Reflections on William Caxton's 'Reynard the Fox' N.F
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Caxton in the British Library
CAXTON IN THE BRITISH LIBRARY HOWARD M.NIXON IN 1877 the four hundredth anniversary ofthe establishment ofthe first printing press in England was celebrated with, among other things, a staggering exhibition in the National Art Library, South Kensington (now the Library ofthe Victoria and Albert Museum). Inspired by William Blades, a practical printer, whose biography of Caxton was a land- mark in English bibliographical studies/ it was organized by an unwieldy series of com- mittees, but Blades's section on Caxton's printing was of the highest importance. The exhibition aimed at comprehending every activity of the printing industry and the massive catalogue^ records 4734 items. In addition to Caxton and early printing in England and Scotland, there were sections dealing with the development of printing in foreign countries, 'specimens notable for rarity or for beauty and excellence of typo- graphy', examples of modern commercial printing and music, illustration, portraits of distinguished authors as well as members of the book-trade, books relating to printing, 'curiosities and miscellanies', type, type-founding and type specimen books, stereotyping and electrotyping, copperplate printing, lithography and photography, paper and paper- making. The inaugural meeting ofthe Caxton Celebration committee only took place on 17 February 1877. It is not altogether surprising therefore that when the vast exhibition was opened by Mr. Gladstone on 30 June it was far from ready, and when it closed nine weeks later, after attracting nearly 25,000 visitors, it was felt that it should have been kept open at least until all the exhibits had been labelled. Since 1877, the discovery of various entries concerning Caxton among the muniments of Westminster Abbey by E. -
The Hadlow Village Amble
Introduction This leaflet offers a brief amble around Hadlow Square (the village centre) and its immediate environs using only paved paths and taking about an hour (or a little more if the northern extension is taken.) It is level and ungated, so suitable for those with mild mobility difficulties, and wearing ordinary casual clothing. For those with mobility difficulties wanting a more rural amble, see the separate leaflet for the Hadlow Access Trail (an access key is obtainable from the Parish Council Office). The tour, illustrated on the reverse of the leaflet, with numerals correlating A circular tour through Hadlow Village and to the navigational directions and historical narrative (which continue overleaf) assumes a start and finish at St Mary’s Church, but it is a circular immediate environs - with historical notes route enabling you to join and leave at any point. Links to other walks of interest (such as the longer ‘Hadlow Parish Ramble’, and ‘The Hadlow Hop Tour’ (which includes information about the hop-pickers tragedy of 1853) are The Hadlow also mentioned in the text. As alternatives to arriving in Hadlow by car, the village can be reached easily by bus from Maidstone, Kings Hill or Tonbridge using the 7,77 and 147 services along the main A26 road. Cycle stands (combined with Village planters) are also located in and around the Square, and provided by Hadlow Low Carbon Community. To reach the starting point (St Mary’s Church, Point 1 on the map), walk to the far end of Church Lane (off the south east corner of The Square between La Amble Portuguesa Restaurant and the Bakery). -
Printed from the Time of Gutenberg’S Were Both Scribes and Illuminators Who Established Invention1
GD 135 HISTORY OF GRAPHIC DESIGN Chapter 6: ����������������������������������������������������� TERMS: PEOPLE AND PLACES: • Incunabula (pg. 85) • Nuremberg, Germany (pg. 89) • Broadsides, broadsheets (pgs. • Martin Luther (pgs. 94-97) 85, 87) • Erhard Reuwich (pg. 89) • Exemplars (pg. 87) • Günther & Johann Zainer (pgs. • Aesop’s Vita et fabulae (pgs. 87, 87-88) 88) • Anton Koberger (pgs. 90-93) • Peregrinationes in Montem Syon • Albrecht Dürer (pgs. 93-95) (pgs. 88, 89) • William Caxton (pgs.97-100) • Nuremberg Chronicle (pgs. 90- • Arnao Guillen de Brocar (pg. 101) 93) • Dürer’s The Apocalypse (pgs. 92, 93) • Teuerdank (pgs. 94, 95) • Polyglot Bible (pgs. 100-101) From a page in Aesop’s Vita et fabulae, 1476. ���������������������������������������������������������������������������������������������������������������������������������� Chapter 6 Study Questions Historians used the term “incunabula” to describe The German brothers Günther and Johann Zainer