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A Dangerous Summer
theHemingway newsletter Publication of The Hemingway Society | No. 73 | 2021 As the Pandemic Ends Yet the Wyoming/Montana Conference Remains Postponed Until Lynda M. Zwinger, editor 2022 the Hemingway Society of the Arizona Quarterly, as well as acquisitions editors Programs a Second Straight Aurora Bell (the University of Summer of Online Webinars.… South Carolina Press), James Only This Time They’re W. Long (LSU Press), and additional special guests. Designed to Confront the Friday, July 16, 1 p.m. Uncomfortable Questions. That’s EST: Teaching The Sun Also Rises, moderated by Juliet Why We’re Calling It: Conway We’ll kick off the literary discussions with a panel on Two classic posters from Hemingway’s teaching The Sun Also Rises, moderated dangerous summer suggest the spirit of ours: by recent University of Edinburgh A Dangerous the courage, skill, and grace necessary to Ph.D. alumna Juliet Conway, who has a confront the bull. (Courtesy: eBay) great piece on the novel in the current Summer Hemingway Review. Dig deep into n one of the most powerful passages has voted to offer a series of webinars four Hemingway’s Lost Generation classic. in his account of the 1959 bullfighting Fridays in a row in July and August. While Whether you’re preparing to teach it rivalry between matadors Antonio last summer’s Houseguest Hemingway or just want to revisit it with fellow IOrdóñez and Luis Miguel Dominguín, programming was a resounding success, aficionados, this session will review the Ernest Hemingway describes returning to organizers don’t want simply to repeat last publication history, reception, and major Pamplona and rediscovering the bravery year’s model. -
The New Woman in the Sun Also Rises
www.ccsenet.org/elt English Language Teaching Vol. 3, No. 3; September 2010 The New Woman in The Sun Also Rises Xiaoping Yu College of Foreign Languages, Qingdao University of Science and Technology Qingdao, 266061 Abstract Hemingway is a famous American writer and a spokesman of the Lost Generation. His life attitude of the characters in the novels influenced the whole world. His first masterpiece The Sun Also Rises contributes a lot to the rise of feminism and make the world began to befamiliar with a term: The New Woman through the portrayl of Brett. This paper is aimed to target the source and traits of The New Woman. Keywords: The Lost Generation, The New Woman, Brett 1. General Introduction of Hemingway’s Lifetime and His Works Ernest Hemingway was born in Oak Park, Illinois, in 1899. And he began his writing career in the Kansas City in 1917. He went there and served as an eager and energetic reporter, and was later recruited as an ambulance driver working with the Red Cross and went to Europe. This led to the crucial event of his life. On July 8, 1918 he was severely wounded in the knee in Italy. He recovered in time and remained with the Italian army until the end of the war. His war experience proved so shattering and nightmarish that his life and writings were permanently affected. In a sense, through all his life, he lived under the influence, and continued to write about it in order to relive it and forget about it. Back to the United States, He stayed for a time in North Michigan, reading, writing, and fishing. -
Miriam B. Mandel, Ed., Hemingway and Africa
cial significance about this volume is that some contributors try to attune Crawford criti- cism to the current tendencies in literary studies. The essays that read his novels through the lens of gender studies or in the light of the politics of canon formation can help at- tract the attention of critics who work on related subjects, but so far have overlooked Crawford. Three outstanding contributions to the volume²admittedly the essays by Ambrosini, Isoldo and Pease²establish the standards of contemporary Crawford schol- arship. A Hundred Years After is a volume of conference proceedings and suffers from a sort of incoherence typical of such publications, so a more systematic critical presenta- WLRQRI&UDZIRUG¶VZULWLQJVLVQRZLQRUGHU7KHERRNLVDELOLQJXDOHGLWLRQDQGDOOSa- pers have English and Italian versions. 0DUHN3DU\Ī University of Warsaw Miriam B. Mandel, ed., Hemingway and Africa. New York: Camden House, 2011. xxvii + 398 pages. Among the manifold fields of scholarship that link Hemingway's restless life with his literary output are his numerous travels to and sojourns in various parts of the world which sparked his creative talent, notably Italy, France, Spain, the Gulf Stream, and East African regions. Whereas the presence of the European countries in his novels, short stories and nonfiction has been subjected to multifaceted studies, Africa, Cuba and the Gulf Stream have generated scant scholarship. Mark Ott presented the pivotal signifi- cance of the latter two areas in Hemingway's life and writing in A Sea of Change: Ernest Hemingway and the Gulf Stream (2008). In her "Introduction" to Hemingway and Africa, Miriam B. Mandel notes that "Africa is still an understudied area in Hemingway" (31); however, she unduly states: "This book is only a beginning" (32). -
