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Public Swimming Pools List of Director Approved Colors
Public Swimming Pools List of Director approved colors In accordance with the Ohio Administrative Code (OAC) rules 3701-31-02(G)(2) and (3) and 5.1(C)(1)(b) "the interior surfaces of pools and spas shall be painted white, unless the color is approved by the director." This requirement became effective Jan. 1, 1999 and was revised effective April 1, 2011; and applies to new pools and spas as well as existing pools/spas that will be repainted or will receive a new finish. The colors listed below were submitted to the Ohio Department of Health (ODH) and have been approved. This list does not apply to primer colors. This list also applies to other colored finishes such as tile and pool/spa liners. This list may be periodically revised to add or delete colors. If you have any questions, please call the Public Swimming Pool Program at 614-644-7438. This is not a comprehensive list: any color may be submitted by the manufacturer and be evaluated on a case by case basis. Black or dark lane markers and target marks are exempted from this requirement provided that they meet the standards of the appropriate governing body. Submittals may be sent to: Ohio Department of Health Bureau of Environmental Health and Radiation Protection 246 North High Street Columbus, OH 43215 Attn: Public Swimming Pool Program Any logos or other unique artwork proposed for the pool/spa bottom must be submitted to and approved by ODH. Contact the Public Swimming Pool Program for additional information about logo submissions. -
Powder Denim Sky Teal Midnight Cerulean Navy Turquoise Cornflower Periwinkle Royal Opal Cmg 08458 Cmg 1 26 27 3 4 6 29 30 31 2 32 33
MARCH 2010 House Beautiful sp ring ALL COLO | A BOUT issue BLUE POWDER DENIM SKY TEAL MIDNIGHT CERULEAN NAVY TURQUOISE CORNFLOWER PERIWINKLE ROYAL OPAL CMG 08458 1 26 27 3 4 6 29 30 31 2 32 33 5 28 34 7 8 36 10 11 9 50 BLUE FABRICS 35 14 12 13 15 37 38 41 40 19 39 47 17 43 44 45 18 46 16 20 42 23 24 25 49 21 48 22 50 1 CLOQUE DE COTON 6 ARIPEKA 10 STRIATE IN AQUA. KaTE 14 CHRISSY IN DENIM. ViCTOria 18 FORMIA 22 DJEBEL 26 GASTAAD PLAID IN CaPri. 31 LA GAROUPE 35 LUCE 39 JUPON BOUQUET 43 OcELOT IN AZUL. KaT BURKI 47 KHAN CASHMERE IN COLOR 8. DOMINIQUE KIEffER IN HYdraNGEA. ROGERS GabriEL THROUGH STUdiO HaGAN HOME COLLECTION: IN RUSCELLO. DECORTEX IN GaLET. LELIEVRE THROUGH EriC COHLER FOR LEE JOfa: IN INdiGO. RALPH LaUREN IN NaVY. MadELINE WEINrib IN AZURE BLUE COLLECTION FOR IN BLUE MIX. HOLLAND BY RUBELLI THROUGH & GOffiGON: 203-532-8068. FOUR NYC: 212-475-4414. 212-888-3241. THROUGH BRUNSCHWIG STarK fabriC: 212-355-7186. 800-453-3563. HOME : 888-743-7470. ATELIER: 212-473-3000, X780. AND WarM WHITE. FORTUNY: STarK fabriC: 212-355-7186. & SHErrY: 212-355-6241. BERGAMO: 914-665-0800. & FILS: 914-684-5800. 212-753-7153. 7 MYRSINI 11 SIERRA MADRE 15 TANZANIA IN BLUE. CHarLES 23 CHEVRON BAR 27 VIOLETTA N IN MOONLIGHT. 32 WOOL SATEEN 36 AlTAI IN BLUETTE. 44 HINSON SUEDE 48 BARODA II IN INdiGO ON 2 FIORI IN ATLANTIC ON SEA MIST. -
Color Chart Colorchart
Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade -
Grand I10 NIOS Here to Make You Feel Alive
Dealer’s Name & Address Grand i10 NIOS Aug-Sep, 2020 For more details, please consult your Hyundai dealer. • Some of the equipments illustrated or described in this leaflet may not be supplied as standard equipment and may be available at extra cost. • Technical specifications have been rounded-off to the nearest value. • Hyundai Motor India reserves the right to Hyundai Motor India Ltd. change specifications, schemes and equipment without prior notice • Body colours are trim specific • The colour plates shown may vary slightly from the actual colours due to the limitations of the printing process. • Please consult your dealer for full information Plot C-11, City Centre, Sector-29, Gurugram (Haryana) - 122 001 and availability on colours and trim. Apple CarPlay is a trademark of Apple Inc. Android Auto is a trademark of Google Inc. **Terms Copyright © 2020. Hyundai Motor India Limited. All Rights Reserved. Visit us at www.hyundai.co.in or call us at 1800-11-4645 (Toll Free) 098-7356-4645. & conditions apply. *As per customer choice. Here to make you feel alive. Presenting the young and lively Grand i10 Nios. It’s the new definition of a perfect sync between exuberant design and advanced technology, that brings smart ease to your life. Come and experience its breathtaking good looks, indulgent comfort and riveting performance that will surely make you feel alive. Bold is beautiful. Admire it from any angle, and Grand i10 Nios will catch your eye with its bold stance and contemporary design. Check out its new projector headlamps & foglamps for enhanced visibility. Body coloured bumpers, chrome door handles and blacked out B-pillar & window line give it a differentiated road presence. -
