Film and the Chinese Medical Humanities
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Zhang Yimou Interviews Edited by Frances Gateward
ZHANG YIMOU INTERVIEWS EDITED BY FRANCES GATEWARD Discussing Red Sorghum JIAO XIONGPING/1988 Winning Winning Credit for My Grandpa Could you discuss how you chose the novel for Red Sorghum? I didn't know Mo Yan; I first read his novel, Red Sorghum, really liked it, and then gave him a phone call. Mo Yan suggested that we meet once. It was April and I was still filming Old Well, but I rushed to Shandong-I was tanned very dark then and went just wearing tattered clothes. I entered the courtyard early in the morning and shouted at the top of my voice, "Mo Yan! Mo Yan!" A door on the second floor suddenly opened and a head peered out: "Zhang Yimou?" I was dark then, having just come back from living in the countryside; Mo Yan took one look at me and immediately liked me-people have told me that he said Yimou wasn't too bad, that I was just like the work unit leader in his village. I later found out that this is his highest standard for judging people-when he says someone isn't too bad, that someone is just like this village work unit leader. Mo Yan's fiction exudes a supernatural quality "cobblestones are ice-cold, the air reeks of blood, and my grandma's voice reverberates over the sorghum fields." How was I to film this? There was no way I could shoot empty scenes of the sorghum fields, right? I said to Mo Yan, we can't skip any steps, so why don't you and Chen Jianyu first write a literary script. -
9780367508234 Text.Pdf
Development of the Global Film Industry The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional produc- tion companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a “big picture” view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated develop- ment of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world. Qiao Li is Associate Professor at Taylor’s University, Selangor, Malaysia, and Visiting Professor at the Université Paris 1 Panthéon- Sorbonne. He has a PhD in Film Studies from the University of Gloucestershire, UK, with expertise in Chinese- language cinema. He is a PhD supervisor, a film festival jury member, and an enthusiast of digital filmmaking with award- winning short films. He is the editor ofMigration and Memory: Arts and Cinemas of the Chinese Diaspora (Maison des Sciences et de l’Homme du Pacifique, 2019). -
The Reading Habits and Preferences of LGBTIQ+ Youth Rachel S
St. Cloud State University theRepository at St. Cloud State Library Faculty Publications Library Services 2019 The Reading Habits and Preferences of LGBTIQ+ Youth Rachel S. Wexelbaum Saint Cloud State University, [email protected] Follow this and additional works at: https://repository.stcloudstate.edu/lrs_facpubs Part of the Library and Information Science Commons Recommended Citation Wexelbaum, Rachel S., "The Reading Habits and Preferences of LGBTIQ+ Youth" (2019). Library Faculty Publications. 62. https://repository.stcloudstate.edu/lrs_facpubs/62 This Article is brought to you for free and open access by the Library Services at theRepository at St. Cloud State. It has been accepted for inclusion in Library Faculty Publications by an authorized administrator of theRepository at St. Cloud State. For more information, please contact [email protected]. The Reading Habits and Preferences of LGBTIQ+ Youth Rachel Wexelbaum, St. Cloud State University, USA Abstract The author of this article presents the available findings on the reading habits and preferences of LGBTIQ+ youth. She will discuss the information seeking behavior of LGBTIQ+ youth and challenges that these youth face in locating LGBTIQ+ reading materials, whether in traditional book format or via social media. Finally, the author will provide recommendations to librarians on how to make LGBTIQ+ library resources more relevant for youth, as well as identify areas that require more research. Keywords: LGBT; LGBT library resources and services; reading; social -
Zhang Ziyi and Aaron Kwok
