2008/2009 Omnium Gatherum & Newsletter
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2018 Brochure
THE COMMUNITY OF WRITERS 20I8 Summer Workshops... • Poetry Workshop: June 23 - 30 • Writers Workshops in Fiction, Nonfiction & Memoir: July 8 - 15 The Community of Writers For 48 summers, the Community of Writers at Squaw Valley has brought together poets and prose writers for separate weeks of workshops, individual conferences, lectures, panels, readings, and discussions of the craft and the business of writing. Our aim is to assist writers to improve their craft and thus, in an atmosphere of camaraderie and mutual support, move them closer to achieving their goals. The Community of Writers holds its summer writing workshops in Squaw Valley in a ski lodge at the foot of the ski slopes. Panels, talks, staff readings and workshops take place in these venues with a spectacular view up the mountain. ...& Other Projects • Published Alumni Reading Series: Recently published Writers Workshops alumni are invited to return to the valley to read from their books and talk about their journeys from unpublished writers to published authors. • Omnium Gatherum & Alumni News Blog: Chronicling the publication and other successes of its participants. • Craft Talk Anthology – Writers Workshop in a Book: An anthology of craft talks from the workshops, edited by Alan Cheuse and Lisa Alvarez. • Annual Benefit Poetry Reading: An annual event to raise funds for the Poetry Workshop’s Scholarship Fund. • Notable Alumni Webpage: A website devoted to a list of our notable alumni. • Facebook Alumni Groups: Social media alumni groups keep the community and conversation going. • Annual Poetry Anthology: Each year an anthology of poetry is published featuring poems first written during the Poetry Workshop in Squaw Valley. -
Thomas Pynchon: a Brief Chronology
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications, UNL Libraries Libraries at University of Nebraska-Lincoln 6-23-2005 Thomas Pynchon: A Brief Chronology Paul Royster University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/libraryscience Part of the Library and Information Science Commons Royster, Paul, "Thomas Pynchon: A Brief Chronology" (2005). Faculty Publications, UNL Libraries. 2. https://digitalcommons.unl.edu/libraryscience/2 This Article is brought to you for free and open access by the Libraries at University of Nebraska-Lincoln at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications, UNL Libraries by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Thomas Pynchon A Brief Chronology 1937 Born Thomas Ruggles Pynchon Jr., May 8, in Glen Cove (Long Is- land), New York. c.1941 Family moves to nearby Oyster Bay, NY. Father, Thomas R. Pyn- chon Sr., is an industrial surveyor, town supervisor, and local Re- publican Party official. Household will include mother, Cathe- rine Frances (Bennett), younger sister Judith (b. 1942), and brother John. Attends local public schools and is frequent contributor and columnist for high school newspaper. 1953 Graduates from Oyster Bay High School (salutatorian). Attends Cornell University on scholarship; studies physics and engineering. Meets fellow student Richard Fariña. 1955 Leaves Cornell to enlist in U.S. Navy, and is stationed for a time in Norfolk, Virginia. Is thought to have served in the Sixth Fleet in the Mediterranean. 1957 Returns to Cornell, majors in English. Attends classes of Vladimir Nabokov and M. -
Alabama Writers Symposium ® and Alabama Southern on Facebook Writers & Scholars
Alabama17th annual Writers Symposium & Sinners SaintsApril 24-26, 2014 • Monroeville, Alabama www.WritersSymposium.org Alabama17th annual Writers Symposium Saints & Sinners Join Us In Beautiful Monroeville, Alabama, April 24-26, 2014 with Koethi Zan, Charles McNair, Sena Jeter Naslund and more! Explore the theme “Saints and Sinners” – to challenge your preconceived ideas of good and evil, of real and imagined places, and of where you believe stories begin and end. The lively weekend of literary offerings features readings, signings, an award-winning production of To Kill a Mockingbird, the renowned Readers’ Theatre performed by Alabama’s best and presentation of the 2014 Harper Lee Award for Alabama’s Distinguished Writer and the 2014 Eugene Current-Garcia Award for Alabama’s Distinguished Literary Scholar. From Koethi Zan’s timely and