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Spring 2008-Final
Wagneriana Endloser Grimm! Ewiger Gram! Spring 2008 Der Traurigste bin ich von Allen! Volume 5, Number 2 —Die Walküre From the Editor ven though the much-awaited concert of the Wagner/Liszt piano transcriptions was canceled due to un- avoidable circumstances (the musicians were unable to obtain a visa), the winter and early spring months E brought several stimulating events. On January 19, Vice President Erika Reitshamer gave an audiovisual presentation on Wagner’s early opera Das Liebesverbot. This well-attended event was augmented by photocopies of extended excerpts from the libretto, with frequently amusing commentary by the presenter on Wagner’s influences and foreshadowings of his future operas. February 23 brought the excellent talk by Professor Hans Rudolf Vaget of Smith College. Professor Vaget spoke about Wagner’s English biographer Ernest Newman, whose seminal four-volume book The Life of Richard Wagner has never been surpassed in its thoroughness. In the early part of the twentieth century, the music critic Newman served as a counterbalance to his fellow countryman Houston Stewart Chamberlain, Wagner’s son-in-law and an ardent Nazi. The talk also included aspects of Thomas Mann’s fictional writings on Wagner, as well as the philoso- pher and musician Theodor Adorno and Wagner’s other son-in-law Franz Beidler. On April 19 we learned the extent of Buddhism’s influence on Wagner’s operas thanks to a lecture and book signing by Paul Schofield, author of The Redeemer Reborn: Parsifal as the Fifth Opera of Wagner’s Ring. The audience members were so interested in what Mr. -
5024453-91Bc56-635212052525.Pdf
LUDWIG VAN BEETHOVEN Ludwig van Beethoven Major, Op. 73; the String Quartet in E-flat Major, PIANO CONCERTO NO. 5 Born Bonn, baptized December 17, 1770; died Op. 74 (Harp); the Piano Sonatas in F-sharp, & WORKS FOR SOLO PIANO March 26, 1827, Vienna G, and E-flat, Opp. 78, 79, and 81a; et al. Piano Concerto No. 5 in E-Flat Major, Op. 73 Unlike the Eroica Symphony (composed in Piano Concerto No. 5 in E-Flat Major, Op. 73 “Emperor” “Emperor” (1809) 1803, and in whose genesis Napoleon is 1 I. Allegro [20.26] In May 1809, Vienna fell to Napoleon for the directly, infamously, implicated), the Fifth Piano 2 II. Adagio un poco moto [6.55] second time in four years. The first conquest Concerto’s sobriquet – Emperor – was not 3 III. Rondo [10.13] of the Austrian capital, in 1805, happened bestowed by Beethoven, but by a publisher 4 Praeludium, WoO 55 [2.29] relatively quietly, as French forces entered the post facto. Although Beethoven completed Piano Sonata No. 27, Op. 90 city without opposition. But the 1809 siege the Concerto before the French invasion, the 5 I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck [5.26] of Vienna was accompanied by a heavy zeitgeist surrounding the Napoleonic Wars 6 II. Nicht zu geschwind und sehr singbar vorgetragen [6.27] bombardment. History has remembered the seems nevertheless to have permeated the image of Beethoven cowering in his brother’s work. Witness its martial rhythms and Contredanses, WoO 14 7 I. Contredanse in C Major [0.29] basement, holding a pillow tightly around his suggestions of military triumph in the 8 II. -
Biography: History of La Foce
