The Rock Art of Kondoa District, Tanzania
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The Rock Art of Kondoa District, Tanzania: Approaches Toward Understanding Authorship and Meaning Emmanuel James Bwasiri Thesis submitted to fulfilment of the requirement for the degree of Doctor of Philosophy in the School of Geography, Archaeology and Environmental Studies at the University of The Witwatersrand, Johannesburg. Declaration I declare that this research is my own and independent work. It is being submitted for the degree of Doctor of Philosophy in the University of the Witwatersrand, Johannesburg. It has not been submitted before for any examination or degree in any other University. Emmanuel James Bwasiri December, 2016 ii Dedication To my parents Masanje Bwasiri and Nyawahega Charamba. Their commitment to my education helped me to achieve my dreams. iii Acknowledgments There are number of institutions and individuals who made this thesis possible. It would take half the pages of this thesis to thank them all properly, but allow me to use the first two pages to bid a fitting acknowledgement to them. I start by thanking all those who supported me financially: the Africa World Heritage Fund (AWHF); the Rock Art Research Institute and the School of Geography, Archaeology and Environmental Studies at the University of the Witwatersrand; and the Antiquities Division of the Ministry of Natural Resources and Tourism in Tanzania. I cannot overemphasise how I feel today, but suffice it to say I feel permanently connected to them all. Thanks go to my supervisor Prof. Benjamin W. Smith and Prof Sarah Wurz for their time, energy, criticism as well as the encouragement in the final stages of this thesis. I am extremely thankful to Mr. Dario Fanucchi who is a PhD student and Assistant Lecturer, in the Mathematics Department, University of the Witwatersrand for developing the mathematical model I used for my data analysis. My sincere gratitude goes to the people of Kondoa District, particularly the Kondoa District Authority, the local communities and village authorities for the precious support I received from them during my fieldwork. I would like to mention the names and villages of the people of Kondoa who participated in my field survey: Mbayo Khoti, Alli Kisoyi, Juma Mlaku and Hussein Idd (Pahi); Habibu Msakati, Shaibu Salum and Jolo Nchonkoro (Kinyasi); Gulo Sanda, Pili Salum and Shaban Said (Bukulu); Mwalimu Abu (Kiteo); Mwamedi Hindo, Abushee Mbuva, Bakari Kutu, Idd Salimu, Alli Hassani Nyama, Ramadhani Mbuva, Juma Mahondi, Alli Abushee and Salumu Kemo (Kingale); Mohamed Hussein Gongo and Ramadhani Himayi Moha (Thawi Juu); Mayu Kwahayi, Mashaka Idd Khari, Idd Omari Kidima and Labai Kidima (Thawi Chini); Amadi Bakari and Bashiru Isele (Kisese); Mohamed Alli, Matei Lubuva and Abuu Mkerya (Itololo); Inyasi Petter, Rajabu Athumani Mbaruku and Yahaya Hussein (Kandaga); Mohamed Shaban and Alli Juma Athumani (Masange); Mohamed Issa Lwavu and Juma Alli Kibahi (Itundwi-Cheke); Zuhura Kemo, Alli Mohamed Msuri and Nchora Ismail Nchora (Mnenia); Joseph Sadala Yahe, Jema Thomas and Maria Robert (Goima) and Albert German iv Sabai, Hatibu Yusufu, Hassani Mpakani, Juma Kwaya, Omari Abdalah Kepa (Mrijo). I would like to tell the people of Kondoa that the rock paintings and their associated heritage are a precious heritage left to us by their ancestors and they should protect them, especially by refraining from: illegal excavations, deforestation, grazing and cultivating near the rock paintings sites. The human activities listed above damage and destroy the paintings and their associated heritage. I extend my thanks to the Antiquities Division Staff at the Kolo office in Kondoa for accompanying me to some of the site visits. I thank my lovely wife Shavonne Mfangavo for her unwavering support and encouragement throughout my PhD programme. I extend this thanks to my Son Bright who because of studies has never stayed with me for more than a month since he was born. Both my wife and Son have been feeling loneliness because of my absence. Lastly, I thank particularly the staff of the Rock Art Research Institute, University of the Witwatersrand and my fellow students in the Department of Archaeology whom we shared the office and office facilities. They motivated me in countless times and ways; and made this project an enjoyable one. v Abstract The Kondoa rock paintings sites are situated in Kondoa District, located in Central Tanzania. These sites were collectively declared National Monuments by the Antiquities Act of Tanzania, enacted in 1964 and its amendments of 1979. In July 2006, the World Heritage Committee inscribed the Kondoa rock paintings as World Heritage Sites, acknowledging that local people continue to use the sites for traditional ceremonies. Research on Kondoa rock painting was begun in the 1920s by colonial administration staff and continued by local scholars in the 1970s. These two groups have divided the rock paintings according to style and pigments. Red pigment was considered older while white was considered younger, signifying a recent date. Researchers have failed to establish clearly which among the four ethnic groups who have existed in Kondoa District produced the rock paintings. Some scholars have managed to connect some Sandawe beliefs to some of the paintings. Yet, various methods and many styles of the art suggest that the Kondoa rock paintings have multiple authorships. The Sandawe cannot be the only authors of all paintings. Using a multi-stranded approach that includes the history of the area, the location and distribution of the rock painting sites, oral traditions from local people and published materials, and statistical analysis, this thesis establishes the existence of three rock painting traditions. It then determines the authorship of each tradition and suggests approaches towards understanding the symbolic meaning of the paintings. The study points out that without a clear understanding of the cultural sequence and who made which rock paintings no understanding of meaning can be achieved. vi Table of Contents Declaration..................................................................................................................................... ii Dedication ..................................................................................................................................... iii Acknowledgments ........................................................................................................................ iv Abstract ......................................................................................................................................... vi Abbreviations .............................................................................................................................. xv Introduction ................................................................................................................................... 1 CHAPTER ONE ........................................................................................................................... 5 Environmental Setting and Archaeology ................................................................................ 5 Introduction ............................................................................................................................. 5 Location ................................................................................................................................... 5 Geomorphological features ..................................................................................................... 6 Climate .................................................................................................................................... 7 Vegetation................................................................................................................................ 8 Soil erosion .............................................................................................................................. 9 Land use planning.................................................................................................................. 10 Demography .......................................................................................................................... 11 Archaeology .......................................................................................................................... 12 Neolithic ................................................................................................................................ 16 Pastoral Neolithic .................................................................................................................. 18 Pastoral Iron Age (PIA) ......................................................................................................... 21 Early Iron Age (EIA) ............................................................................................................. 22 Later Iron Age (LIA) ............................................................................................................. 23 Archaeological research in Kondoa....................................................................................... 25 CHAPTER TWO ........................................................................................................................ 39 Lifestyle and Settlement Distribution of the People of Kondoa .......................................... 39 Introduction ..........................................................................................................................