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Steinway Society 16-17 Program Two (Pdf) PIANO CONCERTS FEBRUARY 2017 - MAY 2017 Alessio Bax Boris Giltburg Steinway TheSociety Bay Area Music you love. Artists you’ll cherish. Beatrice Rana Sofya Gulyak 1 www.steinwaysociety.com PIANO CONCERTS 2016–2017 Letter from the President Jon Nakamatsu mozart brahmS Schumann chopin Dear Friends and Patrons, September 11, 2016, 7:00 p.m. Welcome to our exciting 2016 – 2017 Season. Thank McAfee Performing Arts and Lecture Center, Saratoga you for supporting Steinway Society’s internationally acclaimed pianists as they bring beloved masterworks Fei-Fei Dong to our community. Galuppi Schumann chopin leibermann liSzt October 15, 2016, 7:30 p.m. The season begins with local treasure Jon Nakamatsu, 1997 Van Trianon Theatre, San Jose Cliburn Competition Gold Medalist, now celebrated worldwide. Our October concert presents the rising young Chinese pianist Fei-Fei Vyacheslav Gryaznov Dong a finalist at the 2013 Van Cliburn competition. beethoven debussy ravel prokoFiev rachmaninov Russian virtuoso Vyacheslav Gryaznov, winner of the Rubinstein November 12, 2016, 7:30 p.m. and Rachmaninoff Competitions in Moscow joins us in November Trianon Theatre, San Jose with a program that includes a premiere performance of his transcription of Prokofiev’s “Sur la Borysthene.” The celebrated Klara Frei and Temirzhan Yerzhanov piano duo Frei and Yerzhanov perform Romantic Period favorites Schubert brahmS mendelssohn Schumann in January, 2017. Exhilarating artist Alessio Bax, soloist with more January 21, 2017, 7:30 p.m. than 100 orchestras since winning the Leeds International Piano Trianon Theatre, San Jose Competition, will thrill in February. March presents the brilliant Boris Giltburg, who won First Prize at the 2013 Queen Elisabeth Alessio Bax Competition (Brussels) and performs internationally with esteemed mozart Schubert Scriabin ravel conductors. Italian pianist Beatrice Rana, Silver Medalist and Audience Favorite at the 2013 Van Cliburn Competition, lights up February 5, 2017, 2:00 p.m. April. And, back in May by popular demand, the radiant Russian Trianon Theatre, San Jose pianist Sofya Gulyak, the only woman awarded First Prize and Princess Mary Gold Medal at a Leeds International Piano Boris Giltburg Competition. beethoven brahmS rachmaninov March 11, 2017, 7:30 p.m. We are already very excited about our upcoming 2017-18 Season. With Trianon Theatre, San Jose a lineup of spectacular artists and music that will whisk you away to other times and places, next year’s programs promise to delight. Beatrice Rana We are also seeking to expand our Board of Directors, and would bach debussy FranceSconi liSzt welcome your participation. April 8, 2017, 7:30 p.m. Sandra Wales Trianon Theatre, San Jose President, Board of Directors Sofya Gulyak clementi tchaikovSky ShoStakovich medtner prokoFiev Front cover photos: Alessio Bax, © Lisa-Marie Mazzucco, Boris Giltburg, © Sasha Gusov, Beatrice Rana, © Ellen May 7, 2017, 2:00 p.m. Appel-Mike Morel, Sofya Gulyak, © Fedor Ermolayev. Trianon Theatre, San Jose 2 3 Program Mozart, 6 Variations on a Theme from the Clarinet Quintet KV 581, KV Anh. 137 Alessio Bax Schubert, Sonata in A Minor, D 784 Allegro giusto Alessio Bax, a pianist of authority, elegance Andante Allegro vivace and intensity (as described respectively by the Daily Telegraph, the New Yorker Intermission and Gramophone), is praised for his lyrical performances and compelling, insightful Scriabin, Sonata No. 3, Op. 23 interpretations. As First Prize winner at the Drammatico Leeds International Piano Competition, and the recipient of an Avery Allegretto Fisher Career Grant and Lincoln Center’s Martin E. Segal Award, Bax is a Andante Presto con fuoco star on the rise. Ravel, La Valse pour orchestre (poème chorégraphique pour orchestre) He has appeared as soloist with more than 100 orchestras, including the London and Royal Philharmonic orchestras, Japan’s NHK Symphony, Dallas Symphony with Jaap van Zweden, St. Petersburg Philharmonic with Yuri Temirkanov, and the City of Birmingham Symphony Orchestra with Sir Simon Rattle. Bax recently added a Russian album and a lullaby Program Notes collection (Lullabies For Mila is dedicated to his daughter, Mila) to 6 Variations on a Theme from the Clarinet Quintet KV 581, KV Anh. 137 a burgeoning discography that includes works by Bach, Beethoven, Wolfgang Amadeus Mozart (1756-1791) Brahms, Mozart, Rachmaninov and Stravinsky – all of which have been In 1789, Mozart wrote his only completed clarinet quintet for his friend, singled out for distinction by the most discerning critics. He was recently clarinetist Anton Stadler. It remains one of the most well-known pieces appointed Artistic Director of Italy’s Incontri in Terra di Siena Festival featuring the instrument. The piano transcription is of the Quintet’s for a three-year term starting in 2017. final movement, which is in variation form. Filling in for both clarinet and string quartet, the piano must balance an ebullient melody