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Leopold and Wolfgang Mozart's View of the World
Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World by Thomas McPharlin Ford B. Arts (Hons.) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy European Studies – School of Humanities and Social Sciences University of Adelaide July 2010 i Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World. Preface vii Introduction 1 Chapter 1: Leopold Mozart, 1719–1756: The Making of an Enlightened Father 10 1.1: Leopold’s education. 11 1.2: Leopold’s model of education. 17 1.3: Leopold, Gellert, Gottsched and Günther. 24 1.4: Leopold and his Versuch. 32 Chapter 2: The Mozarts’ Taste: Leopold’s and Wolfgang’s aesthetic perception of their world. 39 2.1: Leopold’s and Wolfgang’s general aesthetic outlook. 40 2.2: Leopold and the aesthetics in his Versuch. 49 2.3: Leopold’s and Wolfgang’s musical aesthetics. 53 2.4: Leopold’s and Wolfgang’s opera aesthetics. 56 Chapter 3: Leopold and Wolfgang, 1756–1778: The education of a Wunderkind. 64 3.1: The Grand Tour. 65 3.2: Tour of Vienna. 82 3.3: Tour of Italy. 89 3.4: Leopold and Wolfgang on Wieland. 96 Chapter 4: Leopold and Wolfgang, 1778–1781: Sturm und Drang and the demise of the Mozarts’ relationship. 106 4.1: Wolfgang’s Paris journey without Leopold. 110 4.2: Maria Anna Mozart’s death. 122 4.3: Wolfgang’s relations with the Weber family. 129 4.4: Wolfgang’s break with Salzburg patronage. -
Intro & Table of Contents
Intro & Table of Contents KNOW THYSELF Observe, Meditate, Contemplate, Synthesize, Repeat There is nothing more true or real than your own experience Strive For Gnosis, Live With Love, Expand Your Perception, Strengthen Your Will Are you the thought or the thinker, the dream or the dreamer, the creation or the creator, the music or the musician, the art or the artist; maybe a bit of each? “Write your own Gospel, live your own myth” Miguel Conner “There is only one way and that is your way. There is only one salvation and that is your salvation. Why are you looking for help? Do you believe it will come from outside? What is to come will be created in you and from you. Hence look into yourself. Do not compare, do not measure. No other way is like yours. All other ways deceive and tempt you. You must fulfill the way that is in you.” –The Red Book Table of Contents Chapter 1 - Why? Chapter 2 - What is True? Chapter 3- Consciousness Chapter 4- What is Reality? Chapter 5- Reality Theories Chapter 6- My Truth, Tenets and Gospel Chapter 7-Additional Life Practices Chapter 8-The Simplicity of Magick Chapter 9- Master of Manipulation: The Cult of Inversion Chapter 10- My Three Wise-Men Chapter 11- Focus on the Good Compiled/Manifested by LoKe~KeLo Chapter 1- Why? Why are we here? What are you? What is the purpose? Is there a purpose? What’s this all about? Every religion, philosophy, and esoteric system tries to answer this, most believing they have. -
Sacred Music Volume 114 Number 2
Volume 114, Number 2 SACRED MUSIC (Summer) 1987 Hans Memling. Angel Musicians. Musee des Beaux Arts, Antwerp. SACRED MUSIC Volume 114, Number 2, Summer 1987 FROM THE EDITORS Hymns 3 CHURCH MUSIC IN AMERICA: WHERE IS IT GOING? 5 Rosalyn Modzekewski TOWARD A NEW CHURCH MUSIC 7 Michael McGowan PAPAL HONORS FOR AMERICAN MUSICIANS 15 Monsignor Richard J. Schuler GREGORIAN SEMIOLOGY: THE NEW CHANT. PART I 17 Robert M. Fowells THE CONDUCTOR AND THE CHURCH CHOIR 21 Liam Lawton REVIEWS 24 NEWS 27 CONTRIBUTORS 28 SACRED MUSIC Continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publications: 548 Lafond Avenue, Saint Paul, Minnesota 55103. Editorial Board: Rev. Msgr. Richard J. Schuler, Editor Rev. Ralph S. March, S.O. Cist. Rev. John Buchanan Harold Hughesdon William P. Mahrt Virginia A. Schubert Cal Stepan Rev. Richard M. Hogan Mary Ellen Strapp Judy Labon News: Rev. Msgr. Richard J. Schuler 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Paul Salamunovich, 10828 Valley Spring Lane, N. Hollywood, Calif. 91602 Rev. Ralph S. March, S.O. Cist., Eintrachstrasse 166, D-5000 Koln 1, West Germany Paul Manz, 1700 E. 56th St., Chicago, Illinois 60637 Membership, Circulation and Advertising: 548 Lafond Avenue, Saint Paul, Minnesota 55103 CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Monsignor Richard J. Schuler Vice-President Gerhard Track General Secretary Virginia A. Schubert Treasurer Earl D. Hogan Directors Rev. -
