DOCSLIB.ORG

TR 102 546 V1.1.1 (2007-02) Technical Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TR 102 546 V1.1.1 (2007-02) Technical Report ETSI TR 102 546 V1.1.1 (2007-02) Technical Report Electromagnetic compatibility and Radio spectrum Matters (ERM); Technical characteristics for Professional Wireless Microphone Systems (PWMS); System Reference Document 2 ETSI TR 102 546 V1.1.1 (2007-02) Reference DTR/ERM-RM-053 Keywords audio, SRDoc ETSI 650 Route des Lucioles F-06921 Sophia Antipolis Cedex - FRANCE Tel.: +33 4 92 94 42 00 Fax: +33 4 93 65 47 16 Siret N° 348 623 562 00017 - NAF 742 C Association à but non lucratif enregistrée à la Sous-Préfecture de Grasse (06) N° 7803/88 Important notice Individual copies of the present document can be downloaded from: http://www.etsi.org The present document may be made available in more than one electronic version or in print. In any case of existing or perceived difference in contents between such versions, the reference version is the Portable Document Format (PDF). In case of dispute, the reference shall be the printing on ETSI printers of the PDF version kept on a specific network drive within ETSI Secretariat. Users of the present document should be aware that the document may be subject to revision or change of status. Information on the current status of this and other ETSI documents is available at http://portal.etsi.org/tb/status/status.asp If you find errors in the present document, please send your comment to one of the following services: http://portal.etsi.org/chaircor/ETSI_support.asp Copyright Notification No part may be reproduced except as authorized by written permission. The copyright and the foregoing restriction extend to reproduction in all media. © European Telecommunications Standards Institute 2007. All rights reserved. DECTTM, PLUGTESTSTM and UMTSTM are Trade Marks of ETSI registered for the benefit of its Members. TIPHONTM and the TIPHON logo are Trade Marks currently being registered by ETSI for the benefit of its Members. 3GPPTM is a Trade Mark of ETSI registered for the benefit of its Members and of the 3GPP Organizational Partners. ETSI 3 ETSI TR 102 546 V1.1.1 (2007-02) Contents Intellectual Property Rights................................................................................................................................5 Foreword.............................................................................................................................................................5 Introduction ........................................................................................................................................................5 1 Scope ........................................................................................................................................................6 2 References ................................................................................................................................................6 3 Definitions and abbreviations...................................................................................................................8 3.1 Definitions..........................................................................................................................................................8 3.2 Abbreviations .....................................................................................................................................................9 4 Executive summary ..................................................................................................................................9 4.1 Status of the present document.........................................................................................................................10 4.2 Related ETSI and GSC initiatives ....................................................................................................................10 4.3 Technical system description ...........................................................................................................................10 4.4 Market Information ..........................................................................................................................................10 5 Current regulations.................................................................................................................................11 6 Proposed regulations ..............................................................................................................................11 7 Main conclusions....................................................................................................................................14 8 Expected ECC and ETSI actions............................................................................................................14 Annex A: Detailed market information ...............................................................................................16 A.1 Applications ...........................................................................................................................................16 A.1.1 Application categories......................................................................................................................................16 A.2 Market size .............................................................................................................................................17 A.2.1 Markets covered ...............................................................................................................................................18 A.2.2 Market forecast.................................................................................................................................................18 A.2.2.1 In-Ear Monitors ..........................................................................................................................................18 A.2.2.2 Wireless Microphones ................................................................................................................................18 A.2.2.2.1 Present...................................................................................................................................................18 A.2.2.2.2 Future ....................................................................................................................................................19 A.2.3 Audio Links......................................................................................................................................................19 