DOCSLIB.ORG

CCCC Convention LANGUAGING, LABORING, and TRANSFORMING • March 14–17, 2018 • Kansas City, MO

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CCCC Convention LANGUAGING, LABORING, and TRANSFORMING • March 14–17, 2018 • Kansas City, MO BECAUSE EVERY STUDENT Convention CCCC IS A WRITER WITH A VOICE LANGUAGING, LABORING, AND TRANSFORMING AND LABORING, LANGUAGING, LanCONFERENCEguag ing ON COLLEGE COMPOSITION & LCOMMUNICATIONaboring • KANSAS CITY March 14–17, 2018 • Kansas City, MO •2018 City, Kansas 14–17, March Tr ns2018fo i g For more information or to request your review copy a rm n stop by the Bedford/St. Martin’s booth at the 2018 CCCC or visit macmillanlearning.com/english. cccc18 program cover.indd 1 2/5/18 7:20 PM Find opportunity and value with CCCC Take a closer look at the Conference on College Composition and Communication BEDFORD/ST. MARTIN’S CCCC is the leading organiza- tion in writing studies, offering not only the largest meeting of writing specialists in the world every spring but also a relevant and strategic reposi- tory of resources, research, and networking channels to help you be your best. • CCCC’s extensive grants and awards program provides opportunities to be recognized for your scholarship, to apply for funds for your next research project, or to receive travel support to learn from and with your colleagues. WHY WE ARE IN KANSAS CITY • College Composition and Communication maintains a space for thoughtful We’re here because you’re here. As “All In” partners with the composition examination of current issues in the field. community we made the decision to attend this year’s conference as we typically do. But we know this isn’t a typical meeting. We want you to • CCCC sponsors advocacy efforts, know that Bedford/St. Martin’s and all of Macmillan Learning are strongly inviting you to engage with legislative committed to promoting inclusion, diversity, tolerance, and social jus- and regulatory issues that matter to you tice. And as longtime educational publishers, our continuing support of at the federal, state, and local levels. composition and literature instructors extends to everyone. Follow the hashtag #BSM4C18, to see our full range of events for this There’s a lot we can do together as members of CCCC. The first step is simple. If you’re year’s conference. not a member, join CCCC by subscribing to College Composition and Communication today, and if you are a member, share the benefits of CCCC by telling a friend. And we encourage you to visit our community site for English instructors (community.macmillanlearning.com) to share your thoughts about teach- ing techniques and classroom issues. JOIN TODAY https://secure.ncte.org/store/ccc http://www.ncte.org/cccc Image credit: YurkaImmortal/Shutterstock. cccc18 program cover.indd 2 2/5/18 7:20 PM Sixty-Ninth Annual Convention Conference on College Composition and Communication March 14–17, 2018 Kansas City Marriott Downtown and Kansas City Convention Center Kansas City, Missouri Table of Contents CCCC Officers, Executive Committee, Nominating Committee, and CCC Editorial Board . .2 Schedule at a Glance . .3 Greetings from the 2018 Program Chair . .4 Local Arrangements Committee Welcome . 8 Acknowledgments . .12 First Time at the Convention? . .15 General Convention Information . 16 Other Events at CCCC . 19 Sessions on Two-Year College Concerns . 