PRODUCTION NOTES Set in a small Chinese village where an illicit blood trade has spread AIDS to the community, LOVE FOR LIFE is the story of De Yi and Qin Qin, two victims faced with the grim reality of impending death, who unexpectedly fall in love and risk everything to pursue a last chance at happiness before it’s too late. SYNOPSIS In a small Chinese village where an illicit blood trade has spread AIDS to the community, the Zhao’s are a family caught in the middle. Qi Quan is the savvy elder son who first lured neighbors to give blood with promises of fast money while Grandpa, desperate to make amends for the damage caused by his family, turns the local school into a home where he can care for the sick. Among the patients is his second son De Yi, who confronts impending death with anger and recklessness. At the school, De Yi meets the beautiful Qin Qin, the new wife of his cousin and a recent victim of the virus. Emotionally deserted by their respective spouses, De Yi and Qin Qin are drawn to each other by the shared disappointment and fear of their fate. With nothing to look forward to, De Yi capriciously suggests becoming lovers but as they begin their secret affair, they are unprepared for the real love that grows between them. De Yi and Qin Qin’s dream of being together as man and wife, to love each other legitimately and freely, is jeopardized when the villagers discover their adultery. With their time slipping away, they must decide if they will surrender everything to pursue one chance at happiness before it’s too late. -
Pressbook Il Lago Delle Oche Selvatiche.Indd
NOIR MALINCONICO, LIQUIDO E MUTAFORMA. IMPERDIBILE - RIVISTA DEL CINEMATOGRAFO IL MIGLIOR FILM DELL’ANNO - IL FATTO QUOTIDIANO IL LAGO DELLE OCHE SELVATICHE UN FILM DI DIAO YINAN CON HU GE GWEI LUN MEI LIAO FAN WAN QIAN PRODOTTO DA LI LI PRODUTTORI SHEN YANG LU YUN CO-PRODUTTORE ALEXANDRE MALLET-GUY CO-PROTAGONISTA QI DAO E CON LA PARTECIPAZIONE STRAORDINARIA DI HUANG JUE ZENG MEIHUIZI ZHANG YICONG CHEN YONGZHONG DIRETTORE DELLA FOTOGRAFIA DONG JINSONG SCENOGRAFIE LIU QIANG MAKEUP E COSTUMI LIU QIANG LI HUA TECNICO DEL SUONO ZHANG YANG CON WONG CHI MING MUSICHE DI KONG JINLEI MATTHIEU LACLAU PRODUTTORI ESECUTIVI HE LI CHEN GUANG INTERNATIONAL CULTURE MEDIA CO. LTD. GREEN RAY FILMS (SHANGHAI) CO. LTD. IN COLLABORAZIONE CON MEMENTO FILMS PRODUCTION ARTE FRANCE CINEMA CON LA PARTECIPAZIONE DI ARTE FRANCE AIDE AUX CINEMAS DU MONDE CENTRE NATIONAL DU CINEMA ET DE L’IMAGE ANIMEE - INSTITUT FRANÇAIS 1 CAST ARTISTICO ZHOU Zenong HU Ge LIU Aiai GWEI Lun Mei Capitano LIU LIAO Fan YANG Shujun WAN Qian HUA Hua QI Dao YAN Ge HUANG Jue PING Ping ZENG Meihuizi XIAO Dongbei ZHANG Yicong IL LAGO Cliente CHEN Yongzhong CAST TECNICO Regia DIAO Yinan DELLE OCHE Produttore LI Li Produttore esecutivo SHEN Yang Co-produttore Alexandre MALLET-GUY Sceneggiatura DIAO Yinan SELVATICHE Direttore della fotografi a DONG Jinsong UN FILM DI DIAO YINAN Scenografi e LIU Qiang CON HU GE GWEI LUN MEI Trucco e costumi LIU Qiang, LI Hua Suono ZHANG Yang Tecnico luci WONG Chi Ming Musica B6 Montaggio KONG Jinlei, Matthieu LACLAU Presentato da HE LI CHEN GUANG International Culture Media Co., Ltd. -
Conceptual Sphere of Modern Cinema (A Study of Headline Complexes of 21St - Century European and Asian Movies)
DOI: 10.308161ICONN412017166 Conceptual sphere of modern cinema (a study of headline complexes of 21st - century European and Asian movies) Elena Gudeleva, Ekaterina Sudarkina Vladimir State University, Russia Abstract: This article aims to reveal the conceptual sphere of modern cinema dis- course in Europe and Asia by analyzing movie headline complexes. More than two thousand original movie titles and slogans of 21st-century films presented at the largest festivals are studied. The main concepts man( , opposition, love, house and nature) are pointed out and explained. In addition to the detailed theoretical commentary, the paper shows how the cinema headline complex con- centrates intertextual and non-textual associations, and carries information about authors’ intentions and tastes of moviegoers who are the target audience for the interpreter. Keywords: headline complex, concept, cinema discourse, translation, linguocul- tural analysis Introduction The headline complex (all the elements of the frame text grouped around a work’s title)1 takes on such functions as nominative, evaluative and expressive, infor- mative, and advertising. It is aimed at helping people navigate in a large stream of data in a more flexible manner. The linguistic base in cinematography is a relatively new and regularly expanded section of onomastics. In Western science cinematographic names and other non-textual elements are studied within the terminological framework of the paratext theory formulated in the 1980s by Gerard Genette and several other research- ers (Robert Stam; Nicole Janin-Foucher) and also within the framing theory suggested by Erving Goffman Frame( Analysis, 1974) and Werner Wolf with the contributors to his anthology (2006), who have tried to apply it to media. -
