2011/2012 Omnium Gatherum & Newsletter
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PHILIP ROTH and the STRUGGLE of MODERN FICTION by JACK
PHILIP ROTH AND THE STRUGGLE OF MODERN FICTION by JACK FRANCIS KNOWLES A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) July 2020 © Jack Francis Knowles, 2020 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the dissertation entitled: Philip Roth and The Struggle of Modern Fiction in partial fulfillment of the requirements submitted by Jack Francis Knowles for the degree of Doctor of Philosophy in English Examining Committee: Ira Nadel, Professor, English, UBC Supervisor Jeffrey Severs, Associate Professor, English, UBC Supervisory Committee Member Michael Zeitlin, Associate Professor, English, UBC Supervisory Committee Member Lisa Coulthard, Associate Professor, Film Studies, UBC University Examiner Adam Frank, Professor, English, UBC University Examiner ii ABSTRACT “Philip Roth and The Struggle of Modern Fiction” examines the work of Philip Roth in the context of postwar modernism, tracing evolutions in Roth’s shifting approach to literary form across the broad arc of his career. Scholarship on Roth has expanded in both range and complexity over recent years, propelled in large part by the critical esteem surrounding his major fiction of the 1990s. But comprehensive studies of Roth’s development rarely stray beyond certain prominent subjects, homing in on the author’s complicated meditations on Jewish identity, a perceived predilection for postmodern experimentation, and, more recently, his meditations on the powerful claims of the American nation. This study argues that a preoccupation with the efficacies of fiction—probing its epistemological purchase, questioning its autonomy, and examining the shaping force of its contexts of production and circulation— roots each of Roth’s major phases and drives various innovations in his approach. -
Key West Hemingway
Key West Hemingway The 11th Biennial International Hemingway Society Conference June 7-12, 2004 Key West, Florida "Key West Hemingway" The 11th Biennial Hemingway Society Conference June 7-12, 2004 Key West FL Monday, June 7 Registration, Lobby Veranda, Cas a Marina Hotel 2:00-5:00 p.m. Please drop by to pick up your registration packet, to introduce your self, and to mingle. You may also sign up for afternoon walking tours. Opening reception, the Hemingway House on Whitehead Street 6:30-8:30 p.m. Welcome by Linda Wagner-Martin (President, Hemingway Society), Gail Sinclair (Site Director). Special presentation by the City of Key West. A shuttle to the Hemingway House will run from 6: J5-7:00 p.m. 77le return shuttle will run from 8:00 to 9:00, although, after the reception, you may wish to walk to Duval Street for dinner and a night on the town. Tuesday, June 8 Conference Kickoff, Grand Ballroom, Casa Marina Hotel 8:00-8:30 a.m. "Only in Key West: Hemingway's Fortunate Isle," Lawrence Broer (U of South Florida). Introduction by Kirk Curnutt (Program Director). All panel sessions unless otherwise noted will meet in the Keys Ball room. Specific room assignments are as follows: Sessions A= Big Key Pine B=Duck Key C=Plantation Key Session' 8:30-9:45 a.m . A. The Hardboiled Hemingway Moderator: Megan Hess (U of Virginia) I. "Hemingway and the Marinescape of Piracy," Susan F. Beegel (Editor, 77le Hemingway Review) 2. "Hemingway According to Raymond Chandler: Hack or Hard-Boiled Hero?" Marc Seals (U of South Florida) 3. -
Resume (Adobe PDF Format)