ERNEST HEMINGWAY's JOURNALISTIC STYLE INFLUENCES ENGLISH LANGUAGE LEARNERS Alfonso Guerriero, Jr Baruch College (CUNY) What El
Journal of the American Society of Geolinguistics Volume 39 2013 — 2014 ERNEST HEMINGWAY’S JOURNALISTIC STYLE INFLUENCES ENGLISH LANGUAGE LEARNERS Alfonso Guerriero, Jr Baruch College (CUNY) What else can be written about Ernest Hemingway that has not already been mentioned? His life as a writer, a son, a father, a brother, a friend, a husband and a man, has been told, retold, analyzed as well as scrutinized by scholars, writers and fans alike. His heavy drinking, passion for bullfighting, fishing, hunting, boxing, endless love affairs and failed marriages are all legendary. His suicide was more tragic and anticlimactic than any of his fictional protagonists that were loosely based on him. Yet, even though this American literary icon, affectionately known as Papa by his friends, passed away over fifty years ago, the infatuation with Ernest Hemingway remains almost as great as when he was alive. Papa’s homes, old jaunts and watering holes have become nothing short of shrines. For example, the writer’s former residence in Key West, Finca Vigia in San Francisco de Paula, Cuba and Ketchum, Idaho are museums, where thousands visit each year as well as his birth home in Oak Park, Illinois. Then there are the business establishments that generate a profit while paying homage to Hemingway like Tryp Gran Via Hotel in Madrid (the entire second floor is named Ernest Hemingway Bar-Cafeteria) and El Botin Restaurant. In the United States Sloppy Joe’s in Key West has a Hemingway look-alike contest every summer and Harry’s Bar in Venice and Paris have a perennial link to the writer. -
Dept. of English, Sem-Iv, Ge-4, the Old Man and the Sea (Atasi Sahoo)
DEPT. OF ENGLISH, SEM-IV, GE-4, THE OLD MAN AND THE SEA (ATASI SAHOO) The Department of English Raja N. L. Khan Women’s College (Autonomous) Midnapore, West Bengal Study Material- 1 On The Old Man and the Sea by Ernest Hemingway (General Introduction) For Course: English Generic SEM: IV Paper: GE4 Session: 2019-2020 Prepared by Atasi Sahoo Guest Teacher Department of English Raja N.L. Khan Women’s College (Autonomous) Date: 22nd April, 2020 1 DEPT. OF ENGLISH, SEM-IV, GE-4, THE OLD MAN AND THE SEA (ATASI SAHOO) ❖ Introduction: The Old Man and the Sea is a short novel or novella written by the American author Ernest Hemingway in 1951 in Cuba, and it was published in 1952. It was Hemingway’s last major work of fiction published during his lifetime. One of his most famous works and also one of the most famous in the history of American literature, it voices the story of Santiago, an aging Cuban fisherman who fights with a huge marlin far out in the Gulf Stream off the coast of Cuba. In 1953, The Old Man and the Sea was awarded the Pulitzer Prize for Fiction, one of the prestigious awards for the literary personae and at the same time, it was chosen by the Nobel Committee as contributing to their awarding of the Nobel Prize in Literature to Hemingway in 1954. This work made him an international celebrity and the novella was selected as the book- of-the-month. The work is based on some very important issues related to life, where survival is something very much important. -
35Th Ernest Hemingway Look-Alike Contest (Video)
35th Ernest Hemingway Look-alike contest (Video) By FloridaKeysNewsBureau Special to SouthFloridaReporter.com, July 24, 2015 – KEY WEST, Fla. — More than 125 stocky white-bearded men resembling Ernest Hemingway are in Key West to compete in the 35th annual “Papa” Hemingway Look-Alike Contest that began Thursday night. Thursday’s competitors included Michael Groover of Savannah, Ga., husband of celebrity chef Paula Deen. Deen was in the audience, cheering Groover on when he was named a semi-finalist. The competition is a highlight of the island’s annual Hemingway Days festival honoring the writing talent, sporting pursuits and colorful lifestyle of the author who lived in Key West during the 1930s. Aspiring Ernests are vying for the prized title of “Papa” during the three-night competition at Sloppy Joe’s Bar, the famed Duval Street saloon that was a hangout for Hemingway and his cohorts. Many entrants are repeat contenders and most dress in sportsman’s garb reminiscent of the author. They parade across Sloppy Joe’s stage before crowds of spectators, attempting to emulate the “Papa” persona adopted by Hemingway in his later years. Contest judges are former winners including Wally Collins of Phoenix, Arizona, a white-bearded restaurateur who triumphed over rivals including his oldest son to take the 2014 title. The competition’s second preliminary round is set for Friday and the 2015 “Papa” is to be chosen Saturday night. Hemingway Days continues through Sunday with events including an offbeat “Running of the Bulls,” the Bacardi Oakheart Key West Marlin tournament and a short story competition directed by author and Hemingway granddaughter Lorian Hemingway. -
Ivens Magazine Blz18tm37.Pdf
