Emmanuel Pahud Alessio Bax
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Philharmonic Summit Emmanuel Pahud, Flute Andreas Ottensamer
TUESDAY, 1 NOVEMBER 2016 , 6.30 PM PHILHARMONIC SUMMIT Tertianum Residenz Bellerive Kreuzbuchstrasse 33b, CH-6006 Lucerne Emmanuel Pahud, flute CHF 95.– Concert ticket Andreas Ottensamer, clarinet Advance sales: Stephan Koncz, cello Phone +41 41 544 30 30 [email protected] José Gallardo, piano Three musicians from the Berlin Philharmonic await you in Lucerne and on the WEDNESDAY, 2 NOVEMBER 2016, 6.30 PM Bürgenstock for our “Philharmonic summit”: the celebrated flautist Emmanuel Pahud, Hotel Villa Honegg the versatile cellist Stephan Koncz and clarinettist Andreas Ottensamer. The ensemble Honegg, CH-6373 Ennetbürgen is rounded off by the Argentinian piano virtuoso José Gallardo. Champagne aperitif from 5.45 pm The programme moves between the virtuoso clarity of the Baroque and the impres- CHF 125.– Concert ticket including aperitif sionist expressiveness of French Romanticism, with the expressive possibilities of CHF 230.– Concert ticket including aperitif the flute, the clarinet and the cello really coming into their own. In addition to their and four-course dinner practically limitless virtuosity, all three instruments also offer warm tonal colours and an introverted singing-like quality. Advance sales: Phone +41 41 618 32 00 Johann Sebastian Bach composed numerous works for the flute that play a significant [email protected] role to this day. Two centuries later, French composers in particular – including Camille www.villa-honegg.ch Saint-Saëns, his student Gabriel Fauré and André Jolivet – devoted themselves to the flute and other woodwind instruments. Concert duration ca. 70 minutes The cello managed early on to move away from being part of the “basso continuo” to without interval becoming a solo instrument. -
Programme Information
Programme information Saturday 17 February to Friday 23 February 2018 WEEK 08 NEW SERIES: TURNING POINTS on CLASSIC FM Saturday 17 February, 9pm to 10pm Tonight, we launch a brand new series on Classic FM in partnership with the Honda Jazz, exploring the biggest moments, changes and ‘turning points’ in the history of classical music. Who were the innovators? Who took the risks? Who challenged the norm – and what did they do? From Franz Liszt, whose radical approach made him the first true classical music ‘superstar’; to the invention of the printing press; to the revolutionary female composer Hildegard of Bingen, we’ll hear stories of extraordinary people – and the music that accompanied the most exciting moments in classical music over the last 600 years. Classic FM is available across the UK on 100-102 FM, DAB digital radio and TV, at ClassicFM.com and on the Classic FM app. 1 WEEK 08 SATURDAY 17 FEBRUARY 5pm to 7pm: SATURDAY NIGHT AT THE MOVIES with ANDREW COLLINS With the awards season in full flow, Andrew Collins presents the first of two special awards trivia shows, looking at the big winners, losers and surprises over the decades. Who was the first woman to win Best Picture at the Academy Awards? Who was the first actress to receive twenty nominations for acting? And which film composers have received Oscar nominations over the longest span of time – six decades to be precise? Expect two hours of fun facts and great film scores from the 1930s to the present day, including Toy Story, Gone With the Wind and Ben-Hur. -
Boston Symphony Orchestra Concert Programs, Season 119, 1999-2000
O Z A W A MUSIC Dl R ECTOR # m BOSTON tik mww80^_ ll^Sir" S Y M PHONY OP rUFCTPA U K i. 1 t > I K A 1 iWHHI^g i\ Ifc 19 9 9-2000 SEASON Bring your Steinway: With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,400,000. its absolute finest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR ai Lfisner 3iill BROOKLINE WM> 2J!»f»*^itete mms&^mkss |Iil|lf c^s^ffl CORTLAND Hammond SOTHEBY'S PROPERTIES INC. ESIDENTIAL International Realty Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Nineteenth Season, 1999-2000 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson William F. Connell George Krupp Robert P. O'Block, Diane M. Austin, Nancy J. Fitzpatrick R. Willis Leith, Jr. ex-officio ex-qfficio Charles K. Gifford Ed Linde Peter C. Read Gabriella Beranek Avram J. Goldberg Mrs. August R. Meyer Hannah H. Schneider Jan Brett Thelma E. Goldberg Richard P. -
2018 Available in Carbon Fibre
NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished -
Berliner Philharmoniker
