History of Typography and Book Design (Various Years; Paul Soady) Clark Library UCLA

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History of Typography and Book Design (various years; Paul Soady) Clark Library UCLA A Noble Fragment, Being a Leaf of the Gutenberg Bible (1450-1455) .New York: Gabriel Wells, 1921. *ff Incunab. Chaucer, The Canterbury Tales [Friar’s Tale leaf]. William Caxton, 1477. *Incunab. Macrobius. De somniuo Scipionis [and] De Saturnalibus. Venice: Nicolai Jenson Gallicci, 1472. *f Incunab. Juvenal, Persius, Iuuenalis; Persius. Venice: Aldus Manutius, 1501 [i.e., 1515]. *PA 2123 .M29 1575 Virgil, Publii Virgilii Maronis Bucolica: Georgica: et Aeneis .Birmingham: John Baskerville, 1757. f PA6801 .A2 1757 * The English Bible: containing the Old Testament & the New .Hammersmith: The Doves Press, 1903-1905), 5 vols. Press Coll. Doves Folio Hartmann Schedel, Liber chronicarum. Nuremberg: Anton Koberger, 1493. *ff Incunab. Camillo Agrippa, Trattato di scientia d’arme. Rome, 1568. *U 860 .A27 1568 Robert Hooke, Micrographia: or, Some physiological descriptions of minute bodies made by magnifying glasses .London: Printed by J. Martyn and J. Allestry, 1665. f QH271 .H78 * Thomas Bewick, A general history of quadrupeds. The figures engraved on wood by T. Bewick . Newcastle upon Tyne: S. Hodgson, R. Beilby, & T. Bewick; [etc., etc.], 1790. Press coll. Gill Lib. Geoffrey Chaucer, The Works of Geoffrey Chaucer (Hammersmith, England: Kelmscott Press, 1896) Press coll. folio Kelmscott Annex Eric Gill, [A collection of wood engraving proofs and prints for The Canterbury Tales]. 1928, 4 vols CEG1886 François-Louis Schmied, Le Paradis Musulman (Paris: F. L. Schmied peintre. graveur. imprimeur, [1930]) Press coll. Ritchie Lib. Schmied F009 Peter Koch, Liber Ignis / [by] Peter Rutledge Koch; Adam Cornford; Jonathan Gerken. Berkeley: Editions Koch, 2015. Press coll. Koch FF003 Debra Magpie Earling, The Lost Journals of Sacajewea. Berkeley: Editions Koch, 2010. Press coll. folio Koch Robinson Jeffers, Granite & Cypress .Santa Cruz, California: Lime Kiln Press, 1975. Press coll. folio Everson, 67 Bonnie Thompson Norman, A Mealtime Blessing. Seattle, Washington: Windowpane Press, 1995. Press coll. Windowpane Grunbein,̈ Durs, 26° 57.3' N, 142° 16.8' E / Durs Grunbein̈ = Durū sū ̄ Guryū bain̄ ; [Ubersetzẗ ins Japanische von Yuji Nawata]. Tokyo: V. Schapers,̈ 2007. Press coll. Schapers FF003 I, Robot: Three Laws of Robotics. Loket, Czech Republic: Jan and Jarmila Sobota, 2007. Press coll. Sobota .

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Caxton in the British Library
CAXTON IN THE BRITISH LIBRARY HOWARD M.NIXON IN 1877 the four hundredth anniversary ofthe establishment ofthe first printing press in England was celebrated with, among other things, a staggering exhibition in the National Art Library, South Kensington (now the Library ofthe Victoria and Albert Museum). Inspired by William Blades, a practical printer, whose biography of Caxton was a land- mark in English bibliographical studies/ it was organized by an unwieldy series of com- mittees, but Blades's section on Caxton's printing was of the highest importance. The exhibition aimed at comprehending every activity of the printing industry and the massive catalogue^ records 4734 items. In addition to Caxton and early printing in England and Scotland, there were sections dealing with the development of printing in foreign countries, 'specimens notable for rarity or for beauty and excellence of typo- graphy', examples of modern commercial printing and music, illustration, portraits of distinguished authors as well as members of the book-trade, books relating to printing, 'curiosities and miscellanies', type, type-founding and type specimen books, stereotyping and electrotyping, copperplate printing, lithography and photography, paper and paper- making. The inaugural meeting ofthe Caxton Celebration committee only took place on 17 February 1877. It is not altogether surprising therefore that when the vast exhibition was opened by Mr. Gladstone on 30 June it was far from ready, and when it closed nine weeks later, after attracting nearly 25,000 visitors, it was felt that it should have been kept open at least until all the exhibits had been labelled. Since 1877, the discovery of various entries concerning Caxton among the muniments of Westminster Abbey by E.