Ygb(I)V: Horizontal Color in the New York Subway
Robert R. Stenson Intro to Archaeology Joanna S. Smith 25 October 2007 R(o)ygb(i)v: Horizontal Color in the New York Subway The subway arrives in color. In our minds, our stations, and our maps, the New York City subway system arrives in colors: red, blue, orange, green, purple, etc. Whether you are holding a map, navigating the station, or standing on the platform, deciphering this subway means using color as a tool of instantaneous and conscious differentiation. That is, when we trace a line with our finger, spot a sign, or peer into the tunnel, we are consciously looking for a specific color, and can know instantaneously whether or not a train is “ours.” But the nature of this scheme is to operate in a “vertical” orientation. As we ride toward our destination, we ride with a color; as we glide north and south beneath the grey city, moving against the horizontal grid of cross-streets, the A train remains blue and the 1 remains red—no matter what station, either West 4th or 200th. But little-known in the New York subway complex is a limited, enigmatic system of “horizontal” color, bands of colored tile on station walls—a system which, theoretically, gives us the sense not of moving with a color, but through changing colors: green at West 4th, red at 200th etc. As a result of poor documentation and limited use, however, what we know of the colors is preserved primarily on the subway station walls; a once-modern scheme has silently become archaic, found only in an archaeological context. -
Addressing the Needs of Students with Color Vision Deficiencies in the Elementary School Library
Old Dominion University ODU Digital Commons Teaching & Learning Theses & Dissertations Teaching & Learning Summer 2013 Addressing the Needs of Students With Color Vision Deficiencies in the Elementary School Library Karla Bame Collins Old Dominion University Follow this and additional works at: https://digitalcommons.odu.edu/teachinglearning_etds Part of the Educational Assessment, Evaluation, and Research Commons, Elementary Education Commons, and the Library and Information Science Commons Recommended Citation Collins, Karla B.. "Addressing the Needs of Students With Color Vision Deficiencies in the Elementary School Library" (2013). Doctor of Philosophy (PhD), Dissertation, Teaching & Learning, Old Dominion University, DOI: 10.25777/ye1d-ps55 https://digitalcommons.odu.edu/teachinglearning_etds/46 This Dissertation is brought to you for free and open access by the Teaching & Learning at ODU Digital Commons. It has been accepted for inclusion in Teaching & Learning Theses & Dissertations by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. ADDRESSING THE NEEDS OF STUDENTS WITH COLOR VISION DEFICIENCIES IN THE ELEMENTARY SCHOOL LIBRARY by Karla Bame Collins B.S. May 1991, James Madison University M.A.Ed. May 2003, College of William and Mary A Dissertation Submitted to the Faculty of Old Dominion University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY EDUCATION OLD DOMINION UNIVERSITY August 2013 Approved by: Carol A. Doll (Committee Chair) -
Lumina® Royal Aqua and Blue Effect Pigments for Plastics Applications
Marvelous brilliance for fascinating creations Lumina® Royal Aqua and Blue effect pigments for plastics applications Key benefits . Luxurious blue tones . High lightness and attractive sparkle . Excellent chroma shades . Extension of color space for new styling options . Greater formulation flexibility Lumina® Royal Aqua and Blue Lumina® Royal Aqua 9780H and Blue 9680H – with the highest chromaticity and reflectivity available, the effect pigments offer brilliant styling options for plastics in Aqua and Blue. Lumina® Royal Aqua – A green-shade interference blue effect pigment Lumina® Royal Blue – A red-shade interference blue effect pigment Coloristic properties of Lumina® Royal Coloristic properties of Lumina® Royal Aqua and Blue versus state-of-the-art Aqua and Blue with organic pigment Color measured using a mulit-angle spectrophometer at 1 % effect pigment in transparent polypropylene. Contacts BASF Colors & Effects Europe Asia Americas Pigments for Plastics BASF Colors & Effects GmbH BASF Colors & Effects Shanghai Ltd. BASF Colors & Effects USA LLC An der Rheinschanze 