A.3 Traffic evaluation ...................................................................................................................................20 A.3.1 Examples of typical deployment scenarios ......................................................................................................20 A.3.1.1 Comic Relief Fame Academy.....................................................................................................................20 A.3.1.2 The Games..................................................................................................................................................20 A.3.1.3 The Farm.....................................................................................................................................................20 A.3.1.4 Springwatch ................................................................................................................................................20 A.3.1.5 The Match...................................................................................................................................................21 A.3.1.6 Only Fool on Horses...................................................................................................................................21 A.3.1.7 Phantom of the Opera .................................................................................................................................21 A.3.1.8 Festspiele Bregenz ......................................................................................................................................21 A.3.1.9 Seefestspiele Mörbisch ...............................................................................................................................21 A.3.1.10 Eurovision Song Contest ............................................................................................................................22 A.3.1.11 Olympics, 2004...........................................................................................................................................23 A.3.1.12 Domstufen Erfurt ........................................................................................................................................24 A.3.1.13 Musical production Elizabeth / Mamma Mia .............................................................................................24 A.3.1.14 Best of Musical...........................................................................................................................................24 A.3.1.15 Deutsche Leichtathletikmeisterschaften .....................................................................................................24 A.3.1.16 "News gathering team" at Vienna airport ...................................................................................................24 A.3.1.17 "Production on tour" (e.g. production of documentary films) ....................................................................25 A.3.1.18 BRITs 2006.................................................................................................................................................25
Load more

Recommended publications
  • Tartu Arena Tasuvusanalüüs
    Tartu Arena tasuvusanalüüs Tellija: Tartu Linnavalitsuse Linnavarade osakond Koostaja: HeiVäl OÜ Tartu 2016 Copyright HeiVäl Consulting 2016 1 © HeiVäl Consulting Tartu Arena tasuvusanalüüs Uuring: Tartu linna planeeritava Arena linnahalli tasuvusanalüüs Uuringu autorid: Kaido Väljaots Geete Vabamäe Maiu Muru Uuringu teostaja: HeiVäl OÜ / HeiVäl Consulting ™ Kollane 8/10-7, 10147 Tallinn Lai 30, 51005 Tartu www.heival.ee [email protected] +372 627 6190 Uuringu tellija: Tartu Linnavalitsus, Linnavarade osakond Uuringuprojekt koostati perioodil aprill – juuli 2016. 2 © HeiVäl Consulting Tartu Arena tasuvusanalüüs Sisukord Kokkuvõte .............................................................................................................................................. 4 1 Uuringu valim .................................................................................................................................. 7 1.1 Tartu linn .......................................................................................................................................... 7 1.2 Euroopa .......................................................................................................................................... 11 2 Spordi- ja kultuuriürituste turuanalüüs ........................................................................................... 13 2.1 Konverentsiürituste ja messide turuanalüüs Tartus ....................................................................... 13 2.2 Kultuuriürituste turuanalüüs Tartus ...............................................................................................
    [Show full text]
  • Weekend Seminars in May in Riga
    TENTATIVE AGENDA Reserved seating: Special reserved seats for all Platinum & above. Allocated seating only. Your seat number will be given to you by your upline before FRIDAY – 12.10.2018 the event. 16.45-18.00 Leaders Meeting Nearest airport: The nearest international airport is 19.00-22.00 General Session Tallinn Airport (app 10 km from the venue). Age limit: 18 years: 18 years. Please note that no one under the age of 18 will be allowed in at this SATURDAY – 13.10.2018 event. Includes babies and infants. 09.30-10.30 Leaders Meeting Dress code: Business casual for all meetings. English or Russian will be spoken on 11.00-14.00 General Session Translation: stage. This event will be translated into Estonian, 18.00-22.00 General Session Latvian, Lithuanian and Russian. To be able to listen to the translated version of the program, SUNDAY – 14.10.2018 please bring your own device with FM radio frequency receiver. 10.00-13.30 General Session Tickets to next WES: Will be available from your upline Platinum starting at the Weekend Seminars in May in Riga. www.baltics.network21.com WEEKEND SEMINAR TALLINN Estonia • Latvia • Lithuania • Finnish 12. - 14.10.2018 SAKU SUURHALL Paldiski mnt 104B, Tallinn 13522, Estonia Robert is a graduate of Sydney University. He began his Amway business when he was in Australia, and after the Indonesian market opened he returned to Jakarta and worked at a world-renowned foreign private bank. His last position in the corporate sector was Assistant Vice President. We left our professional life,” Robert says, “because it didn't give us what we wanted, nothing like what this business did.
