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To Read the Beijinger July/August 2017 Issue Online Now!
CHINESE COLD DISHES KO TAO LIAM GALLAGHER HANOI 2017/07-08 HOME IS WHERE THE HEART IS YOUR COMPLETE GUIDE TO HOUSE HUNTING IN BEIJING 1 JUL/AUG 2017 图书在版编目(CIP)数据 艺术北京 : 英文 / 《北京人系列丛书》编委会编著 旗下出版物 . -- 昆明 : 云南科技出版社, 2017.3 (北京人系列丛书) ISBN 978-7-5587-0464-2 Ⅰ. ①艺… Ⅱ. ①北… Ⅲ. ①北京-概况-英文 Ⅳ. ①K921 中国版本图书馆CIP数据核字(2017)第056249号 责任编辑:吴 琼 封面设计:Xixi 责任印刷:翟 苑 责任校对:叶水金 张彦艳 Since 2001 | 2001年创刊 thebeijinger.com A Publication of 广告代理: 北京爱见达广告有限公司 地址: 北京市朝阳区关东店北街核桃园30号 孚兴写字楼C座5层 Since 2006 | 2006年创刊 邮政编码: 100020 Beijing-kids.com 电话: 5779 8877 Advertising Hotline/广告热线: 5941 0368 /69 /72 /77 /78 /79 The Beijinger Managing Editor Margaux Schreurs Digital Content Managing Editor Tom Arnstein Editors Kyle Mullin, Tracy Wang Contributors Jeremiah Jenne, Andrew Killeen, Robynne Tindall True Run Media Founder & CEO Michael Wester Owner & Co-Founder Toni Ma Art Director Susu Luo Designer Xi Xi Production Manager Joey Guo Content Marketing Director Nimo Wanjau Head of Marketing & Communications Lareina Yang Events & Brand Manager Mu Yu Marketing Team Sharon Shang, Helen Liu, Nate Ren Head of HR & Admin Tobal Loyola Finance Manager Judy Zhao Accountant Vicky Cui Since 2012 | 2012年创刊 HR & Admin Officer Cao Zheng Jingkids.com Digital Development Director Alexandre Froger IT Support Specialist Yan Wen Photographer Uni You Sales Director Sheena Hu Account Managers Winter Liu, Wilson Barrie, Olesya Sedysheva, Renee Hu, Veronica Wu Sales Supporting Manager Gladys Tang Sales Coordinator Serena Du General inquiries: 5779 8877 Editorial inquiries: [email protected] Event -
The Arts of Making Do and Working out in Beijing, China
What are friends for?: The arts of making do and working out in Beijing, China Michelle Yang Zhang Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2020 Michelle Yang Zhang All Rights Reserved Abstract What are friends for?: The arts of making do and working out in Beijing, China Michelle Yang Zhang Through a second look at the now twenty-five-year-old literature on guanxi, a form of reciprocal relationship making and using in China, I examine how the kinds of opportunities and challenges possible for young people intersect with who they know and how this has changed (with its own set of reflections on and consequences for a still-rapidly changing China) since China’s rural to urban transition. My dissertation project examines how young people in contemporary urban China form and produce guanxi ties (resource-full relationships) through the theoretical lens of practice and possibility, inspired by de Certeau’s conceptualization of practice, productive consumption, and strategies versus tactics (1984). Drawing on qualitative data gathered through participant observation and unstructured interviews, I sought to both describe and analyze when, where, and how social networks became consequential. Central to my methodology is an emphasis on people and their practices rather than the common sense categories used to describe them. The people in my field research were predominantly aged 18- 30 and came from a range of ethnic, professional, and education backgrounds. In so doing, I was able to examine the moments and contexts within which some people have opportunities and others do not, as well as when some are vulnerable while others are less so. -
This Relates to Agenda Item No. 2 Transportation Committee June 7, 2019