DINAH LENNEY 2136 Princeton Avenue Los Angeles, California 90026 (323)664-8186 email: [email protected] www.DinahLenney.com EDUCATION Bennington Writing Seminars, MFA in Creative Nonfiction and Literature Yale University, Bachelor of Arts, American Studies. Neighborhood Playhouse School, Certificate of Acting. PROFESSIONAL ACADEMIC EXPERIENCE WRITING Assistant Professor of Literature and Creative Writing, appointed June, 2012, University of Southern California Visiting Faculty December, 2012, University of California, Palm Desert Fulltime Lecturer, 2009 to 2012, Master of Professional Writing Program, University of Southern California, Los Angeles, California. Guest Artist and Faculty, July, 2012, Centrum Writers’ Conference, Port Townsend, Washington. Instructor, Union Station Homeless Services Centennial Place 2011, Memoir Writing, Poets and Writers Grant. Mentor, 2010, The Loft Literary Center, Minneapolis, Minnesota. Core Faculty, 2008 -2013, Bennington Writing Seminars, Bennington, Vermont. Core Faculty, 2008 -2013, Rainier Writing Workshop, Tacoma, Washington. Part-time Lecturer, 2008-2009, Master of Professional Writing Program, University of Southern California, Los Angeles, California. Visiting Lecturer, October 2008, Scripps College, Memoir Lecture and Reading. Mentor, January, 2008 to August, 2008. PEN USA Emerging Voices Program. Associate Faculty, June 2007, Bennington Writing Seminars, Bennington, Vermont. Visiting Lecturer, 2007, UCLA, Los Angeles, California. Intro to Memoir: Fining Your Own True voice. Instructor, February -
35Th Ernest Hemingway Look-Alike Contest (Video)
35th Ernest Hemingway Look-alike contest (Video) By FloridaKeysNewsBureau Special to SouthFloridaReporter.com, July 24, 2015 – KEY WEST, Fla. — More than 125 stocky white-bearded men resembling Ernest Hemingway are in Key West to compete in the 35th annual “Papa” Hemingway Look-Alike Contest that began Thursday night. Thursday’s competitors included Michael Groover of Savannah, Ga., husband of celebrity chef Paula Deen. Deen was in the audience, cheering Groover on when he was named a semi-finalist. The competition is a highlight of the island’s annual Hemingway Days festival honoring the writing talent, sporting pursuits and colorful lifestyle of the author who lived in Key West during the 1930s. Aspiring Ernests are vying for the prized title of “Papa” during the three-night competition at Sloppy Joe’s Bar, the famed Duval Street saloon that was a hangout for Hemingway and his cohorts. Many entrants are repeat contenders and most dress in sportsman’s garb reminiscent of the author. They parade across Sloppy Joe’s stage before crowds of spectators, attempting to emulate the “Papa” persona adopted by Hemingway in his later years. Contest judges are former winners including Wally Collins of Phoenix, Arizona, a white-bearded restaurateur who triumphed over rivals including his oldest son to take the 2014 title. The competition’s second preliminary round is set for Friday and the 2015 “Papa” is to be chosen Saturday night. Hemingway Days continues through Sunday with events including an offbeat “Running of the Bulls,” the Bacardi Oakheart Key West Marlin tournament and a short story competition directed by author and Hemingway granddaughter Lorian Hemingway. -
Once More, with Feeling
Illinois Wesleyan University Digital Commons @ IWU Honorees for Teaching Excellence Honors 4-14-2004 Once More, with Feeling James Plath Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/teaching_excellence Recommended Citation Plath, James, "Once More, with Feeling" (2004). Honorees for Teaching Excellence. 6. https://digitalcommons.iwu.edu/teaching_excellence/6 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by University Archivist & Special Collections Librarian at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Once More, with Feeling James Plath (Honor’s Day Convocation, April 14, 2004) To begin, I’d like to thank Mona Gardner, Chris Prendergast, and Mike Weis for nominating me, as well as members of the Promotion and Tenure Committee who voted to give me this award. Mostly, though, I’d like to thank the students who sat in these very seats last year and burst into spontaneous applause as my name was announced, instead of turning to each other and going, “What?!” As my colleagues know, and as you students who will become teachers or even workers in the “real” world will learn, there are days when you’re convinced it could go either way. -
Saturday Church
