MEDIA NATIONS: Wales 2018
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Ymatebion I'r Ymgynghoriad: Newyddiaduraeth Yng Nghymru
------------------------Pecyn dogfennau cyhoeddus ------------------------ Dogfennau Ategol - Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu Lleoliad: I gael rhagor o wybodaeth cysylltwch a: Ystafell Bwyllgora 2 - y Senedd Steve George Dyddiad: Dydd Mercher, 24 Mai 2017 Committee Clerk Amser: 09.30 0300 200 6565 [email protected] Noder bod y dogfennau a ganlyn yn ychwanegol i’r dogfennau a gyhoeddwyd yn y prif becyn Agenda ac Adroddiadau ar gyfer y cyfarfod hwn - Ymatebion i'r Ymgynghoriad: Newyddiaduraeth yng Nghymru Ymatebion i'r Ymgynghoriad: Newyddiaduraeth yng Nghymru (Tudalennau 1 - 88) Dogfennau atodol: Clawr Cynnwys NJW01 Prifysgol Bangor NJW02 BBC Cymru NJW03 Media Cymru (Saesneg yn Unig) NJW04 Neil Taylor (Saesneg yn Unig) NJW05 NUJ Cymru NJW06 S4C NJW06 S4C (Mewnol yn Unig) NJW07 Cyngor Bwrdeistref Sirol Caerffili (Saesneg yn Unig) NJW08 Paul Rowland, Trinity Mirror (Saesneg yn Unig) NJW09 Dr. Andy Williams, Prifysgol Caerdydd - Newyddion Cymunedol Hyperleol (Saesneg yn Unig) NJW10 Dr. Andy Williams, Prifysgol Caerdydd – Newyddion Lleol (Saesneg yn Unig) NJW11 ITV Cymru NJW12 Sefydliad Materion Cymreig (Saesneg yn Unig) NJW13 Emma Meese, Prifysgol Caerdydd (Saesneg yn Unig) Tudalen Cefn Eitem 2.1 Y Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu Newyddiaduraeth Newyddion yng Nghymru Ymatebion i’r Ymgynghoriad Mai 2017 Cynulliad Cenedlaethol Cymru Y Pwyllgor Diwylliant, y Gymraeg a Chyfathrebu Tudalen y pecyn 1 Cynulliad Cenedlaethol Cymru yw’r corff sy’n cael ei ethol yn ddemocrataidd i gynrychioli buddiannau Cymru a’i -
The BBC's Use of Spectrum
The BBC’s Efficient and Effective use of Spectrum Review by Deloitte & Touche LLP commissioned by the BBC Trust’s Finance and Strategy Committee BBC’s Trust Response to the Deloitte & Touche LLPValue for Money study It is the responsibility of the BBC Trust,under the As the report acknowledges the BBC’s focus since Royal Charter,to ensure that Value for Money is the launch of Freeview on maximising the reach achieved by the BBC through its spending of the of the service, the robustness of the signal and licence fee. the picture quality has supported the development In order to fulfil this responsibility,the Trust and success of the digital terrestrial television commissions and publishes a series of independent (DTT) platform. Freeview is now established as the Value for Money reviews each year after discussing most popular digital TV platform. its programme with the Comptroller and Auditor This has led to increased demand for capacity General – the head of the National Audit Office as the BBC and other broadcasters develop (NAO).The reviews are undertaken by the NAO aspirations for new services such as high definition or other external agencies. television. Since capacity on the platform is finite, This study,commissioned by the Trust’s Finance the opportunity costs of spectrum use are high. and Strategy Committee on behalf of the Trust and The BBC must now change its focus from building undertaken by Deloitte & Touche LLP (“Deloitte”), the DTT platform to ensuring that it uses its looks at how efficiently and effectively the BBC spectrum capacity as efficiently as possible and uses the spectrum available to it, and provides provides maximum Value for Money to licence insight into the future challenges and opportunities payers.The BBC Executive affirms this position facing the BBC in the use of the spectrum. -
BBC Wales, Management Review, 2009/10
WALES MANAGEMENT REVIEW 2009/10 a INTRODUCTION FROM DIRECTOR, BBC CYMRU WALES IN A YEAR WHEN DIGITAL SWITCHOVER SWEPT ACROSS THE COUNTRY, THE ROLE OF WALES’ nATIONAL BROADCASTER HAS NEVER BEEN CLEARER. Some said that digital switchover would change everything. By beaming countless additional channels into every home across Wales, some warned it would accelerate the fragmentation of viewing, weakening the social and civic ties that bind us together. And yet take a look at what actually happened. In 2009/10, almost a million viewers – the highest figures for at least five years – tuned into BBC Cymru Wales programming each and every week. On top of this success, our network output continued to attract worldwide attention, including Torchwood’s stunning debut on BBC One and BBC Two’s captivating Last Chance to See. That success is of course a tribute to the skills and resilience of our talented production teams – both in-house and across the independent sector – and many of their achievements are rightly “ THIS YEAR’S SUCCESS IS A POWERFUL REMINDER OF captured in this review. OUR AUDIENCE’S DEMAND FOR HIGH QUALITY AND Our success this year is a powerful reminder that in an age of apparent digital plenty – with all its countless distractions – our audience’s demand for high quality and distinctive national programming DISTINCTIVE NATIONAL PROGRAMMING.” is as strong and robust as ever. MENNA RICHARDS, It is, needless to say, a challenge and responsibility we relish. DIRECTOR, BBC CYMRU WALES Menna Richards COVER IMAGE Director, BBC Cymru Wales Presenter Eddie Butler tells the story of a 5th or early 6th century carved sandstone, part of a trail of historical objects inspired by our History of the World project, and which can be seen at the National Museum Wales in Cardiff. -
