Finding Aid to the Grabhorn Letterpress Printing Ephemera Collection
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
NEWSLETTER 43 Antikvariat Morris · Badhusgatan 16 · 151 73 Södertälje · Sweden [email protected] |
NEWSLETTER 43 antikvariat morris · badhusgatan 16 · 151 73 södertälje · sweden [email protected] | http://www.antikvariatmorris.se/ [dwiggins & goudy] browning, robert: In a Balcony The Blue Sky Press, Chicago. 1902. 72 pages. 8vo. Cloth spine with paper label, title lettered gilt on front board, top edge trimmed others uncut. spine and boards worn. Some upper case letters on title page plus first initial hand coloured. Introduction by Laura Mc Adoo Triggs. Book designs by F. W. Goudy & W. A. Dwiggins. Printed in red & black by by A.G. Langworthy on Van Gelder paper in a limited edition. This is Nr. 166 of 400 copies. Initialazed by Langworthy. One of Dwiggins first book designs together with his teacher Goudy. “Will contributed endpapers and other decorations to In a Balcony , but the title page spread is pure Goudy.” Bruce Kennett p. 20 & 28–29. (Not in Agner, Ransom 19). SEK500 / €49 / £43 / $57 [dwiggins] wells, h. g.: The Time Machine. An invention Random House, New York. 1931. x, 86 pages. 8vo. Illustrated paper boards, black cloth spine stamped in gold. Corners with light wear, book plate inside front cover (Tage la Cour). Text printed in red and black. Set in Monotype Fournier and printed on Hamilton An - dorra paper. Stencil style colour illustrations. Typography, illustra - tions and binding by William Addison Dwiggins. (Agner 31.07, Bruce Kennett pp. 229–31). SEK500 / €49 / £43 / $57 [bodoni] guarini, giovan battista: Pastor Fido Impresso co’ Tipi Bodoniani, Crisopoli [Parma], 1793. (4, first 2 blank), (1)–345, (3 blank) pages. Tall 4to (31 x 22 cm). -
VISIBLE LANGUAGE Volume VI, Number I , Winter 1972
VISIBLE LANGUAGE Volume VI, Number I , Winter 1972 s-I 8 The Origin of the Sexagesimal System: the Interaction or Language and Writing Marvin A Powell, Jr. r g- 44 The Development of Visual Poetry in France David W. Seaman 45- 58 The Development ofWord Perception and Problem Solving Strategies Lita Furby 5g- 78 The Work of Bruce Rogers J ames Wells 79- 80 A Select Bibliography on Script and Language J ohn Lotz 8 I - 8g Homage to Alberto Tallone, I 8g8-I g68 J ack W. Stauffacher go- g I Correspondence g2- 95 Abstracts ofJ ournal Articles in French, German, and Spanish g6 The Authors COVER : Among the major autographed manuscripts now on exhibit at T he Pierpont Morgan Library, New York, is this proof corrected by Honore de Balzac. It is one of 41 pages of corrected proof and rrr pages of manuscript for Balzac's Eugenie Grandet in the Morgan Library collection. Photograph courtesy of The Pierpont Morgan Library. Visible Language, Volume VI, Number I, Winter I972. Published quarterly (Winter, Spring, Summer, and Autumn) by Visible Language, cfo The Cleveland Museum ofArt , Cleveland, Ohio, USA 44106. Copyright © Ig72 by Visible Language. Dr. Merald E. Wrolstad, Editor and Publisher cfo The Cleveland Museum of Art, Cleveland, Ohio, USA 441 o6. ADVISORY BOARD Dr. Roland Barthes, Ecole Pratique des Hautes Etudes, Paris Fernand Baudin, Bonlez par Grez-Doiceau, Belgium Pieter Brattinga, Form Mediation International, Amsterdam Rev. Edward M. Catich, Saint Ambrose College J ohn L. Debes m, Director, Center for Visual Literacy, Rochester, N.Y. Engene Ettenberg, Columbia University Ephraim Gleichenhaus, ICTA Representative, New York Dr. -
Kemble Z3 Ephemera Collection
http://oac.cdlib.org/findaid/ark:/13030/c818377r No online items Kemble Ephemera Collection Z3 Finding aid prepared by Jaime Henderson California Historical Society 678 Mission Street San Francisco, CA, 94105-4014 (415) 357-1848 [email protected] 2013 Kemble Ephemera Collection Z3 Kemble Z3 1 Title: Kemble Z3 Ephemera Collection Date (inclusive): 1802-2013 Date (bulk): 1900-1970 Collection Identifier: Kemble Z3 Extent: 185 boxes, 19 oversize boxes, 4 oversize folder (137 linear feet) Repository: California Historical Society 678 Mission Street San Francisco, CA 94105 415-357-1848 [email protected] URL: http://www.californiahistoricalsociety.org Location of Materials: Collection is stored onsite. Language of Materials: Collection materials are primarily in English. Abstract: The collection comprises a wide variety of ephemera pertaining to printing practice, culture, and history in the Western Hemisphere. Dating from 1802 to 2013, the collection includes ephemera created by or relating to booksellers, printers, lithographers, stationers, engravers, publishers, type designers, book designers, bookbinders, artists, illustrators, typographers, librarians, newspaper editors, and book collectors; bookselling