This Relates to Agenda Item No. 2 Transportation Committee June 7, 2019 From: PIO To: Clerk of the Board Subject: FW: South 125 to East 94 interchange Date: Friday, May 31, 2019 12:22:51 PM -----Original Message----- From: KEITH CLEMENTS <[email protected]> Sent: Friday, May 31, 2019 10:51 AM To: PIO <[email protected]> Subject: South 125 to East 94 interchange I would like to let you know that I am very much in favor of finishing the SR 125 south to SR 94 West interchange, so that we have a freeway to freeway connection. This is a LONG overdue project and needs to be completed as soon as possible. The congestion is a major problem during all hours of the day and really needs be addressed in the next year. I understand that funds are available to do this project and need to be earmarked to complete the connection. Thank you, Keith Clements La Mesa, CA This Relates to Agenda Item No. 2 Transportation Committee June 7, 2019 From: james rue To: Huntington, Susan; Clerk of the Board Cc: [email protected]; [email protected]; [email protected]; [email protected]; [email protected] Subject: SanDag miss use of our TAXes Date: Sunday, June 02, 2019 7:06:34 PM Hello SANDAG I'm in fear of misuse of our tax dollars by SANDAG, and I would like my opinion heard. For more than 30 years I commuted to/from downtown San Diego, I drove, I car pulled, and commuted using public transportation (bus & trolley). -
SOUL on a STRING (PI SHENG SHANG DE HUN/皮绳上的魂) a Film by Zhang Yang
presents SOUL ON A STRING (PI SHENG SHANG DE HUN/皮绳上的魂) A film by Zhang Yang “Stunningly shot Tibetan western has a nicely laconic magical-realist flavor.” – Sino-Cinema China / 2016 / Drama / Tibetan with English Subtitles 142 min / 2.35:1 / Stereo 2.0 and 5.1 Surround Sound Film Movement Contacts: Press: Genevieve Villaflor | (212) 941-7744 x215 | [email protected] Theatrical: Clemence Taillandier | (212) 941-7715 | [email protected] Non- Theatrical and Festivals: Maxwell Wolkin | (212) 941-7744 x211 | [email protected] Assets: Official US Trailer: TBD Downloadable Hi-res Images: http://www.filmmovement.com/filmcatalog/index.asp?MerchandiseID=542 www.FilmMovement.com 1 SYNOPSIS After discovering a sacred stone in the mouth of a slain deer, Taibei, a young Tibetan cowboy, embarks on a mission to bring it back to the holy mountain of Buddha’s handprint. His journey proves to be long and difficult as black market traders seek the priceless artifact for themselves, and two brothers – Kodi and Guori – seek revenge for the murder of their father. An obstinate woman, Joan, and a psychic elf, Pu, soon decide to join him. The trio’s earthly conflict is suddenly thrown off course by strange and mystical events. SHORT SYNOPSIS After discovering a sacred stone in the mouth of a slain deer, Taibei, a young Tibetan cowboy, embarks on a mystical mission to bring it back to a holy mountain. His journey proves difficult, especially since he is on the run from two brothers, Kodi and Guori, who are seeking vengeance since their father was killed by Tabei's father. -
INFERNAL AFFAIRS (2002, 101 Min.) Online Versions of the Goldenrod Handouts Have Color Images & Hot Links
November 13 2018 (XXXVII:12) Wai-Keung Lau and Alan Mak: INFERNAL AFFAIRS (2002, 101 min.) Online versions of The Goldenrod Handouts have color images & hot links: http://csac.buffalo.edu/goldenrodhandouts.html DIRECTED BY Wai-Keung Lau (as Andrew Lau) and Alan Mak WRITING Alan Mak and Felix Chong PRODUCED BY Wai-Keung Lau producer (as Andrew Lau), line producers: Ellen Chang and Lorraine Ho, and Elos Gallo (consulting producer) MUSIC Kwong Wing Chan (as Chan Kwong Wing) and Ronald Ng (composer) CINEMATOGRAPHY Yiu-Fai Lai (director of photography, as Lai Yiu Fai), Wai-Keung Lau (director of photography, as Andrew Lau) FILM EDITING Curran Pang (as Pang Ching Hei) and Danny Pang Art Direction Sung Pong Choo and Ching-Ching Wong WAI-KEUNG LAU (b. April 4, 1960 in Hong Kong), in a Costume Design Pik Kwan Lee 2018 interview with The Hollywood Reporter, said “I see every film as a challenge. But the main thing is I don't want CAST to repeat myself. Some people like to make films in the Andy Lau...Inspector Lau Kin Ming same mood. But because Hong Kong filmmakers are so Tony Chiu-Wai Leung...Chen Wing Yan (as Tony Leung) lucky in that we can be quite prolific, we can make a Anthony Chau-Sang Wong...SP Wong Chi Shing (as diverse range of films.” Lau began his career in the 1980s Anthony Wong) and 1990s, serving as a cinematographer to filmmakers Eric Tsang...Hon Sam such as Ringo Lam, Wong Jing and Wong Kar-wai. His Kelly Chen...Dr. -