SATURDAY CHURCH A Film by Damon Cardasis Starring: Luka Kain, Margot Bingham, Regina Taylor, Marquis Rodriguez, MJ Rodriguez, Indya Moore, Alexia Garcia, Kate Bornstein, and Jaylin Fletcher Running Time: 82 minutes| U.S. Narrative Competition Theatrical/Digital Release: January 12, 2018 Publicist: Brigade PR Adam Kersh / [email protected] Rob Scheer / [email protected] / 516-680-3755 Shipra Gupta / [email protected] / 315-430-3971 Samuel Goldwyn Films Ryan Boring / [email protected] / 310-860-3113 SYNOPSIS: Saturday Church tells the story of 14-year-old Ulysses, who finds himself simultaneously coping with the loss of his father and adjusting to his new responsibilities as man of the house alongside his mother, younger brother, and conservative aunt. While growing into his new role, the shy and effeminate Ulysses is also dealing with questions about his gender identity. He finds an escape by creating a world of fantasy for himself, filled with glimpses of beauty, dance and music. Ulysses’ journey takes a turn when he encounters a vibrant transgender community, who take him to “Saturday Church,’ a program for LGBTQ youth. For weeks Ulysses manages to keep his two worlds apart; appeasing his Aunt’s desire to see him involved in her Church, while spending time with his new friends, finding out who he truly is and discovering his passion for the NYC ball scene and voguing. When maintaining a double life grows more difficult, Ulysses must find the courage to reveal what he has learned about himself while his fantasies begin to merge with his reality. *** DAMON CARDASIS, DIRECTOR STATEMENT My mother is an Episcopal Priest in The Bronx. -
Kirkus Reviews
Featuring 285 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA Books KIRKUSVOL. LXXXIII, NO. 12 | 15 JUNE 2020 REVIEWS Interview with Enter to Win a set of ADIB PENGUIN’S KHORRAM, PRIDE NOVELS! author of Darius the Great back cover Is Not Okay, p.140 with penguin critically acclaimed lgbtq+ reads! 9780142425763; $10.99 9780142422939; $10.99 9780803741072; $17.99 “An empowering, timely “A narrative H“An empowering, timely story with the power to experience readers won’t story with the power to help readers.” soon forget.” help readers.” —Kirkus Reviews —Kirkus Reviews —Kirkus Reviews, starred review A RAINBOW LIST SELECTION WINNER OF THE STONEWALL A RAINBOW LIST SELECTION BOOK AWARD WINNER OF THE PRINTZ MEDAL WINNER OF THE PRINTZ MEDAL 9780147511478; $9.99 9780425287200; $22.99 9780525517511; $8.99 H“Enlightening, inspiring, “Read to remember, “A realistic tale of coming and moving.” remember to fight, fight to terms and coming- —Kirkus Reviews, starred review together.” of-age… with a touch of —Kirkus Reviews magic and humor” A RAINBOW LIST SELECTION —Kirkus Reviews Featuring 285 Industry-First Reviews of Fiction, Nonfiction, Children’s,and YA Books. KIRKUSVOL. LXXXVIII, NO. 12 | 15 JUNE 2020 REVIEWS THE PRIDEISSUE Books that explore the LGBTQ+ experience Interviews with Meryl Wilsner, Meredith Talusan, Lexie Bean, MariNaomi, L.C. Rosen, and more from the editor’s desk: Our Books, Ourselves Chairman HERBERT SIMON BY TOM BEER President & Publisher MARC WINKELMAN John Paraskevas # As a teenager, I stumbled across a paperback copy of A Boy’s Own Story Chief Executive Officer on a bookstore shelf. Edmund White’s 1982 novel, based loosely on his MEG LABORDE KUEHN [email protected] coming-of-age, was already on its way to becoming a gay classic—but I Editor-in-Chief didn’t know it at the time. -
Alabama Writers Symposium ® and Alabama Southern on Facebook Writers & Scholars
Alabama17th annual Writers Symposium & Sinners SaintsApril 24-26, 2014 • Monroeville, Alabama www.WritersSymposium.org Alabama17th annual Writers Symposium Saints & Sinners Join Us In Beautiful Monroeville, Alabama, April 24-26, 2014 with Koethi Zan, Charles McNair, Sena Jeter Naslund and more! Explore the theme “Saints and Sinners” – to challenge your preconceived ideas of good and evil, of real and imagined places, and of where you believe stories begin and end. The lively weekend of literary offerings features readings, signings, an award-winning production of To Kill a Mockingbird, the renowned Readers’ Theatre