26 CCCC Committee Meetings . 27 Wednesday Special Events and Meetings . 29 Workshops, Wednesday, March 14 . .33 Thursday Special Events and Meetings . .53 Opening General Session . 55 Convention Program, Thursday, March 15 . .64 All-Attendee Event . 100 Friday Special Events and Meetings . .153 Convention Program, Friday, March 16 . 154 CCCC Awards . 272 Kansas City Cultural Event . .282 Saturday Special Events and Meetings . .283 Convention Program, Saturday, March 17 . 293 CCCC Past Chairs . .338 Meeting Room Maps . .339 Exhibitor List . 343 Index of Participants . .359 On the Cover: Cover design by Sasha Bingaman, student designer at the University of Missouri, Kansas City. Sasha is a designer/art director with Egghead: A Student Design Agency, part of the Studio Art program. Paul Tosh is her faculty advisor. CCCC CONVENTION, KANSAS CITY 2018 1 a1-63-4Cs-2018.indd 1 2/7/18 1:19 PM CCCC Officers Chair: Carolyn Calhoon-Dillahunt, Yakima Valley College, WA Associate Chair: Asao B. Inoue, University of Washington, Tacoma Assistant Chair: Vershawn Ashanti Young, University of Waterloo, Ontario, Canada Immediate Past Chair: Linda Adler-Kassner, University of California, Santa Barbara Executive Secretary/Treasurer: Emily Kirkpatrick, NCTE Executive Director Secretary: Jessie L. Moore, Elon University, NC Executive Committee Jonathan Alexander, University of California, Irvine (CCC Editor) Jeffrey Andelora, Mesa Community College, AZ (TYCA Chair) Kristin Arola, Michigan State University, East Lansing Sheila Carter-Tod, Virginia Tech, Blacksburg Christina Cedillo, University of Houston Clear Lake, TX Christine Peters Cucciarre, University of Delaware, Newark John Duffy, University of Notre Dame, IN Jessica Enoch, University of Maryland, College Park Michael J. Faris, Texas Tech University, Lubbock Eli Goldblatt, Temple University, Philadelphia, PA Bump Halbritter, Michigan State University, East Lansing Holly Hassel, University of Wisconsin–Marathon County, Wausau (TETYC Editor) Jay Jordan, University of Utah, Salt Lake City Stephanie L. Kerschbaum, University of Delaware, Newark Suzanne Labadie, Oakland Community College, Royal Oaks, MI (TYCA Secretary) Neal Lerner, Northeastern University, Boston, MA Amy Lynch-Biniek, Kutztown University, PA (Forum Editor) Aja Y. Martinez, Syracuse University, NY Bruce McComiskey, University of Alabama at Birmingham Steve Parks, Syracuse University, NY (SWR Editor) Leslie Roberts, Oakland Community College, Farmington Hills, MI Michelle Bachelor Robinson, University of Alabama, Tuscaloosa Donnie Johnson Sackey, Wayne State University, Detroit, MI Cheryl Hogue Smith, Kingsborough Community College, City University of New York, Brooklyn (TYCA Associate Chair) Christine Tulley, University of Findlay, OH Karrieann Soto Vega, Syracuse University, NY (Graduate Student Representative) Bo Wang, California State University, Fresno Nominating Committee Chair: Jennifer Wingard, University of Houston, TX Linda Adler-Kassner, University of California, Santa Barbara Joyce Locke Carter, University of Arkansas, Little Rock Franny Howes, Oregon Institute of Technology, Klamath Falls Andrea Malouf, Salt Lake Community College, UT Steve Parks, Syracuse University, NY Andrea Riley Mukavetz, Grand Valley State University, Allendale, MI CCC Editorial Board Steven Alvarez, St. John’s University, Queens, NY Olga Aksakalova, LaGuardia