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DOSSIER DE PRESSE Editorial 16ème FESTIVAL INTERNATIONAL DE CINÉMA ASIATIQUE DE TOURS DOSSIER DE PRESSE Editorial Création/transmission Le cinéma plus encore que tous les autres arts, parce qu'il est enfant des fêtes foraines et des recherches formelles, est toujours écartelé entre la reconnaissance populaire et la création artistique. Toucher le plus grand nombre sans vendre son âme au diable reste souvent l'idéal de tout artiste. Rester maître de son art sans trop de compromis n'est pas un problème nouveau, la star du cinéma bengali y était déjà confrontée dans Le Héros de Satyajit Ray. Le réalisateur de Director's Cut de Park Joon-Bum doit mener un dur combat pour ne pas céder aux pressions. La création artistique peut sauver des vies comme celle de Charulata (S. Ray), en questionner d'autres comme celles de George Orwell (Une histoire birmane) ou du metteur en scène de théâtre de The Undying Dream we Have. Le Chant du phénix, film testament (le dernier), du réalisateur chinois Wu Tian Ming nous parle de musique mais aussi de cinéma : celui de la 4ème génération, dont il était le fer de lance, trop souvent oubliée, effacée par les réalisateurs de la 5ème génération : Zhang Yimou, Chen Kaige... Le festival cette année fait la part belle au cinéma coréen et comme d'habitude aux inédits et à de très nombreuses avant-premières. Vous pourrez y rencontrer de nombreux invités : Yolande Moreau, Zoltan Mayer, Jinsei Tsuji, Alain Mazars, Freddy Nodolny Poustochkine, Frank Ternier, Kazuo Yamaki, Maho, Leonardo Haertling... Le prix du jury (La Toile de lumière, oeuvre de Guy Romer) sera décerné ainsi que votre prix, celui du public lors de la soirée de clôture le mardi 24 mars 2015. Expositions Aux Studio en partenariat avec Bureau 21 – Exposition des peintures de Kazuo Yamaki et Maho – Exposition photographique de John Foley, Erwan Fiquet et Olivier – Exposition des illustrations de Nicolas Delort pour le livre La Tombe des lucioles A l'Espace Parfum Culture – Exposition : « Pierre noire : variations » de Setsuko Uno Bon festival Lucie Jurvillier Mercredi 18 mars – 14h15 et 17h15 Les 108 Rois-Démons France/Luxembourg/Belgique/Chine – 2015 – 1h44, film d'animation de Pascal Morelli. Au XIIème les Rois-Démons terrorisent toute la Chine. Pour vaincre ces monstres, il faudrait avoir le courage de cent tigres, la force de mille buffles, la ruse d'autant de serpents... et beaucoup de chance. Le jeune prince Duan n'a que ses illusions romanesques et de l'embonpoint. Zhang-le-Parfait n'a que son bâton de moine et tout un tas de proverbes incompréhensibles. La petite mendiante Pei Pei n'a que son bagout et son grand appétit. Ils ne savaient pas qu'il était impossible de vaincre les Rois-Démons... Alors ils l'ont fait. Une adaptation libre du classique chinois Au bord de l'eau. Pascal Morelli est un réalisateur et scénariste français né en 1961 à Paris (France). Il s'est formé aux Beaux-Arts avant de travailler dans la bande dessinée et la publicité. De Los Angeles à Tokyo, il travaille sur des story-boards et realise des dessins animes pour la television Ghosbusters, Alf, Hello Kitty... Producteur du dessin anime The Specialists pour MTV, il prend en charge la direction artistique de divers projets multimedia. Il realise le dessin anime Busy world Richard Scarry (Paramount), Arsene Lupin (France Animation), Calamity Jane. Passionne de Hugo Pratt, il realise Corto Maltese, La Cour secrete des arcanes (2002 Gebeka Films) et des series televisuelles adaptant d’autres albums (production Ellipsanime). Filmographie 1990 : Sophie et Virginie (TV) 1995 : Instinto del asesino (TV) 1995 : Gadget Boy and Heather (TV) 1996 : Les Exploits d'Arsène Lupin (TV) 1997 : The Legend of Calamity Jane (TV) 2002 : Corto Maltese « La Cour secrète des arcanes », d'après Corto Maltese en Sibérie 2006 : Shuriken School (série TV) 2007 : Shuriken School, le film (DTV) 2015 : 108 Rois-Démons (long métrage d'animation) P1 Mercredi 18 mars – 16h Panda Petit Panda Japon – 1972 – 1h21, film d'animation de Takahata Isao et Miyazaki Hayao Tous publics à partir de 3 ans Mimiko, jeune orpheline, se retrouve seule à la maison, sa grand-mère devant s'absenter quelques temps. C'est alors qu'un bébé panda et son papa, échappés du zoo, pénètrent dans la maison ... et s'y installent. Les deux grands maîtres de l'animation japonaise nous offrent, avec l'un de leurs premiers films, un univers riche, inventif, rempli d'humour et de fraîcheur. Une rareté à découvrir impérativement ! Hayao Miyazaki est né en 1941 à Tokyo. C'est un mangaka, un réalisateur de films d'animation japonais et le cofondateur du Studio Ghibli. Presque inconnu en Occident en dehors des cercles d’amateurs d’animation et de manga jusqu’à la sortie internationale de Princesse Mononoké en 1999. Miyazaki commence sa carrière en avril 1963 comme intervalliste