    [Show full text]
  • 2008 Europe Summer Tour
    STILL ON THE ROAD 2008 EUROPE SUMMER TOUR MAY 26 Reykjavik, Iceland Laugardalshöll 28 Odense, Denmark Arena Fyn 30 Stavanger, Norway Viking Stadion JUNE 1 Helsinki, Finland Hartwall Areena 3 St. Petersburg, Russia Ice Palace 4 Tallinn, Estonia Saku Arena 5 Vilnius, Lithuania Siemens Arena 7 Warsaw, Poland Stodola 9 Ostrava, Czech Republic CEZ Arena 10 Vienna, Austria Stadthalle 11 Salzburg, Austria Salzburg Arena 13 Varazdin, Croatia Gradski Stadium 15 Trento, Italy Palazzo delle Albere 16 Bergamo, Italy Lazzaretto 18 Chatillon, Italy Parco Castello Baron Gamba 19 Grenoble, France Palais des Sports 20 Toulouse, France Le Zénith 22 Encamp, Andorra Camp de Fútbol de Prada de Moles 23 Zaragoza, Spain Feria de Muestras 24 Pamplona, Spain Plaza de Toros 27 Vigo, Spain Recinto Ferial 28 Hoyos del Espino, Spain Finca de Mesegosillo JULY 1 Cuenca, Spain La Fuensanta 2 Alicante, Spain Centro de Technificacion 4 Lorca, Spain Plaza de Toros 5 Jaén, Spain Recinto Ferial 6 Arganda del Rey, Spain Ciudad del Rock 8 Jérez de la Frontera, Spain Estadio Municipal Chapín de Jerez 10 Mérida, Spain Plaza de Toros 11 Oeiras, Portugal Passeio Marítimo of Algés Bob Dylan: Still On The Road – 2008 Europe Summer Tour Bob Dylan: Still On The Road – 2008 Europe Summer Tour 30160 Laugardalshöll Reykjavik, Iceland 26 May 2008 1. Stuck Inside Of Mobile With The Memphis Blues Again 2. Don't Think Twice, It's All Right 3. The Levee's Gonna Break 4. Tryin' To Get To Heaven 5. Rollin' And Tumblin' 6. Nettie Moore 7. I'll Be Your Baby Tonight 8.
    [Show full text]
  • Saku Export 2019
    SAKU BREWERY EXPORT PORTFOLIO A guide to the Estonian brewery and its beverages ESTONIA Refreshing drinks from pure nature stonia is a small country situated in the upper right E corner of the European Union. Our neighbours are Finland to the north, Sweden to the west, the other Baltic states to the south and Russia to the east. We feel closest in spirit to the Scandinavian countries through our national identity and Nordic climate. Estonia has a small population and its population density is quite low compared to that of Western Europe, which is why we have a lot of pure, untouched nature. About half of the country’s territory is covered with forests and bogs. The other half is mostly used for agricultural purposes; one tenth of this half is covered with densely populated areas. Our extensive agricultural background gives us a strong advantage in being a considerable player in the field of producing beer and other drinks. Brewing beer from cereals and distilling spirits have been our traditional industries for centuries. ESTONIANS A distinctive nation with distinctive tastes ith a population of a bit more than 1 million people, Estonia is one of W the least populated countries in the European Union and has enjoyed independence for just less than a hundred years. Nevertheless, as a nation, we have existed for many thousands of years, being dominated by Denmark, Germany, Sweden and Russia at different times. We have managed to preserve our language, culture and our distinctive national identity throughout all these eras. When it comes to Estonian food culture, we can’t say that Estonian cuisine is something extraordinary.