Community College, Long Island City, NY Chase Bollig, Gonzaga University, Spokane, WA Dylan Dryer, University of Maine, Orono Frank Farmer, University of Kansas, Lawrence Joanne Giordano, University of Wisconsin–Marathon County, Wausau D. Alexis Hart, Allegheny College, Meadville, PA Tobi Jacobi, Colorado State University, Fort Collins Diane Kelly-Riley, University of Idaho, Moscow Steve Lamos, University of Colorado Boulder LuMing Mao, Miami University, Oxford, OH Paula Mathieu, Boston College, MA Heidi McKee, Miami University, Oxford, OH Vorris Nunley, University of California, Riverside Octavio Pimentel, Texas State University, San Marcus Katrina Powell, Virginia Tech, Blacksburg Jessica Restaino, Montclair State University, NJ Keith Rhodes, University of Denver, CO Kate Vieira, University of Wisconsin–Madison Melanie Yergeau, University of Michigan, Ann Arbor Kevin Roozen, University of Central Florida, Orlando Raúl Sánchez, University of Florida, Gainesville 2Patrick Sullivan, Manchester Community College, CT a1-63-4Cs-2018.indd 2 2/7/18 1:19 PM Schedule at a Glance Wednesday, March 14 8:00 a.m.–7:30 p.m. Registration and Information 8:30 a.m.–5:00 p.m. Research Network Forum 9:00 a.m.–12:30 p.m. Morning Workshops (additional registration required) 9:00 a.m.–5:00 p.m. All-Day Workshops (additional registration required) 1:30–5:00 p.m. Afternoon Workshops (additional registration required) 1:30–5:00 p.m. Qualitative Research Network 5:15–6:15 p.m. #TYCATransforming 5:15–6:15 p.m. Newcomers’ Orientation Thursday, March 15 7:30–8:15 a.m. Newcomers’ Coffee Hour 7:30 a.m.–5:00 p.m. Registration and Information 8:30–10:00 a.m. Opening General Session 10:00 a.m.–6:00 p.m. Exhibit Hall Open 10:30–11:45 a.m. A Sessions 10:30 a.m.–12:30 p.m. Nominating Committee Open Meeting 12:15–1:30 p.m. B Sessions 1:45–3:00 p.m. SJAC Task Force All-Attendee Event 3:15–4:30 p.m. C Sessions 4:45–6:00 p.m. D Sessions 5:30–6:30 p.m. Resolutions Committee Open Meeting 6:00–7:00 p.m. Scholars for the Dream Reception 6:30–7:30 p.m. Special Interest Group Meetings 7:00–8:00 p.m. Anzaldúa Awards Reception Friday, March 16 8:00–9:15 a.m. E Sessions 8:00 a.m.–5:00 p.m. Registration and Information 9:00 a.m.–5:00 p.m. Exhibit Hall Open 9:30–10:45 a.m. F Sessions 11:00 a.m.–12:15 p.m. G Sessions 12:30–1:45 p.m. H Sessions 2:00–3:15 p.m. I Sessions 3:30–4:45 p.m. J Sessions 5:00–6:00 p.m. Special Interest Group Meetings 6:15–7:30 p.m. CCCC Awards/Recognition Reception 8:00–11:00 p.m. Kansas City Cultural Event (additional registration required) Saturday, March 17 7:00–8:00 a.m. TYCA Breakfast (additional registration required) 8:00–9:15 a.m. Annual Business Meeting 8:00 a.m.–2:00 p.m. Registration and Information 9:30 a.m.–5:00 p.m. Teacher 2 Teacher Forum 9:30–10:45 a.m. K Sessions 10:00 a.m.–1:00 p.m. Exhibit Hall Open 11:00 a.m.–12:15 p.m. L Sessions 12:30–1:45 p.m. M Sessions 2:00–5:00 p.m. Postconvention Workshops (open to all attendees) CCCC CONVENTION, KANSAS CITY 2018 3 a1-63-4Cs-2018.indd 3 2/7/18 1:19 PM Greetings from the 2018 PROGRAM CHAIR Welcome to Kansas City, the site of the 69th Annual Convention of the Conference on College Composition and Communication, a conference of the National Coun- cil of Teachers of English.
Load more

Recommended publications
  • American Book Awards 2004
    BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre.