Berliner Philharmoniker Sir Simon Rattle Artistic Director November 12–13, 2016 Hill Auditorium Ann Arbor CONTENT Concert I Saturday, November 12, 8:00 pm 3 Concert II Sunday, November 13, 4:00 pm 15 Artists 31 Berliner Philharmoniker Concert I Sir Simon Rattle Artistic Director Saturday Evening, November 12, 2016 at 8:00 Hill Auditorium Ann Arbor 14th Performance of the 138th Annual Season 138th Annual Choral Union Series This evening’s presenting sponsor is the Eugene and Emily Grant Family Foundation. This evening’s supporting sponsor is the Michigan Economic Development Corporation. This evening’s performance is funded in part by The Andrew W. Mellon Foundation and by the Michigan Council for Arts and Cultural Affairs. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. The Steinway piano used in this evening’s performance is made possible by William and Mary Palmer. Special thanks to Tom Thompson of Tom Thompson Flowers, Ann Arbor, for his generous contribution of lobby floral art for this evening’s performance. Special thanks to Bill Lutes for speaking at this evening’s Prelude Dinner. Special thanks to Journeys International, sponsor of this evening’s Prelude Dinner. Special thanks to Aaron Dworkin, Melody Racine, Emily Avers, Paul Feeny, Jeffrey Lyman, Danielle Belen, Kenneth Kiesler, Nancy Ambrose King, Richard Aaron, and the U-M School of Music, Theatre & Dance for their support and participation in events surrounding this weekend’s performances. Deutsche Bank is proud to support the Berliner Philharmoniker. Please visit the Digital Concert Hall of the Berliner Philharmoniker at www.digitalconcerthall.com. -
The Artistry of Emmanuel Pahud
VOLUME 4 0 , NO . 1 FALL 2 0 1 4 THE LUTI ST QUARTERLY The Artistry of Emmanuel Pahud Practicing Self-Compassion Maxence Larrieu: Quality and Quantity THEOFFICIALMAGAZINEOFTHENATIONALFLUTEASSOCIATION, INC FALL 2014 Table of ContentsThe Flutist Quarterly Volume 40, No. 1 DEPARTMENTS 13 From the President 15 From the Editor 16 High Notes 39 Across the Miles 20 28 34 43 Notes from Around the World FEATURES 48 Passing Tones 20 The Artistry of Emmanuel Pahud 54 New Products by Susan Waller Nearing 45, the internationally acclaimed flutist is already twice 58 Honor Roll of Donors to the NFA the age he was when he took on the position—previously held by Sir James Galway, Aurèle Nicolet, and Karlheinz Zöller—of principal flutist of the Berlin Philharmonic. It is but one item on his crowded 62 Reviews curriculum vitae. 79 From the Research Chair 28 Practicing Self-Compassion by Noa Kageyama 82 NFA Office, Coordinators, Performance psychologist Noa Kageyama offers a counterintuitive Committee Chairs strategy for becoming more motivated and resilient in the practice room—and less anxious under pressure. 85 Index of Advertisers 34 Maxence Larrieu: Quantity and Quality by Jonathan Keeble Cover image courtesy Emmanuel Pahud. The incomparable Maxence Larrieu, recipient of the 2014 NFA Lifetime Achievement Award, talks about his long career, his namesake competition, and his extensive work with Poulenc and Rampal. THE NATIONAL FLUTE ASSOCIATION 70 E. LAKE STREET, #200 CHICAGO, IL 60601 FOUNDED NOVEMBER 18, 1972, IN ELKHART, INDIANA THIS MAGAZINE IS PUBLISHED QUARTERLY BY THE NATIONAL FLUTE ASSOCIATION, INC., A NONPROFIT ORGANIZATION. THE STATEMENTS OF WRITERS AND ADVERTISERS ARE NOT NECESSARILY THOSE OF THE NATIONAL FLUTE ASSOCIATION, INC., WHICH RESERVES THE RIGHT TO REFUSE TO PRINT ANY ADVERTISEMENT. -
5024453-91Bc56-635212052525.Pdf
LUDWIG VAN BEETHOVEN Ludwig van Beethoven Major, Op. 73; the String Quartet in E-flat Major, PIANO CONCERTO NO. 5 Born Bonn, baptized December 17, 1770; died Op. 74 (Harp); the Piano Sonatas in F-sharp, & WORKS FOR SOLO PIANO March 26, 1827, Vienna G, and E-flat, Opp. 78, 79, and 81a; et al. Piano Concerto No. 5 in E-Flat Major, Op. 73 Unlike the Eroica Symphony (composed in Piano Concerto No. 5 in E-Flat Major, Op. 73 “Emperor” “Emperor” (1809) 1803, and in whose genesis Napoleon is 1 I. Allegro [20.26] In May 1809, Vienna fell to Napoleon for the directly, infamously, implicated), the Fifth Piano 2 II. Adagio un poco moto [6.55] second time in four years. The first conquest Concerto’s sobriquet – Emperor – was not 3 III. Rondo [10.13] of the Austrian capital, in 1805, happened bestowed by Beethoven, but by a publisher 4 Praeludium, WoO 55 [2.29] relatively quietly, as French forces entered the post facto. Although Beethoven completed Piano Sonata No. 27, Op. 90 city without opposition. But the 1809 siege the Concerto before the French invasion, the 5 I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck [5.26] of Vienna was accompanied by a heavy zeitgeist surrounding the Napoleonic Wars 6 II. Nicht zu geschwind und sehr singbar vorgetragen [6.27] bombardment. History has remembered the seems nevertheless to have permeated the image of Beethoven cowering in his brother’s work. Witness its martial rhythms and Contredanses, WoO 14 7 I. Contredanse in C Major [0.29] basement, holding a pillow tightly around his suggestions of military triumph in the 8 II. -