The Rise of Controversial Content in Film
The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a. -
A Brief Analysis of China's Contemporary Swordsmen Film
ISSN 1923-0176 [Print] Studies in Sociology of Science ISSN 1923-0184 [Online] Vol. 5, No. 4, 2014, pp. 140-143 www.cscanada.net DOI: 10.3968/5991 www.cscanada.org A Brief Analysis of China’s Contemporary Swordsmen Film ZHU Taoran[a],* ; LIU Fan[b] [a]Postgraduate, College of Arts, Southwest University, Chongqing, effects and packaging have made today’s swordsmen China. films directed by the well-known directors enjoy more [b]Associate Professor, College of Arts, Southwest University, Chongqing, China. personalized and unique styles. The concept and type of *Corresponding author. “Swordsmen” begin to be deconstructed and restructured, and the swordsmen films directed in the modern times Received 24 August 2014; accepted 10 November 2014 give us a wide variety of possibilities and ways out. No Published online 26 November 2014 matter what way does the directors use to interpret the swordsmen film in their hearts, it injects passion and Abstract vitality to China’s swordsmen film. “Chivalry, Military force, and Emotion” are not the only symbols of the traditional swordsmen film, and heroes are not omnipotent and perfect persons any more. The current 1. TSUI HARK’S IMAGINARY Chinese swordsmen film could best showcase this point, and is undergoing criticism and deconstruction. We can SWORDSMEN FILM see that a large number of Chinese directors such as Tsui Tsui Hark is a director who advocates whimsy thoughts Hark, Peter Chan, Xu Haofeng , and Wong Kar-Wai began and ridiculous ideas. He is always engaged in studying to re-examine the aesthetics and culture of swordsmen new film technology, indulging in creating new images and film after the wave of “historic costume blockbuster” in new forms of film, and continuing to provide audiences the mainland China. -
Sfiff 2019 Program Here
SantaFeIndependent.com 2019 team and advisory board 2019 SFIFF TEAM Jacques Paisner Artistic Director Liesette Paisner Bailey Executive Director Jena Braziel Guest Service Director Derek Horne Director of Shorts Programmer Beau Farrell Associate Programmer Stephanie Love Office Manager Dawn Hoffman Events Manager Deb French Venue Coordinator Chris Bredenberg Tech Director Allie Salazar Graphic Designer Blake Lewis Headquarters Manager Castle Searcy Festival Dailies Adelaide Zhang Box Office Assistant Sarah Mease Box Office Assistant Eileen O’Brien MC Sage Paisner Photographer 2019 SFIFF ADVISORY BOARD Gary Farmer, Chair Chris Eyre Kirk Ellis David Sontag Alexandria Bombach Nicole Guillemet “A young Sundance” Alton Walpole —Indiewire Kimi Ginoza Green Paul Langland Beth Caldarello Xavier Horan “An all inclusive Marissa Juarez resort for cinephiles...” —Filmmaker Magazine “Bringing the community together” 505-349-1414 —Slant Magazine www.santafeindependent.com • [email protected] 418 Montezuma Ave. Suite 22 Santa Fe, NM 87501 3 AD AD welcome WELCOME Dear Santa Fe Independent Film Festival Visitors and Community, Welcome to Santa Fe, and to the festival The Albuquerque Journal calls “The Next Sundance.” The Santa Fe Independent Film Festival (SFIFF), now in its eleventh year, has become one of Santa Fe’s most celebrated annual events. I know you will enjoy SFIFF’s world-class programming and award-winning guests, including renowned ac- tors Jane Seymour and Tantoo Cardinal. I encourage you to investi- gate the many activities, museums, galleries, restaurants, and more that Santa Fe has to offer. The Santa Fe Independent Film Festival fills five days with screen- ings, workshops, educational panels, book signings, and celebra- tions. -
Download Article
Advances in Social Science, Education and Humanities Research, volume 324 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019) Exploration on the Protection Scheme of the Great Ruins of Southern Lifang District in the Luoyang City Site in Sui and Tang Dynasties Haixia Liang Luoyang Institute of Science and Technology Luoyang, China Peiyuan Li Zhenkun Wang Xi’an University of Architecture and Technology China Petroleum First Construction Company (Luoyang) Xi'an, China Luoyang, China Abstract—The great ruins are a kind of non-renewable district in a comprehensive and detailed way. Through the precious resources. The southern Lifang district in the analysis of the current situation of southern Lifang district, a Luoyang