Rooftops in Hong Kong Cinema
JCC 7 (2) pp. 139–155 Intellect Limited 2013 Journal of Chinese Cinemas Volume 7 Number 2 © 2013 Intellect Ltd Article. English language. doi: 10.1386/jcc.7.2.139_1 Yiu Fai Chow Hong Kong Baptist University Jeroen de Kloet University of Amsterdam Flânerie and acrophilia in the postmetropolis: Rooftops in Hong Kong cinema Abstract Keywords Living in the spectacle of Hong Kong’s skyscape, how often do its dwellers actu- Hong Kong ally see, not to mention reach, its rooftops? Intriguingly, despite their apparent rooftops ephemerality and inaccessibility, the vertical fringes of the city feature frequently postmetropolitan in Hong Kong cinema: the rooftop. In this article, we connect the cinematic trope Infernal Affairs of the rooftop to the anxiety of living in a postmetropolitan city like Hong Kong. High Noon We do so by walking with Georg Simmel’s blasé attitude and Benjamin’s flânerie Inner Senses in the metropolitan city, to meet Christoph Lindner’s more (self-)destructive blasé individual trying to grapple with his postmetropolitan anxiety. Finally, we posit to understand the deployment of rooftops in Hong Kong cinema – in the crime thriller Infernal Affairs, the coming-of-age drama High Noon and the psychological horror Inner Senses – as a way out, literally and figuratively, a space where one negoti- ates and perhaps overcomes a blasé postmetropolitan individuality with moments of radical reconnection. 139 JCC_7.2_Chow_139-155.indd 139 6/12/13 9:35:32 AM Yiu Fai Chow | Jeroen de Kloet The vertical, as a vector of meaning, the rising upwards, corresponds to the desire to overcome the earth’s gravity, the desire to be elevated above the pressure and ‘anxiety of the earthbound,’ as well as the desire to gain a ‘higher view of things,’ as Ibsen says, from which man may shape, master, or, in a word, appropriate the known. -
SFU Thesis Template Files
Film gatekeepers corp. presents… So this is China? Chinese cinema(s) distribution and circulation: between global markets, capitalist art-houses, and informal venues of resistance. By Rebeca Lucia Galindo B.Sc., Universidad Autónoma de Bucaramanga, 2009 Extended Essay Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication in Global Communication Faculty of Communication, Art and Technology Rebeca Lucia Galindo 2014 SIMON FRASER UNIVERSITY Summer 2014 Approval Name: Rebeca Lucia Galindo Degree: Master of Arts (Communication) Title: Film gatekeepers corp. presents… So this is China? Chinese cinema(s) distribution and circulation: between global markets, capitalist art-houses, and informal venues of resistance Supervisory Committee: Program Director: Yuezhi Zhao Professor Katherine Reilly Senior Supervisor Professor Sun Yingchun Supervisor Communication University of China Date Defended/Approved: August 8, 2014 ii Partial Copyright Licence iii Abstract This paper argues that our access of Chinese films is mediated by politicized cannons, non-transparent global distribution patterns, and the commodified need of cultural audiovisual references. To observe how global distribution and circulation of Chinese cinemas materialize an exploratory case study was used to analyze those Chinese films that have been distributed in important art-houses in Argentina, Mexico, Brazil, Chile, and Peru in recent years. The analysis shows how distribution for that part of the global south is translocal and problematically rooted in European and U.S. hegemonic media capitals. This has implications for how we think about China’s ideological projection. Este documento argumenta que el acceso a los filmes chinos está mediado por cánones politizados, patrones globales no-transparentes y la necesidad comodificada de referencias culturales audiovisuales. -
Cinema As a Sensory Circuit: Film Production and Consumption In