performed by Alabama’s best and presentation of the 2014 Harper Lee Award for Alabama’s Distinguished Writer and the 2014 Eugene Current-Garcia Award for Alabama’s Distinguished Literary Scholar. From Koethi Zan’s timely and explosive tale of women trapped in a torturer’s basement to Charles McNair’s centenarian runaway, we explore survival, salvation, and the need to seek revenge and redemption. Saints and sinners are familiar themes in Alabama’s stories and songs, but this year’s artists find modern perspectives through poetry, personal history, fiction, and film. You’ll be held captive by Sandra Jaffe’s documentary about racially divided schools performingTo Kill a Mockingbird fifty years after its publication, and wonder if it’s okay to laugh when Andrew Hudgins admits that he simply cannot stop telling bad, old jokes. Widows and Wallace-era politics resurface in Robert Inman’s The Governor’s Lady, and Glenn Feldman looks at The Irony of the Solid South. Sena Jeter Naslund and Roy Hoffman share the stories of those we love and those left behind. -
Tsie Highest M Point in Key West FREE
TSie highest M point in Key West FREE VOL. XI, NO. 6 KEY WEST, FL JUNE, 1983 to change what they perceived as wrong - especially the war raging in Viet Nam. While many of them used Girls, since after blast-off the Boys FROM TIIE ECJITOR had to be kept occupied so that The Birkenstock seal drugs, they directed their energies toward anti-war work and helping one the only 13~year-old who knew how another. Believe me, it was a time to drive could pilot her craft The Birken- HELLO. • : when a lot of beautiful things BY COLIN JAMESON safely. stock family happened. But the characters in "Hair" has been MEMBERS OF THE "Save the Pier" to me were mainly stoned out and inter- THE KIDS WERE crazy about making shoes committee wanted me to advise our ested in free love, doing "their own political position with four Wilhelmina and her talent. They SOME ROOTS since 1774. reader? that although funds for the thing," and shocking the squares. major credits: considered the automotive age a For 200 years, a tradi- restoration of the pier have gone into big improvement over bikes and . (ion of foot knowledge has the Monroe County Public Works budget NOW REALLY, I admit that I may be IN THE YEAR 1830 a minor revolution 1) By birth Wilhelmina, who' skates, particularly on marl-topped been passed down from for next year, it does not mean that carries the given name of one roads. So many of them would climb father to son. The seal sym- overreacting to this show because I had took place in France. -
ORANGE LINING Buster Simpson & Peg Butler MAX Orange Line | Portland-Milwaukie Light Rail Transit Project
ORANGE LINING Buster Simpson & Peg Butler MAX Orange Line | Portland-Milwaukie Light Rail Transit Project 1 2 © 2015 Buster Simpson and Peg Butler All rights reserved Orange Lining is a public art project created by Buster Introduction 5 Primary Photographer: Peg Butler Simpson and Peg Butler for the new MAX Orange Line, Art Starts Now 8 Additional Photos: Buster Simpson, Joe Freeman, Michelle Traver, and Tim Jewett Book Design: Buster Simpson and Peg Butler formerly known as the Portland-Milwaukie Light Rail (PMLR) Impressed Concrete 40 Copy Editing: Buster Simpson, Peg Butler, Todd Metten, and Michelle Traver Transit Project. Orange Lining installations span the 7.3 Arrivals & Departures 83 Graphic Design & Digital Layout: Todd Metten mile length of the light rail alignment to create episodic, Acknowledgments 88 Printed and bound by Rhino Digital Printing conceptual and aesthetic continuity. For more information visit www.orangelining.net and www.bustersimpson.net 3 4 Orange Lining & Impressed Concrete | Buster Simpson Introduction Orange Lining consists of two project phases that placed community-generated lines of text along the length of the light rail alignment. In the spring of 2012, drawing upon Portland’s ethic of community engagement and creativity, a public call was sent out for brief written expressions of the times that would reflect upon the egalitarian, utilitarian and civic nature of this new infrastructure project. The call requested short lines of text (fifty characters or less) to be painted onto silt fencing during the temporary Art Starts Now phase and then stamped into sidewalk paving during the permanent Impressed Concrete phase. Eleven hundred submissions were received, and one hundred and two of them were selected as “orange lines” for use in the project through a blind-jury selection process. -
