DOCSLIB.ORG

Title Sponsor 冠名贊助

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Title Sponsor 冠名贊助 Title Sponsor 冠名贊助 GRAND THEATRE, 香港文化中心大劇院HONG KONG CULTURAL CENTRE 5-7 JUN 2020 羅 World Premiere 世界首演 密 / TH 歐 ANNIVERSARY SEASON 四十周年舞季 ＋ AUG 2019 茱 小飛俠PETER PAN OCT & NOV 2019 麗 SWAN LAKE 天鵝湖 葉 OCT & NOV 2019 China Everbright Ltd. Proudly Presents 中國光大控股有限公司榮譽呈獻 INTERNATIONAL GALA 國際芭蕾巨星匯OF STARS DEC 2019 FANCL Proudly Presents FANCL無添加 榮譽呈獻 胡桃夾子THE NUTCRACKER FEB 2020 HONG KONG COOL: 香港酷：舞動‧時尚BALLET X FASHION FEB 2020 BALLET CLASSICS FOR CHILDREN: 古典芭蕾冇有怕：《睡美人》篇THE SLEEPING BEAUTY MAR 2020 Van Cleef & Arpels Proudly Presents 梵克雅寶榮譽呈獻 巴蘭欽《珠寶》BALANCHINE’S JEWELS JUN 2020 羅密歐＋茱麗葉ROMEO JULIET hkballet.com DANCERS FROM TOP: CHEN ZHIYAO, LI LIN CREATIVE: DESIGN ARMY PHOTOGRAPHY: DEAN ALEXANDER 3 INTERNATIONAL《國際芭蕾巨星匯 GALA OF STARS》 TITLE SPONSOR 冠名贊助 China Everbright Ltd. Proudly Presents Principal Guest Artists 客席首席藝術家 (In alphabetical order of surnames with female dancers first 中國光大控股有限公司榮譽呈獻 以英文姓氏排序，先排列女舞者) Dorothée GILBERT 多 蘿 菲．吉 爾 伯 特 INTERNATIONAL GALA Etoile, Paris Opera Ballet 巴黎歌劇院舞星 《國際芭蕾巨星匯OF STARS 》 Ako KONDO 近藤亞香 Principal Artist, The Australian Ballet 澳大利亞國家芭蕾舞團首席舞者 TAN Yuan Yuan 譚元元 Thu - Fri 7:30pm OCT NOV Principal Dancer, San Francisco Ballet GRAND THEATRE, HONG KONG CULTURAL CENTRE 美國三藩市芭蕾舞團首席舞蹈員 香港文化中心大劇院 Matthew GOLDING 馬 修．高 頓 Guest Principal Dancer, Ballett Dortmund 德國多特蒙德芭蕾舞團客席首席舞蹈員 Former Principal Dancer, The Royal Ballet & Dutch National Ballet 英國皇家芭蕾舞團及荷蘭國家芭蕾舞團前首席舞蹈員 Marcelo GOMES 馬 塞 洛．戈 麥 斯 International Ballet Star 國際芭蕾舞星 The performance is approximately 2 hrs with an intermission Former Principal Dancer, American Ballet Theatre 美國芭蕾舞劇院前首席舞蹈員 節目長約2小時，包括 一節中場休息 Osiel GOUNEO 奧 賽 爾．格 雷 米 奧 Principal Dancer, Bavarian State Ballet House Rules 場地規則 巴伐利亞國家芭蕾舞團首席舞蹈員 In order to make this performance a pleasant experience for the artists and members of the audience, eating and drinking, as well as unauthorised photography, audio and video recording are forbidden in the auditorium. Please Vitor LUIZ 域 陀．雷 斯 also ensure that your mobile phones and any other sound and light emitting International Ballet Star 國際芭蕾舞星 devices are switched off before the performance. Thank you for your co-operation. Former Principal Dancer, San Francisco Ballet 為了令大家對今次演出留下美好印象，請勿在場內吸煙、飲食、攝影、錄音或錄影。 美國三藩市芭蕾舞團前首席舞蹈員 節 目 進 行 前，請 關 掉 手 提 電 話、其 他 響 鬧 及 發 光 的 裝 置，多 謝 合 作。 Audience members are advised to arrive punctually. Lighting Design 燈光設計 Late-comers will not be admitted until a suitable break. Billy CHAN 陳焯華 觀眾務必準時入場，遲到及中途離場人仕須待適當時候方可進場。 If you do not wish to keep this house programme, Video Design 錄像設計 please leave it on your seat after the performance for recycling. 