City Site in Sui and Tang Dynasties is the product of relatively reasonable planning proposal is obtained. This the development of ancient Chinese capital to a certain study can provide theoretical or practical reference and help historical stage. As many important relics and rich cultural on the protection and development of Luoyang City Site in history have been excavated here, the district has a rich Sui and Tang Dynasties, as well as the reconstruction of humanity history. In the context of the ever-changing urban southern Lifang district. construction, the protection of the great ruins in the district has become more urgent. From the point of view of the protection of the great ruins, this paper introduces the II. GREAT RUINS, SUI AND TANG DYNASTIES, LUOYANG important sites and cultural relics of southern Lifang district CITY AND LIFANG DISTRICT in Luoyang city of the Sui and Tang Dynasties through field Great ruins refer to large sites or groups of sites with a investigation and literature review. -
Bibliography
BIBLIOGRAPHY An Jingfu (1994) The Pain of a Half Taoist: Taoist Principles, Chinese Landscape Painting, and King of the Children . In Linda C. Ehrlich and David Desser (eds.). Cinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan . Austin: University of Texas Press, 117–25. Anderson, Marston (1990) The Limits of Realism: Chinese Fiction in the Revolutionary Period . Berkeley: University of California Press. Anon (1937) “Yueyu pian zhengming yundong” [“Jyutpin zingming wandung” or Cantonese fi lm rectifi cation movement]. Lingxing [ Ling Sing ] 7, no. 15 (June 27, 1937): no page. Appelo, Tim (2014) ‘Wong Kar Wai Says His 108-Minute “The Grandmaster” Is Not “A Watered-Down Version”’, The Hollywood Reporter (6 January), http:// www.hollywoodreporter.com/news/wong-kar-wai-says-his-668633 . Aristotle (1996) Poetics , trans. Malcolm Heath (London: Penguin Books). Arroyo, José (2000) Introduction by José Arroyo (ed.) Action/Spectacle: A Sight and Sound Reader (London: BFI Publishing), vii-xv. Astruc, Alexandre (2009) ‘The Birth of a New Avant-Garde: La Caméra-Stylo ’ in Peter Graham with Ginette Vincendeau (eds.) The French New Wave: Critical Landmarks (London: BFI and Palgrave Macmillan), 31–7. Bao, Weihong (2015) Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945 (Minneapolis: University of Minnesota Press). Barthes, Roland (1968a) Elements of Semiology (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1968b) Writing Degree Zero (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1972) Mythologies (trans. Annette Lavers), New York: Hill and Wang. © The Editor(s) (if applicable) and The Author(s) 2016 203 G. -
Families with Children from China a U S T I N , Texas Chapter
Families with Children from China A u s t i n , Texas Chapter .................................................................. In This Issue: President’s Letter Ban Na Exchange Learning Project . 2 One of my favorite things about being prez is connecting with FCC Culture Camp . 3 our members; it is truly invigorating! Family Focus: The Greenbergs . 4 FCC Austin Survey Results . 5 I had the pleasure of meeting some of them last month over dinner to share ideas regarding events for our tween/teen Summer Series Events . 6 population. This was something quite necessary, given that Wimberley Glassworks Event Recap . 8 our kids are only getting older, and quite frankly, our organi- Katie Malinski’s Therapist Series . 9 zation hasn’t offered much for this particular demographic… How to Become a Board Member . 9 and we want to address this oversight. Book Review . 1 0 Some truly wonderful ideas came out of this meeting—things Adopted Children Discover China . 1 1 that only the parents of a tween/teen (or teens themselves) Tween/Teen Brainstorming Meeting . 1 2 would have come up with, and I share them with you in one of the articles in this issue. Kung-Fu at Culture Camp . 1 3 What to Expect Returning to China . 1 4 A subcommittee has now formed for this new endeavor so that we may begin to offer some of the suggestions proposed in the article soon. Meantime, on behalf of the Board and myself, we hope you have a “cool” and refreshing rest of summer. Warm Regards, Kim Goodman President, FCC-Austin Xi Shuang Ban Na Exchange Learning Project Project leaders Rowena Fong, Ed.D., Becky Selection Process Harding, and Amy Wong Mok are looking Students interested in participating will for students and their families to serve as write and submit a 2–4 page essay and from ambassadors to Banna.