Shakespeare, Middleton, Marlowe
UNTIMELY DEATHS IN RENAISSANCE DRAMA UNTIMELY DEATHS IN RENAISSANCE DRAMA: SHAKESPEARE, MIDDLETON, MARLOWE By ANDREW GRIFFIN, M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy McMaster University ©Copyright by Andrew Griffin, July 2008 DOCTOR OF PHILOSOPHY (2008) McMaster University (English) Hamilton, Ontario TITLE: Untimely Deaths in Renaissance Drama: Shakespeare, Middleton, Marlowe AUTHOR: Andrew Griffin, M.A. (McMaster University), B.A. (Queen's University) SUPERVISOR: Professor Helen Ostovich NUMBER OF PAGES: vi+ 242 ii Abstract In this dissertation, I read several early modem plays - Shakespeare's Richard II, Middleton's A Chaste Maid in Cheapside, and Marlowe's Dido, Queene ofCarthage alongside a variety of early modem historiographical works. I pair drama and historiography in order to negotiate the question of early modem untimely deaths. Rather than determining once and for all what it meant to die an untimely death in early modem England, I argue here that one answer to this question requires an understanding of the imagined relationship between individuals and the broader unfolding of history by which they were imagined to be shaped, which they were imagined to shape, or from which they imagined to be alienated. I assume here that drama-particularly historically-minded drama - is an ideal object to consider when approaching such vexed questions, and I also assume that the problematic of untimely deaths provides a framework in which to ask about the historico-culturally specific relationships that were imagined to obtain between subjects and history. While it is critically commonplace to assert that early modem drama often stages the so-called "modem" subject, I argue here that early modem visions of the subject are often closely linked to visions of that subject's place in the world, particularly in the world that is recorded by historiographers as a world within and of history.
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