Holy Land and Holy See
1 HOLY LAND AND HOLY SEE PAPAL POLICY ON PALESTINE DURING THE PONTIFICATES OF POPES PIUS X, BENEDICT XV AND PIUS XI FROM 1903 TO 1939 PhD Thesis Gareth Simon Graham Grainger University of Divinity Student ID: 200712888 26 July 2017 2 CONTENTS Chapter 1: Introduction – Question, Hypothesis and Methodology Chapter 2: A Saint for Jerusalem – Pope Pius X and Palestine Chapter 3: The Balfour Bombshell – Pope Benedict XV and Palestine Chapter 4: Uneasy Mandate – Pope Pius XI and Palestine Chapter 5: Aftermath and Conclusions Appendix 1.The Roads to the Holy Sepulchre – Papal Policy on Palestine from the Crusades to the Twentieth Century Appendix 2.The Origins and Evolution of Zionism and the Zionist Project Appendix 3.The Policies of the Principal Towards Palestine from 1903 to 1939 Appendix 4. Glossary Appendix 5. Dramatis Personae Bibliography 3 CHAPTER 1: INTRODUCTION – QUESTION, HYPOTHESIS AND METHODOLOGY 1.1. THE INTRIGUING QUESTION Invitation to Dr Theodor Herzl to attend Audience with Pope Pius X On 25 January 1904, the Feast of the Conversion of St Paul, the recently-elected Pope Pius X granted an Audience in the Vatican Palace to Dr Theodor Herzl, leader of the Zionist movement, and heard his plea for papal approval for the Zionist project for a Jewish national home in Palestine. Dr Herzl outlined to the Supreme Pontiff of the Catholic Church the full details of the Zionist project, providing assurances that the various Holy Places in Palestine would be “ex-territorialised” to ensure their security and protection, and sought the Pope’s endorsement and support, preferably through the issuing of a pro-Zionist encyclical. -
Creation of Order of Chivalry Page 0 of 72
º Creation of Order of Chivalry Page 0 of 72 º PREFACE Knights come in many historical forms besides the traditional Knight in shining armor such as the legend of King Arthur invokes. There are the Samurai, the Mongol, the Moors, the Normans, the Templars, the Hospitaliers, the Saracens, the Teutonic, the Lakota, the Centurions just to name a very few. Likewise today the Modern Knight comes from a great variety of Cultures, Professions and Faiths. A knight was a "gentleman soldier or member of the warrior class of the Middle Ages in Europe. In other Indo-European languages, cognates of cavalier or rider French chevalier and German Ritter) suggesting a connection to the knight's mode of transport. Since antiquity a position of honor and prestige has been held by mounted warriors such as the Greek hippeus and the Roman eques, and knighthood in the Middle Ages was inextricably linked with horsemanship. Some orders of knighthood, such as the Knights Templar, have themselves become the stuff of legend; others have disappeared into obscurity. Today, a number of orders of knighthood continue to exist in several countries, such as the English Order of the Garter, the Swedish Royal Order of the Seraphim, and the Royal Norwegian Order of St. Olav. Each of these orders has its own criteria for eligibility, but knighthood is generally granted by a head of state to selected persons to recognize some meritorious achievement. In the Legion of Honor, democracy became a part of the new chivalry. No longer was this limited to men of noble birth, as in the past, who received favors from their king. -
The Final Tunisian Order, the National Order of Cultural Merit, Had Its Name Chan~Ed to the Cultural ~Edal in 1969