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Engraving of a Rhinoceros, Originally Produced in 1515
Bestiaries St John’s holds two of the ca. 90 surviving manuscript bestiaries in Latin. Both are displayed here. These volumes were often, although not always, highly illustrated listings of beasts, birds, and sometimes rocks, combining folklore, classical learning and Christian allegory. The text was extracted from any one of several compendia of animal lore cited by classical authors, the oldest being the anonymous Physiologus of the 2nd century AD, but both examples from St John’s belong to a group which draw on the book 12 of a major early medieval encyclopaedic work, Isidore of Seville’s Etymologiae, dating to the 630s. The production of bestiaries didn’t really get under way until the 10th century, but continued throughout the high Middle Ages. Although the lore bestiaries drew on was often popular, and sometimes widely believed, these were not primarily zoological statements, rather works of Christian spiritual allegory, in which narrative and symbolism played a major part. Thus the pelican is shown tearing at its breast in order to feed its young, in a parallel with the suffering and redemptive nature of Christ. The high status of the manuscripts, demonstrated by their lavish illuminations, also militates against the notion that lay people had easy access to them, and hence that they were manuals of scientific or practical knowledge. Instead they tended to be owned by religious houses, as both the manuscripts displayed here were, and furnished material and inspiration for sermons and religious life. The Lion 13th c. Bestiary from York Uniformly placed at the beginning of the listing, owing to its status as the “King of Beasts”, the Lion appears here in a lavish 13th century manuscript formerly owned by the Priory of Holy Trinity, York.
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The Hadlow Village Amble
Introduction This leaflet offers a brief amble around Hadlow Square (the village centre) and its immediate environs using only paved paths and taking about an hour (or a little more if the northern extension is taken.) It is level and ungated, so suitable for those with mild mobility difficulties, and wearing ordinary casual clothing. For those with mobility difficulties wanting a more rural amble, see the separate leaflet for the Hadlow Access Trail (an access key is obtainable from the Parish Council Office). The tour, illustrated on the reverse of the leaflet, with numerals correlating A circular tour through Hadlow Village and to the navigational directions and historical narrative (which continue overleaf) assumes a start and finish at St Mary’s Church, but it is a circular immediate environs - with historical notes route enabling you to join and leave at any point. Links to other walks of interest (such as the longer ‘Hadlow Parish Ramble’, and ‘The Hadlow Hop Tour’ (which includes information about the hop-pickers tragedy of 1853) are The Hadlow also mentioned in the text. As alternatives to arriving in Hadlow by car, the village can be reached easily by bus from Maidstone, Kings Hill or Tonbridge using the 7,77 and 147 services along the main A26 road. Cycle stands (combined with Village planters) are also located in and around the Square, and provided by Hadlow Low Carbon Community. To reach the starting point (St Mary’s Church, Point 1 on the map), walk to the far end of Church Lane (off the south east corner of The Square between La Amble Portuguesa Restaurant and the Bakery).