early books printed from the time of Gutenberg’s were both scribes and illuminators who established invention1. to the end of the 15th century� What does the printing5. businesses that popularized illustrated books� They word “incunabula” mean? expanded beyond topics of religion and theology to include popular literature and folktales such as ________________� A� cradle, or baby linen C� incurable insomniac A� Historia Griseldis and Aesop’s Life and Tales� B� a new era D� a revolution B� The Papyrus of Ani and the Book of the Dead. By 1500, printing was produced in more than 140 C� The Gutenberg Bible and the Psalter in Latin� towns, replacing many of the scriptori which made manuscripts2. � Which of the following is NOT a result of this D� The Qur’an and the Diamond Sutra� new mechanized craft? Erhard Reuwich was the first _________________ to A� Books became less C� Illiteracy increased due be identified as such for his work in Peregrinationes in costly to make� to lack of books� Montem6. -
FINDING AID to the RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20Th Century
FINDING AID TO THE RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20th Century Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2013 Purdue University Libraries. All rights reserved. Processed by: Kristin Leaman, August 27, 2013 Descriptive Summary Title Rare Book Leaves collection Collection Identifier MSP 137 Date Span 1440 – late 19th/early 20th Century Abstract The Rare Book Leaves collection contains leaves from Buddhist scriptures, Golden Legend, Sidonia the Sorceress, Nuremberg Chronicle, Codex de Tortis, and an illustrated version of Wordsworth’s poem Daffodils. The collection demonstrates a variety of printing styles and paper. This particular collection is an excellent teaching tool for many classes in the humanities. Extent 0.5 cubic feet (1 flat box) Finding Aid Author Kristin Leaman, 2013 Languages English, Latin, Chinese Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition It is very possible Eleanore Cammack ordered these Information: rare book leaves from Dawson’s Book Shop. Cammack served as a librarian in the Purdue Libraries. She was originally hired as an order assistant in 1929. By 1955, she had become the head of the library's Order Department with a rank of assistant professor. Accession Number: 20100114 Preferred Citation: MSP 137, Rare Book Leaves collection, Archives and Special Collections, Purdue University Libraries Copyright Notice: Purdue Libraries 7/7/2014 2 Related Materials MSP 136, Medieval Manuscript Leaves collection Information: Collection of Tycho Brahe engravings Collection of British Indentures Palm Leaf Book Original Leaves from Famous Books Eight Centuries 1240 A.D.-1923 A.D. -
Two Missals Printed for Wynkyn De Worde
TWO MISSALS PRINTED FOR WYNKYN DE WORDE GEORGE D. PAINTER, DENNIS E. RHODES, AND HOWARD M. NIXON The British Library has recently acquired two important and exceedingly rare editions of the Sarum Missal. These mere produced in Paris m I4gj and i^ii for Wynkyn de Worde and others., and are fully described in the second and third sections of this article. The first section gives a brief general account of the printing of the Sarum Missal for the English market during the fifteenth and sixteenth centuries. I THE English printers of the fifteenth century seemed curiously reluctant to print the major service-books of their own national liturgy, the rite of Sarum. This apparent disinclination cannot be explained by any lack of a market for such works. The Sarum Missal, above all, was certainly in greater demand than any other single book in pre- Reformation England, for every mass-saying priest and every church or chapel in the land was obliged to own or share a copy for daily use. Yet it is a striking fact that of the twelve known editions of the Sarum Missal during the incunable period all but two were printed abroad, in Paris, Basle, Venice, or Rouen, and imported to England. The cause of this paradoxical abstention was no doubt the inability of English printers to rise to the required magnificence of type-founts and woodcut decoration, and to meet the exceptional technical demands of high-quality red-printing, music printing, and beauty of setting, which were necessary for the chief service-book of the Roman Church in England. -
The Dutch Press of the Sixteenth and Seventeenth Centuries
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William Caxton