若您不欲保留此場刊，離場時請把場刊留在座位，以便循環再用。 Ron CHIU （ Memories of the 40 years 40年回顧片段） Hong Kong Ballet is a Venue Partner of the Hong Kong Cultural Centre 香港芭蕾舞團為香港文化中心場地伙伴 LI Ming 李銘 （ Projections for dance pieces 舞蹈選段投影） Hong Kong Ballet is financially supported by the Government of the Hong Kong Special Administrative Region 香港芭蕾舞團由香港特別行政區政府資助 Cover: Dancers (from left): Li Jiabo, Zhang Xuening Creative: Design Army | Photography: Dean Alexander 5 ACT第一幕 I MEMORIES OF THE 40 YEARS: MEMORIES OF THE 40 YEARS: 1979-1989年 回 顧 片段： 1989-1999年 回 顧 片段： 40 1979-1989 40 1989-1999 《 PAS 四 人 DE 舞 》QUATRE EXCERPTS FROM SWAN LAKE ACT II Choreography 編舞 《天鵝湖》第二幕選段 after Jules PERROT 改編自栢羅 Choreography 編舞 Staged by 重新排演 Marius PETIPA 佩蒂巴, TANG Min 唐敏 Lev IVANOV 艾李化夫 Music 音樂 Music 音樂 Cesare PUGNI 凱 撒．普 格 尼 Pyotr Ilyich TCHAIKOVSKY 柴可夫斯基 Danced by 演出 Danced by 演出 CHEN Zhiyao 陳稚瑶, Dorothée GILBERT 多蘿菲．吉爾伯特*, GAO Ge 高歌, Marcelo GOMES 馬 塞 洛．戈 麥 斯 *, YANG Ruiqi 楊睿琦, Artists of Hong Kong Ballet YE Feifei 葉飛飛 香港芭蕾舞團舞蹈員 YIXI 《 PAS 鈴 》 DE 的 雙DEUX 人 舞 選FROM 段 BELLS 《 一 席 》 (World Premiere 世界首演) Choreography 編舞 Yuri POSSOKHOV 波索克霍夫 Choreography 編舞 Yuh EGAMI 江上悠 Music 音樂 Sergei RACHMANINOFF 拉赫曼尼諾夫 Music 音樂 Jerry Jeff WALKER 傑 里 傑 夫．沃 克 Costume Design 服裝設計 Sandra WOODALL 珊 迪 娜．胡 道 爾 Danced by 演出 Matthew GOLDING 馬 修．高 頓 * Original Lighting Design 原燈光設計 Jack MEHLER 傑 克．梅 勒 Lighting Adaptation 燈光執行 Billy CHAN 陳焯華 Danced by 演出 TAN Yuan Yuan 譚元元*, Vitor LUIZ 域 陀．雷 斯 * (WorldADURA Premiere 世界首演) Choreography 編舞 Maria GONZÁLEZ 瑪 利 亞．岡 薩 雷 斯 Music 音樂 Le Trio Joubran Masâr Danced by 演出 Osiel GOUNEO 奧 賽 爾．格 雷 米 奧 * 7 175x247_PJ_BE BRUT 2012.pdf 1 2/21/2019 11:17:59 AM EXCERPTS FROM BETWEEN THE EMOTION ACT第二幕 II 《 AND 情 感 與THE 反 應RESPONSE 之 間 》 選 段 # (World Premiere 世界首演) Choreography 編舞 MEMORIES OF THE YEARS: HU Song Wei Ricky 胡頌威 年 回 顧 片段： Music 音樂 Olivier CONG 江逸天 Costume Design 服裝設計 MEN’S VARIATION FROM NG Kong Wah Jane 吳江樺 PAS DE QUATRE OF Danced by 演出 SWAN LAKE ACT I YE Feifei 葉飛飛, 《天鵝湖》第一幕 LI Lin 李林, 四人舞選段的男變奏 SHEN Jie 沈杰, Artists of Hong Kong Ballet Choreography 編舞 香港芭蕾舞團舞蹈員 John MEEHAN after Marius PETIPA 米 瀚 文（ 改 編 自 佩 蒂 巴 ） # The full ballet will premiere as part of Hong Kong Cool in February 2020 Music 音樂 完整作品將於2020年2月 的《 香 港 酷 》中 首 演 Pyotr Ilyich TCHAIKOVSKY 柴可夫斯基 Danced by 演出 C LI Lin 李林, SHEN Jie 沈杰 M PAS DE DEUX FROM Y 《天鵝湖》第三幕選段 SWAN LAKE ACT III CM Choreography 編舞 《 LE 大 GRAND 雙 人 舞 》 PAS DE DEUX MY Marius PETIPA 佩蒂巴, Lev IVANOV 艾李化夫 Choreography 編舞 CY Christian SPUCK 施普克 Music 音樂 CMY Pyotr Ilyich TCHAIKOVSKY 柴可夫斯基 Music 音樂 K Gioachino Antonio ROSSINI 羅西尼 Danced by 演出 WANG Qingxin 汪慶欣, Costume Design 服裝設計 LI Jiabo 李嘉博 Nicale KRAHL 妮 歌．