Saul Bellow As a Novelist of Ideas: Introduction to the Forum Victoria Aarons Trinity University, [email protected]
Trinity University Digital Commons @ Trinity English Faculty Research English Department 1-2016 Saul Bellow as a Novelist of Ideas: Introduction to the Forum Victoria Aarons Trinity University, [email protected] Gustavo Sánchez-Canales Follow this and additional works at: https://digitalcommons.trinity.edu/eng_faculty Part of the English Language and Literature Commons Repository Citation Aarons, V., & Sánchez-Canales, G. (2016). Saul Bellow as a novelist of ideas: Introduction to the forum. Partial Answers: Journal of Literature and the History of Ideas, 14(1), 57-62. doi: 10.1353/pan.2016.0004 This Article is brought to you for free and open access by the English Department at Digital Commons @ Trinity. It has been accepted for inclusion in English Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Saul Bellow as a Novelist of Ideas: Introduction to the Forum Victoria Aarons Trinity University, San Antonio, TX Gustavo Sánchez-Canales Universidad Autónoma de Madrid On the occasion of his acceptance of the Nobel Prize for Literature, Saul Bellow asked, “What is at the center now?” (2015a: 299). This question gets at the heart of a lifetime of literary attempts to find “the center,” to expose the core of what it means to be human in the volatile, unstable, and explosive twentieth century. In defense of what, for Bellow, was the singular preoccupation of his lengthy and distinguished literary career, he insists that “[o]ut of the struggle at the center has come an immense, painful longing for a broader, more flexible, fuller, more coherent, more comprehensive account of what we human beings are, who we are, and what this life is for” (299). -
Ernest Hemingway
ANALYSIS Garden of Eden (1986) (unfinished--censored and stolen by Feminists) Ernest Hemingway (1899-1961) LITERARY CRIME “The truth about editing the work of a dead writer in such circumstances is that you can only cut to affirm his strengths, to reiterate the strategies of style for which he is known; whereas he himself may have been writing to transcend them. This cannot have been the book Hemingway envisioned… It should have been published for what it is, a piece of something, part of a design.” E. L. Doctorow “Braver than We Thought” The New York Times Book Review (18 May 1986) 1, 44-45 reprinted in Linda Wagner, ed. Ernest Hemingway: Six Decades of Criticism (Michigan State 1987) 330 quoted by Susan M. Seitz “The propriety of publishing, as a commercial endeavor, what a dead writer declined to see into print is, of course, dubious. The previous forages into the Hemingway trove have unfortunately tended to heighten our appreciation not of his talent but of his psychopathology.” John Updike “The Sinister Sex” The New Yorker 30 (June 1986) 85 “Were the scrupulous craftsman still alive, no case of vodka could ease the pain the publication of this novel [The Garden of Eden] would cause [him].” Lorian Hemingway “Ernest Hemingway’s Farewell to Art” Rolling Stone (5 June 1986) 41-42 quoted by Susan M. Seitz The Posthumous Editing of Ernest Hemingway’s Fiction Ph.D. dissertation, University of Massachusetts (1993) “I can report that Hemingway’s publisher has committed a literary crime. There is no way that the manuscript that I read, an extraordinary mass of unfinished work, could have been made into a smooth popular novel without the literary equivalent of ‘colorization’… [Scribner’s] has transformed these unfinished experiments into the stuff of potboilers and pulp….