Broadway Award. We have her plays AMERICAN HERO and SMALL MOUTH SOUNDS.
    [Show full text]
  • Benvenuto Cellini
    P1: JPJ/FFX P2: IML/FFX QC: IML/FFX T1: IML CB687-FM CB687-Gallucci-v2 June 23, 2004 1:20 BENVENUTO CELLINI Sculptor, Goldsmith, Writer ~ EDITED BY Margaret A. Gallucci Paolo L. Rossi iii P1: JPJ/FFX P2: IML/FFX QC: IML/FFX T1: IML CB687-FM CB687-Gallucci-v2 June 23, 2004 1:20 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru,UK 40 West 20th Street, New York, ny 10011-4211, USA 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2004 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2004 Printed in the United Kingdom at the University Press, Cambridge Typefaces Bembo 11.75/16 pt. System LATEX 2ε [tb] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data Cellini, Benvenuto, 150 0 –157 1 . Benvenuto Cellini : sculptor, goldsmith, writer / edited by Margaret A. Gallucci, Paolo L. Rossi. p. cm. Includes bibliographical references and index. isbn 0-521-81661-0 (hb) 1. Cellini, Benvenuto, 150 0 –157 1 – Criticism and interpretation. 2.Art, Renaissance – Italy. I. Gallucci, Margaret A. II. Rossi, Paolo L., 1946– III. Title.
    [Show full text]
  • Die Stille Macht Vertrauter Motive
    Es gibt einige Kunstwerke aus der italienischen Renaissance, die jedem bekannt sind, wie die Mona Lisa von Leonardo da Vinci, die Erschaffung Adams als Teil der Sixtinischen Decke von Michelangelo Buo- Julia Bock narroti oder die Engelchen der Sixtinischen Madonna von Raffael Santi. Doch wie haben ausgerechnet diese Werke bzw. ihre Ausschnitte ihren Weg in unseren Alltag gefunden? Worin liegt der besondere Reiz, diese und keine anderen Motive für Film und Fernsehen, Comics, Zeitschriften- und Bücherco- Die stille Macht vertrauter Motive ver, Alltagsgegenstände und Dekorationen zu verwenden und zu verfremden? Warum wurden gerade die Schöpfer dieser Kunstwerke zu „Künstlerhelden“ hochstilisiert, mit deren Namen man untrennbar Bewusste und unbewusste Adaption, Zitation und bestimmte Attribute verknüpft? Ist Kunst als Motiv in der Warenästhetik per se immer Kitsch? Und gibt Wahrnehmung von Kunst in der Populärkultur und es eine Möglichkeit, die Allgegenwart der vertrauten Motive zu nutzen, um die Menschen, besonders Kinder und Jugendliche, zurück ins Museum zu bringen? All diesen Fragen und vielen weiteren wird in ihr möglicher Nutzen für die Museumspädagogik der vorliegenden Dissertation auch mit interdisziplinären Methoden nachgegangen. Julia Bock Die stille Macht vertrauter MotiveJulia Bock Die stille Macht vertrauter ISBN: 978-3-86395-114-6 Universitätsdrucke Göttingen Universitätsdrucke Göttingen Julia Bock Die stille Macht vertrauter Motive This work is licensed under the Creative Commons License 3.0 “by-sa”, allowing you to download,
    [Show full text]
  • Defiance by John Patrick Shanley (The Second Show Ofthe 2008-2009 Theatre Three WINGSPAN THEATRE COMPANY Season) and Look What'shappened to Pixiedecosta by Bruce OCT
    2008-2009 SEASON / C ON OTHER STAGES C T3 PEOPLE CIRCLE THEATER BOARD OF DIRECTORS SEPT. 18-ocT. 18 Dex cil]ulieSittin' in a Tree CHAIRSonja J. McGill LIAISON, CITY OF DALLAS CULTURAL COMMISSION CONTEMPORARY THEATRE OF DALLAS TailimSong A Streetcar Named Desire THRU SEPTEMBER 7 BOARD MEMBERS JacAlder, NancyCochran, Roland OCT. 3- 26 On Golden Pond (ilVirginiaDykes, David G. Luther, Patsy P. Yung Micale, Jean M. Nelson, Shanna Nugent, ValerieW. DALLAS CHILDREN'S THEATER Pelan, Elizabeth Rivera, Eileen Rosenblum, Ph.D., SEPT. 19-ocT. 26 Lilly's Purple Plastic Purse EnikaSchulze, John & BonnieStrauss, Ann Stuart, Ph.D., Katherine Ward, Karen Washington DALLAS SUMMER MUSICALS HONORARY BOARD MEMBERS GaryW. Grubbs, Janet SEPT. 30 -OCT. 19 The Color Purple Spencer Shaw CORPORATE ADVISORY COUNCIL DALLAS THEATER CENTER TNS PARTNERS JimChambers THRU SEPT. 28 The Who's Tommy ALLIE BETH ALLMAN & ASSOCIATES OCT. 15-NOV. 9 The Good Negro Bill & MarsueWil liams GABLES RESIDENTIAL Cindy Davis EISEMANN CENTER FOR THE HEALTH SEARCH, LLC Dodie Butler PERFORMING ARTS QUICKSILVER INTERACTIVE GROUP, INC. A Class Act SEPT. 30-oCT.19 Girl's Night: The Musical Jeannine Lee THE FAIRMONT HOTEL Shannah Milstead From first act to finalbow, IRVING ARTS CENTER begin or end your evening ADMINISTRATION THRU SEPT. 14 West Side Story (OUIII C R£ltAYAh01S with the exceptional service and October 16- November 10, 2008 EXECUTIVE PRODUCER-DIRECTOR JacAlder 214.720.5249 cuisine at the legendary Pyramid COMPANY MANAGER Terry Dobson Grill. Extend your meal into a JUBILEE THEATRE FOR lll'[RNIGHT ASSISTANT PRODUCERCory Norman ACCOMMDOATIOIIS long weekend in any one of our I OCT.