    [Show full text]
  • Still on the Road Venue Index 1956 – 2016
    STILL ON THE ROAD VENUE INDEX 1956 – 2016 STILL ON THE ROAD VENUE INDEX 1956-2016 2 Top Ten Concert Venues 1. Fox Warfield Theatre, San Francisco, California 28 2. The Beacon Theatre, New York City, New York 24 3. Madison Square Garden, New York City, New York 20 4. Nippon Budokan Hall, Tokyo, Japan 15 5. Hammersmith Odeon, London, England 14 Royal Albert Hall, London, England 14 Vorst Nationaal, Brussels, Belgium 14 6. Earls Court, London, England 12 Jones Beach Theater, Jones Beach State Park, Wantagh, New York 12 The Pantages Theater, Hollywood, Los Angeles, California 12 Wembley Arena, London, England 12 Top Ten Studios 1. Studio A, Columbia Recording Studios, New York City, New York 27 2. Studio A, Power Station, New York City, New York 26 3. Rundown Studios, Santa Monica, California 25 4. Columbia Music Row Studios, Nashville, Tennessee 16 5. Studio E, Columbia Recording Studios, New York City, New York 14 6. Cherokee Studio, Hollywood, Los Angeles, California 13 Columbia Studio A, Nashville, Tennessee 13 7. Witmark Studio, New York City, New York 12 8. Muscle Shoals Sound Studio, Sheffield, Alabama 11 Skyline Recording Studios, Topanga Park, California 11 The Studio, New Orleans, Louisiana 11 Number of different names in this index: 2222 10 February 2017 STILL ON THE ROAD VENUE INDEX 1956-2016 3 1st Bank Center, Broomfield, Colorado 2012 (2) 34490 34500 30th Street Studio, Columbia Recording Studios, New York City, New York 1964 (1) 00775 40-acre North Forty Field, Fort Worth Stockyards, Fort Worth, Texas 2005 (1) 27470 75th Street,
    [Show full text]
  • Nation Branding, National Identity and the Eurovision Song Contest in Estonia Politics and Society in the Baltic Sea Region 2
    This book provides a unique and intriguing insight into current debates concerning the relationship between nation and state Jordan Paul as well as the political management of international image in today’s Europe through an examination of debates on nation branding and the Eurovision Song Contest. Europe is a con- tested construct and its boundaries are subject to redefinition. This work aims to advance critical thinking about contempo- rary nation branding and its relationship to, and influence on, Paul Jordan nation building. In particular it focusses on key identity debates The Modern Tale Fairy that the Eurovision Song Contest engendered in Estonia in the run-up to EU accession. The Eurovision Song Contest is an event which is often dismissed as musically and culturally The Modern Fairy Tale: inferior. However, this work demonstrates that it has the capac- ity to shed light on key identity debates and illuminate wider Nation Branding, National Identity socio-political issues. Using a series of in-depth interviews with and the Eurovision Song Contest political elites, media professionals and opinion leaders, this book is a valuable contribution to the growing field of research in Estonia on nation branding and the Eurovision Song Contest. Paul Jordan obtained his PhD from the University of Glasgow in 2011. His research interests include nation building and nation branding of post-communist states, national identity and nationalist politics. He is also a regular media commenta- tor on the Eurovision Song Contest. Politics and Society in the Baltic Sea Region Politics and Society ISBN 978-9949-32-558-0 2 in the Baltic Sea Region 9 789949 325580 > www.tyk.ee 2 Politics and Society in the Baltic Sea Region 2 Paul Jordan The Modern Fairy Tale: Nation Branding, National Identity and the Eurovision Song Contest in Estonia Politics and Society in the Baltic Sea Region 2 Politics and Society in the Baltic Sea Region is a series devoted to contemporary social and political issues in the countries surrounding the Baltic Sea.
