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Caxton in the British Library
CAXTON IN THE BRITISH LIBRARY HOWARD M.NIXON IN 1877 the four hundredth anniversary ofthe establishment ofthe first printing press in England was celebrated with, among other things, a staggering exhibition in the National Art Library, South Kensington (now the Library ofthe Victoria and Albert Museum). Inspired by William Blades, a practical printer, whose biography of Caxton was a land- mark in English bibliographical studies/ it was organized by an unwieldy series of com- mittees, but Blades's section on Caxton's printing was of the highest importance. The exhibition aimed at comprehending every activity of the printing industry and the massive catalogue^ records 4734 items. In addition to Caxton and early printing in England and Scotland, there were sections dealing with the development of printing in foreign countries, 'specimens notable for rarity or for beauty and excellence of typo- graphy', examples of modern commercial printing and music, illustration, portraits of distinguished authors as well as members of the book-trade, books relating to printing, 'curiosities and miscellanies', type, type-founding and type specimen books, stereotyping and electrotyping, copperplate printing, lithography and photography, paper and paper- making. The inaugural meeting ofthe Caxton Celebration committee only took place on 17 February 1877. It is not altogether surprising therefore that when the vast exhibition was opened by Mr. Gladstone on 30 June it was far from ready, and when it closed nine weeks later, after attracting nearly 25,000 visitors, it was felt that it should have been kept open at least until all the exhibits had been labelled. Since 1877, the discovery of various entries concerning Caxton among the muniments of Westminster Abbey by E. -
Britain's Tallest Folly up for Sale After Financial Failure of Building
Date: 20 May 2016 Eddisons Britain’s tallest folly up for sale after financial failure of building preservation trust Three historic listed British properties owned by the Vivat Trust, which went into liquidation in August 2015, including a Gothic tower, are to be sold. Property consultancy Eddisons is marketing the properties, some of which have been fully restored, creating modern living accommodation. They include the UK’s tallest folly, the 53m, Grade I listed Hadlow Tower near Tonbridge in Kent; as well as a 15th century timber framed gatehouse in North Yorkshire and a 14th century manor house near Hereford. The Vivat Trust, a registered charity and a national building preservation trust, was dedicated to rescuing neglected and dilapidated historic buildings throughout the UK and providing them with a viable new use, as holiday properties. The trust’s directors called in insolvency firm Begbies Traynor last summer however, when the charity was hit by financial difficulties. Now the properties owned by the trust have been put up for sale and Eddisons is inviting offers for the unique buildings, which have not been given a guide price. Abdul Jambo, associate director at Eddisons, explained: “The properties are of such a unique and historic nature that we have rarely, if ever, seen anything comparable come to the open market. “Because of this their values are likely to differ wildly depending on the potential buyers, whether they are a charity or a private enterprise. As such we will be leaving this to the market to decide and are looking to receive offers from anyone interested in owning an incredibly special piece of British history.” Appeal PR Ltd Tel: 01423 569 999 www.appealpr.com Further information on all the Vivat Trust properties is available at www.eddisons.com/property The historic properties up for sale are: Hadlow Tower, Tonbridge, Kent Hadlow Tower, built by Kent industrialist Walter Barton May, is a fully restored rare Grade I listed early 19th century Gothic tower which originally formed part of Hadlow Castle. -
Printed from the Time of Gutenberg’S Were Both Scribes and Illuminators Who Established Invention1
GD 135 HISTORY OF GRAPHIC DESIGN Chapter 6: ����������������������������������������������������� TERMS: PEOPLE AND PLACES: • Incunabula (pg. 85) • Nuremberg, Germany (pg. 89) • Broadsides, broadsheets (pgs. • Martin Luther (pgs. 94-97) 85, 87) • Erhard Reuwich (pg. 89) • Exemplars (pg. 87) • Günther & Johann Zainer (pgs. • Aesop’s Vita et fabulae (pgs. 87, 87-88) 88) • Anton Koberger (pgs. 90-93) • Peregrinationes in Montem Syon • Albrecht Dürer (pgs. 93-95) (pgs. 88, 89) • William Caxton (pgs.97-100) • Nuremberg Chronicle (pgs. 90- • Arnao Guillen de Brocar (pg. 101) 93) • Dürer’s The Apocalypse (pgs. 92, 93) • Teuerdank (pgs. 94, 95) • Polyglot Bible (pgs. 100-101) From a page in Aesop’s Vita et fabulae, 1476. ���������������������������������������������������������������������������������������������������������������������������������� Chapter 6 Study Questions Historians used the term “incunabula” to describe The German brothers Günther and Johann Zainer early books printed from the time of Gutenberg’s were both scribes and illuminators who established invention1. to the end of the 15th century� What does the printing5. businesses that popularized illustrated books� They word “incunabula” mean? expanded beyond topics of religion and theology to include popular literature and folktales such as ________________� A� cradle, or baby linen C� incurable insomniac A� Historia Griseldis and Aesop’s Life and Tales� B� a new era D� a revolution B� The Papyrus of Ani and the Book of the Dead. By 1500, printing was produced in more than 140 C� The Gutenberg Bible and the Psalter in Latin� towns, replacing many of the scriptori which made manuscripts2. � Which of the following is NOT a result of this D� The Qur’an and the Diamond Sutra� new mechanized craft? Erhard Reuwich was the first _________________ to A� Books became less C� Illiteracy increased due be identified as such for his work in Peregrinationes in costly to make� to lack of books� Montem6. -