http://www.uh.edu WILLIAM CAXTON by John H. Lienhard Click here for audio of Episode 785. Today, an intellectual combines mind and machine. The University of Houston's College of Engineering presents this series about the machines that make our civilization run, and the people whose ingenuity created them. In 1474 William Caxton finished volume three of his translation of the histories of Troy. In those days, writers finished their manuscripts off with personal notes, called explicits. Caxton's explicit said, "My pen is worn, mine hand heavy, mine eye even dimmed." That much was a typical scribe's complaint. But this explicit was a turning point. You see, Caxton had done something about his tired hand. He went on to say, ... because I have promised [this book] to divers gentlemen ... therefore I have practiced and learned ... to ordain this ... book in print ... it is not written in pen and ink as other books are. Caxton was English. He'd come to Bruges in 1442 as apprentice to a merchant -- the same year Gutenberg printed the oldest book we know about. Bruges was part of the Duchy of Burgundy -- a great European cultural center. Caxton did well there. By the time Gutenberg printed his great Bible, Caxton was wealthy. He'd also begun collecting hand-written books. That love of books led him into a new occupation. At 47, he entered the service of Margaret, Duchess of Burgundy. Margaret was a noted scholar -- an arbiter of good taste in literature. Caxton was intimidated by her scholarship, but he was also enamored of it. -
Ing Items Have Been Registered
ACCEPTANCES Page 1 of 29 November 2018 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Cynwulf Rendell and Eleanore Godwin. Joint badge. Or, a heron volant wings addorsed sable, a bordure indented azure. AN TIR Basil Dragonstrike. Alternate name Basil Oldstone. Bjorn of Havok. Transfer of badge to Tir Rígh, Principality of. (Fieldless) A Lisbjerg gripping-beast gules. Bryn MacTeige MacQuharrie. Name. Questions were raised in commentary about the construction of the multi-generational bynames. We have evidence of two-generation bynames using Mac- forms in both Anglicized Irish and Scots. For example, "Names Found in Anglicized Irish Documents," by Mari ingen Briain meic Donnchada (https://s-gabriel.org/names/irish.shtml) contains the examples Cormack m’Teige M’Carthie and Fardorrough m’Emon M’Shehey, among others. "Notes on Name Formation in Scots and Latin Renderings of Gaelic Names" by Alys Mackyntoich (https://alysprojects.blogspot.com/2014/01/notes-on-name-formation-in-scots-and.html) includes the examples Coill McGillespike McDonald and Angus McEane McPhoull, among others. Thus, this name is correctly formed for both Anglicized Irish and Scots. The submitter requested authenticity for 16th century Scottish culture. This request was not summarized on the Letter of Intent. Fortunately, Seraphina Ragged Staff identified the authenticity request during commentary, allowing sufficient time for research. Although it is registerable, the name does not meet the authenticity request because we have no evidence of the given names Bryn or Teige in Scotland; they are both Anglicized Irish forms. Ciaran mac Drosto. Device. Per bend azure and vert, on a bend between an elephant and a griffin statant respectant Or, a pen vert. -
Münster Monographs on English Literature
Book Value Categories and the Acceptance of Technological Changes in English Book Production Münsteraner Monographien zur englischen Literatur Münster Monographs on English Literature Herausgegeben von / Edited by Bernfried Nugel und / and Hermann Josef Real Bd./Vol. 42 Münsteraner Monographien Simon Rosenberg zur englischen Literatur Münster Monographs on English Literature Herausgegeben von / Edited by Bernfried Nugel und / and Hermann Josef Real Book Value Categories and the Acceptance of Technological Changes Bd./Vol. 42 in English Book Production Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the internet at http://dnb.d-nb.de. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress Zugl.: Münster (Westfalen), Univ., Diss., 2013 Cover illustration: Münsteraner Schloss. By courtesy of the Westfälische Wilhelms-Universität, Münster. Supported by the Open Access Publication Fund of the University of Münster. Printed by CPI books GmbH, Leck. D 6 ISSN 0934-0300 ISBN 978-3-631-80426-1 (Print) E-ISBN 978-3-631-82738-3 (E-PDF) E-ISBN 978-3-631-82739-0 (EPUB) E-ISBN 978-3-631-82740-6 (MOBI) DOI 10.3726/b17293 . This work is licensed under a Creative Commons Attribution CC-BY 4.0 license. To view a copy of this license, visit https://creativecommons.org/licenses/by/4.0/ © Simon Rosenberg, 2020 Peter Lang – Berlin • Bern • Bruxelles • New York • Oxford • Warszawa • Wien. This publication has been peer reviewed. www.peterlang.com Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Acknowledgement internet at http://dnb.d-nb.de. -