1 No 300, Jiang Xin Sha Road 24710 West Eleven Mile Road 67059 Ludwigshafen am Rhein 200137 Shanghai Southfield, MI 48034 Germany China USA BASF Colors & Effects GmbH, 67059 Ludwigshafen, Germany, www.colors-effects.basf.com The data contained in this publication are based on our current knowledge and experience. In view of the many factors that may affect processing and application of our product, these data do not relieve processors from carrying out their own investigations and tests; neither do these data imply any guarantee of certain properties, nor the suitability of the product for a specific purpose. Any descriptions, drawings, photographs, data, proportions, weights etc. -
Points of View: Color Coding
THIS MONTH ab POINTS OF VIEW 1 2 3 4 5 6 Color picker Color coding Grayscale equivalent Lightness 1 Hue 2 Color can add dimensionality and richness to scientific com- 3 4 munications. In figures, color is typically used to differentiate 3 5 information into classes. The challenge is picking colors that are 5 4 2 discriminable. A systematic approach to choosing colors can help 1 us find a lineup effective for color coding. 6 6 Occasionally, authors use a sequence of colors, such as the ‘rainbow’ color scheme, to represent a range of values. Color, however, is not Saturation ideal for encoding quantitative data because of the inherent ambigu- ity in how the different colors should be ordered. For instance, does yellow represent a smaller value than blue? One could pattern the Figure 2 | Color has hue, saturation and brightness. (a,b) Colors can be sequence after the ordering of visible light by wavelength (remem- tuned using a color picker (a). Spiraling through hue and saturation while bered by the mnemonic ROYGBIV), but use of this color spectrum varying lightness can generate a discernible color set distinguishable even in grayscale (points labeled 1–6). is inherently problematic. The transitions from red to yellow to green and so on are uneven, breaking the correspondence between color and numerical value. Visually, certain colors in the rainbow spectrum On a computer, we can tune color attributes using the color picker seem to run on, whereas others are short lived. Even when we limit the (Fig. 2a). On a Mac or PC and in software such as Adobe Illustrator spectrum to just a few colors, the incremental change in mapped value and Photoshop, the color picker is based on the traditional color still might not translate to the magnitude of change we see. -
Resistor Color Code Guide
RESISTOR COLOR CODE GUIDE 4- Band Code 1.0 KW +- 5% 1st 4th 2nd 3rd Color 1st Band 2nd Band 3rd Band Decimal Multiplier Tolerance Black 0 0 0 1 1 Brown 1 1 1 10 10 +- 1 % Red 2 2 2 100 100 +- 2 % Orange 3 3 3 1K 1,000 Yellow 4 4 4 10K 10,000 Green 5 5 5 100K 100,000 Blue 6 6 6 1M 1,000,000 Violet 7 7 7 10M 10,000,000 Gray 8 8 8 100,000,000 White 9 9 9 1,000,000,000 Gold 0.1 +- 5 % Silver 0.01 +- 10 % None +- 20 % 3rd 2nd 4th 1st 5th 254 W +- 1 % 5- Band Code Calculation Resistor Lead Left Right 200 KW +- 10 % First Band Red 2 Second Band Black 0 Multiplier Band Yellow x10,000 The Gold or Silver band is always placed to the right. Tolerance Band Silver 10 % The resistor value is read from the left to right. If there is no tolerance band, then find the side that has Equation a band closest to a lead and make that the first band. 2 0 x 10,000 = 200,000 1,000 = 1K Resistor = 200 K with a + - 10 % Tolerance © Copyright 2006 Blue Point Engineering All Rights Reserved Page 1 Resistor Color Code 4 Band Quick Guide Resistance Notation Band 1 Band 2 Band 3 Tolerance .22 ohm R22 Red Red Silver S,G,R,B .27 ohm R27 Red Purple Silver S,G,R,B Color Value .33 ohm R33 Orange Orange Silver S,G,R,B Black 0 .39 ohm R39 Orange White Silver S,G,R,B Brown 1 .47 ohm R47 Yellow Purple Silver S,G,R,B Red 2 .56 ohm R56 Green Blue Silver S,G,R,B Orange 3 .68 ohm R68 Blue Gray Silver S,G,R,B Yellow 4 .82 ohm R82 Gray Red Silver S,G,R,B Green 5 1.0 ohm 1R0 Brown Black Gold S,G,R,B Blue 6 1.1 ohm 1R1 Brown Brown Gold S,G,R,B Violet 7 1.2 ohm 1R2 Brown Red Gold S,G,R,B -
The Color Code