    [Show full text]
  • Still on the Road Venue Index 1956 – 2020
    STILL ON THE ROAD VENUE INDEX 1956 – 2020 STILL ON THE ROAD VENUE INDEX 1956-2020 2 Top Concert Venues Venue # 1. The Beacon Theatre, New York City, New York 46 2. Fox Warfield Theatre, San Francisco, California 28 3. Madison Square Garden, New York City, New York 20 4. Nippon Budokan Hall, Tokyo, Japan 15 5. Hammersmith Odeon, London, England 14 Royal Albert Hall, London, England 14 Vorst Nationaal, Brussels, Belgium 14 6. Earls Court, London, England 12 Heineken Music Hall, Amsterdam, The Netherlands 12 Jones Beach Theater, Jones Beach State Park, Wantagh, New York 12 Spektrum, Oslo, Norway 12 The Pantages Theater, Hollywood, Los Angeles, California 12 Wembley Arena, London, England 12 7. Entertainment Centre, Sydney, New South Wales, Australia 11 Greek Theatre, University Of California, Berkeley, California 11 Pine Knob Music Theatre, Clarkston, Michigan 11 The Tower Theater, Upper Darby, Pennsylvania 11 8. Globe Arena, Stockholm, Sweden 10 Hammersmith Apollo, London, England 10 Le Grand Rex, Paris, France 10 Palais Theatre, Melbourne, Victoria, Australia 10 Pavillon de Paris, Paris, France 10 Scandinavium, Gothenburg, Sweden 10 State Theatre, Sydney, New South Wales, Australia 10 The Forum, Inglewood, Los Angeles, California 10 The Orpheum Theatre, Boston, Massachusetts 10 Top Ten Studios rank Studio # 1. Studio B, The Abernathy Building, Washington, District Of Columbia 85 2. Rundown Studios, Santa Monica, California 63 3. Studio A, Columbia Recording Studios, New York City, New York 27 4. Studio A, Power Station, New York City, New York 26 5. Columbia Music Row Studios, Nashville, Tennessee 16 6. Studio E, Columbia Recording Studios, New York City, New York 14 7.
    [Show full text]
  • Irritational Aesthetics: Reality Friction and Indecidable Theatre Tony Perucci
    Irritational Aesthetics: Reality Friction and Indecidable Theatre Tony Perucci Theatre Journal, Volume 70, Number 4, December 2018, pp. 473-498 (Article) Published by Johns Hopkins University Press For additional information about this article https://muse.jhu.edu/article/715917 Access provided by The University of North Carolina at Chapel Hill (31 Jan 2019 16:42 GMT) Irritational Aesthetics: Reality Friction and Indecidable Theatre Tony Perucci No one was quite sure if they were supposed to take the electoral campaign seriously or not. Was it a genuine run at political power or was it all a put-on? One political commentator declared that “nobody” knew if it was for real, while another angrily confessed, “I don’t understand what this is at all. It’s like ringing an alarm bell. Why ring bells for the heck of it?”1 The subject of these television news pundits was not an American reality television show star’s presidential campaign, but the Estonian theatre company Teater NO99 and their “megaproject,” NO75 Unified Estonia(2010). For forty-four days, NO99 tantalized Estonians with the possibility that they would form an actual new political party at their party assembly on May 7, 2010 at Saku Suurhall stadium in the capital of Tallinn. In front of a capacity crowd of 7,200, their massive theatrical spectacle appeared to teeter on the brink of becoming an actual “political force”—a registered political party that would run parliamentary candidates in the upcoming national election. However, in the final moments of their performance, NO99 stepped back from the precipice of the theatrical frame.