The final Tunisian Order, the National Order of Cultural Merit, had its name chan~ed to the Cultural ~edal in 1969. However, its administration and structure remain in the pattern of an Order; thus it maybe treated as one. To date, no official source or document states the insignia form and for that reason ~ do not describe the insignia here. Nonetheless, the information located here may prove useful to individuals interested in the T~mlslan system. I Country Republic of Tunisia II Name of Order Cultural Medal (N&tional Order of C~_ltural Merit until 1969) !YI Founded by Preslden~ Habib Bourguiba IV Founded on 5 July 1966 V Founded at Tunis, Tuulsia VI History of Country As explained above VII Purpose of Order Reward and encourage ~ose involved in developing or preservlhg a distinctly Tunisian culture VITI History of Order The 4th Tunisian Order established IX Pc±ton Saint None . X Chancery Located in Tunis as a bureau of the Presidency XI Officers Grand Master ..... the Pres~ent o~ the Republic (Habib Bour<ulba at present) XII Eli~ibility Tunisians and foreigners working for the pur- poses of this Order, over the age of 21. XIII Order Day All National Holidays X~¢ Fees None XV Statutes 5 July 1966 27 March 1969 (changed the name and expanded the classes) Divisions of the Order None Motto of the Order None Costume of the Order None Ribbon, Cravat and Sash All information unknown Grades and Classes I. Grand Cordon (Grand Cross) 2. First Class (Grand Commander) 3. Second Class (Commander) 4. -
The Sherleys and the Shah.Compressed
The Sherleys and the Shah Persia as the Stakes in a Rogue’s Gambit GarY ScHWarTz The second of the three sons of the Sussex peer Sir Thomas Sherley (ca. 1542–1612), Sir Anthony Sherley (1565–ca. 1638), suffered from—and made others to suffer even more from—a personality disorder of the kind we encounter in con men. He was a keen judge of men who used his insights only to manip- ulate those who trusted him, in the first place his father, brothers, and protectors. During his wide travels, nearly every move he made left others holding large uncovered loans and debts. His twentieth-century biographers Boies Penrose and Edward Denison Ross were unable to contain themselves when it came to describing Anthony’s character: “He was an inveterate and unscrupulous intriguer, a sententious hypocrite devoid of all real sentiment … He had all the natural devotion of a buccaneer, and his cupidity was only equalled by his extravagance.”1 He was “a self-seeking adventurer pure and simple, a born intriguer, a complete opportunist, a man whose word could never be relied on and whose personal dishonesty leaves us gasping.”2 These judgments are no different from several testimonies from Anthony’s lifetime. His secretary Tomas Pagliarini wrote to the Spanish ambassador in Venice: “Don Antonio is a man who comes running whenever there is an offer of money. He is fickle and corrupt and … mendacious 1 Ross1933,p.86. 2 Penrose 1938, pp. 244–45. 78 buch_persien_DE_EN_produktion_RZ_2_Revision.indd 78 02.09.13 12:56 by nature … He lies awake all night devising schemes to greedy world of old Sir Thomas was more typically Eliza- extract money from princes … He is a man who affects an air bethan than the good fellowship of the Mermaid Tavern.7 of mystery in everything,” and it would be well if “such a pes- And in a postscript to his article “The Sherley Myth,” Roger tiferous weed” be “expelled from the company of illustrious Savory comments: “The following point may be thought not men surrounding the King.”3 James Wadsworth wrote in to be irrelevant: In 1888 the Rev. -
Sacred Music Volume 112 Number 2