    [Show full text]
  • Tap, Tap, Click Empathy As Craft Our Cornered Culture
    The Authors Guild, Inc. SPRING-SUMMER 2018 31 East 32nd Street, 7th Floor PRST STD US POSTAGE PAID New York, NY 10016 PHILADELPHIA, PA PERMIT #164 11 Tap, Tap, Click 20 Empathy as Craft 41 Our Cornered Culture Articles THE AUTHORS GUILD OFFICERS TURNING PAGES BULLETIN 5 President Annual Benefit Executive Director James Gleick An exciting season of new 8 Audiobooks Ascending Mary Rasenberger Vice President programming and initiatives is General Counsel Richard Russo underway at the Guild—including 11 Cheryl L. Davis Monique Truong Tap, Tap, Click our Regional Chapters and Editor Treasurer 16 Q&A: Representative Hakeem Jeffries Martha Fay Peter Petre enhanced author websites— 18 Making the Copyright System Work Assistant Editor Secretary on top of the services we already Nicole Vazquez Daniel Okrent offer our members. But as for Creators Copy Editors Members of the Council Heather Rodino Deirdre Bair we all know, this takes funding. 20 Empathy as Craft Hallie Einhorn Rich Benjamin So, in our seasonal Bulletin, 23 Art Direction Amy Bloom we are going to start accepting Connecting Our Members: Studio Elana Schlenker Alexander Chee The Guild Launches Regional Chapters Pat Cummings paid advertising to offset our costs Cover Art + Illustration Sylvia Day and devote greater resources Ariel Davis Matt de la Peña 24 An Author’s Guide to the New Tax Code All non-staff contributors Peter Gethers to your membership benefits. 32 American Writers Museum Wants You to the Bulletin retain Annette Gordon-Reed But our new ad policy copyright to the articles Tayari Jones is not merely for the benefit of that appear in these pages.
    [Show full text]
  • FP 2.3 1982.Pdf (2.194Mb)
    a current listing of contents Published by Susan Searing, Women's Studies Librarian-at-Large, University of Wisconsin System 112A Memorial Library 728 State Street Madison, Wisconsin 53706 (608) 263-5754 a current listing of contents Volume 2, Number 3, 1982 Periodical literature is the cutting edge of women's scholarship, feminist theory, and much of women's culture. Feminist Periodicals : A Current Listinq of Contents is published by the Office of the Women's Studies Librarian-at-Larae on a auarterlv basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist 1 i terature; to increase readers ' familiarity with a wide spectrum of feminist periodicals; and to pro- vide the requisite bibliographic information should a reader wish to subscribe to a journal or to obtain a particular article at her library or through inter1 ibrary loan. (Users wi 11 need to be aware of the 1 imitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents paqes from current issues of major feminist journals are reproduced in each issue of Feminist periodicals, preceded-by a comprehensive annotated listing of all journals we have selected. As publ ication schedules vary enohously , not every periodical wi 11 have table of contents pages reproduced in each issue of FP. The annotated 1 isting provides the following information on each journal : Year of first publication. Frequency of publ icati on. Subscription price(s). Subscription address.
    [Show full text]
  • CONTEMPORARY CREATIVE NONFICTION READING LIST (Updated 4/06)
    1 Sue William Silverman’s (www.suewilliamsilverman.com) CONTEMPORARY CREATIVE NONFICTION READING LIST (updated 4/06) Illness, Accident, Grief A. Manette Ansay, Limbo: A Memoir Harold Brodkey, This Wild Darkness: The Story of My Death Anatole Broyard, Intoxicated by My Illness Joan Didion, The Year of Magical Thinking Andre Dubus, Broken Vessels, Meditations from a Moving Chair Hope Edelman, Motherless Daughters: The Legacy of Loss Kenny Fries, Body, Remember Temple Grandin, Thinking in Pictures Lucy Grealy, Autobiography of a Face Evan Handler, Time on Fire: My Comedy of Terrors Ann Hood, Do Not Go Gentle: The Search for Miracles in a Cynical Time Roger Kamenetz, Terre Infirma