Biography: Alessio Bax (Artistic Director) “Alessio Bax is clearly among the most remarkable young pianists now before the public.” — Gramophone Alessio Bax, a pianist of authority, elegance and intensity (as described respectively by the Daily Telegraph, the New Yorker and Gramophone), is praised for his lyrical performances and compelling, insightful interpretations. As First Prize winner at the Leeds International Piano Competition, and the recipient of an Avery Fisher Career Grant and Lincoln Center’s Martin E. Segal Award, he has appeared as soloist with more than 100 orchestras, including the London and Royal Philharmonic orchestras, Houston and Cincinnati Symphonies, Japan’s NHK Symphony, Dallas Symphony with Jaap van Zweden, St. Petersburg Philharmonic with Yuri Temirkanov, and the City of Birmingham Symphony Orchestra with Sir Simon Rattle. In 2017 Bax was appointed Artistic Director of Italy’s Incontri in Terra di Siena Festival for a three-year term. He has a burgeoning discography that includes works by Bach, Beethoven, Brahms, Mozart, Rachmaninov and Stravinsky as well as a Russian album and a lullaby collection (Lullabies For Mila is dedicated to his daughter, Mila) – all of which have been singled out for distinction by the most discerning critics. His recording of a Bach cantata excerpt was recently included on the soundtrack of Luca Guadagnino’s hit movie Call Me By Your Name. Antonio Lysy (Co-Founder) Antonio Lysy is an internationally renowned cellist, appearing as a soloist in major concert halls around the world. He has performed with orchestras including the Philharmonia, the Royal Philharmonic Orchestra, Camerata Salzburg, the Tonhalle-Orchester Zürich, the Orchestra di Padova e il Veneto, the Israel Sinfonietta, the Montreal Symphony Orchestra and the Toronto Symphony Orchestra. -
Art Works Grants
National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops. -
Alessio Bax and Lucille Chung, Piano Chamber Music at the Barns CMSLC Front Row: National OCT 25 | 3 PM Streaming Until Midnight Oct 30
Alessio Bax and Lucille Chung, piano Chamber Music at The Barns CMSLC Front Row: National OCT 25 | 3 PM Streaming until midnight Oct 30 PROGRAM WOLFGANG AMADEUS MOZART (1756-1791) Concerto No. 14 in E-flat major for Piano and String Quintet, K. 449 (1784) Allegro vivace Andantino Allegro ma non troppo Alessio Bax, piano; Arnaud Sussmann, violin; Bella Hristova, violin; Paul Neubauer, viola; Sophie Shao, cello; Joseph Conyers, double bass BÉLA BARTÓK (1881-1945) Sonata for Two Pianos and Percussion (1937) Assai lento—Allegro molto Lento ma non troppo Allegro non troppo Alessio Bax, piano; Lucille Chung, piano; Ian David Rosenbaum, percussion; Ayano Kataoka, percussion Q&A with Alessio Bax and Lucille Chung following performance. ABOUT THE ARTISTS ALESSIO BAX Pianist Alessio Bax—a first prize winner at both the Leeds and Hamamatsu International Piano Competitions, and the recipient of a 2009 Avery Fisher Career Grant—has appeared with more than 100 orchestras, including the London Philharmonic, Royal Philharmonic, Boston Symphony, Dallas Symphony, Houston Symphony, Japan’s NHK Symphony, St. Petersburg Philharmonic, and City of Birmingham Symphony. In the summer of 2017 Bax launched a three-season appointment as artistic director of Tuscany’s Incontri in Terra di Siena festival, having also appeared at festivals like Music@Menlo, the Santa Fe Chamber Music Festival, Switzerland’s Verbier Festival, Norway’s Risør Festival, Germany’s Klavier-Festival Ruhr and Beethovenfest, and England’s Aldeburgh Festival, Bath Festival, and International Piano Series. An accomplished chamber musician, Bax regularly collaborates with his wife and pianist Lucille Chung, superstar violinist Joshua Bell, Berlin Philharmonic principals Daishin Kashimoto and Emmanuel Pahud, and the Chamber Music Society of Lincoln Center—where he is an alum of The Bowers Program. -
NEUHEITEN Zum 28.08.2020 Romantisches Drama — Brasilianische Traditionen Und Ein Ohrwurm 27 Neuheiten Von