卡 可 Lighting Design 燈光設計 Billy CHAN 陳焯華 INTERMISSION 中場休息 Danced by 演出 CHEN Zhiyao 陳稚瑶, WEI Wei 魏巍 PAS DE DEUX FROM 《 MANON 曼 儂 》 雙 人 舞 選 段 Choreography 編舞 Kenneth MACMILLAN 麥美倫 Music 音樂 Jules MASSENET 馬斯奈 Danced by 演出 Dorothée GILBERT 多蘿菲．吉爾伯特*, Marcelo GOMES 馬 塞 洛．戈 麥 斯 * 8 9 OP_Mac Card_175x247mm_with Bleed.pdf 1 2/10/2019 4:50 PM 《無盡的海洋》 THE INFINITE OCEAN DIANA AND ACTAEON PAS DE DEUX Choreography 編舞 FROM LA ESMERALDA Edwaard LIANG 梁殷實 《 艾 絲 梅 拉 達 》 的 Music 音樂 〈戴安娜阿克泰翁雙人舞〉選段 Oliver DAVIS 奧 力 弗．戴 維 斯 Choreography 編舞 Costume Design 服裝設計 after Agrippina VAGANOVA 改編自瓦崗諾娃 Mark ZAPPONE 馬 克．西 普 Music 音樂 Original Lighting Design 原燈光設計 Ludwig MINKUS 明庫斯 James F. INGALLS 占 士．F．英 格 斯 Danced by 演出 * Danced by 演出 Ako KONDO 近藤亞香 , * TAN Yuan Yuan 譚元元*, Osiel GOUNEO 格雷米奧 Vitor LUIZ 域 陀．雷 斯 * HONG KONG BALLET BRAND VIDEO MEMORIES OF THE YEARS: 香港芭蕾舞團品牌影片 年 回 顧 片段： Creative 創作 Design Army Director 導演 Dean ALEXANDER C 《大亨小傳》選段 SUITE FROM THE GREAT GATSBY M Choreography 編舞 Y Septime WEBRE 衛承天 CM Costume Design 服裝設計 FINIS 完 MY Tim YIP 葉錦添 CY Music 音樂 Billy NOVICK 比 利．勞 域 CMY Lighting Design 燈光設計 K Billy CHAN 陳焯華 《 IN 灰 THE 燼 谷 》VALLEY OF ASHES Danced by 演出 SHEN Jie 沈杰, Artists of Hong Kong Ballet 香港芭蕾舞團舞蹈員 《 GATSBY’S 蓋 茨 比 之 影 SHADOW 》 Danced by 演出 Matthew GOLDING 馬 修．高 頓 * DancedHE MAY by BE 演出 YOUR MAN CHEN Zhiyao 陳稚瑶, Garry CORPUZ 葛培治, Artists of Hong Kong Ballet 香港芭蕾舞團舞蹈員 《 DAISY 黛 西 及 AND 蓋 茨 比GATSBY 雙 人 舞 》 PAS DE DEUX Danced by 演出 YE Feifei 葉飛飛, Matthew GOLDING 馬 修．高 頓 * * Principal Guest Artist 客席首席藝術家 11 7spread-v1.pdf 1 25/10/2019 3:40 PM Ako KONDO 近藤亞香 Principal Artist, Matthew The Australian Ballet 澳大利亞國家芭蕾舞團 GOLDING 首席舞者 馬 修・高 頓 Guest Principal Dancer, Ballet Dortmund 德國多特蒙德芭蕾舞團 客席首席舞蹈員 Former Principal Dancer, Vitor LUIZ The Royal Ballet & 域 陀・雷 斯 Dutch National Ballet ©Renato Hatsushi 英國皇家芭蕾舞團及 荷蘭國家芭蕾舞團前首席舞蹈員 International Ballet Star 國際芭蕾舞星 Former Principal Dancer, San Francisco Ballet 美國三藩市芭蕾舞團 前首席舞蹈員 C M Y CM MY CY CMY K Marcelo GOMES 馬塞洛．戈麥斯 International Ballet Star 國際芭蕾舞星 Former Principal Dancer, American Ballet Theatre 美國芭蕾舞劇院 前首席舞蹈員 TAN Yuan Yuan Osiel 譚元元 ©David Cooper GOUNEO Dorothée Principal Dancer, 奧 賽 爾．格 雷 米 奧 San Francisco Ballet GILBERT 美國三藩市芭蕾舞團 Principal Dancer, 首席舞蹈員 Bavarian State Ballet 多 蘿 菲．吉 爾 伯 特 巴伐利亞國家芭蕾舞團 Etoile, Paris Opera Ballet 首席舞蹈員 巴黎歌劇院舞星 12 13 OL_NOBU_MC_16 MAY 19.pdf 1 16/5/2019 1:10 PM Hong Kong Ballet House Programme Ad File Format: High-resolution PDF or JPG (at least Trimmed Size: 175mmW x 247mmH 300dpi) with crop marks. Bleed Size: 185mmW x 257mmH All text should be created in Outline Color: CMYK Submission Deadline: 14 May 2019 (Tue) Dorothée GILBERT Ako KONDO TAN Yuan Yuan 多 蘿 菲．