explosive tale of women trapped in a torturer’s basement to Charles McNair’s centenarian runaway, we explore survival, salvation, and the need to seek revenge and redemption. Saints and sinners are familiar themes in Alabama’s stories and songs, but this year’s artists find modern perspectives through poetry, personal history, fiction, and film. You’ll be held captive by Sandra Jaffe’s documentary about racially divided schools performingTo Kill a Mockingbird fifty years after its publication, and wonder if it’s okay to laugh when Andrew Hudgins admits that he simply cannot stop telling bad, old jokes. Widows and Wallace-era politics resurface in Robert Inman’s The Governor’s Lady, and Glenn Feldman looks at The Irony of the Solid South. Sena Jeter Naslund and Roy Hoffman share the stories of those we love and those left behind. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
2014/2015 Omium Gatherum & Newsletter
2014-2015 Issue 19 omnium gatherum & newsletter ~ i~ COMMUNITY OF WRITERS AT SQUAW VALLEY GOT NEWS? Do you have news you would OMNIUM GATHERUM & NEWSLETTER like us to include in the next newsletter? The 2014-15, Issue 19 Omnium is published once a year. We print publishing credits, awards and similar new Community of Writers at Squaw Valley writing-related achievements, and also include A Non-Profit Corporation #629182 births. News should be from the past year only. P.O. Box 1416, Nevada City, CA 95959 Visit www.squawvalleywriters.org for more E-mail: [email protected] information and deadlines. www.squawvalleywriters.org Please note: We are not able to fact-check the submitted news. We apologize if any incorrect BOARD OF DIRECTORS information is published. President James Naify Vice President Joanne Meschery NOTABLE ALUMNI: Visit our Notable Alumni Secretary Jan Buscho pages and learn how to nominate yourself or Financial OfficerBurnett Miller a friend: Eddy Ancinas http://squawvalleywriters.org/ René Ancinas NotableAlumniScreen.html Ruth Blank http://squawvalleywriters.org/ Jan Buscho NotableAlumniWriters.html Max Byrd http://squawvalleywriters.org/ Alan Cheuse NotableAlumniPoets.html Nancy Cushing Diana Fuller ABOUT OUR ADVERTISERS The ads which Michelle Latiolais appear in this issue represent the work of Edwina Leggett Community of Writers staff and participants. Lester Graves Lennon These ads help to defray the cost of the Carlin Naify newsletter. If you have a recent or forthcom- Jason Roberts ing book, please contact us about advertising Christopher Sindt in our next annual issue. Contact us for a rate sheet and more information: (530) 470-8440 Amy Tan or [email protected] or visit: John C. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
2011/2012 Omnium Gatherum & Newsletter
omnium gatherum & newsletter 2 0 1 1 - 2 0 1 2 i s s u e 1 6 COMMUNITY OF WRITERS AT SQUAW VALLEY OUR SUPPORTERS OMNIUM GATHERUM & NEWSLETTER TABLE 2011-2012, Issue 16 The Community of Writers gratefully acknowledges the financial support that OF Community of Writers at Squaw Valley makes our programs possible: A Non-Profit Corporation #629182 The many friends of the Community of P.O. Box 1416, Nevada City, CA 95959 Writers and its Scholarship Fund CONTENTS E-mail: brett@squawvalleywriters .org University of California/ Irvine for www .squawvalleywriters .org scholarships for UCI MFAs UC/ Riverside for scholarships for UCR Newsletter edited and designed by MFAs Maxima Kahn Click on an item below to go directly to that page with support and advice from Fresno State University Announcing Our 2012 Summer Programs . .4 Brett Hall Jones National Endowment for the Arts The Academy Foundation of The Note from the Editor . .5 BOARD OF DIRECTORS Academy of Motion Picture Arts & C .D . Wright Receives Lenore Marshall Award . .6 President James Naify Sciences Vice President Joanne Meschery The Anne & Gordon Getty Foundation Dean Young Gets a New Heart . .6 Secretary Eddy Ancinas The LEF Foundation Poetry Staff News . .7 Financial OfficerBurnett Miller Squaw Valley Ski Corporation Osvaldo Ancinas Participant Profile: Sarah Maclay . .10 The San Francisco Foundation Jan Buscho PoetWatch: Poetry Participant News . .11 Max Byrd The Bookshelf Bookstores Alan Cheuse The Depot Bookstore Summer 2011 Special Thanks and Gallery of Photos . .20 Mark Childress For major contributions to the Screenwriting Staff News . .22 Nancy Cushing Community of Writers and its Rene Encinas Endowment: Participant Profile: Gayla Kraetsch Hartsough . -