Jamaica Kincaid, My Brother Kay Jamison, An Unquiet Mind Natalie Kusz, Road Song Mindy Lewis, Life Inside Audre Lorde, The Cancer Journals Nancy Mairs, Carnal Acts; Waist-High in the World: A Life Among the Nondisabled Christopher Noel, In the Unlikely Event of a Water Landing: A Geography of Grief Reynolds Price, A Whole New Life Sue William Silverman, Love Sick: One Woman’s Journey Through Sexual Addiction Patricia Stacey, The Boy Who Loved Windows William Styron, Darkness Visible: A Memoir of Madness (how not to write a memoir) Family & Relationships Laurie Alberts, Fault Line Max Apple, Roommates: My Grandfather’s Story; I Love Gootie: My Grandmother’s Story Paul Auster, The Invention of Solitude Peter Balakian, Black Dog of Fate Jane Bernstein, Loving Rachel Mary Clearman Blew, All But the Waltz: Five Generations in the Life of a Montana Family Francine Cournos,
    [Show full text]
  • Analyzing Mother Roles in Novels by Twentieth-Century United States
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Louisiana State University Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2004 Mothering modes: analyzing mother roles in novels by twentieth-century United States women writers Preselfannie Whitfield cDM aniels Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation McDaniels, Preselfannie Whitfield, "Mothering modes: analyzing mother roles in novels by twentieth-century United States women writers" (2004). LSU Doctoral Dissertations. 1825. https://digitalcommons.lsu.edu/gradschool_dissertations/1825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. MOTHERING MODES: ANALYZING MOTHER ROLES IN NOVELS BY TWENTIETH-CENTURY UNITED STATES WOMEN WRITERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Preselfannie W. McDaniels B.A., Jackson State University, 1992 M.A., Mississippi College, 1994 May 2004 Acknowledgements I wish to thank my parents, Benjamin and Linda Whitfield, for their love, encouragement, inspiration, support, and love of the Lord. Together, they are the solid foundation on which I was and am still able to stand. I would truly like to thank my husband, Johnnie McDaniels, for his monumental love, saintly patience, undying motivation, editing skills, childcare knowledge, and household management.
    [Show full text]
  • In This Issue ©Jill Krementz
    The Women’s Review of Books Vol. XXI, No. 8 May 2004 74035 $4.00 I In This Issue ©Jill Krementz I Haitian novelist Edwidge Danticat goes beyond the head- lines to explore the effect upon the lives of ordinary Haitians of their country’s years of political chaos and terror in The Dew Breaker. Cover story D I Three new biographies of Harriet Tubman may bring a wel- come end to the confusion of the diminutive, Southern-born “General,” who rescued her family and others from slavery, with Sojourner Truth, the six-foot-tall, Northern feminist of a previous generation, says historian Adele Alexander—who also explains why she’s fed up with “role models.” p. 4 I Paula Gunn Allen, author of Pocahontas: Medicine Woman, Spy, Entrepreneur, Diplomat, reveals what Edwidge Danticat, author of The Dew Breaker. the Native American “Brave Woman” said when she appeared to Allen, a poet and artist as well as a scholar, in a vision. p. 13 The penance of speech I Are women who have cosmetic by Rhonda Cobham surgery victims of the patriarchy or are they asserting control over their The Dew Breaker by Edwidge Danticat. New York: Alfred A. Knopf, lives and bodies? Dr. Randi Hutter 2004, 244 pp, $22.00 hardcover. Epstein diagnoses the silicone I breast implant controversy and The Pursuit of Perfection: The Promise and ristide’s desperate struggle to govern This time, however, both hunter and prey Perils of Medical Enhancement. p. 15 in Haiti is barely mentioned in are the monstrous progeny of Haiti itself.
    [Show full text]
  • American Book Awards 2005
    BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2005 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre.