Volume 112, Number 2 SACRED MUSIC (Summer) 1985 Altar and tomb in the crypt of the Basilica of St. Cecilia, Rome. SACRED MUSIC Volume 112, Number 2, Summer 1985 FROM THE EDITORS Gregorian Chant and the Vernacular 3 Acoustics and Church Music 4 WHAT MAKES MUSIC SACRED? Monsignor Richard J. Schuler 7 PAPAL MUSICAL KNIGHTS Duane L.M.C. Galles 13 REVIEWS 21 NEWS 26 EDITORIAL NOTES 27 OPEN FORUM 27 CONTRIBUTORS 28 SACRED MUSIC Continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of publications: 548 Lafond Avenue, Saint Paul, Minnesota 55103. Editorial Board: Rev. Msgr. Richard J. Schuler, Editor Rev. Ralph S. March, S.O. Cist. Rev. John Buchanan Harold Hughesdon William P. Mahrt Virginia A. Schubert Cal Stepan Rev. Richard M. Hogan Mary Ellen Strapp Judy Labon News: Rev. Msgr. Richard J. Schuler 548 Lafond Avenue, Saint Paul, Minnesota 55103 Music for Review: Paul Salamunovich, 10828 Valley Spring Lane, N. Hollywood, Calif. 91602 Rev. Ralph S. March, S.O. Cist., Eintrachstrasse 166, D-5000 Koln 1, West Germany Paul Manz, 1700 E. 56th St., Chicago, Illinois 60637 Membership, Circulation and Advertising: 548 Lafond Avenue, Saint Paul, Minnesota 55103 CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Monsignor Richard J. Schuler Vice-President Gerhard Track General Secretary Virginia A. Schubert Treasurer Earl D. Hogan Directors Rev. Ralph S. March, S.O. Cist. Mrs. Donald G. Vellek William P. -
Review of the Year 2009–2010
TH E April – March NATIONAL GALLE�Y TH E NATIONAL GALLE�Y April – March Contents Introduction 5 Director s Foreword 7 Acquisitions 10 Loans 14 Conservation 18 Framing 23 Exhibitions and Display 28 Education 42 Scientific Research 46 Research and Publications 50 Private Support of the Gallery 54 Financial Information 58 National Gallery Company Ltd 60 Trustees and Committees of the National Gallery Board 62 Marble in the National Gallery 62 For a full list of loans, staff publications and external commitments between April 2009 and March 2010, see www.nationalgallery.org.uk/about-us/organisation/ annual-review – The vast majority of those who visit the National message that the Gallery is a great treasure house Gallery each year come to see the permanent which they can explore for themselves, as well as collection, which is open to all and free of charge. a collection of masterpieces that are easily found. Despite being one of the greatest collections of �oom , adjacent to the Central Hall, has this Western European Old Master paintings in the year been hung with a green textile which replaces world, it tends to attract less media interest than our a damaged and discoloured yellow damask. The temporary exhibitions, perhaps for the simple reason effect on the black and silver of Goya’s Don Andrés that it is always here. It does no harm therefore to del Peral can be seen over the page. The new wall remind ourselves and others from time to time that covering also enhances the splendid Numidian our raison d’être is to care for, add to and display the marble illustrated on page and discussed at the permanent collection, to make it as widely accessible end of this volume. -
Emperor Charles I and His Contribution to The
Prister: Car Karlo I. i njegov doprinos odlikovanjima Austro-Ugarske Monarhije Num. vijesti, broj 70., Zagreb, 2017. Kardum, Livia, Mirovni pokušaj austro-ugarskog cara Karla 1917. godine, Politička misao, Vol. XXXVII., (2000.), br. 1. Görlich, Ernst Joseph, Posljednji car – svetac, Naklada: Grafok d.o.o., Zagreb, 2004. https://hr.wikipedia.org/wiki/Karlo_I._Austrijski. https://en.wikipedia.org/wiki/Franz_Conrad_von_Hötzendorf. Die österreichisch-ungarischen Orden und Ehrenzeichen, Graz, 1915. Ehrenbuch der Österreichisch Ungarischen Wehrmacht, I. Band, Wien, 1917. Falkenstien, Joseph von, Imperial Austrian Medals and Decorations, II. Edition, Tucson (Arizona), 1972. Mĕřička, Václav, Orden und Ehrenzeichen der Österreichisch-Ungarischen Monarchie, Verlag Anton Schroll & Co. Wien und München, 1974. Neubecker, Ottfried - Nimmergut, Jörg, Österreich-Katalog 1978/79, Orden & Ehrenzeichen ab 1430 bis zur Gegenwart, Verlag und Herausgeber Jörg Nimmergut, München, 1978. Procházka, Roman Freicher von, Österreichisches Ordenshandbuch, Herausgeber Graf Klenau oHG, München, 1979., 2. svezak. Prister, Boris, Odlikovanja, katalog muzejskih zbirki XXI, Povijesni muzej Hrvatske, Zagreb, 1984. Prister, Boris, Odlikovanja