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Printed from the Time of Gutenberg’S Were Both Scribes and Illuminators Who Established Invention1
GD 135 HISTORY OF GRAPHIC DESIGN Chapter 6: �� TERMS: PEOPLE AND PLACES: • Incunabula (pg. 85) • Nuremberg, Germany (pg. 89) • Broadsides, broadsheets (pgs. • Martin Luther (pgs. 94-97) 85, 87) • Erhard Reuwich (pg. 89) • Exemplars (pg. 87) • Günther & Johann Zainer (pgs. • Aesop’s Vita et fabulae (pgs. 87, 87-88) 88) • Anton Koberger (pgs. 90-93) • Peregrinationes in Montem Syon • Albrecht Dürer (pgs. 93-95) (pgs. 88, 89) • William Caxton (pgs.97-100) • Nuremberg Chronicle (pgs. 90- • Arnao Guillen de Brocar (pg. 101) 93) • Dürer’s The Apocalypse (pgs. 92, 93) • Teuerdank (pgs. 94, 95) • Polyglot Bible (pgs. 100-101) From a page in Aesop’s Vita et fabulae, 1476. �� Chapter 6 Study Questions Historians used the term “incunabula” to describe The German brothers Günther and Johann Zainer early books printed from the time of Gutenberg’s were both scribes and illuminators who established invention1. to the end of the 15th century� What does the printing5. businesses that popularized illustrated books� They word “incunabula” mean? expanded beyond topics of religion and theology to include popular literature and folktales such as ________________� A� cradle, or baby linen C� incurable insomniac A� Historia Griseldis and Aesop’s Life and Tales� B� a new era D� a revolution B� The Papyrus of Ani and the Book of the Dead. By 1500, printing was produced in more than 140 C� The Gutenberg Bible and the Psalter in Latin� towns, replacing many of the scriptori which made manuscripts2. � Which of the following is NOT a result of this D� The Qur’an and the Diamond Sutra� new mechanized craft? Erhard Reuwich was the first _________________ to A� Books became less C� Illiteracy increased due be identified as such for his work in Peregrinationes in costly to make� to lack of books� Montem6.
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FINDING AID to the RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20Th Century
FINDING AID TO THE RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20th Century Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2013 Purdue University Libraries. All rights reserved. Processed by: Kristin Leaman, August 27, 2013 Descriptive Summary Title Rare Book Leaves collection Collection Identifier MSP 137 Date Span 1440 – late 19th/early 20th Century Abstract The Rare Book Leaves collection contains leaves from Buddhist scriptures, Golden Legend, Sidonia the Sorceress, Nuremberg Chronicle, Codex de Tortis, and an illustrated version of Wordsworth’s poem Daffodils. The collection demonstrates a variety of printing styles and paper. This particular collection is an excellent teaching tool for many classes in the humanities. Extent 0.5 cubic feet (1 flat box) Finding Aid Author Kristin Leaman, 2013 Languages English, Latin, Chinese Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition It is very possible Eleanore Cammack ordered these Information: rare book leaves from Dawson’s Book Shop. Cammack served as a librarian in the Purdue Libraries. She was originally hired as an order assistant in 1929. By 1955, she had become the head of the library's Order Department with a rank of assistant professor. Accession Number: 20100114 Preferred Citation: MSP 137, Rare Book Leaves collection, Archives and Special Collections, Purdue University Libraries Copyright Notice: Purdue Libraries 7/7/2014 2 Related Materials MSP 136, Medieval Manuscript Leaves collection Information: Collection of Tycho Brahe engravings Collection of British Indentures Palm Leaf Book Original Leaves from Famous Books Eight Centuries 1240 A.D.-1923 A.D.
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Experimental Pharmacology and Therapeutic Innovation in the Eighteenth Century
-e: EXPERIMENTAL PHARMACOLOGY AND THERAPEUTIC INNOVATION IN THE EIGHTEENTH CENTURY by ANDREAS-HOLGER MAEHLE A thesis submitted for the degree of Doctor of Philosophy of the University of London University College London 1996 ProQuest Number: 10017185 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10017185 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ABSTRACT In the historiography of pharmacology and therapeutics, the 18th century is regarded as a period of transition from traditional, Galenistic materia medica to the beginnings of modern, experimental drug research. Ackerknecht (1973) characterized the pharmacotherapy of this period as a "chaotic mixture of chemiatric and Galenistic practices", yet acknowledged an "increasing tendency toward empiricism, partly even true experimentalism". This thesis explores this transitional phase for the first time in depth, examining the relations between pharmacological experimentation, theory-building, and therapeutic practice. Furthermore, ethical aspects are highlighted. The general introduction discusses the secondary literature and presents the results of a systematic study of pharmacological articles in relevant 18th-century periodicals. The identified main areas of contemporary interest, the spectrum of methods applied, and the composition of the authorship are described and interpreted.