吉 爾 伯 特 近藤亞香 譚元元 Etoile, Paris Opera Ballet Principal Artist, The Australian Ballet Principal Dancer, San Francisco Ballet 巴黎歌劇院舞星 澳大利亞國家芭蕾舞團首席舞者 美國三藩市芭蕾舞團首席舞蹈員 Born in France, Dorothée Gilbert Born in Nagoya, Japan, Ako Born in Shanghai, China, Tan trained at the Paris Opera Ballet Kondo began ballet training at Yuan Yuan joined San Francisco School and currently is an Etoile age three. She studied with The Ballet in 1995 and became with Paris Opera Ballet. She Royal Ballet, won Second Prize Principal Dancer in 1997. She C has danced principal roles in at the 2005 Japan Grand Prix has danced principal roles classical and modern repertoire, and was awarded The Australian in many classical ballets and M participated in numerous Ballet School Tuition Scholarship ballets by Heigi Tomasson, Yuri Y international ballet galas and in 2007 at Youth American Possokhov, George Balanchine CM helped create new works with Grand Prix. Kondo toured with and more.
Load more

Recommended publications
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • The Advocate Student Publications
    Fordham Law School FLASH: The Fordham Law Archive of Scholarship and History The Advocate Student Publications 2-1984 The Advocate The Advocate, Fordham Law School Follow this and additional works at: http://ir.lawnet.fordham.edu/student_the_advocate Part of the Law Commons Recommended Citation The Advocate, Fordham Law School, "The Advocate" (1984). The Advocate. Book 26. http://ir.lawnet.fordham.edu/student_the_advocate/26 This Book is brought to you for free and open access by the Student Publications at FLASH: The orF dham Law Archive of Scholarship and History. It has been accepted for inclusion in The Advocate by an authorized administrator of FLASH: The orF dham Law Archive of Scholarship and History. For more information, please contact [email protected]. BETAMAX: TECHNOLOGY OVER COPYRIGHT... PAGES 6 - 7 FORDHAM UNIVERSITY seH L OF LA: VOL. IS NO. S © THE ADVOCATE FEBRUARY, 1984 Complete Tuition Rate Schedule 1984-85 PAYING FOR THE PRIVILEGE Fordham College $2,975 per semester College of Business Administration $2,975 per semester Psst. Tuition's going up next year. What? John Feerick: Why the difference, indeed, why That doesn't surprise you? I guess it's true. the increase? He gave me several answers. School of General Studies $1 66/credit Cynicism has uprooted even apathy and replac­ As an initial matter, he told me that his of­ : College at Lincoln Center $ 166/credit ed it as the basic response to news. Whatever fice had direct input to the Board of Trustees, i your reaction to this news, though, it remains concerning the Law School's anticipated needs, Graduate School of Arts and Sciences $l90/credit true.