basin, Ivens yells: ‘We will shoot this scene again in half an June 15th – June 22nd 1956 Damme, Belgium June 25th - July 12th 1956, Mulde, Germany Gérard Philipe and Joris Ivens, hour! There is too much smoke, the horses do not cavort Part of the film crew travelled to Flanders, Bruges, in order On June 25th, Gérard Philipe and Joris Ivens arrived at film clips in East Germany enough and the bridge explosion is not as spectacular as it to add some authentic elements of the local colour to the Tempelhof airport in East Berlin together with the French from Les aventures de Till should be’ … The Dutch journalists could not believe what film. The shots of the actual canal and the opening scene in crew, after the press and hundreds of fans had been waiting l’Espiègle (The Adventures they saw. Their national history was being turned into a the dunes and the countryside were filmed there. And the there for hours. ‘Plenty of teen-agers came to see the ‘jeune of Till Eulenspiegel), 1956. film in the French Riviera by a‘ modest Dutchman’. They scene, in which the city of Damme goes up in flames. Mean- premier’ of the French film’, is what a journalist wrote, who © DEFA Stiftung wanted to know from Ivens how the collaboration was go- while, Ivens became continuously more concerned about was surprised that the fans were so hysterical. ing. ‘Gérard and I, we each direct certain fragments. He, for the direction in which the film was heading. ‘Attention que The last scenes in the GDR were all about the large-scaled instance, works a lot with the French actors, and does the l’action comique et dynamique ne domine pas, ou ébaufe la battles on the banks of the Scheldt between the Spaniards, work that requires the input of an experienced feature film situation serieuse.’, he wrote.24 After three months, he final- on the one hand, and the rebellions of the Geuzen army and man; I am responsible for the outside shoots and the action ly cut the knot and told DEFA that he wanted to back out of the mercenary army of the Prince of Orange on the other. -
Once More, with Feeling
Illinois Wesleyan University Digital Commons @ IWU Honorees for Teaching Excellence Honors 4-14-2004 Once More, with Feeling James Plath Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/teaching_excellence Recommended Citation Plath, James, "Once More, with Feeling" (2004). Honorees for Teaching Excellence. 6. https://digitalcommons.iwu.edu/teaching_excellence/6 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by University Archivist & Special Collections Librarian at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Once More, with Feeling James Plath (Honor’s Day Convocation, April 14, 2004) To begin, I’d like to thank Mona Gardner, Chris Prendergast, and Mike Weis for nominating me, as well as members of the Promotion and Tenure Committee who voted to give me this award. Mostly, though, I’d like to thank the students who sat in these very seats last year and burst into spontaneous applause as my name was announced, instead of turning to each other and going, “What?!” As my colleagues know, and as you students who will become teachers or even workers in the “real” world will learn, there are days when you’re convinced it could go either way. -
Metaphorical Illness in Hemingway's Works
University of Pennsylvania ScholarlyCommons CUREJ - College Undergraduate Research Electronic Journal College of Arts and Sciences 5-12-2006 Metaphorical Illness in Hemingway's Works Jessica E. Lahrmann [email protected] Follow this and additional works at: https://repository.upenn.edu/curej Part of the Literature in English, North America Commons Recommended Citation Lahrmann, Jessica E., "Metaphorical Illness in Hemingway's Works" 12 May 2006. CUREJ: College Undergraduate Research Electronic Journal, University of Pennsylvania, https://repository.upenn.edu/curej/6. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/curej/6 For more information, please contact [email protected]. Metaphorical Illness in Hemingway's Works Abstract Hemingway, through his characters, illustrates the many different genres and functions of disease. More than just inflictors of sadness and pain, disease and injury are part of the human condition. They are undeniable truths that give life to humanity, Hemingway’s characters, and Hemingway himself. As Hemingway writes in Death in the Afternoon, “…all stories, if continued far enough, end in death, and he is no true storyteller who would keep that from you.” Part of Hemingway’s art is acknowledging that there is no true cure. Vitality and death, contentedness and pain, disease and survival all coexist in Hemingway’s writing as one: life. Keywords English, David Espey, David, Espey Disciplines Literature in English, North America This article is available at ScholarlyCommons: https://repository.upenn.edu/curej/6 For Jake Barnes of The Sun Also Rises , Robert Jordan of For Whom the Bell Tolls , Harry of “Snows of Kilimanjaro,” and Nick Adams of “Indian Camp,” illness and loss are an ever -present part of life. -
One Book Wyoming: in Our Time Discussion Guide