BBC Cymru Wales Apprenticeship Role: Sound Apprentice Location: Roath Lock Studios, Cardiff
Sound Apprentice - Drama Company: BBC Cymru Wales Apprenticeship Role: Sound Apprentice Location: Roath Lock Studios, Cardiff About the Organisation BBC Cymru Wales is the nation's broadcaster, providing a wide range of English and Welsh language content for audiences across Wales on television, radio and on our websites Roath Lock, is the BBC's state of the art centre of excellence for Drama, a place brimming with new energy and talent. When the first productions moved into Roath Lock in September 2011, they fulfilled a BBC commitment to create a centre of excellence for Drama in Cardiff. Located in Porth Teigr, Cardiff Bay, the 170,000 square foot facility, including nine studios and equivalent in length to three football pitches, is now the permanent, purpose-built home of four flagship BBC dramas - Casualty, Pobol y Cwm, Doctor Who - as well as new productions in the future. Job Description Sound Assistants are a member of the Production Sound Crew and provide general back up and support to the Production Sound Mixer and the Boom Operator. They are responsible for checking all stock, microphones and batteries and making sure that the sound department runs as smoothly as possible. Although the work is physically demanding, the hours are long and are sometimes performed on location in extreme terrain and/or severe weather the work can be very rewarding. Sound Assistants usually begin work early arriving on set half at least an hour before call time, with the rest of the Sound Crew. They help to unload the sound van, and working with the Boom Operator, check that all equipment is prepared and fully operational. -
Download Valuing Radio
Valuing Radio How commercial radio contributes to the UK A report by the All-Party Parliamentary Group on Commercial Radio The data within Valuing Radio is largely drawn from a 2018 survey of Radiocentre members. It is supplemented by additional research which is sourced individually. Contents 01 Introduction 03 Overview and recommendations 05 The public value of commercial radio • News and information • Economic value • Charity and community 21 Commercial radio people 27 Future of radio Introduction The APPG on Commercial Radio helps provide this important industry with a voice in parliament. With record audiences and more ways to listen than ever before, the impact of the industry should not be underestimated. While the challenges facing the sector have changed over the years, the steadfast commitment of stations to provide public value content every day remains. This new report, the first of its kind produced by the APPG, showcases the rich public value content that commercial radio provides to listeners for free. Valuing Radio explores the impact made by stations up and down the country, over and above the music and entertainment output that audiences expect. It looks particularly at radio’s role in providing news and information, the sector’s significant support for both charitable fundraising and education, in addition to work to improve diversity within the industry. Alongside this important public value content is a significant economic contribution to local economies across the UK. For the first time we have analysis on the impact of local advertising and the return on investment (ROI) that this generates for particular nations and regions of the UK. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
Owner's Guide