FINDING AID to the RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20Th Century
FINDING AID TO THE RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20th Century Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2013 Purdue University Libraries. All rights reserved. Processed by: Kristin Leaman, August 27, 2013 Descriptive Summary Title Rare Book Leaves collection Collection Identifier MSP 137 Date Span 1440 – late 19th/early 20th Century Abstract The Rare Book Leaves collection contains leaves from Buddhist scriptures, Golden Legend, Sidonia the Sorceress, Nuremberg Chronicle, Codex de Tortis, and an illustrated version of Wordsworth’s poem Daffodils. The collection demonstrates a variety of printing styles and paper. This particular collection is an excellent teaching tool for many classes in the humanities. Extent 0.5 cubic feet (1 flat box) Finding Aid Author Kristin Leaman, 2013 Languages English, Latin, Chinese Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition It is very possible Eleanore Cammack ordered these Information: rare book leaves from Dawson’s Book Shop. Cammack served as a librarian in the Purdue Libraries. She was originally hired as an order assistant in 1929. By 1955, she had become the head of the library's Order Department with a rank of assistant professor. Accession Number: 20100114 Preferred Citation: MSP 137, Rare Book Leaves collection, Archives and Special Collections, Purdue University Libraries Copyright Notice: Purdue Libraries 7/7/2014 2 Related Materials MSP 136, Medieval Manuscript Leaves collection Information: Collection of Tycho Brahe engravings Collection of British Indentures Palm Leaf Book Original Leaves from Famous Books Eight Centuries 1240 A.D.-1923 A.D. -
Two Missals Printed for Wynkyn De Worde
TWO MISSALS PRINTED FOR WYNKYN DE WORDE GEORGE D. PAINTER, DENNIS E. RHODES, AND HOWARD M. NIXON The British Library has recently acquired two important and exceedingly rare editions of the Sarum Missal. These mere produced in Paris m I4gj and i^ii for Wynkyn de Worde and others., and are fully described in the second and third sections of this article. The first section gives a brief general account of the printing of the Sarum Missal for the English market during the fifteenth and sixteenth centuries. I THE English printers of the fifteenth century seemed curiously reluctant to print the major service-books of their own national liturgy, the rite of Sarum. This apparent disinclination cannot be explained by any lack of a market for such works. The Sarum Missal, above all, was certainly in greater demand than any other single book in pre- Reformation England, for every mass-saying priest and every church or chapel in the land was obliged to own or share a copy for daily use. Yet it is a striking fact that of the twelve known editions of the Sarum Missal during the incunable period all but two were printed abroad, in Paris, Basle, Venice, or Rouen, and imported to England. The cause of this paradoxical abstention was no doubt the inability of English printers to rise to the required magnificence of type-founts and woodcut decoration, and to meet the exceptional technical demands of high-quality red-printing, music printing, and beauty of setting, which were necessary for the chief service-book of the Roman Church in England. -
William Caxton
http://www.uh.edu WILLIAM CAXTON by John H. Lienhard Click here for audio of Episode 785. Today, an intellectual combines mind and machine. The University of Houston's College of Engineering presents this series about the machines that make our civilization run, and the people whose ingenuity created them. In 1474 William Caxton finished volume three of his translation of the histories of Troy. In those days, writers finished their manuscripts off with personal notes, called explicits. Caxton's explicit said, "My pen is worn, mine hand heavy, mine eye even dimmed." That much was a typical scribe's complaint. But this explicit was a turning point. You see, Caxton had done something about his tired hand. He went on to say, ... because I have promised [this book] to divers gentlemen ... therefore I have practiced and learned ... to ordain this ... book in print ... it is not written in pen and ink as other books are. Caxton was English. He'd come to Bruges in 1442 as apprentice to a merchant -- the same year Gutenberg printed the oldest book we know about. Bruges was part of the Duchy of Burgundy -- a great European cultural center. Caxton did well there. By the time Gutenberg printed his great Bible, Caxton was wealthy. He'd also begun collecting hand-written books. That love of books led him into a new occupation. At 47, he entered the service of Margaret, Duchess of Burgundy. Margaret was a noted scholar -- an arbiter of good taste in literature. Caxton was intimidated by her scholarship, but he was also enamored of it. -