    [Show full text]
  • Leonid and Valentina Kozlov 1983 National Dance Tour
    THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Leonid and Valentina Kozlov 1983 National Dance Tour with Andrew Baxter Deirdre Duffin Anne Marie De Angelo Tamara Hadley William De Gregory Laurie Ichino Teresa de Rose Mark Lanham BUUCE GOLDSTEIN, Lighting Design ANNE MARIE DE ANGELO, Ballet Mistress MIMI MAXMEN, Costume Coordination SATURDAY EVENING, OCTOBER 29, 1983, AT 8:00 POWER CENTER FOR THE PERFORMING ARTS ANN ARBOR, MICHIGAN PROGRAM TCHAIKOVSKY PAS DE DEUX Music: PETER ILLYICH TCHAIKOVSKY Choreography: GEORGE BALANCHINE TAMARA HADLEY WILLIAM DE GREGORY Using music that had been discarded from the original Swan Lake and rediscovered in the Bolshoi Theatre archives, George Balanchinc created a piece of maximum virtuosity to display the high artistry of his dancers. The Kozlovs have selected this work for inclusion in their first National Tour in tribute and gratitude to the genius of George Balanchinc. Tenth Concert of the 105th Season Special Concert PAPILLON Music: JACQUES OFFENBACH Choreography: ANNE MAIUE DE ANGELO ANNE MAIUE DE ANGELO Mark Lanham Laurie Ichino Teresa dc Rose Papilhn is a tribute to the last of romantic ballets with the same title. It was choreographed in 1860 by the ballerina who initiated the romantic era Mary Taglioni; this current production bears little resemblance to the original production. The original ballet is based on a story about a Princess who is turned into a butterfly by a wicked fairy, who then tortures the butterfly-princess by burning her wings on a torch. She dies in the arms of her lover. A piece of historical irony is that the ballerina for whom the role was created tragically burned to death when her costume caught fire from one of the gas stage lamps.
    [Show full text]
  • Clark, NJ Reopen on Jan
    RECEIVED TOCO -::- o •::- cr- ACLE !-• m-<Cr- CLARK, N.J., VOL. 15 NO. 13 THURSDAY, DECEMBER 23, 2004 www.ioc3lsource.com TWO SECTIi Schwarz Farm property sparks spirited deL™ By David Krewson who won re-election on Nov. 2 is a Republi- "My concern is that 30 units per acre is application for 120 units on the property, dan, Laezza said the ordinance is a mediation Managing Editor can. Fidurski supported Bonaccorso's Democ- such a high rate of development that we will which would be a disaster." agreement with the state Council on Afford- Tempers flared at Monday night's Town- ratic mayoral opponent, Sheree Bosze. lose the quality of life in Clark," Fidurski said. Bonaccorso explained that the issue of an able Housing on the Schwarz Farm and the for- ship Councilmeeting's public hearing to estab- Council President Alvin Barr interrupted The exchanges between Bonaccorso, Barr age-restricted overlay district is not new and mer Tyco Submarine facility on Terminal lish an age-restricted affordable housing over- Fidurski, who was attempting to speak during and Fidurski continued with Barr stating to has been carried over from former Mayor Avenue is a response to COAH. lay district for Schwarz Farm. the hearing. Fidurski "don't insult my intelligence, and we Robert Ellenport's administration. ' According to the ordinance, the purpose of Mayor Sal Bonaccorso had heated "You may speak now but I will not allow understand you object." Several other objectors also spoke against the district is to permit construction of an age- exchanges with William Fidurski, former anymore debate between either of you," Ban- At one point, Barr told Fidurski to return to the ordinance.
    [Show full text]
  • Announcement of 2019 Interim Results
    Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this announcement, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this announcement. (Incorporated in Hong Kong with limited liability) Stock Code: 00511 ANNOUNCEMENT OF 2019 INTERIM RESULTS RESULTS HIGHLIGHTS For the six months ended 30 June 2019 (“Period”): • Profit attributable to equity holders of the Company increased from HK$201 million to HK$213 million, an increase of 6%. Earnings per share increased from HK$0.46 per share to HK$0.49 per share. • Adjusted EBITDA* increased from HK$466 million to HK$503 million, an increase of 8%. • An interim dividend of HK$0.30 per share was declared by the Board (2018: interim dividend of HK$0.30 per share). • Revenue decreased from HK$2,231 million to HK$1,965 million, a decrease of 12% which was mainly due to the absence of co-production revenue recognised during the Period. Co- production revenue for the first half of 2018 amounted to HK$194 million. It is anticipated that as the business resumes, co-production income for 2019 can be recognised in the second half of the financial year. • Included in Revenue, income from advertisers under Hong Kong TV broadcasting decreased from HK$1,151 million to HK$1,136 million, a decline of 1%. Income from new media, myTV SUPER and the Big Big Channel business, in aggregate, rose from HK$210 million to HK$287 million, an increase of 37%.