au studio Toei. L’année 1965 marque le début d’une longue collaboration avec Takahata. En 1971, Miyazaki quitte Toei et rejoint Isao Takahata et Yōichi Kotabe aux studios A- Pro4. Ses films rencontrent aujourd’hui un grand succès partout dans le monde. Longs métrages : 1979 : Le Château de Cagliostro (ルパン三世カリオストロの城, Rupan sansei: Kariosutoro no shiro) 1984 : Nausicaä de la vallée du vent (風の谷のナウシカ, Kaze no tani no Naushika) 1986 : Le Château dans le ciel (天空の城ラピュタ, Tenku no shiro Rapyuta) 1988 : Mon voisin Totoro (となりのトトロ, Tonari no Totoro) 1989 : Kiki la petite sorcière (魔女の宅急便, Majo no takkyūbin) 1992 : Porco Rosso (紅の豚, Kurenai no buta) 1997 : Princesse Mononoké (もののけ姫, Mononoke hime) 2001 : Le Voyage de Chihiro (千と千尋の神隠し, Sen to Chihiro no kamikakushi) 2004 : Le Château ambulant (ハウルの動く城, Hauru no ugoku shiro) 2008 : Ponyo sur la falaise (崖の上のポニョ, Gake no ue no Ponyo) 2013 : Le vent se lève (風立ちぬ, Kaze Tachinu) P2 Isao Takahata est un réalisateur japonais de films d'animation, cofondateur du studio Ghibli avec Hayao Miyazaki. Né à Ise (Japon) en 1935, Isao Takahata étudie la littérature française à l'université de Tōkyō. Il découvre ainsi les poèmes de Jacques Prévert, mais aussi son travail avec Paul Grimault, par exemple sur le scénario du Roi et l'Oiseau d'après La Bergère et le ramoneur de Hans Christian Andersen. Sa notoriété en Occident vient principalement de son film Le Tombeau des lucioles, sorti en 1988. Longs métrages : 1968 : Horus, prince du Soleil (太陽の王子 ホルスの大冒険, Taiyō no ōji : Horus no daibōken) 1972 : Panda Petit Panda (パンダ・コパンダ, panda kopanda) 1981 : Kié la petite peste (じゃリン子チエ, Jarinko Chie) 1982 : Goshu le violoncelliste (セロ弾きのゴーシュ, Cello hiki no Gōshu) 1987 : L'Histoire du canal de Yanagawa ( 柳 川 堀 割 物 語 , Yanagawa horiwari monogatari) 1988 : Le Tombeau des lucioles (火垂るの墓, Hotaru no haka) 1991 : Omoide Poroporo - Souvenirs goutte à goutte (おもひでぽろぽろ, Omoide Poroporo) 1994 : Pompoko (総天然色漫画映画 平成狸合戦ぽんぽこ, Heisei tanuki gassen Pompoko) 1999 : Mes voisins les Yamada (ホーホケキョ となりの山田くん, Hōhokekyo tonari no Yamada-kun) 2013 : Le Conte de la princesse Kaguya (かぐや姫の物語, Kaguya-Hime no Monogatari) Mercredi 18 mars – 17h30 The King of Pigs (Avant-première) Corée du Sud – 2011 – 1h37, de Yeun Sang-Ho Film d'animation Pourquoi après 15 ans d'absence Kyeong-Min jeune entrepreneur ruiné contacte-t-il Jong-Seok son ancien camarade d'école ? Celui-ci se rêve écrivain alors qu'il vivote de petits travaux de commande. Ce retour vers les années de collège n'a rien de nostalgique : violences, harcèlements, élèves martyrisés et élèves bourreaux décrivent une vision cauchemardesque de la société coréenne. Le film est un véritable « coup de poing ». P3 Yeun Sang-Ho est né à Séoul, en Corée du Sud, en 1978. Après son premier court métrage D-Day en 2000, son second court métrage The Hell remporte le prix Asian Ghost au Festival Short Shorts. Son court métrage suivant, Love is Protein, est ensuite projeté en compétition au Festival International du Court Métrage Curtocircuito à Santiago de Compostela en 2009, et invité la même année au Festival Mauvais Genre, à Tours. The King of Pigs est son premier long métrage. Mercredi 18 mars – 19h30 – Ouverture du Festival Hill of Freedom (Avant-première – Compétition) Corée du Sud – 2015 – 1h06, de Hong Sang-Soo, avec Ryo Kase, Sori Moon, Younghwa Seo Hill of Freedom est le nom d’un café dans lequel une jeune femme, Kwon, de retour du Japon, se voit remettre un paquet de lettres d’un homme qu’elle a autrefois aimé. Ces lettres, lues dans le désordre, donnent lieu à un véritable puzzle narratif, un passionnant jeu de piste à la fois clair et mystérieux, humoristique et émouvant. Hong Sang-Soo, né le 25 octobre 1960 à Séoul, est un réalisateur et scénariste sud-coréen. En 1982, après avoir étudié la mise en scène à l'université de Chungang, à Séoul, il part étudier aux États-Unis. De retour en Corée du Sud, il travaille comme réalisateur pour la télévision avant de se lancer au cinéma. Il tourne en 1996 son premier film, Le Jour où le cochon est tombé dans le puits qui connaît P4 immédiatement un certain succès critique et public. En 2000, Hong Sang-Soo revient avec le film au titre provocateur La Vierge mise à nu par ses prétendants. Fort de sa réputation, Hong Sang-Soo dispose de moyens plus confortables pour son quatrième opus, Turning Gate, coproduit par Marin Karmitz et interprété par trois stars locales. Dans cette comédie mélancolique, son plus important succès commercial, notamment auprès du public de Corée, le réalisateur affine son style tout en restant fidèle à sa thématique. Dans la continuité, les éléments caractéristiques de son cinéma se retrouvent dans La femme est l'avenir de l'homme. Depuis 2008, il enseigne à l'université de Konkuk à Séoul où il anime un atelier consacré au scénario et un à la mise en scène.
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