and bookstores, including new, used, rare and antiquarian books; printing, printing presses, printing history, and printing equipment and supplies; lithography; type and type-founding; bookbinding; newspaper publishing; and graphic design. Types of ephemera include advertisements, announcements, annual reports, brochures, clippings, invitations, trade catalogs, newspapers, programs, promotional materials, prospectuses, broadsides, greeting cards, bookmarks, fliers, business cards, pamphlets, newsletters, price lists, bookplates, periodicals, posters, receipts, obituaries, direct mail advertising, book catalogs, and type specimens. Materials printed by members of Moxon Chappel, a San Francisco-area group of private press printers, are extensive. Access Collection is open for research. -
Antiquarian, Modern & Private Press Books
Blackwell rare books ANTIQUARIAN, MODERN & PRIVATE PRESS BOOKS CATALOGUE B 166 Blackwell Rare Books 48-51 Broad Street, Oxford, OX1 3BQ Direct Telephone: +44 (0) 1865 333555 Switchboard: +44 (0) 1865 792792 Email: [email protected] Fax: +44 (0) 1865 794143 www.blackwell.co.uk/ rarebooks Our premises are in the main Blackwell bookstore at 48-51 Broad Street, one of the largest and best known in the world, housing over 200,000 new book titles, covering every subject, discipline and interest, as well as a large secondhand books department. There is lift access to each floor. The bookstore is in the centre of the city, opposite the Bodleian Library and Sheldonian Theatre, and close to several of the colleges and other university buildings, with on street parking close by. Oxford is at the centre of an excellent road and rail network, close to the London - Birmingham (M40) motorway and is served by a frequent train service from London (Paddington). Hours: Monday–Saturday 9am to 6pm. (Tuesday 9:30am to 6pm.) Purchases: We are always keen to purchase books, whether single works or in quantity, and will be pleased to make arrangements to view them. Auction commissions: We attend a number of auction sales and will be happy to execute commissions on your behalf. Blackwell online bookshop www.blackwell.co.uk Our extensive online catalogue of new books caters for every speciality, with the latest releases and editor’s recommendations. We have something for everyone. Select from our subject areas, reviews, highlights, promotions and more. Orders and correspondence should in every case be sent to our Broad Street address (all books subject to prior sale). -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions, Manuscripts & Letters, Presentation & Association Copies, Art & Illustrated Works, Film-Related Material, Etcetera. Catalogue 349 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. -
Gazette of the Grolier Club
GAZETTE OF THE GROLIER CLUB Number 4—N ovember, 1922 CONTENTS Honorary Membership.—A Bequest to the Club.— The House.—The Blake Bibliography.—Publication Com- mittee Notes.—The Library.—Exhibitions.—Machiavelli on Books. —Adam von Bartsch. —Early Printed Books, Part 11. —A Bibliographical Study of Robert Browning’s'Paracelsus, Part I. Honorary Membership. -At the October meeting of the Council, Geoffrey Keynes, author of the “Bibliog- raphy of William Blake,” lately published by the Grolier Club, was elected an Honorary Foreign Cor- responding member of the Club. A Bequest to the Club. -One of the chief interests of the late Hamilton B. Tompkins was the collection of prints suitable for extra-illustrating “Franklin in France” by Edward E. Hale and Edward E. Hale, Jr. 74 In his will he bequeathed the work, which he had en- larged to six volumes, to the Club, together with a sum of money for binding it suitably. The books have recently arrived and, as soon as they have been bound, will be on exhibition in the Library. They will be greatly valued, not only as an important possession, but as a token of the donor’s regard and thought for the Club. Mr. Tompkins had been a member since 1887. The House. Beyond a rearrangement of the Books in the Library and Print Room, the replacing of the descriptive labels for the Club’s collection of Bindings and the usual cleaning, there have been other im- provements during the summer. The walls and ceil- ings of the Club Room have been thoroughly cleaned and the ceilings of the Hall and Librarian’s room have been recalcimined. -
R.B. Kitaj Papers, 1950-2007 (Bulk 1965-2006)