Cinema as a Sensory Circuit: Film Production and Consumption in Contemporary Taiwan Ya-Feng Mon Submitted in total fulfillment for the degree of Doctor of Philosophy Department of Media and Communications Goldsmiths, University of London January 2014 1 Declaration I, Ya-Feng Mon, hereby confirm that the work presented in this thesis is my own. Signature Date 2 Acknowledgements I would like to express my gratitude to a number of people. Firstly, to Professor Chris Berry, for his incredible support and mentoring. To Dr. Pasi Valiaho, for the most valuable conceptual inspirations. To my interviewees Chun-yi, Linwx, Summer, Lan, Grace, Emolas, Black Black, Village, Sandwich, T. Sean, Peichen, Flyer, Aileen Yiu-Wa Li, Chen Yin-jung, Yee Chih-yen, Hsu Hsiao- ming, Chang Chi-wai, Chien Li-Fen, Leste Chen, Patrick Mao Huang, Cheng Hsiao-tse, Rachel Chen, Fu Tian-yu, Liu Weijan, Helen Chen, my thanks for joining me on this long research journey. To Zoe C. J. Chen, Lin Wenchi, all of my colleagues at Funscreen, for their assistance with the fieldwork. To Mathew Holland, who carefully read the first draft of this thesis. To Peter Conlin, for the vigorous discussions at the final stage of my writing. To Juan Chin and Marianne Damoiseau, for being my friends. To my beloved Frieda, Stanley and Charlie, for giving me the courage to get up in the morning. To my family, without whose patience and generosity I would not have chased my dream. 3 Thesis Abstract Using post-2000 Taiwan queer romance films as a case study, this thesis examines the relationship between the film industry and its audience. -
The Sentimental in Chinese Cinema Since the 1990S
IN-VISIBILITY: THE SENTIMENTAL IN CHINESE CINEMA SINCE THE 1990s by Hui Miao A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of American and Canadian Studies School of Historical Studies The University of Birmingham November 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Hui Miao In-visibility: The Sentimental in Chinese Cinema since the 1990s November 2010 Abstract The greater visibility of Chinese films brought by the wider global access and circulation has not satisfied the culturally specific understanding of Chinese cinema. The subject/object power relations stemming from the legacy of colonial and postcolonial discourse hinders the arrival of a better-balanced cross-cultural reading. The visibility of cinema provides a visual spectacle, it also challenges the audience with a communication of the epistemic side of visibility which feeds the images meaning and imagination and facilitates a more balanced culturally specific understanding. However, the epistemic side of visibility remains invisible under power-engaged cross-cultural reading. This study suggests that the sentimental provides a possibility for a better-balanced cross-cultural understanding through its provision of empathic connection with the culture, history and the psyche. -
Film and the Chinese Medical Humanities
Film and the Chinese Medical Humanities “This collection of film studies brings together the creative work of China’s most talented filmmakers as they reflect on contemporary social problems, work out in narratives and images an original analysis of what’s wrong with us (as individuals, as a society, and in cultural settings), and as they propose paths to redemption.” – Judith Farquhar, Max Palevsky Professor Emerita, Department of Anthropology, University of Chicago Film and the Chinese Medical Humanities is the first book to reflect on the power of film in representing medical and health discourse in China in both the past and the present, as well as in shaping its future. Drawing on both feature and documentary films from mainland China, the chapters each engage with the field of medicine through the visual arts. They cover themes such as the history of doctors and their concepts of disease and therapies, understanding the patient experience of illness and death, and establishing empathy and compassion in medical practice, as well as the HIV/AIDs epidemic during the 1980s and 1990s and changing attitudes towards disability. Inherently interdisciplinary in nature, the contributors therefore provide different perspectives from the fields of history, psychiatry, film studies, anthropology, linguistics, public health and occupational therapy as they relate to China and people who identify as Chinese. Their combined approaches are united by a passion for improving the cross-cultural understanding of the body and ultimately healthcare itself. A key resource for educators in the Medical Humanities, this book will be useful to students and scholars of Chinese Studies and Film Studies as well as global health, medical anthropology and medical history. -