Tap, Tap, Click Empathy As Craft Our Cornered Culture
The Authors Guild, Inc. SPRING-SUMMER 2018 31 East 32nd Street, 7th Floor PRST STD US POSTAGE PAID New York, NY 10016 PHILADELPHIA, PA PERMIT #164 11 Tap, Tap, Click 20 Empathy as Craft 41 Our Cornered Culture Articles THE AUTHORS GUILD OFFICERS TURNING PAGES BULLETIN 5 President Annual Benefit Executive Director James Gleick An exciting season of new 8 Audiobooks Ascending Mary Rasenberger Vice President programming and initiatives is General Counsel Richard Russo underway at the Guild—including 11 Cheryl L. Davis Monique Truong Tap, Tap, Click our Regional Chapters and Editor Treasurer 16 Q&A: Representative Hakeem Jeffries Martha Fay Peter Petre enhanced author websites— 18 Making the Copyright System Work Assistant Editor Secretary on top of the services we already Nicole Vazquez Daniel Okrent offer our members. But as for Creators Copy Editors Members of the Council Heather Rodino Deirdre Bair we all know, this takes funding. 20 Empathy as Craft Hallie Einhorn Rich Benjamin So, in our seasonal Bulletin, 23 Art Direction Amy Bloom we are going to start accepting Connecting Our Members: Studio Elana Schlenker Alexander Chee The Guild Launches Regional Chapters Pat Cummings paid advertising to offset our costs Cover Art + Illustration Sylvia Day and devote greater resources Ariel Davis Matt de la Peña 24 An Author’s Guide to the New Tax Code All non-staff contributors Peter Gethers to your membership benefits. 32 American Writers Museum Wants You to the Bulletin retain Annette Gordon-Reed But our new ad policy copyright to the articles Tayari Jones is not merely for the benefit of that appear in these pages. -
The Badge Not The
I Agreed to Wear the Badge, Not the Gun: (Re)Viewing Ethics of Policing through Stories of the American West Presented at the Western Political Science Association 2016 Annual Meeting Who Will Watch the Watchers? Panel San Diego, 26 March 2016 Tim Delaune Assistant Professor of Political Science SUNY Cortland © 2016, Timothy A. Delaune, all rights reserved. This Text is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. Introduction In a fantasy sequence styled after the American West, secret agent Number Six, aka “The Prisoner,” is buffaloed by threats against the life and safety of a vulnerable townswoman into becoming the sheriff for the Town of Harmony (presumably so that the entities holding him prisoner can probe his behavior to learn why he resigned from his position as a British spy). He agrees to take on that role (to wear the badge) but not to do so by violent force (but not the gun). Ultimately, when the woman is killed, he removes the badge, takes up his gun, and exacts revenge.1 In the introductory episode of the HBO series Deadwood, we first meet soon-to-be Deadwood sheriff Seth Bullock as he is performing his final duty as Marshal of the Montana territory, fending off a mob in order that a horse thief receive a legal hanging rather than the fruits of mob justice.2 Though he has tired of sheriffing, and is headed to Deadwood to open a hardware store with his friend Sol Star, he ultimately finds himself enmeshed in political situation of his new town, and ultimately consents to serve as sheriff when it is clear that no one else has the requisite skills to do so competently.3 In the novel Warlock, two men, a Marshal hired by a citizens’ committee of the as-yet unincorporated town to keep the peace, and a Deputy who was once affiliated with the very cowboys who have routinely disturbed the peace,4 struggle with the ethical commitments their roles entail, endeavoring to serve the community while effectively having to take the law into their own hands. -
Moma EXHIBITION AUTOMATIC UPDATE EXPLORES THE