NEUHEITEN zum 28.08.2020 Romantisches Drama — brasilianische Traditionen und ein Ohrwurm 27 Neuheiten von ARC Music CD Accord Daphne Delphian Digressione Music MV Cremona Naxos Opus Arte 8.574197 Pentatone OA1302D Stradivarius DCD34243 PTC5186760 Bitte beachten Sie, dass in Österreich die Auswahl der verfügbaren Labels und Titel von der hier dargestellten variieren kann. Sollten Sie Fragen zu in Österreich erhältlichen Titeln haben, wenden Sie sich bitte an Herrn Michael Aigner ([email protected]). © 2020 Naxos Deutschland Musik & Video Vertriebs GmbH · Gruber Str. 70 · D 85586 Poing Tel: 08121-25007-40 · Fax: -41 · [email protected] · Händlerservice: Tel: 08121-25007-20 Fax: -21 [email protected] · www.naxos.de · www.facebook.com/NaxosDE · blog.naxos.de Rezensions-Echo — so begeistert sind die Medien! Marco Longhini: Monteverdi, Sämtliche Madrigale (Naxos, 8501505) https://crescendo.de/marco-longhini-monteverdi-1000049979/ Crescendo.de, 05.08.2020: "…eine Gesamtschau der Monteverdischen Madrigalkunst, virtuose Vokal- künsteleien, von Longhinis Solistenensemble Delitiæ Musicæ auf einem durchweg brillanten Niveau zum Besten gegeben. Die Box hat es in sich: gut 16 Stunden Madrigale, knapp 680g schwer, insgesamt 15 CDs samt Booklets mit kurzen Einführungen und allen italienischen Texten mit deren englischer Übersetzung. Ein gewichtiges Opus, im wahrsten Sinne des Wortes." Piotr Beczala - Vincero' (Pentatone, PTC5186733) https://magazin.klassik.com/reviews/reviews.cfm? TASK=REVIEW&RECID=36264&REID=19014 klassik.com, 10.08.2020: "Den Titel 'Vincerò!' für ein Soloalbum muss man sich leisten kön- nen. Piotr Beczala kann es! Er 'siegt' auf seinem neuesten Album mit Werken von Puccini, Mascagni, Giordano, Leoncavallo und Cilea auf ganzer Linie." klassik.com empfiehlt 5|5 Pkte. -
The Baritone to Tenor Transition
The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 2018 The Baritone to Tenor Transition John White University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Pedagogy Commons, and the Music Performance Commons Recommended Citation White, John, "The Baritone to Tenor Transition" (2018). Dissertations. 1586. https://aquila.usm.edu/dissertations/1586 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. THE TENOR TO BARITONE TRANSITION by John Charles White A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved by: Dr. J. Taylor Hightower, Committee Chair Dr. Kimberley Davis Dr. Jonathan Yarrington Dr. Edward Hafer Dr. Joseph Brumbeloe ____________________ ____________________ ____________________ Dr. J. Taylor Hightower Dr. Richard Kravchak Dr. Karen S. Coats Committee Chair Director of School Dean of the Graduate School December 2018 COPYRIGHT BY John Charles White 2018 Published by the Graduate School ABSTRACT Many notable opera singers have been virtuosic tenors; Franco Corelli, Plácido Domingo, James King, José Carreras, Ramón Vinay, Jon Vickers, and Carlo Bergonzi. Besides being great tenors, each of these singers share the fact that they transitioned from baritone to tenor. Perhaps nothing is more destructive to the confidence of a singer than to have his vocal identity or voice type challenged. -
Mountains Faculty Concert Series
presents MUSIC IN THE MOUNTAINS FACULTY CONCERT SERIES SUMMER 2018 ROCKY RIDGE MUSIC CENTER, CONCERT HALL 465 LONGS PEAK RD. ESTES PARK, CO 80517 SUNDAYS @ 3:00 PM June 3, 10, 24 | July 1, 8, 22 | August 5 | September 2 $25/$20 JUNE 3, 2018 Adult Piano Seminar Faculty Sarabande from Partita No. 1 in B-flat Major Johann Sebastian Bach (1685–1750) Prelude and Fugue in B-flat Minor Étude 6, Pour les huit doigts Claude Debussy (1862-1918) Hsing-ay Hsu, piano Sonata for Four Hands in B-flat Major, Wolfgang Amadeus Mozart (1756-1791) K. 358 I. Allegro II. Adagio III. Molto presto Hsing-ay Hsu, piano Larry Graham, piano Sonata in B-flat Major, K.333 W.A. Mozart I. Allegro II. Andante cantabile III. Allegretto grazioso INTERMISSION Réminiscences