with light staccato chords. The third variation, in the new key of A minor, is punctuated by the left hand accompaniment. The fourth variation returns to the main theme before the fifth slows to a lyrical Adagio. The sixth variation was the original Quintet’s coda and ends with two quick final chords. Sonata in A Minor, D 784 (Post. Published as Op. 143) Franz Schubert (1797-1828) Franz Schubert composed his Sonata in A Minor in 1823, but it was not published until 1839, 11 years after the composer’s death. The publishers dedicated it to Felix Mendelssohn, who championed Schubert’s works. This three-movement sonata has a tragic tone, with a bleak and heavy first movement opening melody. Additionally, many sections of the Photo: Alessio Bax, © Lisa-Marie Mazzucco first movement end abruptly and move on without modulation or 4 5 announcement. The shifts between heavy, heroic, and calm, however, indicate that no one mood prevails throughout the piece. A quiet Andante barely dispels the atmosphere of despair before the chill winds of the final Allegro vivace, at the end of which swift chords and sweeping double octaves propel the sonata to its end. Boris Giltburg Sonata No. 3, Op. 23 Born in 1984 in Moscow, Boris Giltburg Alexander Scriabin (1872-1915) moved to Tel Aviv at an early age. Having Alexander Scriabin composed his Piano Sonata No. 3 in 1897 and 1898, won the Santander Competition in 2002 early in his career, while he was touring as a pianist and newlywed with and taken second (and audience) prize his wife, Vera. Scriabin prescribed a program for this Romantic style at the Arthur Rubinstein International piece, titling it “States of the Soul.” The first movement, Drammatico, Piano Master Competition in 2011, he has opens in tumult and confusion, building a desire to break free. It finally appeared with leading orchestras, such as the Israel Philharmonic, reaches a tranquil mood that continues through the second movement Deutsches Symphonie-Orchester Berlin, Frankfurt Radio Symphony, before the third movement’s touches of sorrow. The finale emerges in Swedish Radio Symphony, and Danish Radio Symphony. He made his hope, with an unusual and dramatic introduction, but ends just as the BBC Proms debut in 2010, and has toured regularly to South America climax begins, when the audience least expects a conclusion. The ending and China. In 2013 he won first prize at the Queen Elisabeth Competition seems truncated, and one is left feeling that the music should cycle back to the Sonata’s beginning and repeat itself. (Brussels), with subsequent concerts in Vienna, London, Tokyo, Brussels and Seattle. He has worked with esteemed conductors such as Neeme Järvi, Edo de Waart and Christoph von Dohnányi. For the 2015/16 La Valse pour orchestre (poème chorégraphique pour orchestre) Season, The Royal Scottish National Orchestra invited him for seven Maurice Ravel (1875-1937) concerts in their Rachmaninov series. Maurice Ravel’s La Valse (“The Waltz”) is a choreographic poem for orchestra that has enchanted its way onto many programs since its first Having initially appeared on the EMI Debut label, in 2012 Giltburg performance in 1920. Ravel had planned a tribute to waltzing Vienna released an acclaimed CD of Prokofiev’s War Sonatas on Orchid Classics. and Johann Strauss, but after the horrors of WWI he composed instead In 2015, with the release of a Schumann recital disc, he began a long-term a terrifying tone poem, a bitter and ferocious fantasy. Ravel transcribed recording arrangement with Naxos Records. it for two pianos as well as piano solo. The innovative introduction gives no indication of a waltz — a low rumble starts the piece as excerpts of waltz melodies are barely heard. Suddenly, the main waltz theme bursts through, followed by waltzes that vary in style. A loud trill and return to the introduction brings the audience into the second half. Each of the melodies is repeated, but with tempo changes, modulations, and new intonations. Wide, sweeping movements of the pianist’s arms cast a glorious effect over the classic waltzes and lead to a danse macabre coda with a final measure, perhaps symbolically, not in waltz-time. Photo: Boris Giltburg, © Sasha Gusov 6 7 off Lake Lucerne. Composed at the beginning of Beethoven’s second Program stylistic period, this Sonata can be interpreted as his beginning to come Beethoven, Sonata No.14 in C-sharp minor, Op.27, No.2 to terms with his impending deafness. The Adagio Sostenuto’s mourning ‘Quasi una fantasia’ and loss, with its modal changes and dissonances followed by the rage of Adagio sostenuto the stormy third movement, may express his feelings about this affliction Allegretto - writing extraordinary music yet being unable to hear it. Presto agitato Brahms, Phantasien Op. 116 Phantasien, Op. 116 No. 1 Capriccio in D minor No. 5 Intermezzo in E minor Johannes Brahms (1833-1897) No. 2 Intermezzo in A minor No. 6 Intermezzo in E major The works of Brahms’ last decade have a decidedly autumnal quality, No.
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