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Select Bibliography
SELECT BIbLIOGRAPHY Aesop. Aesop’s Fables. With instructive morals and refections, abstracted from all party considerations, adapted to all capacities; and design’d to promote religion, morality, and universal benevolence (London: J. F. and C. Rivington, T. Longman, B. Law, W. Nicol, G. G. J. and J. Robinson, T. Cadell, R. Balwin, S. Hayes, W. Goldsmith, W. Lowndes, and Power and Co., ?1775). Aesop. Bewick’s Select Fables, In Three Parts (Newcastle: Thomas Saint, 1784). Aesop. Old Friends in a New Dress; or, Select Fables of Aesop, in verse (London: Darton & Harvey, 1809). Aikin, John, and Anna Laetitia Barbauld. Evenings at Home; or, the Juvenile Budget Opened. Consisting of a Variety of Miscellaneous Pieces, for the Instruction and Amusement of Young Persons (London: J. Johnson, 1792). Alberti, Samuel J. M. M. ‘The Museum Affect: Visiting Collections of Anatomy and Natural History’, in Aileen Fyfe and Bernard Lightman (eds), Science in the Marketplace: Nineteenth-Century Sites and Experiences (Chicago and London: The University of Chicago Press, 2007), pp. 371–403. Allen, David Elliston. The Naturalist in Britain: A Social History (Princeton: Princeton University Press, [1976] 1994). Allman, George James. ‘Critical Notes on the New Zealand Hydroida’, Proceedings of the New Zealand Institute, 8 (1875): 298–302. Allman, George James. ‘Description of Australian, Cape and other Hydroida, mostly new, from the collection of Miss H. Gatty’, Journal of the Linnean Society, 19 (1885): 132–61. © The Author(s), under exclusive license to Springer Nature 277 Switzerland AG 2021 L. Talairach, Animals, Museum Culture and Children’s Literature in Nineteenth-Century Britain, Palgrave Studies in Animals and Literature, https://doi.org/10.1007/978-3-030-72527-3 278 SELECT BIBLIOGRAPHY Allman, George James.
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William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library
Syracuse University SURFACE The Courier Libraries Fall 1987 William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library Eileen Snyder Follow this and additional works at: https://surface.syr.edu/libassoc Part of the History of Science, Technology, and Medicine Commons Recommended Citation Snyder, Eileen. "William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library." The Courier 22.2 (1987): 67-94. This Article is brought to you for free and open access by the Libraries at SURFACE. It has been accepted for inclusion in The Courier by an authorized administrator of SURFACE. For more information, please contact [email protected]. SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXII, NUMBER 2, FALL 1987 SYRACUSE UNIVERSITY LIBRARY ASSOCIATES COURIER VOLUME XXII NUMBER TWO FALL 1987 Benjamin Spock and the Spock Papers at Syracuse University By Robert S. Pickett, Professor of Child and 3 Family Studies, Syracuse University Alistair Cooke: A Response to Granville Hicks' I Like America By Kathleen Manwaring, Syracuse University Library 23 "A Citizen of No Mean City": Jermain W. Loguen and the Antislavery Reputation of Syracuse By Milton C. Sernett, Associate Professor 33 of Afro,American Studies, Syracuse University Jan Maria Novotny and His Collection of Books on Economics By Michael Markowski, Syracuse University 57 William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library By Eileen Snyder, Physics and Geology Librarian, 67 Syracuse University News of the Syracuse University Library and the Library Associates 95 William Martin Smallwood and the Smallwood Collection in Natural History at the Syracuse University Library BY EILEEN SNYDER When, shortly after World War II, it was decided that Syracuse University should add to its science curriculum a course on the his~ tory of science, Professor William Park Hotchkiss became the pro~ gram's most effective advocate.