UCL China Centre for Health and Humanity, MEDICAL and HEALTH HUMANITIES FILM LIST Updated 14 February 2017
UCL China Centre for Health and Humanity, MEDICAL AND HEALTH HUMANITIES FILM LIST Updated 14 February 2017 Title, pinyin Title, Pinyin with Title, Director Date Studio Region Notes Chinese tones translations characters A mian B A 面 B 面 A miàn B Side A Side B; Ning Ying 宁瀛 2010 PRC mian miàn The Double (Níng Yíng) Life Bao feng yu 暴疯语 Bào fēng yǔ Insanity Li Guanghui 2014 Hong Kong/ 李光辉 (Lǐ Mainland Guānghuī) China Bawang bieji 霸王别姬 Bàwáng bié jī Farewell My Chen Kaige 陈 2003 Mainland Concubine 凯歌 (Chén China/Hong Kǎigē) Kong Chang E 嫦娥 Cháng'é Sauna on the Zou Peng 邹鹏 2011 PRC Moon (Zōu Péng) Chunguang 春光乍泄 Chūnguāng Happy Wong Kar Wai 1997 Hong Christopher Doyle zha xie zhà xiè Together 王家卫 (Wáng Kong/Argen cinematographer Jiāwèi) tina Chunmiao 春苗 Chūn miáo Chunmiao; Xie Jin 谢晋 1975 PRC Spring (Xiè Jìn), Seedlings Yan Bili 颜碧丽 (Yán Bìlì), 1 Liang Tingduo 梁廷铎 (Liáng Tíngduó) Cike nie yin 侯孝贤 Cìkè niè yǐn The Assassin Hou Hsiao- 2015 Taiwan/ niang niáng hsien 侯孝贤 Mainland (Hóu Xiàoxián) China/Hong Kong/ France Cike nie yin 刺客聂隐 Cìkè niè yǐn The Assassin Hou Hsiao- 2015 Taiwan/ niang 娘 niang hsien 侯孝贤 PRC/ (Hóu Xiàoxián) Hong Kong Dagong 打工老板 Dǎgōng Factory Boss Zhang Wei 张 2014 PRC laoban Zhang Wei lǎobǎn 唯 (Zhāng Wéi) Dong xie xi 东邪西毒 Dōng xié xi Ashes of Time Wong Kar Wai 1994 Hong Kong/ du dú 王家卫 (Wáng Taiwan Jiāwèi) Donggong 东宫西宫 Dōnggōng East Palace, Zhang Yuan 张 1996 PRC xigong xīgōng West Palace; 元 (Zhāng Behind the Yuán) Forbidden City Erci 二次曝光 Èr cì Double Li Yu 李玉 (Lǐ 2012 PRC baoguang bàoguāng Xposure Yù) Erzi 儿子 Érzi Sons Zhang Yuan 张 2006 PRC 元 (Zhāng Yuán) 2 Feiyue 飞越老人 Fēiyuè lǎorén Full Circle Zhang Yang 张 2011 PRC laorenyuan 院 yuàn 扬 (Zhāng Yáng) Feng ai 疯爱 Fēng ài ’Til madness Wang Bing 王 2013 Japan/ Documentary. -
2017 U.S.– China Film Summit
MODERATORS AND PANELISTS 2017 U.S.– CHINA FILMASIA SOCIETY SUMMIT SOUTHERN CALIFORNIA NOVEMBER 1, 2017 SKIRBALL CULTURAL CENTER LOS ANGELES, CALIFORNIA ASIA SOCIETY SOUTHERN CALIFORNIA 2017 PLATINUM SPONSOR 2017 U.S.-CHINA FILM SUMMIT AND GALA DINNER NOVEMBER 1, SKIRBALL CULTURAL CENTER SUMMIT GUERIN PAVILION, HERSCHER HALL 8:00am–9:00am REGISTRATION and OPENING RECEPTION 9:00am–9:10am OPENING REMARKS Janet Yang, Chair, U.S.-China Film Summit Jonathan Karp, Executive Director, Asia Society Southern California 9:10am–9:25am SPOTLIGHT: A HISTORY OF STORYTELLING, A FUTURE OF CREATIVITY – FOSTERING U.S.-CHINA FILM INDUSTRY RELATIONS Charles H. Rivkin, CEO, Motion Picture Association of America 9:25am–10:15am THE NEW REALITIES OF FINANCING U.S.-CHINA ENTERTAINMENT Moderator: Lindsay Conner, Partner, Manatt, Phelps & Phillips Speakers: Bennett Pozil, Executive Vice President, East West Bank Charles Coker, Managing Director, Dasym Media Daniel Manwaring, Corporate Development Executive, CAA Steve Ransohoff, CEO, Film Finances 10:15am–10:25am MORNING BREAK 10:25am–11:20am HIGH-FLYING FRANCHISES: WHAT MAKES A FILM WORK ON BOTH SIDES OF THE PACIFIC Moderator: Stephen Saltzman, Chair, Asia Entertainment and Media, Loeb & Loeb Speakers: Rob Cohen, Director, The Fast and the Furious and xXx Chris Bremble, Founder and CEO, Base Media Celina Jade, Actress, Star of Wolf Warrior II 11:20am–12:05pm INDEPENDENT CHINESE AND U.S. FILMS FIND NEW OUTLETS AND BACKERS Moderator: Jonathan Landreth, Managing Editor, ChinaFile Speakers: ZHANG Yang, Director and