de Lucia di Lammermoor Franz Liszt (1811-1886) 7 Fantasien, Op. 116 Johannes Brahms (1833-1897) Sergio Gallo, piano JUNE 10, 2018 Junior Artist Seminar Faculty Five Pieces for Two Violins and Piano Dmitri Shostakovich (1906-1975) arr. Levon Atovmyan I. Prelude II. Gavotte III. Elegy IV. Waltz V. Polka David Rife, violin Wynne Wong-Rife, violin James Welch, piano Trio in B-flat Major, Op. 11 Ludwig van Beethoven (1770-1827) I. Allegro con brio II. Adagio III. Tema con variazioni David Shea, clarinet Mary Beth Tyndall, cello James Welch, piano Épitaphe de Jean Harlow, Op. 164 Charles Koechlin (1867-1950) Catherine Peterson, Flute Grant Larson, Saxophone Marina Beretta-Hammond, piano INTERMISSION String Quartet No. 1 in E-flat Major, Op. 12 Felix Mendelssohn (1809-1847) I. -
Newsletter June 2012 (PDF)
Newsletter June 2012 CHAIRMAN’S INTRODUCTION Dear Member, I am sorry it has taken some time to get the newsletter to you but every time we are ready to send it more information comes in and we have more to add. I trust you will find this newsletter particularly interesting. One of the key items of news in this newsletter is the plans for next year, and what an interesting year it promises to be. Following representation from members, we have decided to have a dinner to celebrate the 10 anniversary of the founding of the Society. This will take place on the 20th September at Donnybrook Fair. The room can only accommodate 55 so we would appreciate it if members could inform us if they are going to attend. The cost will be €30 per head excluding wine. It is great to think that in the year of our anniversary there will also be a performance of Tristan und Isolde in Dublin. We, as you read below, have tickets reserved for the first performance. I am also delighted that the Finnish Wagner Society will be organising a trip to attend and we will be using the opportunity to meet them and make them welcome. Our schedule of events this year starts in October with a lecture marking the foundation of the Society by Chris McQuaid, the title being "Wagner Chöre und Umlaute". I trust the range of lectures will provide interesting variety. Next year also sees the production of The Flying Dutchman in Belfast and we will organise a trip to see the performance. -
Tristan Und Isolde
Richard Wagner Tristan und Isolde CONDUCTOR Opera in three acts James Levine Libretto by the composer PRODUCTION Dieter Dorn Saturday, March 22, 2008, 12:30–5:30pm SET AND COSTUME DESIGNER Jürgen Rose LIGHTING DESIGNER Max Keller The production of Tristan und Isolde was made possible by a generous gift from Mr. and Mrs. Henry R. Kravis. Additional funding for this production was generously provided by Mr. and Mrs. Sid R. Bass, Raffaella and Alberto Cribiore, The Eleanor Naylor Dana Charitable Trust, Gilbert S. Kahn and John J. Noffo Kahn, Mr. and Mrs. Paul M. Montrone, Mr. and Mrs. Ezra K. Zilkha, and one anonymous donor. The revival of this production is made possible by a generous gift from The Gilbert S. Kahn and John J. Noffo GENERAL MANAGER Kahn Foundation. Peter Gelb MUSIC DIRECTOR James Levine 2007-08 Season The 447th Metropolitan Opera performance of Richard Wagner’s Tristan und Isolde Conductor James Levine IN ORDER OF VOCAL APPEARANCE A Sailor’s Voice King Marke Matthew Plenk Matti Salminen Isolde A Shepherd Deborah Voigt Mark Schowalter Brangäne M A Steersman Deborah Voigt’s Michelle DeYoung James Courtney performance is underwritten by Kurwenal Eike Wilm Schulte the Annenberg English horn solo Principal Artist Tristan Pedro R. Díaz Fund. Robert Dean Smith DEBUT This afternoon’s performance is Melot being broadcast Stephen Gaertner live on Metropolitan Opera Radio, on Sirius Satellite Radio channel 85. Saturday, March 22, 2008, 12:30–5:30pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD is generously supported by the Neubauer Family Foundation. -