The Caxton Master's Portrait of Ovid and Its Literary Background
Античность на ребрах европейского Средневековья 433 УДК 7.034(410) ББК 85.03 DOI:10.18688/aa155-4-47 Bernhard Hollick The Poet as a Saint: The Caxton Master’s Portrait of Ovid and Its Literary Background The degree to which Ovid’s Metamorphoses have inspired literature and art from antiquity to today can hardly be overestimated [cfr. 27]. However, not only the mythical narratives awoke the imagination of the artists. The poet himself was depicted in countless portraits and sculptures. They are concerned with more than with Ovid as a person alone. In a condensed way they comment on how his poetry was understood in the course of the centuries. A remarkable example can be found in William Caxton’s Middle English translation of the Ovide moralisé en prose (OMP). The text survived only in two manuscript volumes: Cam- bridge, Magdalene College, Old Library, F.4.34 (book I–IX) and Pepys Library, 2124 (X–XV). They were written by a professional scribe c. 14801. At the beginning of each of the 15 books of the OMP there are spaces for illuminations, of which only four were realized: a portrait of Ovid as a frontispiece on f. 16r [Ill. 74], Phaethon’s Fall on f. 39v, Cadmus on f. 71v, and the death of Pyramus on f. 98v.2 The artist who made the first three of them became known as the “Caxton Master”; he is considered to be one of the most talented English book painters of his time, as evidence from other manuscripts supports [36, pp. 1–2]. -
Reflections on William Caxton's 'Reynard the Fox' N.F
REFLECTIONS ON WILLIAM CAXTON'S 'REYNARD THE FOX' N.F. Blake-University of Sheffield Caxton's Reynard the Fox (RF) is a translation of might imply it was at her request or command that he the prose Die Hystorie van Reynaert die Vos printed went to Cologne to learn printing. However, there is by Gerard Leeu at Gouda in 1479. This prose version no evidence that merchants were employed in this is itself based on the earlier poetic Reinaert II from way by members of the nobility like Margaret, and as the fourteenth century. Caxton's version follows the there is evidence that Caxton was governor until at Dutch text fairly closely and narrates how Reynard is least 1470, there isllttle time for him to have been in summoned to Noble's court to answer charges Margaret's servicisince he had arrived in Cologne by brought against him and how he manages to outwit June 1471. In addition, the use of such words as 'ser his opponents; RF has consequently always appeared vant' to describe his relations with Margaret does not the odd man out among Caxton's printed books. It imply that he was in her service, for words like that does not fit in with the courtly and religious material were employed then·· as marks of deference-as was emanating from the press, because it is regarded as still true until recently, for example in letters which the only work which is comic and satirical; and it might end 'your obedient servant'. Even so the does not fit in with the translations from French for dedication of History of Troy to Margaret does in it is the only book translated from Dutch, and Dutch dicate that Caxton was aware of the presence of the was not such a courtly language as French. -
CAMDEN STREET NAMES and Their Origins
CAMDEN STREET NAMES and their origins © David A. Hayes and Camden History Society, 2020 Introduction Listed alphabetically are In 1853, in London as a whole, there were o all present-day street names in, or partly 25 Albert Streets, 25 Victoria, 37 King, 27 Queen, within, the London Borough of Camden 22 Princes, 17 Duke, 34 York and 23 Gloucester (created in 1965); Streets; not to mention the countless similarly named Places, Roads, Squares, Terraces, Lanes, o abolished names of streets, terraces, Walks, Courts, Alleys, Mews, Yards, Rents, Rows, alleyways, courts, yards and mews, which Gardens and Buildings. have existed since c.1800 in the former boroughs of Hampstead, Holborn and St Encouraged by the General Post Office, a street Pancras (formed in 1900) or the civil renaming scheme was started in 1857 by the parishes they replaced; newly-formed Metropolitan Board of Works o some named footpaths. (MBW), and administered by its ‘Street Nomenclature Office’. The project was continued Under each heading, extant street names are after 1889 under its successor body, the London itemised first, in bold face. These are followed, in County Council (LCC), with a final spate of name normal type, by names superseded through changes in 1936-39. renaming, and those of wholly vanished streets. Key to symbols used: The naming of streets → renamed as …, with the new name ← renamed from …, with the old Early street names would be chosen by the name and year of renaming if known developer or builder, or the owner of the land. Since the mid-19th century, names have required Many roads were initially lined by individually local-authority approval, initially from parish named Terraces, Rows or Places, with houses Vestries, and then from the Metropolitan Board of numbered within them. -