The Color Code The new way to see yourself, your relationships, and life By Taylor Hartman, Ph.D. Taylor Hartman, Ph.D. Taylor Hartman, Ph.D. is a native of California and former professor at California State University, Long Beach, and has been coaching businesses and counseling individuals for over 30 years. His work revolves around the simplicity in understanding the unique complexities of personality and relationships. The Elements of Personality • Personality is Innate – Born with a unique set of personality traits • Personality is an Interpretation of Life – Determines whether you are easily depressed, casual, formal, careful, or carefree; passive or assertive • Personality is a Code of Behavior – Core of thoughts and feelings inside of you that tells you how to conduct yourself • Personality is a Rainbow The Hartman Personality Profile Color-Code Motives • Behaviors are determine by Needs and Wants • Needs and Wants are determined by Motives • Motives are our innermost reasons • The driving force behind our personalities “The Color Code” According to Hartman, there are 4 basic “core” personality colors: Although you will have a “secondary” color that will influence your personality also. • Red • Blue • White • Yellow Life can be puzzling. Why are some people so easy to love, work for, work with, befriend, while others require constant effort? What part do you play in making the relationships in your life work? Reds: The Power Wielders • Reds are highly committed to causes • Accomplish whatever life places before them • Reds are -
Field Guide to Algae and Other “Scums” in Ponds, Lakes, Streams and Rivers
The Boone and Kenton County Conservation Districts, Burlington, KY The Campbell County Conservation District, Alexandria, KY Field guide to algae and other “scums” in ponds, lakes, streams and rivers Miriam Steinitz Kannan and Nicole Lenca Northern Kentucky University Field Guide to algae and other “scums” TABLE OF CONTENTS Page Introduction Purpose of the guide—How to use the guide 3 Floating Macroscopic Plants Duckweeds (Lemna, Spirodella) 4 Watermeal (Wolffia) 4 Waterferns (Azolla) 4 Floating Cyanobacteria (Blue-Green Algae) Microcystis 5 Aphanizomenon 6 Anabaena 7 Floating or attached Cyanobacteria (Blue-Green Algae) Oscillatoria, Lyngbya, Phormidium, Plankthotrix 8 Attached Cyanobacteria (Blue-Green Algae) Nostoc 9 Euglena and other flagellated algae Euglena, Phacus, Dinobryon, Prymnesium and Dinoflagellates 10 Diatom Blooms 11 Filamentous Green Algae Spirogyra, Mougeotia and Zygnema 12 Cladophora and Hydrodictyon 13 Bacterial Scums Iron Bacteria -Sphaerotilus 14 Protozoan Scums 15 Zooplankton scums 16 Algae control methods 17 Recommended Web sites 18 Acknowledgements 19 2 Introduction Purpose of this Guide This guide is intended for individuals who work with farm ponds, for watershed groups, homeowners and anyone interested in quickly identifying an algal bloom or scum that appears in a freshwater system. Such blooms usually appear during the summer and fall in temperate regions. Most blooms are the result of nutrient enrichment of the waterway. Of significant concern are blue-green algal blooms (cyanobacteria). Some of these produce liver and/or brain toxins that can be lethal to most fish and livestock. Some of the toxins can also be carcinogenic. The macroscopic appearance of many different genera of algae can be similar and therefore field identification must be verified by using a compound microscope. -
New Types of Marks
E SCT/16/2 ORIGINAL: English WIPO DATE: September 1, 2006 WORLD INTELLECTUAL PROPERTY ORGANIZATION GENEVA STANDING COMMITTEE ON THE LAW OF TRADEMARKS, INDUSTRIAL DESIGNS AND GEOGRAPHICAL INDICATIONS Sixteenth Session Geneva, November 13 to 17, 2006 NEW TYPES OF MARKS Document prepared by the Secretariat SCT/16/2 CONTENTS Page I. INTRODUCTION ..................................................................................................... 2 II. SUBJECT MATTER OF PROTECTION ................................................................. 2 (a) Visible signs..................................................................................................... 2 (i) Three-dimensional marks................................................................... 2 (ii) Color marks........................................................................................ 3 (iii) Holograms .......................................................................................... 5 (iv) Slogans ............................................................................................... 6 (v) Titles of films and books.................................................................... 6 (vi) Motion or multimedia signs ............................................................... 7 (vii) Position marks.................................................................................... 8 (viii) Gesture marks..................................................................................... 8 (b) Non-visible signs.............................................................................................