    [Show full text]
  • FILM ESSAYS and a Lecture by Sergei Eisenstein Sergei Eisenstein in 1934
    FILM ESSAYS and a Lecture by Sergei Eisenstein Sergei Eisenstein in 1934. Photograph by Jay Leyda FILM ESSAYS AND A LECTURE by SERGEI EISENSTEIN edited by JAY LEYDA Foreword by Grigori Kozintsev Princeton University Press Princeton, New Jersey English translation © 1968 by Dobson Books, Ltd.; © 1970 by Praeger Publishers, Inc. Preface and English translation of "The Prometheus of Mexican Painting" copyright © 1982 Princeton University Press Published by Princeton University Press, Princeton, New Jersey All Rights Reserved LCC: 81-47283 ISBN: 0-691-03970-4 ISBN: 0-691-00334-3 pbk. THIS COLLECTION OF TRANSLATIONS Is DEDICATED TO PERA ATASHEVA First Princeton Paperback printing, 1982 Dobson Books edition, 1968; Praeger Publishers, Inc. edition, 1970 Published by arrangement with Praeger Publishers, Inc. Printed in the United States of America by Princeton University Press, Princeton, New Jersey CONTENTS Preface 1 Foreword 7 A Personal Statement 13 The Method of Making Workers' Films 17 Soviet Cinema 20 The New Language of Cinema 32 Perspectives 35 The Dynamic Square 48 GTK-GIK-VGIK; Past—Present—Future 66 Lessons from Literature 77 The Embodiment of a Myth 84 More Thoughts on Structure 92 Charlie the Kid 108 Mr Lincoln by Mr Ford 139 A Close-Up View 150 Problems of Composition 155 Sources and Notes 184 Appendices A. The Published Writings (1922-1982) of Sergei Eisenstein with notes on their English translations 188 B. The Prometheus of Mexican Painting 222 Index 233 PREFACE Before I left Moscow in 1936 Eisenstein prepared a list of the publications in journals and newspapers that he would like drawn upon if some miracle made it possible to publish a collection of his essays in the United States.
    [Show full text]
  • And We Danced Episode 2 Credits
    AND WE DANCED WildBear Entertainment, ABC TV and The Australian Ballet acknowledge the Traditional Owners of country throughout Australia and recognise their continuing connection to land, waters and culture. We pay our respects to their Elders past and present. EPISODE TWO Executive Producers Veronica Fury Alan Erson Michael Tear Development Producer Stephen Waller INTERVIEWEES Margot Anderson Dimity Azoury Peter F Bahen Lisa Bolte Adam Bull Ita Buttrose AC OBE Ella Havelka Steven Heathcote AM Marilyn Jones OBE Ako Kondo David McAllister AC Graeme Murphy AO Stephen Page AO Lisa Pavane Colin Peasley OAM Marilyn Rowe AM OBE Amber Scott Hugh Sheridan Fiona Tonkin OAM Elizabeth Toohey Emma Watkins Michael Williams SPECIAL THANKS TO David McAllister AC David Hallberg Nicolette Fraillon AM Artists of The Australian Ballet past and present Artists of Bangarra Dance Theatre past and present Orchestra Victoria 1 Opera Australia Orchestra Tony Iffland Janine Burdeu The Langham Hotel Melbourne Brett Ludeman, David Ward ARCHIVE SOURCES The Australian Ballet ABC Archives National Film and Sound Archive Nine Entertainment Associated Press Getty Images Ten Network Australia Archive Road Australian Performing Arts Collection Bangarra Dance Theatre The Apiary FOOTAGE The Australian Ballet Year of Limitless Possibilities, 2020 Brand Film Artists of The Australian Ballet Valerie Tereshchenko, Robyn Hendricks, Dimity Azoury, Callum Linnane, Jake Mangakahia Choreography David McAllister AM Cinematography Brett Ludeman and Ryan Alexander Lloyd Produced by
    [Show full text]
  • Brochure Aruba
    FEES PAYMENT SCHEDULES 10 Payments = Monthly Class fees are calculated for the entire season. Sept 1st / Oct 1st / Nov 1st / Dec 1st / Jan 1st (August 31, 2020 - July 3, 2021) Feb 1st / March 1st / April 1st / May 1st / June 1st Kozlov Dance 2 Payments = 5% Discount Inscription Fee (new students) ....................................Afls. 35 Sept 1st / Jan 1st Inscription Fee (previous students)..............................Afls. 25 academy In Full Payment = 10% Discount Sept 1st 60 Minute Lessons Tuition is Non-Refundable 1 Class per week / Total per year............................Afls. 1060 Late Fees = Afls. 10.00/week 10 Pmts.......................................Afls. 106 A late fee will be added to your balance 2 Pmts.........................................Afls. 504 for every week past due. In Full...........................................Afls. 954 Additional Discount 10% off the tuition of an additional child. 2 Classes per week / Total per year.........................Afls. 1910 10 Pmts......................................Afls. 191 2 Pmts.......................................Afls. 907 In Full.......................................Afls. 1719 PERFORMANCE SCHEDULE THE NUTCRACKER 90 Minute Lessons December 12th , 2020 1 Class per week / Total per year............................Afls. 1480 STUDENT SHOWCASE 10 Pmts.......................................Afls. 148 2 Pmts.........................................Afls. 703 June 2021 In Full.........................................Afls. 1332 2 Classes per week / Total per year.........................Afls.