    [Show full text]
  • Tartu Linnahalli Tasuvusanalüüs
    TARTU UNIVERSAALHALLI TASUVUSANALÜÜS Tellija: Tartu Linnavalitsuse linnavarade osakond Täitja: Majanduskonsultatsioonide OÜ Tartu–Tallinn 2016 2 Sisukord 1. Sissejuhatus 4 2. Tartu kaasav eelarve 5 3. Euroopa riikide kogemusi suurte kultuuri- ja spordihallide rajamisel ja kasutamisel 6 3.1. Soome näited 8 3.1.1. Hartwall Arena Helsingis 8 3.1.2. HK Areena Turus 10 3.1.3. Espoo Metro Areena 12 3.2. Läti näited 13 3.2.1. Arena Riga 13 3.2.2. Skonto Hall 15 3.3. Leedu näited 15 3.3.1. Siemens Arena 16 3.3.2. Šiaulių Arena 17 3.3.3. Cido Arena 18 3.3.4. Švyturio Arena 19 3.3.5. Alytaus Arena 20 3.4. Mõnede teiste väikeriikide suured universaalhallid 21 3.4.1. Arena Stožice Ljubljanas 21 3.4.2. Dvorana Tabor Mariboris 22 3.4.3. Arena Zagreb 23 3.4.4. Spaladium Arena Splitis 24 3.5. Välismaiste suurte universaalhallide kogemuste üldistused Tartu universaalhalli jaoks 25 3.6. Saku Suurhall ja tema kogemused Tartu universaalhalli jaoks 27 4. Tartu linna suuremate kultuuri- ja spordisaalide ning konverentsikeskuste lühiiseloomustus 32 4.1. Tartu linna suuremate kultuurisaalide lühiiseloomustus 32 4.2. Tartu linna suuremate spordisaalide lühiiseloomustus 32 4.3. Tartu linna suuremate konverentsisaalide lühiiseloomustus 35 5. Tartu universaalhalli asukoht 37 6. Tartu universaalhalli tagamaa ja selle elanikkonna perspektiivne muutumine 41 6.1. Tartu universaalhalli tagamaa ja selle elanikkond 41 6.2. Tartu universaalhalli tagamaa elanikkonna perspektiivne muutumine 42 6.3. Tartu universaalhalli tagamaa elanike arvu võrdlus lähipiirkondade teiste suurte universaalhallide tagamaa elanike arvuga 46 7. Tartus aasta jooksul korraldatavate suuremate kultuuri- ja spordiürituse perspektiivne hinnang 49 3 7.1.
    [Show full text]
  • Sülearvuti Etalon!
    Sündmus 5 “Noored kotkad” Puhkepäev tulevad taas kinolinale | Nädalalõpulisa | 22.–24. veebruar 2008 | nr 8 (458) | Fujitsu Siemens Computers soovitab Windows Vista® Premium Sülearvuti etalon! Uus Fujitsu Siemens suudab üllatada igal alal. Eksklusiivne disain, kirgas ekraan, tipptasemel tehnoloogia ja fantastiline võimsus. Suurepärane stiili ja tehnoloogia kooskõla seab lati Sülearvuti Amilo Si 2636 täiesti uuele tasemele. Luba endale parimat! Intel® Centrino® protsessoritehnoloogia Intel® CoreTM2 protsessor T7250, 13,3-tolline BrilliantView ekraan, Bluetooth® 2.0, Intel® PRO/Wireless, 4965ABN (802.11a/b/g/n), GbE LAN, veebikaamera (1,3 MP), mikrofon, HDMI (HDCP toega), eSATA, FireWire™, USB 2.0, kaal ainult 2,3 kg, aku kuni 5 tundi, Autentne Microsoft Windows Vista® Home Premium. Kuumakse: 598 kr Periood: 36 kuud Sissemakse: 0 kr Hind: 16 990 kr Saadaval Elioni ja EMT esindustes või Elioni e-poes: pood.elion.ee. Pakkumine kehtib kuni 25.02.2008 või kuni kaupa jätkub. Äripäeva nädalalõpulisa 22. veebruar 2008 reklaamimüügi projektijuht Annely Põder, tel 667 0031, e-post [email protected] 2 REKLAAM Eee PC ASUS 701 Sülearvuti ACER Extensa 5220 Intel® Celeron® M Processor 530 Veebruar 7" XGA ekraan, Intel Mobile 1.73GHz/1MB/533FSB, operatiivmälu protsessor, operatiivmalu 512MB 1024Mb DDR2, kõvaketas 120Gb, 2008 DDR2, kovaketas 4GB, LAN, WLAN 15.4” WXGA laiekraan, videokaart 802.11g, 3xUSB2.0/Card Reader, Intel® GMA X3100 kuni 384MB, veebikaamera 0.3M, Linux(Windows SuperMulti DL 8xDVD +/-RW, XP compatible), aku 3.5 tundi, kaal 0.9 Wireless 802.11b/g, Bluetooth, Gigabit kg.!!! Komplektis kott. Värvid: must, LAN, V.92 56K Modem, 4xUSB/TV- valge. Out/1394/FIR/Card Reader, aku 3 S O O D U S P A K K U M I S E D tundi, kaal 2.88kg.