zbirke dr. Veljka Malinara, I. dio, Katalog muzejskih zbirki XXIV., Povijesni muzej Hrvatske, Zagreb, 1991. Prister, Boris, Austrougarska Ranjenička medalja, Husar, slikovni časopis za vojnu povijest i militariju, god. 3. / br. 5., Zagreb, 2006. Österreichs Orden vom Mittelalter bis zur Gegenwart, im Auftrag der Österreichischen Geselschaft für Ordenskunde, Herausgegeben von J. Stolzer und. Ch. Steeb, Akademische Druck- u. Verlaganstalt Graz, 1996. SUMMARY EMPEROR CHARLES I AND HIS CONTRIBUTION TO THE INSTITUTION OF DECORATIONS IN THE AUSTRO-HUNGARIAN MONARCHY The Emperor and King of Austria-Hungary Franz Joseph I died on 21 November 1916 at the age of 86, in the 68th year of his reign. -
Red Templar Free
FREE RED TEMPLAR PDF Paul Christopher | 400 pages | 23 Apr 2012 | Penguin Putnam Inc | 9780451236302 | English | New York, United States Storm Coast Red Templar Key - Answer HQ Red Water Red Templar triggered after running a particular mission on the war map called Red Templars on the Storm Coast. The mission generally doesn't become available until late Red Templar the game, and it costs 4 power to activate. After the mission is run, you'll unlock a new area in the Storm Coast and trigger the quest. The new area is located northwest of Red Templar Driftwood Margin Camp. A door blocked your progress, but after running the mission, the door will be open. The path appears to terminate at a landmark called Daerwin's Mouth. Claim the landmark, Red Templar put your back to it; you should be facing east. Walk straight forward until you smack into the wall, then face north and you'll see a small doorway on a wall with a painted face. Head inside that gap to continue. The gap leads to a large maze with a lot of loot. Your Red Templar won't help you much since it doesn't show the exact walls, but as long as you keep your eye on your quest marker, you'll be able to navigate it. Follow the trails of red lyrium and the painted skulls on the walls to head toward your Red Templar. The final area that you need to find overlooks the water. It's technically outdoors, Red Templar you can't go explore it since it just drops into the ocean and teleports you back to land. -
Magyar Front Spring 2020
© Vol. XXII, No. 3 SUMMER 2020 Emperor Charles IV’s Knights of the Golden Spur Also in this issue: The Wool-Sleeved Leather Jerkin Adventure www.NewFront.ca A note from the Editor The Hungarian Ministry of Defence Military History Institute and Museum published a book entitled Charles IV's Knights of the Golden Spur, 1916 by IHMHPS member Gergely Sallay and researcher János Szentváry-Lukács last year. The richly illustrated hard-cover book introduces the interesting and unique story of the Knights of the Golden Spur inaugurated on the occasion of the coronation of the last king of Hungary, Charles IV, on 30 December 1916. The two authors have summed up the topic in English for this issue of the Magyar Front, featuring never before published photographs of one of the knights invested in 1916. These images were provided for publication by the grandson of Knight of the Golden Spur, Aladár de Münnich, after the launch of the book. Therefore, along with the pictures, our readers will find the biography of Lieutenant Münnich on page 11 in this issue (fifty of the like can be found in the book). Interestingly, Aladár Münnich, a renowned architect, lived in Canada for the last twenty-five years of his life. He died in the United Kingdom, but his ashes were subsequently, interred in Montreal. MAGYAR FRONT The book does not only cover the story of the inauguration and provides the VOLUME XXII, ISSUE 3 biographies of all the individuals chosen for the special title, it also introduces one of SUMMER 2020 the rarest and most impressive Hungarian insignia, that of the Knights of the Golden Spur of 1916 (which was instituted in 1918 and worn by the knights only after the Published quarterly by collapse of the Austro-Hungarian Monarchy).