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf0wf No online items Finding Aid for the R.B. Kitaj papers, 1950-2007 (bulk 1965-2006) Processed by Tim Holland, 2006; Norma Williamson, 2011; machine-readable finding aid created by Caroline Cubé. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2011 The Regents of the University of California. All rights reserved. Finding Aid for the R.B. Kitaj 1741 1 papers, 1950-2007 (bulk 1965-2006) Descriptive Summary Title: R.B. Kitaj papers Date (inclusive): 1950-2007 (bulk 1965-2006) Collection number: 1741 Creator: Kitaj, R.B. Extent: 160 boxes (80 linear ft.)85 oversized boxes Abstract: R.B. Kitaj was an influential and controversial American artist who lived in London for much of his life. He is the creator of many major works including; The Ohio Gang (1964), The Autumn of Central Paris (after Walter Benjamin) 1972-3; If Not, Not (1975-76) and Cecil Court, London W.C.2. (The Refugees) (1983-4). Throughout his artistic career, Kitaj drew inspiration from history, literature and his personal life. His circle of friends included philosophers, writers, poets, filmmakers, and other artists, many of whom he painted. Kitaj also received a number of honorary doctorates and awards including the Golden Lion for Painting at the XLVI Venice Biennale (1995). He was inducted into the American Academy of Arts and Letters (1982) and the Royal Academy of Arts (1985). -
Gaelic Songs of Mary Macleod
Mot.a A^ M(iM£i^^ «''/. A\;-\- "niai^ GAELIC SONGS OF MARY MACLEOD BLACKIE & SON LIMITED so Old Bailey, London 17 Stanhope Street, GLASGOW BLACKIE & SON (INDIA) LIMITED Warwick House, Fort Street, Bombay BLACKIE & SON (CANADA) LIMITED Toronto GAELIC SONGS OF MARY MACLEOD Edited with Introduction, Translation, Notes, etc. BY J. CARMICHAEL WATSON BLACKIE & SON LIMITED LONDON AND GLASGOW 1934 f7 \ o, !SSl f' Printed in Great Britain by Blackie & Son, Ltd., Glasgow Orain agus Luinneagan Gàidhlig le Màiri nighean Alasdair Ruaidh Preface The scarcity of published Gaelic literature, which is one of the chief factors adversely affecting the spoken language, is strikingly illustrated by the fact that the present book is not only the first edition but even the first complete collection of the surviving songs of the poetess of Harris and Skye. She is probably the best of our minor Gaelic bards, and she has been dead for two centuries and a quarter; yet her songs have remained scattered in various scarce books, and only four of them have hitherto been edited. How much of her works is lost to us we can only guess; this book contains all that is known to survive. Circumstances have constrained me to try to meet three needs, the needs of the Gaelic reader, of the Eng- lish reader, and of the schools. In special regard to the first and last, it may be said that the text has been formed on principles stated elsewhere, that the spelling conforms to correct modern standards, and that the apostrophe has been kept strictly in control. -
Macdonald Bards from Mediaeval Times
O^ ^^l /^^ : MACDONALD BARDS MEDIEVAL TIMES. KEITH NORMAN MACDONALD, M.D. {REPRINTED FROM THE "OBAN TIMES."] EDINBURGH NORMAN MACLEOD, 25 GEORGE IV. BRIDGE. 1900. PRBPACB. \y^HILE my Papers on the " MacDonald Bards" were appearing in the "Oban Times," numerous correspondents expressed a wish to the author that they would be some day presented to the pubUc in book form. Feeling certain that many outside the great Clan Donald may take an interest in these biographical sketches, they are now collected and placed in a permanent form, suitable for reference ; and, brief as they are, they may be found of some service, containing as they do information not easily procurable elsewhere, especially to those who take a warm interest in the language and literature of the Highlands of Scotland. K. N. MACDONALD. 21 Clarendon Crescknt, EDINBURGH, October 2Uh, 1900. INDEX. Page. Alexander MacDonald, Bohuntin, ^ ... .. ... 13 Alexander MacAonghuis (son of Angus), ... ... ... 17 Alexander MacMhaighstir Alasdair, ... ... ... ... 25 Alexander MacDonald, Nova Scotia, ... .. .. ... 69 Alexander MacDonald, Ridge, Nova Scotia, ... ... .. 99 Alasdair Buidhe MacDonald, ... .. ... ... ... 102 Alice MacDonald (MacDonell), ... ... .. ... ... 82 Alister MacDonald, Inverness, ... ... .. ... ... 73 Alexander MacDonald, An Dall Mòr, ... ... ... .. 43 Allan MacDonald, Lochaber, ... ... ... ... .. 55 Allan MacDonald, Ridge, Nova Scotia, ... .... ... ... 101 Am Bard Mucanach (Tlie Muck Bard), ... ... .. ... 20 Am Bard CONANACH (The Strathconan Bard), .. ... ... 48 An Aigeannach, -
Catalogue 336 URSUS RARE BOOKS, LTD