Analysis of Duo for Flute and Piano by Aaron Copland Exploring Copland’S Last Major Composition in the Context of Performance
Analysis of Duo for Flute and Piano by Aaron Copland Exploring Copland’s last major composition in the context of performance by M Sage Gustafson A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Music (Honors Scholar) Presented July 11, 2017 Commencement June 2018 2 3 AN ABSTRACT OF THE THESIS OF M Sage Gustafson for the degree of Honors Baccalaureate of Science in Music presented on July 11, 2017. Title: Analysis of Duo for Flute and Piano by Aaron Copland. Abstract approved:_____________________________________________________ Christopher Chapman Aaron Copland is known by many as the founder of American Music and is still considered one of the pre-eminent composers to come from the Americas, particularly North America. He composed from 1917-1973, with many of his most recognizable works composed in the early 1940s. Duo for Flute and Piano was composed from 1969-1971 as his last substantial composition. Much attention has been given to his earlier compositions, but Duo is underrepresented in scholarly literature. Through the use of timelines, an analytical methodology developed by professor Jan LaRue at New York University, phrase structure and compositional patterns are readily identifiable for all three movements, which can inform performance technique. Additionally, since the first movement of Duo is motivically dense, a motivic map is used to visually trace the motives as they transform over the course of this movement. Emphasis -
Biography: History of La Foce
Biography: Alessio Bax (Artistic Director) “Alessio Bax is clearly among the most remarkable young pianists now before the public.” — Gramophone Alessio Bax, a pianist of authority, elegance and intensity (as described respectively by the Daily Telegraph, the New Yorker and Gramophone), is praised for his lyrical performances and compelling, insightful interpretations. As First Prize winner at the Leeds International Piano Competition, and the recipient of an Avery Fisher Career Grant and Lincoln Center’s Martin E. Segal Award, he has appeared as soloist with more than 100 orchestras, including the London and Royal Philharmonic orchestras, Houston and Cincinnati Symphonies, Japan’s NHK Symphony, Dallas Symphony with Jaap van Zweden, St. Petersburg Philharmonic with Yuri Temirkanov, and the City of Birmingham Symphony Orchestra with Sir Simon Rattle. In 2017 Bax was appointed Artistic Director of Italy’s Incontri in Terra di Siena Festival for a three-year term. He has a burgeoning discography that includes works by Bach, Beethoven, Brahms, Mozart, Rachmaninov and Stravinsky as well as a Russian album and a lullaby collection (Lullabies For Mila is dedicated to his daughter, Mila) – all of which have been singled out for distinction by the most discerning critics. His recording of a Bach cantata excerpt was recently included on the soundtrack of Luca Guadagnino’s hit movie Call Me By Your Name. Antonio Lysy (Co-Founder) Antonio Lysy is an internationally renowned cellist, appearing as a soloist in major concert halls around the world. He has performed with orchestras including the Philharmonia, the Royal Philharmonic Orchestra, Camerata Salzburg, the Tonhalle-Orchester Zürich, the Orchestra di Padova e il Veneto, the Israel Sinfonietta, the Montreal Symphony Orchestra and the Toronto Symphony Orchestra. -
University of Cincinnati