English Deutsch Owner’s Guide v1.0 Français Italiano TECHNICAL SUPPORT WARRANTY Should you encounter problems using this product, please refer to the Revo Technologies Ltd warrants to the end user that this product will troubleshooting section on page 38 of this owner’s guide. be free from defects in materials and workmanship in the course of Alternatively, call Revo technical support on : normal use for a period of one year from the date of purchase. This guarantee covers breakdowns due to manufacturing faults and UK 01555 666161 does not apply in cases such as accidental damage, general wear From outside the UK + 44 1555 666161 and tear, user negligence, modifi cation or repair not authorised by Revo Technologies Ltd. Alternatively, e-mail [email protected] or visit the troubleshooting To register your purchase please visit www.revo.co.uk/register section of our website at: www.revo.co.uk/support ENVIRONMENTAL INFO COPYRIGHTS AND ACKNOWLEDGEMENTS PRODUCT DISPOSAL INSTRUCTIONS (WEEE DIRECTIVE) Copyright 2013 Revo Technologies Ltd. All rights reserved. The symbol shown here and on the product means that it is classed as Electrical or Electronic Equipment and should not be disposed with No part of this publication may be copied, distributed, transmitted or other household or commercial waste at the end of its working life. transcribed without the permission of Revo Technologies Limited. The Waste of Electrical and Electronic Equipment (WEEE) Directive REVO and SUPERCONNECT and are trademarks or registered (2002/96/EC) has been put in place to recycle products using best trademarks of Revo Technologies Ltd. -
904-4 BBC NR AC Wales 210612.Indd
WALES AUDIENCE COUNCIL REVIew 2011/12 a 01 Foreword by the National Trustee 02 Audience Council activity 04 Audience Council Wales report on BBC performance 09 BBC performance against Public Purposes 14 Audience priorities for 2012/13 17 Audience Council Wales 18 Contacts Cover image BBC National Orchestra of Wales at one of its concerts for special schools. FORewORD BY THE NaTIONal TRUSTee announced. This has been hugely welcomed by audiences. The Roath Lock drama production facility in Cardiff Bay, which now provides a home for Pobol y Cwm, Casualty and Doctor Who, was delivered on budget and on time. It potentially provides a huge boost for the creative industries in Wales. Following the Westminster Government’s announcement that S4C would be funded from the licence fee from 2013, I strongly welcome the new agreement reached with S4C and I look forward to the BBC and S4C exploiting future opportunities for co-operation for the creative, social, educational and “The Roath Lock drama economic benefit of audiences in Wales. production facility in Cardiff Bay, The year under review saw the departure which now provides a home for of Keith Jones as Director BBC Wales Pobol y Cwm, Casualty and Doctor and the appointment of Rhodri Talfan Davies to that post. I am grateful to Keith Who, was delivered on budget for his substantial support for the work of and on time.” Audience Council Wales and contribution to BBC Cymru Wales over many years. I warmly welcome Rhodri’s appointment The BBC’s Audience Councils advise the and look forward to working closely with Trust on how well the BBC fulfils its Public him during the months and years to come. -
BOX Television Response to Broadcasting Code Review: Commercial References in Television Programming
BOX Television response to Broadcasting Code Review: Commercial references in television programming Box TV is a joint venture between Bauer Media and Channel 4 Television and operates 7 music television channels. These are: 4Music, The Box, Kiss, Magic, Kerrang!, Smash Hits and Q. All channels are available via cable and satellite with 4Music available on the Freeview platform. Box welcomes the opportunity to respond to the consultation and whilst generally in agreement with the proposals, there are issues that Box TV feels require greater clarification and guidance from Ofcom before the proposals are implemented into the Broadcasting Code. Proposal 1: Applying the rules to placement for a non-commercial purpose 1.1 Do you agree that it is appropriate to apply product placement rules to paid-for references in programmes that are not included for a commercial purpose? If not, please explain why. 1.2 Please identify any potential impacts of Ofcom‟s proposal that you consider should be taken into account, and provide evidence, wherever possible. 1.3 Please identify any areas of this proposal which, if it is accepted, you consider Ofcom should issue guidance on. Response: Box TV agrees with the proposal as this would allow not only commercial organisations, but COI campaigns that may have a direct interest amongst Music TV viewers. Proposal 2: Clarification that product placement is permitted in single dramas 2.1 Are there any impacts we have not identified above that you think would result from our proposal to clarify that single dramas are a form of film made for television? (See proposed Rule 9.8). -
Has TV Eaten Itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00Pm BFI Southbank, London SE1 8XT