    [Show full text]
  • 2008/2009 Omnium Gatherum & Newsletter
    omnium gatherum & newsletter 2 0 0 8 - 2 0 0 9 i s s u e 1 3 COMMUNITY OF WRITERS AT SQUAW VALLEY OUR SUPPORTERS OMNIUM GATHERUM & NEWSLETTER TABLE OF 2008-2009,.Issue.13 The.Community.of.Writers.gratefully. acknowledges the financial support that CONTENTS makes our programs possible: Community of Writers at Squaw Valley (In the online A Non-Profit Corporation #629182 University of California version, you can P.O. Box 1416, Nevada City, CA 95959 Depot Bookstore E-mail: [email protected] click on an item LEF Foundation www.squawvalleywriters.org to go there.) San Francisco Foundation Newsletter edited and designed by Anne & Gordon Getty Foundation Maxima Kahn The Bookshelf Bookstores with support and advice from Squaw Valley Institute Brett Hall Jones University of California/ Irvine Academy Foundation of The Academy of Note from the Editor . .4 BOARD OF DIRECTORS Motion Picture Arts & Sciences Announcing Our 2009 Summer Programs . .6 President Max Byrd Hotel Rex Poetry Staff News . .7 Vice President Joanne Meschery National Endowment for the Arts Secretary Eddy Ancinas Squaw Valley Ski Corporation PoetWatch: Poetry Participant News . .8 Financial OfficerBurnett Miller Entrekin Foundation Osvaldo Ancinas Poetry Participant Profile: Rusty Morrision . .18 and our many individual donors and friends, Jan Buscho Summer 2008 Special Thanks and Gallery of Photos . .20 Alan Cheuse as well as Lou DeMattei and Amy Tan for Richard Ford their major contribution to the Community Sounds of Summer 2008: Music Heard in the Office . .22 of Writers Endowment Blair Fuller Screenwriting Participant Profile: Jeffrey Brown . .23 Diana Fuller Barbara Hall Screenwriting Staff News .
    [Show full text]
  • A Current Listing of Contents Volume 4, Number 1, 1984
    a current listing of contents Volume 4, Number 1, 1984 Published by Susan Searing, Women's Studies Librarian-at-Large, University of Wisconsin System 112A Memorial Library 728 State Street Madison, Wisconsin 53706 (608) 263-5754 a current of contents Volume 4, Number 1, 1984 Periodical literature is the cutting edge of women's scholarship, feminist theory, and much of women's culture. Feminist Periodicals : A Current Listing of Contents is published by the Office of the Women's Studies Librarian-at-Large on a quarterly basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topi cs in femi nis t 1i terature ; to increase readers ' familiarity with a wide spectrum of feminist periodicals; and to pro- vide the requisite bibliographic information should a reader wish to subscribe to a journal or to obtain a particular article at her library or through interlibrary loan. (Users will need to be aware of the 1imitations of the new copyright law with regard to photocopying of copyrighted materials . ) Table of contents pages from current issues of major feminist journals are reproduced in each issue of Feminist Periodicals, preceded by a comprehensive annotated listing of a1 1 journals we have selected. As pub1 ication schedules vary enormously, not every periodical wi11 have table of contents pages reproduced in each issue of 5. The annotated 1isting provides the fol lowing information on each journal : Year of first publication. Frequency of publication. U.S. subscription price(s).
    [Show full text]
  • 2009/2010 Omnium Gatherum & Newsletter
    omnium gatherum & newsletter 2 0 0 9 - 2 0 1 0 i s s u e 1 4 COMMUNITY OF WRITERS AT SQUAW VALLEY OUR SUPPORTERS OMNIUM GATHERUM & NEWSLETTER TABLE 2009-2010, Issue 14 The Community of Writers gratefully acknowledges the financial support that OF Community of Writers at Squaw Valley makes our programs possible: A Non-Profit Corporation #629182 Academy Foundation of The Academy of P.O. Box 1416, Nevada City, CA 95959 Motion Picture Arts & Sciences CONTENTS E-mail: [email protected] The Bookshelf Bookstores www.squawvalleywriters.org Depot Bookstore Newsletter edited and designed by Entrekin Foundation Maxima Kahn Anne & Gordon Getty Foundation with support and advice from Hotel Rex Brett Hall Jones LEF Foundation National Endowment for the Arts Note from the Editor . .4 BOARD OF DIRECTORS San Francisco Foundation Announcing Our 2009 Summer Programs . .6 President Max Byrd Squaw Valley Ski Corporation Vice President Joanne Meschery Squaw Valley Institute Poetry Staff News . .7 Secretary Eddy Ancinas University of California, Irvine Financial OfficerBurnett Miller Participant Profile: Tara Betts . .8 and our many individual donors and friends, Osvaldo Ancinas PoetWatch: Poetry Participant News . .9 Jan Buscho as well as Lou DeMattei, Amy Tan, Lucinda Alan Cheuse Watson and an anonymous donor for their Summer 2009 Special Thanks and Gallery of Photos . .16 major contributions to the Community of Mark Childress Sounds of Summer 2009: Music Heard in the Office . .18 Nancy Cushing Writers Endowment . Richard Ford Screenwriting Staff News . .19 Blair Fuller Diana Fuller Participant Profile: Kimberly Reed . .20 ABOUT OUR ADVERTISERS Barbara Hall Screenwriting Participant News . .21 Edwina Leggett The ads which appear in this issue represent James Naify the work of Community of Writers staff and Participant Profile: Holly Payne .