MoMA’s NINTH ANNUAL INTERNATIONAL FESTIVAL OF FILM PRESERVATION SHOWCASES NEWLY RESTORED MASTERWORKS AND REDISCOVERIES Festival Features Films by Roger Corman, Forugh Farrokhzad, George Kuchar, Alberto Lattuada, Louis Malle, Agnes Martin, Georges Méliès, Michael Powell and Emeric Pressburger, Jean Rouch, and Seijun Suzuki Guest presenters include Joe Dante, Walter Hill, Alejandro Jodorowsky, Elaine May, Mario Montez, Thelma Schoonmaker, and Martin Scorsese To Save and Project: The Ninth MoMA International Festival of Film Preservation October 14–November 19, 2011 The Roy and Niuta Titus Theaters NEW YORK, September 20, 2011—The Museum of Modern Art presents To Save and Project: The Ninth MoMA International Festival of Film Preservation, the annual festival of preserved and restored films from archives, studios, and distributors around the world, from October 14 through November 19, 2011. This year’s festival comprises over 35 films from 14 countries, virtually all of them having their New York premieres, and some shown in versions never before seen in the United States. Complementing the annual festival is a retrospective devoted to filmmaker Jack Smith, featuring 11 newly struck prints acquired for MoMA’s collection and introduced on November 13 by Mario Montez, star of Smith’s Flaming Creatures (1962–63) and Normal Love (1963–65). To Save and Project is organized by Joshua Siegel, Associate Curator, Department of Film, The Museum of Modern Art. Opening this year’s festival is Joe Dante’s digital preservation of The Movie Orgy (1968). Dante, who created some of the best genre-bending movies of the past 40 years, including Piranha, The Howling, Gremlins, and Matinee, will introduce a rare screening of The Movie Orgy on October 14. -
FP 2.3 1982.Pdf (2.194Mb)
a current listing of contents Published by Susan Searing, Women's Studies Librarian-at-Large, University of Wisconsin System 112A Memorial Library 728 State Street Madison, Wisconsin 53706 (608) 263-5754 a current listing of contents Volume 2, Number 3, 1982 Periodical literature is the cutting edge of women's scholarship, feminist theory, and much of women's culture. Feminist Periodicals : A Current Listinq of Contents is published by the Office of the Women's Studies Librarian-at-Larae on a auarterlv basis with the intent of increasing public awareness of feminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist 1 i terature; to increase readers ' familiarity with a wide spectrum of feminist periodicals; and to pro- vide the requisite bibliographic information should a reader wish to subscribe to a journal or to obtain a particular article at her library or through inter1 ibrary loan. (Users wi 11 need to be aware of the 1 imitations of the new copyright law with regard to photocopying of copyrighted materials.) Table of contents paqes from current issues of major feminist journals are reproduced in each issue of Feminist periodicals, preceded-by a comprehensive annotated listing of all journals we have selected. As publ ication schedules vary enohously , not every periodical wi 11 have table of contents pages reproduced in each issue of FP. The annotated 1 isting provides the following information on each journal : Year of first publication. Frequency of publ icati on. Subscription price(s). Subscription address. -
CONTEMPORARY CREATIVE NONFICTION READING LIST (Updated 4/06)
1 Sue William Silverman’s (www.suewilliamsilverman.com) CONTEMPORARY CREATIVE NONFICTION READING LIST (updated 4/06) Illness, Accident, Grief A. Manette Ansay, Limbo: A Memoir Harold Brodkey, This Wild Darkness: The Story of My Death Anatole Broyard, Intoxicated by My Illness Joan Didion, The Year of Magical Thinking Andre Dubus, Broken Vessels, Meditations from a Moving Chair Hope Edelman, Motherless Daughters: The Legacy of Loss Kenny Fries, Body, Remember Temple Grandin, Thinking in Pictures Lucy Grealy, Autobiography of a Face Evan Handler, Time on Fire: My Comedy of Terrors Ann Hood, Do Not Go Gentle: The Search for Miracles in a Cynical Time Roger Kamenetz, Terre Infirma Jamaica Kincaid, My Brother Kay Jamison, An Unquiet Mind Natalie Kusz, Road Song Mindy Lewis, Life Inside Audre Lorde, The Cancer Journals Nancy Mairs, Carnal Acts; Waist-High in the World: A Life Among the Nondisabled Christopher Noel, In the Unlikely Event of a Water Landing: A Geography of Grief Reynolds Price, A Whole New Life Sue William Silverman, Love Sick: One Woman’s Journey Through Sexual Addiction Patricia Stacey, The Boy Who Loved Windows William Styron, Darkness Visible: A Memoir of Madness (how not to write a memoir) Family & Relationships Laurie Alberts, Fault Line Max Apple, Roommates: My Grandfather’s Story; I Love Gootie: My Grandmother’s Story Paul Auster, The Invention of Solitude Peter Balakian, Black Dog of Fate Jane Bernstein, Loving Rachel Mary Clearman Blew, All But the Waltz: Five Generations in the Life of a Montana Family Francine Cournos,