One Book Wyoming: In Our Time Discussion Guide HAPPY READING AND DISCUSION! You’ll nd included here questions to jumpstart discussion of Ernest Hemingway’s In Our Time, this year’s One Book Wyoming. Some questions address Hemingway’s writing style, and some address the themes and concerns of particular stories in the collection. They are intended as starting points for discussion; our hope is that as you begin talking about these stories, your specic interests and observations about the stories will allow you to move beyond this starting point. The questions are roughly ordered by the order of stories in In Our Time, but that doesn’t mean you shouldn’t jump around to the questions that are most interesting to you. BACKGROUND ON IN OUR TIME In Our Time, Hemingway’s rst collection of short stories, took several forms before its initial publication in 1925. Hemingway published many of the short “interchapters” rst; the poet Ezra Pound commissioned six of them for a literary magazine in 1923. Hemingway then added twelve more and published in our time in1924. For the 1925 publication, fourteen short stories were added to the collection and the title was capitalized. “On the Quai at Smyrna,” the opening chapter, was written for the 1930 edition. Because so many of the short stories involve the same characters and settings, In Our Time is considered a “short story cycle,” which involves, according to scholar Margaret E. Wright-Cleveland, a collection “of interdependent narratives linked through repetition of character, setting, or theme.” In other words, while you can read the short stories as self-contained, thinking about how the stories are in conversation with each other may provide a deeper, more nuanced understanding of Hemingway’s work Discussion questions “On the Quai at Smyrna” (pg. -
Celebrity Wills MMXIV
Celebrity Wills MMXIV Rachel Albritton Lunsford Casey Kasem Disc Jockey 1932 - 2014 • Lifetime family fight over access • Moved against medical advice • Battle over body • Autopsy • Elder abuse investigation • Irrevocable Trust for children from first marriage Philip Seymour Hoffman Actor 1967 - 2014 • Majority of estate to girlfriend Mimi O’Donnell • 3 kids, 10, 7 and 5 • Will was prepared before 7 and 5 year old were born • Creates trust for Cooper, full distribution at age 30 • Will does not include reference to include children born later • Specified desire son be raised in Manhattan, Chicago or San Francisco or else visit those cities twice per year • O’Donnell is PR • No mention of brother, sisters or mother • Living in rental at time of death • $35 million • Estate tax because unmarried Paul Walker Actor 1973 - 2013 • $25 million • Unmarried • All to 15 year old daughter – Moved in with father 3 years before his death – Mom lives in HI • PR – Paul’s father • Guardian (per will) – Paul’s mother • Pour over will with revocable trust • Prepared in 2001 James Gandolfini Actor 1961 - 2013 • Died in Italy • Owned Italian property • 20% to wife • Gandolfini left 80% of his estate to sisters and infant daughter • Separate trusts – Wife – Son (14) • Who gets royalties? • Per will, division occurs AFTER taxes • $70 million • How to pay estate taxes Lou Reed Musician 1942 - 2013 • Primary beneficiary is wife Laurie Anderson (66) – West 11th Street Manhattan penthouse – $1.5 million home in East Hampton – Clothing, art, boats and touring company -
Martha Gellhorn and Ernest Hemingway
MARTHA GELLHORN AND ERNEST HEMINGWAY: A LITERARY RELATIONSHIP H. L. Salmon, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2003 APPROVED: Timothy Parrish, Major Professor Peter Shillingsburg, Minor Professor Jacqueline Vanhoutte, Committee Member Brenda Sims, Chair, Graduate Studies in English C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Salmon, H. L., Martha Gellhorn and Ernest Hemingway: A Literary Relationship, Master of Arts (English). May 2003. 55 pp. Martha Gellhorn and Ernest Hemingway met in Key West in 1937, married in 1941, and divorced in 1945. Gellhorn’s work exhibits a strong influence from Hemingway’s work, including collaboration on her work during their marriage. I will discuss three of her six novels: WMP (1934), Liana (1944), and Point of No Return (1948). The areas of influence that I will rely on in many ways follow the stages Harold Bloom outlines in Anxiety of Influence. Gellhorn’s work exposes a stage of influence that Bloom does not describe—which I term collaborative. By looking at Hemingway’s influence in Gellhorn’s writing the difference between traditional literary influence and collaborative influence can be compared and analyzed, revealing the footprints left in a work by a collaborating author as opposed to simply an influential one. ACKNOWLEDGMENTS I would like to thank Dr. Tim Parrish, who from its inception encouraged me to take on this project and whose encouragement throughout my degree work has been insightful and inspiring. Dr. Peter Shillingsburg served as a reader and mentor, and his high standards and personal integrity challenged me to make sure my own scholarship is a credible as his own.