    [Show full text]
  • Town Council Sets Hearing on Ordinance Regarding Assisted Living Facilities
    Page 2 Thursday, December 7.1995 Town Council Sets Hearing on Ordinance Regarding Assisted Living Facilities By PALL J. PEVTON ing body's Laws and Rules Commit- are accused of "not doing their job." the street is on land which is owned Sprcially Written for The Westfield Leader tee, said such structures are not per- Mr. Corbet noted his studies indi- by the town. TheWestfieldTownCouncil intro- mitted uses in the town'scurrenl Land cate many consistent violators are Town Administrator Edward A. duced an amended version of an ordi- Use Ordinance. The amended ordi- parking in two-hour metered parking Gottko said such a proposal may be nance passed on first reading last nance, if adopted, would allow such spaces in frontof their businesses. He considered as part of next year's capi- month to allow for assisted living structures in the RS-16 zone which is accused the parking officers of not tal budget. The municipal budget is facilities in Westfield. The ordinance for homes having 16,000 square-foot issuing summonses to repeated of- expected to be adopted in March. [will be turned over to the Westfield plots. fenders. First Ward Councilwoman, Mrs. •Planning Board for its review during Assisted living facilities are de- He said the officers have cost the Gail Vernick, noted the town is con- a Special meeting set for Monday, fined in the ordinance as structures town some $500,000 in salaries and sidering assessing property owners •December 18. which provide a "supportive living benefits over the past 11 years. Atone on the street 50 per cent of the cost of Leonid Kodov and • ballerina ! Officials said the council could then environment for the seini-indepen- point, the town had three parking the improvement with the remainder hold a public hearing and vote to dent to frail older adult." Such struc- violation officers.
    [Show full text]
  • Conflicts of Soviet Ideology in Sergei Prokofiev's Film Score for Ivan the Terrible Elizabeth R
    City University of New York (CUNY) CUNY Academic Works Master's Theses City College of New York 2014 Conflicts of Soviet Ideology in Sergei Prokofiev's Film Score for Ivan the Terrible Elizabeth R. Blaufox CUNY City College How does access to this work benefit ou?y Let us know! Follow this and additional works at: http://academicworks.cuny.edu/cc_etds_theses Part of the Music Commons Recommended Citation Blaufox, Elizabeth R., "Conflicts of Soviet Ideology in Sergei Prokofiev's Film Score for Ivan the Terrible" (2014). CUNY Academic Works. http://academicworks.cuny.edu/cc_etds_theses/322 This Thesis is brought to you for free and open access by the City College of New York at CUNY Academic Works. It has been accepted for inclusion in Master's Theses by an authorized administrator of CUNY Academic Works. For more information, please contact [email protected]. Conflicts of Soviet Ideology in Sergei Prokofiev’s Film Score for Ivan the Terrible Elizabeth R. Blaufox Submitted in partial fulfillment of the requirements for the degree at the City College of the City University of New York Master of Arts in Musicology May 2014 Table of Contents Introduction – Prokofiev’s Homecoming 1 Chapter 1 – Historical Background 5 The Development of Soviet Cultural Policy 5 Film in the Soviet Union 8 “Socialist Realism” and the Soviet Aesthetic 13 Prokofiev’s Work in Film 16 Chapter 2 – “Ivan the Terrible Part I”: The Artists Praised 23 Tsar Ivan IV: History Re-envisioned 23 The Eisenstein-Prokofiev Collaboration 25 Ivan the Terrible, Part I 30 Critical