    [Show full text]
  • ESTONIA –12 POINTS! Eesti- 12 Punkti! Estonia - 12 Points!
    2002 EESTI –12 PUNKTI! • ESTONIA –12 POINTS! Eesti- 12 punkti! Estonia - 12 points! 25.05.2002 toimus Tallinnas Eurovisiooni On May 25, 2002, the Eurovision Song Contest lauluvõistlus, mille otseülekannet jälgis took place in Tallinn, where the live transmission kokku vähemalt 166 miljonit inimest enam was watched by at least 166 million people in kui kolmekümnes riigis. more than 30 countries. Eurovisiooni lauluvõistlust saabus Eestisse The Eurovision Song Contest was covered by kajastama 1452 välisajakirjanikku 36 riigist. 1,452 foreign journalists from 36 countries. Euroopa suurim iga-aastane muusikapidu Europe's biggest annual musical jamboree landed in toimub Baltikumi väikeriigis Eestis ning the tiny Baltic state of Estonia – and the first-time esmakordsed festivali võõrustajad viisid hosts carried off the Eurovision Song Contest in fine Eurovisiooni läbi väga edukalt. Ilmselgelt style. The Estonians clearly put their heart and soul on eestlased ihu ja hingega korraldamisele into the whole shebang, building a new stadium for pühendunud, ehitades sündmuse jaoks uue the event and producing a show that was slick, festivalihalli ning korraldades etenduse, mis good-looking and professional. (BBC News, 25.05) oli sujuv, ilus ja professionaalne. (BBC News, 25.05) TO EUROPE WITH EUROVISION EUROVISIOONIGA EUROOPASSE On May 25 Estonia intends to conquer Europe. The battle ground is the Eurovision Song Contest. Eesti kavatseb 25. mail vallutada Euroopa. (The Guardian, 28.04) Lahinguväljaks on Eurovisiooni lauluvõistlus. (The Guardian, 28.04) The trip to Estonia this year marks Eurovision's first foray into the former Soviet Union, but the country Tänavune reis Eestisse tähendab Eurovisiooni will use the event to prove its European and Nordic esmakordset toimumist endises Nõukogude credentials.
    [Show full text]
  • Festival Eurovisão Da Canção: 60 Anos
    121 Veredas da História, [online], v.8, n.1, 2015, p. 121--139, ISSN 1982-4238 FESTIVAL EUROVISÃO DA CANÇÃO: 60 ANOS: MULTICULTURALISMO, DIVERSIDADE E ALTERIDADE. José Fernando Saroba Monteiro1 Universidade Federal Rural do Rio de Janeiro. Resumo: Um dos mais assistidos programas de entretenimento no mundo, o Festival Eurovisão da Canção chega em 2015 ao seu sexagenário. Criado para fazer competir canções representantes de diferentes países europeus, o Festival Eurovisão da Canção hoje se apresenta muito mais do que uma simples competição musical. Hoje, com proporções globais, o Festival Eurovisão da Canção tem no multiculturalismo, na diversidade e na alteridade palavras-chave para a sua compreensão, abrigando diferentes grupos e promovendo a inclusão e a interação em seu certame, que também a cada ano e cada vez mais levanta a bandeira da igualdade e da unificação entre os povos. Palavras-chave: Festival Eurovisão da Canção, multiculturalismo, diversidade. Abstract: One of the most watched entertainment programs in the world, the Eurovision Song Contest, comes, in 2015, to their sixties. Created as contest among songs from different European countries, Eurovision Song Contest today presents much more than a single musical competition. Nowadays, with global proportions, the Eurovision Song Contest has multiculturalism, diversity and alterity keywords for your understanding, joining different groups and promoting inclusion and interaction in your contest, which also each year and increasingly raises the banner of iguality and unity among peoples. Keywords: Eurovision Song Contest, multiculturalism, diversity. Apresentação O Festival Eurovisão da Canção (Eurovision Song Contest – ESC) completa em 2015 sessenta anos de existência, sendo um dos mais antigos concursos televisivos do mundo e o programa favorito entre os europeus.
    [Show full text]