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Catalogue 294 Recent Acquisitions CATALOGUE 294 Catalogue 294
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Two Missals Printed for Wynkyn De Worde
TWO MISSALS PRINTED FOR WYNKYN DE WORDE GEORGE D. PAINTER, DENNIS E. RHODES, AND HOWARD M. NIXON The British Library has recently acquired two important and exceedingly rare editions of the Sarum Missal. These mere produced in Paris m I4gj and i^ii for Wynkyn de Worde and others., and are fully described in the second and third sections of this article. The first section gives a brief general account of the printing of the Sarum Missal for the English market during the fifteenth and sixteenth centuries. I THE English printers of the fifteenth century seemed curiously reluctant to print the major service-books of their own national liturgy, the rite of Sarum. This apparent disinclination cannot be explained by any lack of a market for such works. The Sarum Missal, above all, was certainly in greater demand than any other single book in pre- Reformation England, for every mass-saying priest and every church or chapel in the land was obliged to own or share a copy for daily use. Yet it is a striking fact that of the twelve known editions of the Sarum Missal during the incunable period all but two were printed abroad, in Paris, Basle, Venice, or Rouen, and imported to England. The cause of this paradoxical abstention was no doubt the inability of English printers to rise to the required magnificence of type-founts and woodcut decoration, and to meet the exceptional technical demands of high-quality red-printing, music printing, and beauty of setting, which were necessary for the chief service-book of the Roman Church in England.
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http://www.uh.edu WILLIAM CAXTON by John H. Lienhard Click here for audio of Episode 785. Today, an intellectual combines mind and machine. The University of Houston's College of Engineering presents this series about the machines that make our civilization run, and the people whose ingenuity created them. In 1474 William Caxton finished volume three of his translation of the histories of Troy. In those days, writers finished their manuscripts off with personal notes, called explicits. Caxton's explicit said, "My pen is worn, mine hand heavy, mine eye even dimmed." That much was a typical scribe's complaint. But this explicit was a turning point. You see, Caxton had done something about his tired hand. He went on to say, ... because I have promised [this book] to divers gentlemen ... therefore I have practiced and learned ... to ordain this ... book in print ... it is not written in pen and ink as other books are. Caxton was English. He'd come to Bruges in 1442 as apprentice to a merchant -- the same year Gutenberg printed the oldest book we know about. Bruges was part of the Duchy of Burgundy -- a great European cultural center. Caxton did well there. By the time Gutenberg printed his great Bible, Caxton was wealthy. He'd also begun collecting hand-written books. That love of books led him into a new occupation. At 47, he entered the service of Margaret, Duchess of Burgundy. Margaret was a noted scholar -- an arbiter of good taste in literature. Caxton was intimidated by her scholarship, but he was also enamored of it.
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The Caxton Master's Portrait of Ovid and Its Literary Background
Античность на ребрах европейского Средневековья 433 УДК 7.034(410) ББК 85.03 DOI:10.18688/aa155-4-47 Bernhard Hollick The Poet as a Saint: The Caxton Master’s Portrait of Ovid and Its Literary Background The degree to which Ovid’s Metamorphoses have inspired literature and art from antiquity to today can hardly be overestimated [cfr. 27]. However, not only the mythical narratives awoke the imagination of the artists. The poet himself was depicted in countless portraits and sculptures. They are concerned with more than with Ovid as a person alone. In a condensed way they comment on how his poetry was understood in the course of the centuries. A remarkable example can be found in William Caxton’s Middle English translation of the Ovide moralisé en prose (OMP). The text survived only in two manuscript volumes: Cam- bridge, Magdalene College, Old Library, F.4.34 (book I–IX) and Pepys Library, 2124 (X–XV). They were written by a professional scribe c. 14801. At the beginning of each of the 15 books of the OMP there are spaces for illuminations, of which only four were realized: a portrait of Ovid as a frontispiece on f. 16r [Ill. 74], Phaethon’s Fall on f. 39v, Cadmus on f. 71v, and the death of Pyramus on f. 98v.2 The artist who made the first three of them became known as the “Caxton Master”; he is considered to be one of the most talented English book painters of his time, as evidence from other manuscripts supports [36, pp. 1–2].
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