    [Show full text]
  • 年報 年報 本年報電子版已上載於香港基督教服務處網頁 the Electronic Version of This Annual Report Is Available At
    香港九龍尖沙咀加連威老道33號 33 Granville Road, Tsimshatsui, Kowloon, Hong Kong [email protected] 2731 6316 2731 6333 www.hkcs.org www.facebook.com/hkcs.org ANNUAL REPORT 2018-2019 18 19 ANNUAL REPORT 年報 年報 本年報電子版已上載於香港基督教服務處網頁 The electronic version of this Annual Report is available at www.hkcs.org/tc/annualreport 目錄 Contents 2 主席獻詞 Chairman’s Message 4 總幹事報告 Director’s Message 6 機構徽號 HKCS Logo 7 使命宣言 Mission Statement 8 歷史與發展 History and Development 10 年度重點 Highlights of the Year 服務回顧 Services Overview 18 兒童及家庭 Child & Family 28 青少年及社會復康 Youth & Social Rehabilitation 36 長者、復康及社區 Elderly, Rehabilitation & Community 44 培愛學校 Pui Oi School 44 僱員發展服務 / 富達盟信顧問有限公司 Employee Development Service / Four Dimensions Consulting Limited 50 服務使用者心聲 Heartfelt Words from Service Users 機構發展 Corporate Development 54 創新服務 Innovative Services 58 實證為本 Evidence-based Practice 60 專業意識 Professional Awareness 62 關顧員工 Care for Staff 64 伙伴協作 Partnership Building 66 獎項 Awards 附錄 Appendices 69 機構管治 Corporate Governance 72 服務人數統計 Service Statistics 73 服務分佈 Service Locations 74 財務報告 Financial Report 78 鳴謝 Acknowledgements 87 服務單位概覽 Service Units 香港基督教服務處 2018-19年度年報 主席獻詞 2 Chairman’s Message 持守使命 繼續前行 主席 蘇成溢牧師 Chairman Rev. Dr. Eric So Shing Yit 在去年週年大會「主席的話」中，我提及兩件事， 我們深信上主掌管香港，也掌管香港基督教服務 一是新上任的特區政府班子（2017年）和立法會議員 處。願我們被上主使用，成為城市的守望者，能 （2016年），是否能與人近距離接觸，願意與香港人 在人群中踐行聖法蘭西斯的禱求：在憎恨之處播 一起建造未來；二是本處能否在倡導「希望、公義 下愛，在傷痕之處播下寬恕，在懷疑之處播下 和共融」時，也深入理解市民的困惑，找出社會 信心，在絕望之處播下盼望，在幽暗之處播下光明， 矛盾的所在。 在憂愁之處播下歡愉。求主憐憫看顧香港，賜予 我們智慧和體恤的心，幫助有急切需要的人。 持續多月的社會事件正好反映上述兩點非常重要。自 2019年5月起因《逃犯條例》修訂引發的爭議，社會 自去年10月起，翟冬青女士接任總幹事。在她的
    [Show full text]
  • Handset Instructions Getting Started
    HANDSET INSTRUCTIONS Entertainment GETTING STARTED For passengers with a seatback personal screen, please refer to the following instructions for use of the remote control. 擁有個人屏幕的乘客請參照以下圖像和說明來使用您的遙控器。 個人スクリーンをお持ちのお客様はお手元のハンドセットを下の画像と合わせてから続けてお読みください。 Business Suite Economy Business Suite Business Class Business All passengers & Business Class A350-900 & Extra Class A333 & B737-800 Class A380 1 Legroom Seats A332 A380 A350-900 11 6 13 1 1 13 13 14 13 13 1 1 9 2 5 6 6 2 5 12 9 14 6 14 16 17 1 15 17 5 4 6 5 6 4 4 17 4 7 11 17 4 goingplacesmagazine.com 17 7 1 13 9 9 4 11 17 7 14 | *For Economy Class passengers, access to in-flight entertainment 78 and service functions is via the seatback touch screen monitor. | November 2019 November | 1 Control Paddle* 1 控制板* 1 上下左右ボタン* 2 Window Display 2 顯示視窗 2 ウィンドウ表示 3 3 3 Mode 模式 モード 4 4 読書用ライトON/OFF 4 Reading Light ON/OFF 閱讀燈 ON/OFF 5 5 チャンネルUP/DOWN 5 Channel UP/DOWN 頻道 UP/DOWN 6 6 音声ボリュームUP/DOWN 6 音量 UP/DOWN Volume UP/DOWN 7 7 明るさUP/DOWN 7 亮度 UP/DOWN Brightness UP/DOWN 8 乗務員呼び出し/取消 8 呼叫乘務員/取消 8 Button Disabled 9 選択/スタート* 9 選擇/開始* 9 Select/Start* 10 入力* 10 確認* 10 Enter* 11 11 11 Audio/Video Controls To Rewind, Play/Pause, Forward and Stop for Audio/Video 12 12 12 Back Button 13 To go to previous screen 13 13 Screen ON/OFF Button 14 14 To switch the Interactive screen ON/OFF 14 Home Button 15 15 Shortcut to go to Main Menu 15 QWERTY Keyboard - B738/A333 16 16 16 Magnetic Card Reader 17 Cabin Crew Assistance 17 机舱服务员协助 17 フライトアテンダントアシスタンス *Not on the Inseat System _Nov 2019_GPE02.indd 78 17/10/2019 3:30 PM 80 FILM REVIEWS 81 NEW THIS MONTH 82 MOVIES 84 TV SHOWS 86 AUDIO/RADIO Entertainment 87 FILM TALK © 2019 WALT DISNEY STUDIOS MOTION PICTURES.
    [Show full text]