    [Show full text]
  • Cellini's Nymph of Fontainebleau
    Identity Politics in Renaissance France: Cellini’s Nymph of Fontainebleau Katherine Marsengill In 1540, Benvenuto Cellini set out for Paris in order to secure mous publication of 1995, calls it Diana with a Stag.4 Oddly the royal patronage of Francis I. Unlike his previous trip of enough, although Cellini himself does not refer to the figure 1537, Cellini was successful in gaining the favor of the French in his relief as a nymph in either his Vita or his Treatises, king, and immediately received various commissions as a metal most scholars refer to her as a nymph, believing that to be the worker.1 Cellini, however, saw his sojourn in Paris as an op- proper, historical designation and a correction of the later portunity to make the jump from metal smith to sculptor. He misnomer “Diana.”5 It is my contention that these various maneuvered himself into the renovation project underway at transformations of the female figure’s identity reflect not mis- the Château of Fontainebleau, the favorite hunting lodge of information, but are the result of a deliberate ambiguity origi- Francis I, for which Cellini planned a monumental portal deco- nating in the French court. ration illustrating the legend of the château’s origins. The The bronze lunette, 409 centimeters in width and 205 bronze relief, The Nymph of Fontainebleau (Figure 1), a lu- centimeters high, is the only sculpture executed by Cellini on nette produced for the Porte Dorée, is Cellini’s crowning this scale during his stay in Paris. It was cast in pieces, as- achievement in monumental sculpture from the five years he sembled, and chased during the first four months of 1543.6 spent in Paris.
    [Show full text]
  • Directed by Timothy Near Cast John Patrick Shanley
    CENTER REPERTORY COMPANY OF WALNUT CREEK Michael Butler, Artistic Director Scott Denison, Managing Director presents A Parable By John Patrick Shanley Cast BW Gonzalez Lorri Holt Laura Morache Kevin Rolston Scenic Designer Lighting Designer Costume Designer Eric Sinkkonen Kurt Landisman Elizabeth Poindexter Sound Designer Casting Director Dialect Coach Will McCandless Greg Hubbard Lisa Anne Porter Stage Manager Peter Royston Directed by Timothy Near October 24 - November 22, 2008 Lesher Center for the Arts Margaret Lesher Theatre Originally produced by the Manhattan Theatre Club on November 23, 2004 Originally produced on Broadway by Carole Shorenstein Hays, MTC Productions, Roger Berlind and Scott Rudin on March 31, 2005 DOUBT, A PARABLE by John Patrick Shanley is presented by arrangement with Dramatists Play Service, Inc., in New York Season Sponsor Season Partner Season Media Sponsor The Actors and Stage Manager employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States The Scenic Designer and Lighting Designer are members of United Scenic Artists Union The Director in this production is a member of the Society of Stage Directors and Choreographers CAST (in order of appearance) Festival), Sophia in Fools (Rubicon Theatre Company, and appeared as a regular guest on Sesame Street for Ventura, CA), Lady Macduff in Macbeth (Hazlett several years. She is a graduate of San Francisco State Kevin Rolston .............................Father Brendan Flynn Theatre, Pittsburgh, PA) and Gabriella in Pentecost University and the UK’s London Academy of Music and Lorri Holt ............................... Sister Aloysius Beauvier (Carnegie Mellon University). Laura received her BFA Dramatic Art.
    [Show full text]
  • Reviving the Music of Berlioz's Benvenuto Cellini Through A
    James Madison University JMU Scholarly Commons Dissertations The Graduate School Spring 2017 A musical crusade: Reviving the music of Berlioz’s Benvenuto Cellini through a comparative statistical, pedagogical, and theoretical analysis Jessica R. Spafford James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss201019 Part of the Composition Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, and the Music Practice Commons Recommended Citation Spafford, Jessica R., "A musical crusade: Reviving the music of Berlioz’s Benvenuto Cellini through a comparative statistical, pedagogical, and theoretical analysis" (2017). Dissertations. 143. https://commons.lib.jmu.edu/diss201019/143 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. A Musical Crusade: Reviving the Music of Berlioz’s Benvenuto Cellini Through a Comparative Statistical, Pedagogical, and Theoretical Analysis Jessica Rose Spafford A Doctor of Musical Arts document submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Doctor of Musical Arts School of Music May 2017 ________________________________________________________________________ FACULTY COMMITTEE: Committee Chair: Dorothy Maddison, D.M.A. Committee Members/Readers: Don Rierson, Ph.D. Mary Jean Speare, Ph.D. Acknowledgements I am deeply grateful to the numerous friends and colleagues that have given me support during the development of this research, but I must first express my sincerest thanks to my doctoral committee: Dr. Speare, you were the first to ignite my love and fascination with Berlioz and to introduce me to Benvenuto Cellini.
    [Show full text]