    [Show full text]
  • WV Wesleyan Low-Residency MFA Program Summer 2017 Residency Seminars
    WV Wesleyan Low-Residency MFA Program Summer 2017 Residency Seminars All students, regardless of genre track, are required to complete the assigned reading, viewing, and writing before the residency. Purchase (or check out of the library long-term) all assigned books (there are a total of two assigned books—a poetry collection and a play—and four additional books that are recommended but optional); watch the assigned YouTube clip and film of Twelfth Night; download and print all attached documents (there are a total of eight PDF attachments), or store the PDFs in an organized fashion electronically, for easy access. At the residency, you are required to have at the ready all materials relevant to the day’s seminars. BOY BREAKING GLASS: POLITICAL AND PROTEST POETRY, Mary Carroll-Hackett. Boy breaking glass/Whose broken window is a cry of art —Gwendolyn Brooks Ideological, protest, or political poetry in its broad context includes a large range of thematic concerns and approaches, from straightforward political subjects to poems wherein the “I” itself is a political statement. This seminar will examine several approaches to protest and political poetry, including the civil, the prophetic, the skeptical, and the poetics of empathy. Work to be discussed will include Walt Whitman, W.B. Yeats, Audre Lorde, Adrienne Rich, Minnie Bruce Pratt, Lorna Dee Cervantes, June Jordan, Sam Hamill's anthology Poets Against the War, contemporary Hebrew and Palestinian poets, Yusef Komunyakaa, Brian Turner, and selected poems from two very recent protest anthologies: Poetry & Resistance: Voices for Social Justice and Resist Much Obey Little: Inaugural Poems to the Resistance.
    [Show full text]
  • NEA Literature Fellowships
    National Endowment for the Arts NEA Literature Fellowships 40 Year s of Supporting American Writers National Endowment for the Arts This year, the National Endowment for the Arts marks its 40th anniversary of leadership in the arts. The NEA is a public agency dedicated to supporting excellence in the arts, both new and established; bringing the arts to all Americans; and providing leadership in arts education. Established by Congress in 1965 as an independent agency of the federal government, the Arts Endowment is the largest national funder of the arts, bringing great art to all 50 states, including rural areas, inner cities, and military bases. National Endowment for the Arts NEA Literature Fellowships 40 Year s of Supporting American Writers March 2006 Credits This publication is published by: Photo Credits Dana Gioia: Photo by Vance Jacobs (page 1) National Endowment for the Arts John Steinbeck and Ralph Ellison: Photo by R. Philip Hanes, Jr. (page 3) Office of Communications Julia Alvarez: Photo by Bill Eichner (page 12) T. C. Boyle: Photo by Pablo Campos (page 13) Felicia Knight, Director Jared Carter: Photo by Diane Carter (page 14) Don Ball, Publications Manager/Editor Annie Dillard: Photo by Carin Clevidence (page 15) Rita Dove: Photo by Fred Viebahn (page 16) Designed by Nancy Bratton Design Andre Dubus: Photo by Marion Ettlinger (page 17) Cover Photo by Nancy Bratton Ernest J. Gaines: Photo by Dianne S. Gaines (page 18) Christina Garcia: Photo courtesy of Lavin Agency (page 19) Thanks to Amy Stolls, David Kipen, Jon Peede, Paulette Beete, Campbell Kaye Gibbons: photo by Marion Ettlinger (page 20) Irving, Pamela Kirkpatrick, and Garrick Davis for their contributions to John Haines: Photo by Peter Iseman (page 21) the publication.
    [Show full text]