Netherlands Spain England
NETHERLANDS GOFF AUTHOR TITLE IMPRINT: NETHERLANDS CALL # J-293 Johannes Chrysostomus De providentia Dei. Alost: Thierry Martens, 22 Mar. 1487/88 7028 Colloquium (copy contains only Isidorus Hispalensis, Dialogus J-55 Jacobus de Gruytrode sive synonym) [Antwerp: Mathias van der Goes, between 14 Feb. 1487 and 21 May 1490] 06000c B-425a Bernardus Claravallensis Psalterium beata Virginis Antwerp: Gerard Leeu, 8 Oct. 1491 B-115 Delft: Jacob Jacobszoon van der Meer and Mauricius Yemantszoon, 10 Jan. B-648 Bible. Old Testament, Dutch. 1477. Vetus Testamentum. Vol. 1 1477 B-147 Delft: Jacob Jacobszoon van der Meer and Mauricius Yemantszoon, 10 Jan. B-648 Bible. Old Testament, Dutch. 1477. Vetus Testamentum. Vol. 2 1477 B-147 id00218200 Diogenes Cynicus Epistolae [Deventer: Jacobus de Breda, between 9 Aug. 1490 and 7 Aug. 1496] 7021 G-704 Guillermus Postilla super epistolas et evangelia Deventer: Jacobus de Breda, 1498 6817 A-1252a Augustinus, Aurelius Confessiones Deventer: Richardus Pafraet, 1483 6700 B-296 Beets, Johannes Commentum super decem praeceptis decalogi Louvain: Aegidius van der Heerstraten, 19 Apr. 1486 6834 J-450 Johannes de Verdena Sermones 'Dormi secure' de tempore [Louvain: Johannes de Westfalia, between 8 Apr. 1476 and Nov. 1477] 7023 R-61 Regimen sanitatis Regimen sanitatis Salernitanum [Louvain: Johannes de Westfalia, between 1477 and 1483] 6803 Epitoma primae partis Dialogi de haereticis a Guilielmo de H-53 Henricus de Zoemeren Ockam composti Louvain: Johannes de Westfalia, 1481 6335 A-1242 Augustinus, Aurelius De civitate Dei Louvain: Johannes de Westfalia, 18 Sept. 1488 06064a A-1347 Augustinus, Aurelius De trinitate Louvain: Johannes de Westfalia, 24 Dec. -
The Human Presence in Robert Henryson's Fables and William Caxton's the History of Reynard the Fox
Good, Julian Russell Peter (2012) The human presence in Robert Henryson's Fables and William Caxton's The History of Reynard the Fox. PhD thesis. http://theses.gla.ac.uk/3290/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] THE HUMAN PRESENCE IN ROBERT HENRYSON’S FABLES AND WILLIAM CAXTON’S THE HISTORY OF REYNARD THE FOX Dr. Julian Russell Peter Good Submitted for the degree of Ph.D. Department of Scottish Literature College of Arts University of Glasgow © Dr. Julian R.P. Good. March 2012 ABSTRACT This study is a comparison of the human presence in the text of Robert Henryson’s Fables1, and that of William Caxton’s 1481 edition of The History of Reynard the Fox (Blake:1970). The individual examples of Henryson’s Fables looked at are those that may be called the ‘Reynardian’ fables (Mann:2009); these are The Cock and the Fox; The Fox and the Wolf; The Trial of the Fox; The Fox, the Wolf, and the Cadger, and The Fox, the Wolf, and the Husbandman.2 These fables were selected to provide a parallel focus, through the main protagonists and sources, with the text of The History of Reynard the Fox. -
Reynard in Leicestershire and Rutland Pp.1-8
REYNARD IN LEICESTERSHIRE AND RUTLAND by Kenneth Varty In the counties of Leicester and Rutland are to be found two medieval fox carvings of considerable interest to the historian of literature, for these foxes are probably near relations of Reynard, if not Reynard himself, the villainous hero of the Roman de Renart. In the form we know it, this animal epic was begun about II75 by a Frenchman called Pierre de Saint Cloud. He told a story-drawing freely on well-known fables-about a fox called Renart and his many enemies, the chief of whom was the wolf called Ysengrin. To begin with, Pierre told how Reynard tried to devour or deceive a number of his much weaker brethren of the countryside-a cock, a titmouse, a cat and a crow. Reynard is shown trying to capture the cock from a farmyard by flattery and the titmouse from a tree-top by feigning friendship. He fails in both cases. Then he meets a cat whom he tries to force into a trap but succeeds only in trapping himself. Next he discovers a crow eating cheese and does his best not only to capture the cheese but the crow as well. In fact, he has to be satisfied with the cheese and four crow feathers. So far, it is obvious that Pierre makes great use of Aesop's fables; his originality lies mostly in the characterisation of the animals and in the general arrangement and develop ment of the story, for, after these preliminary skirmishes between Reynard and his intended victims, Pierre gives his story its most imaginative twist.