Beethoven, Bagels & Banter
Beethoven, Bagels & Banter SUN / JAN 19 / 11:00 AM Alessio Bax PIANO Lucille Chung PIANO Robert Davidovici VIOLIN Antonio Lysy CELLO There will be no intermission. Please join us after the performance for refreshments and a conversation with the performers. PROGRAM Franz Schubert (1797-1828) Fantasie in F minor, D. 940 for piano 4 hands Bax, Chung George Enescu (1881-1955) Violin Sonata No. 3, Op. 25 "dans le caractère populaire roumain" (1926) i. Moderato malinconico ii. Andante sostenuto e misterioso iii. Allegro con brio, ma non troppo mosso Davidovici, Bax Ludwig van Beethoven (1770-1827) Piano Trio in E-flat major, Op. 1 No. 1 (1793/94) i. Allegro ii. Adagio cantabile iii. Scherzo. Allegro assai iv. Finale. Presto Chung, Davidovici, Lysy Astor Piazzolla (1921-1992) Milonga del Ángel (Bax-Chung arr.) Libertango (Bax-Chung arr.) Bax, Chung This series made possible by a generous gift from Barbara Herman. PERFORMANCES MAGAZINE 8 ABOUT THE ARTISTS Combining exceptional lyricism and Bax revisited Mozart’s K. 491 and At age 14, Bax graduated with top insight with consummate technique, K. 595 concertos, as heard on honors from the conservatory of ALESSIO BAX (Gramophone) is Alessio Bax Plays Mozart, for his Bari, his hometown in Italy, and without a doubt “among the most recent debuts with the Boston after further studies in Europe he remarkable young pianists now and Melbourne Symphonies, both moved to the United States in 1994. before the public.” He catapulted with Sir Andrew Davis and with the A Steinway artist, he lives in New York to prominence with First Prize wins Sydney Symphony, which he led City with pianist Lucille Chung and at both the Leeds and Hamamatsu himself from the keyboard. -
Steinway Society 16-17 Program Two (Pdf)
PIANO CONCERTS FEBRUARY 2017 - MAY 2017 Alessio Bax Boris Giltburg Steinway TheSociety Bay Area Music you love. Artists you’ll cherish. Beatrice Rana Sofya Gulyak 1 www.steinwaysociety.com PIANO CONCERTS 2016–2017 Letter from the President Jon Nakamatsu mozart brahmS Schumann chopin Dear Friends and Patrons, September 11, 2016, 7:00 p.m. Welcome to our exciting 2016 – 2017 Season. Thank McAfee Performing Arts and Lecture Center, Saratoga you for supporting Steinway Society’s internationally acclaimed pianists as they bring beloved masterworks Fei-Fei Dong to our community. Galuppi Schumann chopin leibermann liSzt October 15, 2016, 7:30 p.m. The season begins with local treasure Jon Nakamatsu, 1997 Van Trianon Theatre, San Jose Cliburn Competition Gold Medalist, now celebrated worldwide. Our October concert presents the rising young Chinese pianist Fei-Fei Vyacheslav Gryaznov Dong a finalist at the 2013 Van Cliburn competition. beethoven debussy ravel prokoFiev rachmaninov Russian virtuoso Vyacheslav Gryaznov, winner of the Rubinstein November 12, 2016, 7:30 p.m. and Rachmaninoff Competitions in Moscow joins us in November Trianon Theatre, San Jose with a program that includes a premiere performance of his transcription of Prokofiev’s “Sur la Borysthene.” The celebrated Klara Frei and Temirzhan Yerzhanov piano duo Frei and Yerzhanov perform Romantic Period favorites Schubert brahmS mendelssohn Schumann in January, 2017. Exhilarating artist Alessio Bax, soloist with more January 21, 2017, 7:30 p.m. than 100 orchestras since winning the Leeds International Piano Trianon Theatre, San Jose Competition, will thrill in February. March presents the brilliant Boris Giltburg, who won First Prize at the 2013 Queen Elisabeth Alessio Bax Competition (Brussels) and performs internationally with esteemed mozart Schubert Scriabin ravel conductors.