UNIVERSITY OF CINCINNATI DATE: May 16, 2003 I, Nina Perlove , hereby submit this as part of the requirements for the degree of: Doctor of Musical Arts in: Flute Performance It is entitled: Ethereal Fluidity: The Late Flute Works of Aaron Copland Approved by: Dr. bruce d. mcclung Dr. Robert Zierolf Dr. Bradley Garner ETHEREAL FLUIDITY: THE LATE FLUTE WORKS OF AARON COPLAND A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS (DMA) in the Division of Performance Studies of the College-Conservatory of Music 2003 by Nina Perlove B.M., University of Michigan, 1995 M.M., University of Cincinnati, 1999 Committee Chair: bruce d. mcclung, Ph.D. ABSTRACT Aaron Copland’s final compositions include two chamber works for flute, the Duo for Flute and Piano (1971) and Threnodies I and II (1971 and 1973), all written as memorial tributes. This study will examine the Duo and Threnodies as examples of the composer’s late style with special attention given to Copland’s tendency to adopt and reinterpret material from outside sources and his desire to be liberated from his own popular style of the 1940s. The Duo, written in memory of flutist William Kincaid, is a representative example of Copland’s 1940s popular style. The piece incorporates jazz, boogie-woogie, ragtime, hymnody, Hebraic chant, medieval music, Russian primitivism, war-like passages, pastoral depictions, folk elements, and Indian exoticisms. The piece also contains a direct borrowing from Copland’s film scores The North Star (1943) and Something Wild (1961). -
Alessio Bax and Lucille Chung, Piano Chamber Music at the Barns CMSLC Front Row: National OCT 25 | 3 PM Streaming Until Midnight Oct 30
Alessio Bax and Lucille Chung, piano Chamber Music at The Barns CMSLC Front Row: National OCT 25 | 3 PM Streaming until midnight Oct 30 PROGRAM WOLFGANG AMADEUS MOZART (1756-1791) Concerto No. 14 in E-flat major for Piano and String Quintet, K. 449 (1784) Allegro vivace Andantino Allegro ma non troppo Alessio Bax, piano; Arnaud Sussmann, violin; Bella Hristova, violin; Paul Neubauer, viola; Sophie Shao, cello; Joseph Conyers, double bass BÉLA BARTÓK (1881-1945) Sonata for Two Pianos and Percussion (1937) Assai lento—Allegro molto Lento ma non troppo Allegro non troppo Alessio Bax, piano; Lucille Chung, piano; Ian David Rosenbaum, percussion; Ayano Kataoka, percussion Q&A with Alessio Bax and Lucille Chung following performance. ABOUT THE ARTISTS ALESSIO BAX Pianist Alessio Bax—a first prize winner at both the Leeds and Hamamatsu International Piano Competitions, and the recipient of a 2009 Avery Fisher Career Grant—has appeared with more than 100 orchestras, including the London Philharmonic, Royal Philharmonic, Boston Symphony, Dallas Symphony, Houston Symphony, Japan’s NHK Symphony, St. Petersburg Philharmonic, and City of Birmingham Symphony. In the summer of 2017 Bax launched a three-season appointment as artistic director of Tuscany’s Incontri in Terra di Siena festival, having also appeared at festivals like Music@Menlo, the Santa Fe Chamber Music Festival, Switzerland’s Verbier Festival, Norway’s Risør Festival, Germany’s Klavier-Festival Ruhr and Beethovenfest, and England’s Aldeburgh Festival, Bath Festival, and International Piano Series. An accomplished chamber musician, Bax regularly collaborates with his wife and pianist Lucille Chung, superstar violinist Joshua Bell, Berlin Philharmonic principals Daishin Kashimoto and Emmanuel Pahud, and the Chamber Music Society of Lincoln Center—where he is an alum of The Bowers Program. -
Beethoven, Bagels & Banter
Beethoven, Bagels & Banter SUN / JAN 19 / 11:00 AM Alessio Bax PIANO Lucille Chung PIANO Robert Davidovici VIOLIN Antonio Lysy CELLO There will be no intermission. Please join us after the performance for refreshments and a conversation with the performers. PROGRAM Franz Schubert (1797-1828) Fantasie in F minor, D. 940 for piano 4 hands Bax, Chung George Enescu (1881-1955) Violin Sonata No. 3, Op. 25 "dans le caractère populaire roumain" (1926) i. Moderato malinconico ii. Andante sostenuto e misterioso iii. Allegro con brio, ma non troppo mosso Davidovici, Bax Ludwig van Beethoven (1770-1827) Piano Trio in E-flat major, Op. 1 No. 1 (1793/94) i. Allegro ii. Adagio cantabile iii. Scherzo. Allegro assai iv. Finale. Presto Chung, Davidovici, Lysy Astor Piazzolla (1921-1992) Milonga del Ángel (Bax-Chung arr.) Libertango (Bax-Chung arr.) Bax, Chung This series made possible by a generous gift from Barbara Herman. PERFORMANCES MAGAZINE 8 ABOUT THE ARTISTS Combining exceptional lyricism and Bax revisited Mozart’s K. 491 and At age 14, Bax graduated with top insight with consummate technique, K. 595 concertos, as heard on honors from the conservatory of ALESSIO BAX (Gramophone) is Alessio Bax Plays Mozart, for his Bari, his hometown in Italy, and without a doubt “among the most recent debuts with the Boston after further studies in Europe he remarkable young pianists now and Melbourne Symphonies, both moved to the United States in 1994. before the public.” He catapulted with Sir Andrew Davis and with the A Steinway artist, he lives in New York to prominence with First Prize wins Sydney Symphony, which he led City with pianist Lucille Chung and at both the Leeds and Hamamatsu himself from the keyboard.