Catalogue 336 URSUS RARE BOOKS, LTD. 50 East 78th Street, Suite 1C New York, New York 10075 Tel: (212) 772-8787 e-mail: [email protected] [email protected] Please visit our website at: www.ursusbooks.com Shop Hours: Monday - Saturday 11:00 - 5:00 All prices are net. Postage, packing and insurance are extra. Cover Image: No. 4 Blake Please inquire for further images and complete descriptions Catalogue 336 A Selection of Rare Books Ursus Rare Books New York City 1. Edwin Abbott ABBOTT Flatland: A Romance of Many Dimensions. With an introduction by Ray Bradbury. [56] ff. Illustrated with 14 line drawings and 10 die-cuts by Andrew Hoyem, with watercolour added by hand. Folio, bound accordion-style in original decorated aluminum covers, in a hinged and locking aluminum frame. San Francisco: Arion Press, 1980. $ 5750.00 One of 275 copies printed Monotype Univers on T.H. Saunders hot-press mould-made paper. Andrew Hoyem’s radical design and illustrations realize many implications of this satire about a two-dimensional world. Signed by Ray Bradbury. Scarce. Arion Press Checklist 7. 2. Cosimo BARTOLI Del modo di misurare le distantie, le superficie, i corpi, le piante, le provincie, le prospettive, & tutte le altre cose terrene, che possono occorrere a gli huomini, Secondo le uere regole d’Euclide, & de gli altri piu lodati scrittori. [4], 141, [3] ff. Illustrated with 163 woodcut diagrams in text (two repetitions), of which six are full-page including a medallion portrait of the Author, plus two folding woodcut plates, title-page in an elaborate architectural frame with arms of the dedicatee Cosimo de’ Medici, and numerous woodcut historiated initials in two sizes. -
THE TWO HUNDREDTH BOOK American Institute of Graphic Arts’ Annual Fifty Books of the Year
THE TWO HUNDREDTH A BIBLIOGRAPHY OF THE BOOKS PUBLISHED BY THE BOOK CLUB OF CALIFORNIA 1958–1993 BY ROBERT D. HARLAN 1993 THE BOOK CLUB OF CALIFORNIA PREFACE HE CLUB’S FIRST BOOK was published in 1914 and the one hundredth book forty-four years later. These books are described in David Magee’s The Hundredth Book, a Bibliography of the Publications of the Book Club of California & a History of the Club (1958). In this sequel of the second hundred books Magee’s method of bibliographical description has been retained with some modifications. In the title page transcriptions the text is in roman capital letters. Line endings are indicated with a vertical line, and the terms device, decoration and illustration are used to indicate printer’s device, and non-representative and representative im- ages. Measurements are height by width of the page to the eighth of an inch. Inferred pagination is provided in parentheses—roman for preliminary material and arabic for text. Preliminary leaves for which pagination cannot be inferred are listed in the contents note but are not included in the pagination count. The use of colors in printing and lettering is indicated. The generic term illustrations encompasses such material as facsimiles, maps, drawings and sketches, photographs and photographic reproduc- tions, woodcuts, linoleum cuts and engravings, and plates. The text type and the method of composition are identified as in Magee. But to the processes he describes— hand set, monotype, linotype, intertype—are added linotronic, phototype and, more recently, computer composition. Paper identification falls into three categories: hand- made, mold made and machine made. -
The Shape of Time: Remarks on the History of Things
THE SHAFE OF TIME REMARKS ON THE HISTORY OF THINGS GEORGE KUBLER GEORGE KUBLER THE SHAPE OF TIME REMARKS ON THE HISTORY OF THINGS NEW HAVEN AND I.ONDON: YALE UNIVERSITY PRESS The tide-page and chapter-head illustrations show pottery figurine fcagments made in the Valley of Mexico between 300 B.c. and about A.D. 900. All are from Teodhuad.n and its vicinity. (Courtesy American Museum of Natural History.) Originally published with assistance from the foundation established in memory of Rutherford Trowbridge. Copyright© 1962 by Yale University Sixth printing, 1970 Set in Aldine Bembo type and printed in the United States of America by 'fhe Carl Purington Rollins Printing-Office of the Yale University Press, New Haven, Connecticut. All rights reserved. '!'his book may not be reproduced, in whole or in part, in any form (except by reviewers for the public press), without written permission from the publishers. Library of Congress catalog card number: 62-82 50 Distributed in Great Britain, Europe, Asia, and Africa by Yale University Press Ltd., London; in Canada by MeGill-Queen's University Press, Montreal; and in Mexico by Centro Intecamericano de Libros Academicos, Mexico City. TO MARTIN HEINEMANN Preamble SYMBOL, FoRM, AND DuRATION Cassirer' s partial definition of art as symbolic language has dominated art studies in our century. A new history of culture anchored upon the work of art as a symbolic expression thus came into being. By these means art has been made to connect with the rest of history. But the price has been high, for while studies of meaning re ceived all our attention, another definition of art, as a system of formal relations, thereby suffered neglect.