May 2015 Has TV eaten itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00pm BFI Southbank, London SE1 8XT Hosted by Romesh Ranganathan. Nominated films and highlights of the awards ceremony will be broadcast by Sky www.rts.org.uk Journal of The Royal Television Society May 2015 l Volume 52/5 From the CEO The general election are 16-18 September. I am very proud I’d like to thank everyone who has dominated the to say that we have assembled a made the recent, sold-out RTS Futures national news agenda world-class line-up of speakers. evening, “I made it in… digital”, such a for much of the year. They include: Michael Lombardo, success. A full report starts on page 23. This month, the RTS President of Programming at HBO; Are you a fan of Episodes, Googlebox hosts a debate in Sharon White, CEO of Ofcom; David or W1A? Well, who isn’t? This month’s which two of televi- Abraham, CEO at Channel 4; Viacom cover story by Stefan Stern takes a sion’s most experienced anchor men President and CEO Philippe Dauman; perceptive look at how television give an insider’s view of what really Josh Sapan, President and CEO of can’t stop making TV about TV. It’s happened in the political arena. AMC Networks; and David Zaslav, a must-read. Jeremy Paxman and Alastair Stew- President and CEO of Discovery So, too, is Richard Sambrook’s TV art are in conversation with Steve Communications. Diary, which provides some incisive Hewlett at a not-to-be missed Leg- Next month sees the 20th RTS and timely analysis of the election ends’ Lunch on 19 May. -
Media Nations: Wales 2019
Media nations: Wales 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations: Wales report. The report reviews key trends in the television and audio-visual sector as well as the radio and audio industry in Wales. It provides context to the work Ofcom undertakes in furthering the interests of consumers and citizens in the markets we regulate. In addition to this Wales report, there are separate reports for the UK as a whole, Scotland, and Northern Ireland, as well as an interactive data report. The report provides updates on several datasets, including bespoke data collected directly from licensed television and radio broadcasters (for output, spend and revenue in 2018), Ofcom’s proprietary consumer research (for audience opinions), and BARB and RAJAR (for audience consumption). It should be noted that our regulatory powers do not permit us to collect data directly from online video-on-demand and video-sharing services (such as ITV Player, Netflix, Amazon Prime Video and YouTube) for research purposes, and therefore we also use third-party sources for information relating to these services. 1 Contents Overview............................................................................................................ 2 Key points .......................................................................................................... 3 TV services and devices...................................................................................... 5 Screen viewing .................................................................................................. -
A Cbeebies Christmas Carol Songs 1
A CBEEBIES CHRISTMAS CAROL SONGS 1. “EVERYBODY HERE LOVES CHRISTMAS” (INTRO OF SHOW AND SCROOGE) 2. “COUNTING DOWN TO CHRISTMAS” 3. “FEZZIWIG JIG” 4. “CHRISTMAS ISN’T CHRISTMAS WITHOUT YOU” (CRATCHITTS’S HOME) 5. “THINK TWICE” 6. “EBENEZER SCROOGE LOVES CHRISTMAS” (REPRISE OF SONG 1) LYRICS OF SONGS IN BLUE. PURPOSE OF SONG IN BOLD AND ITALICS. PRE-RECORDED LINES IN RED. A CBeebies Christmas Carol CAST LIST (IN ORDER OF APPEARANCE) Narrator Cat Sandion Scrooge Andy Day Office workers Gemma Hunt Alex Winters Bob Cratchitt Chris Jarvis Fred – Scrooge’s nephew Ben Faulks Jacob Marley character Tree Fu Tom Friend of Christmas Past Derek Griffiths School Teacher Phil Gallagher School Pupils Cerrie Burnell Richard David-Caine Joseph Elliott Mrs Fezziwig Justin Fletcher Mr Fezziwig Pui Fan Lee PARTY GUESTS Baroness Floella Benjamin (& Humpty) Iain Lauchlan (& Fingermouse) Dave Benson-Philips Friend of Christmas Present Katrina Bryan Mrs Cratchitt Rebecca Keatley The Cratchitt children 2 children – Benny & Daisy Friend of Christmas Future Steven Kynman Band Little Bulb Theatre 2 A CBeebies Christmas Carol 1. OPENING: Welcome to the show and introduction of Scrooge THE ENSEMBLE (LIVE BAND: ‘LITTLE BULB’) OPEN THE SHOW WITH A SONG. THE STAGE AND COSTUMES DEPICT A VICTORIAN LONDON STREET IN WINTER. THE BAND MEMBERS ARE DRESSED FOR OUTSIDE. APART FROM DRUMS AND KEYS, THE BAND ALL ENTER AND SING THE FIRST VERSE FROM AND AROUND CENTRE STAGE. “EVERYBODY HERE LOVES CHRISTMAS” SONG: SAYING ‘HELLO’, WHAT CHRISTMAS IS AND INTRODUCING SCROOGE. LITTLE BULB