Durham Research Online
Durham Research Online Deposited in DRO: 12 July 2019 Version of attached le: Accepted Version Peer-review status of attached le: Peer-reviewed Citation for published item: Liddy, C.D. (2020) 'Family, lineage and dynasty in the late medieval city : re-thinking the English evidence.', Urban history., 47 (4). pp. 648-670. Further information on publisher's website: https://doi.org/10.1017/S0963926819000671 Publisher's copyright statement: This article has been published in a revised form in Urban History http://doi.org/10.1017/S0963926819000671. This version is published under a Creative Commons CC-BY-NC-ND. No commercial re-distribution or re-use allowed. Derivative works cannot be distributed. c Cambridge University Press. Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk 1 Family, lineage and dynasty in the late medieval city: Re-thinking the English evidence CHRISTIAN D. LIDDY1 Department of History, Durham University, 43 North Bailey, Durham DH1 3EX, UK One of the many books produced by William Caxton’s printing press was an English translation of a collection of Latin maxims. -
Finding Aid to the Grabhorn Letterpress Printing Ephemera Collection
Finding Aid to the Grabhorn Letterpress Printing Ephemera Collection Finding Aid by: Samantha Cairo-Toby Finding Aid date: November 2018 Book Arts & Special Collections San Francisco Public Library 100 Larkin Street San Francisco 94102 (415)557-4560 [email protected] Summary Information: Repository: Book Arts & Special Collections Creator: Grabhorn, Robert Title: Finding Aid for the Grabhorn Letterpress Printing Ephemera Colletion Finding Aid Filing Title: Grabhorn Letterpress Printing Ephemera Collection ID: BASC 1 Date [inclusive]: 950 CE-2018 (bulk 1890-2018) Physical Description: 230.4 linear feet (300 boxes) Physical Location: Collection is stored on site. Language of Material: Collection materials are primarily in English, but includes French, German, Dutch, Italian, Latin, Welsh, Russian, Greek, Spanish, and Chinese. Abstract: The collection contains ephemeral materials printed with metal or wood type using a letterpress. Ephemeral materials include: prospectuses, notices, fliers, postcards, broadsides, bookmarks, chapbooks, pamphlets and small books/accordion fold books. The collection dates range from 950 CE (China) to present, with the bulk of the collection ranging from 1890 CE to present. Additions to the Collection are ongoing. The earliest printed materials in the collection come from China and Europe, but the bulk of the collection is from California and the United States of America printed in the 20th century. Preferred Citation: [Identification of item/Title of folder], Grabhorn Letterpress Printing Ephemera Collection (BASC 1), Book Arts & Special Collections, San Francisco Public Library. Custodial History: Ephemera has been part of Book Arts & Special Collections since 1925 when William Randolph Young, a library trustee, was instrumental in establishing the Max Kuhl Collection of rare books and manuscripts, after the destruction of the Library’s collection in the 1906 earthquake and fire. -
School Lane Hadlow - £300,000
SCHOOL LANE HADLOW - £300,000 School Lane Hadlow, Tonbridge, Kent, TN11 0EH Sitting Room - Kitchen/Breakfast Room - First Floor Landing - Two Bedrooms - Bathroom - Second Floor Bedroom - South Facing Courtyard Garden BEST OF BOTH WORLDS...a stylish period cottage artfully hidden away in a picturesque mews in the heart of a thriving village yet commutable from nearby Tonbridge. A wonderful three bedroom home with many period features including fireplaces and stripped wood doors and floors. Enjoy village life, explore the surrounding footpaths, walks and countryside trails, appreciate the convenience of being on the outskirts of the Kentish market town of Tonbridge. SITTING ROOM: Double glazed window, radiator, brick built feature fireplace. Currently in use as a dining room. KITCHEN/BREAKFAST ROOM: Double glazed window, radiator, tiled floor, part tiled walls, two understairs cupboards. Underlit range of eye and base level units in a 'Shaker' - style. Single drainer stainless steel sink unit with mixer tap, built-in oven and hob with extractor over, integrated fridge/freezer, washing machine and dishwasher. Space for breakfasting table if so desired. FIRST FLOOR LANDING: BEDROOM: Double glazed window, radiator. Currently in use as sitting room. BATHROOM: Obscure double glazed window, radiator, part wood panel, part tiled walls. Low level wc, pedestal wash hand basin, panel enclosed bath with mixer tap and shower over, airing cupboard. BEDROOM: Double glazed window, radiator, feature fireplace. SECOND FLOOR: BEDROOM: Double glazed window, radiator, eaves cupboards, built-in wardrobe. OUTSIDE: Gated side access to Italian style courtyard garden, south facing with flowers, shrubs, trees and wooden shed. SITUATION: Hadlow is a thriving village located on the A26 road between the busy market town of Tonbridge and the county town of Maidstone, with regular bus services to both.