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Ray Bradbury Theater
The Ray Bradbury Theater Episode Guide Compiled by Loren Heisey ([email protected]) June 14, 1993 page 1 THE RAY BRADBURY THEATER EPISODE GUIDE Guide revision history Version 1.0: Original release (06/07/92) Version 1.1: Minor update (07/05/92) Added support for printing with the ms macros and with cawf. Version 2.0: Update (06/14/93) Added fifth production episodes. Changed order of HBO episodes. Miscellaneous other changes. This guide is for personal use only and may be distributed freely. No charge may be made for this document beyond the costs of printing and distribution. page 2 June 14, 1993 THE RAY BRADBURY THEATER EPISODE GUIDE Table of Contents I. HBO Produced Episodes 4 II. USA First Production 7 III. USA Second Production 11 IV. USA Third Production 17 V. USA Fourth Production 20 VI. USA Fifth Production 22 VII. Episode Title List 27 VIII. Alphabetical Episode Title List 29 IX. Principle Credits 31 X. Notes 36 June 14, 1993 page 3 THE RAY BRADBURY THEATER EPISODE GUIDE I. HBO produced episodes Introduction by Ray Bradbury "People ask where do you get your ideas. Well right here. All this is my Martian landscape. Somewhere in this room is an African veldt. Just beyond perhaps is a small Illinois town where I grew up. And I’m surrounded on every side by my magicians toyshop. I’ll never starve here. I just look around, find what I need, and begin. I’m Ray Bradbury, and this is" The Ray Bradbury Theater. "Well then, right now what shall it be. -
PRODUCTIOM GUIDE by Del Mehes and Michael Dorland
• C IN E MAC; • PRODUCTIOM GUIDE by Del Mehes and Michael Dorland SHARMHILL PROD. GUBERS/PETERS he following is a list of films in production (actually before the cameras) (416) 252-6407 phone no. N/ A and in negotiation in Canada Needless to say, the films which are still THE UNDERGRADUATES YOUNGBLOOD Tin the project stage are subject to changes. A third category, I n Pre Shooting begins June 4 for 4 -5 wks. in Toronto. Featu re film for theatrical release shooting production, will be used to indicate films which are in active pre-production, Budget under$2 min. p.mln. John Danylkiw p./d. begins July 10 in Toronto for 10 weeks. Dist. Steve Stern I.p. Art Carney, Chris Makepeace. MG M exee. p. Peter Gubers p. Patrick Wells, having set a date for the beginning of principal photography and being Peter Bart moc. p. Mark Allen sc./d. Peter engaged in casting and crewing. Films are Ii£ted by the name of the company Markle lp. Rob Lowe, Patrick Swayze, Cindy which initiated the project, or with which the project is popularly associated. Gibb, Ed Lauther. This is not necessarily the name of the production company. Where the two IN PRE-PRODUCTION companies are different, the name of the production company, if known, is also given. In instances where a producer has asked us not to list a project, or to INSIGHT PROD. withhold certain credits due to ongoing negotiations, we have respected his ATLANTIS FILMS CINEPIX INC. (416) 596-8118 request. The guide only lists productions or series whose duration will be one (416) 960-1503 (514) 341-5661 OLYMPIC GOLD hour and over. -
Le Temps De L'euro
LeMonde Job: WMR0199--0001-0 WAS TMR0199-1 Op.: XX Rev.: 01-01-99 T.: 17:52 S.: 75,06-Cmp.:02,08, Base : LMQPAG 18Fap:100 No:0963 Lcp: 700 CMYK ENQUETE Le temps de l’euro 0123 Il arrive, il est arrivé... Depuis une semaine, c’est la mobilisation générale dans les télévisions et les radios pour accompagner l’entrée dans l’ère SIPA de la monnaie unique. Pages 2-3 MULTIMEDIA Internet en prison Aux Etats-Unis, en Autriche et en Allemagne, certains pénitenciers autorisent l’évasion virtuelle. Mais elle est sévèrement contrôlée. Pages 32-33 TELEVISION L’« affaire Ochoa » Retour sur l’épisode le plus obscur de la révolution castriste : l’exécution ARTE d’officiers supérieurs accusés Chandler, Rachel, Phoebe, Ross, Monica et Joey de trafic de drogue, en juillet 1989. CANAL JIMMY Une première. Page 5 (David Schwimmer-Jennifer Aniston) ? Voilà où tout réside. Dans le quiproquo permanent qui Le secret les oppose et les rapproche sans cesse, dans les actes manqués qui font que lorsque Ross est CINEMA prêt à passer le pas, c’est Rachel qui n’ose pas, de « Friends » et quand Rachel est prête, Ross s’est déjà jeté avec l’audace des timides dans les bras d’une Science-fiction Canal Jimmy, autre. « Fahrenheit 451 », de François Cette impossibilité authentiquement tragique dimanche 10 janvier, 20 h 55 à trouver le bonheur est le ressort caché et prin- Truffaut, d’après Ray Bradbury. cipal de « Friends ». C’est elle qui, sans en avoir La mort programmée du livre, l’air, donne son épaisseur à la comédie, bâtit sa ES scénarios comme celui-là, la télé différence. -
Chris Helcermanas-Benge
Chris Helcermanas-Benge Photographer 6588 Wellington Avenue, West Vancouver, BC V7W 2H9 1-604-921-9882 Email - [email protected] http://www.imdb.me/chrish-b CHRIS HELCERMANAS-BENGE is recognized for his creative and innovative photography. Dual Canadian / American citizenship and EEC work visa enable him to shoot freely throughout the world. 36 years of producing stills for film, industry and government has taken Chris to 72 countries. He has been the photographer 200+ film projects; covered 3 wars, 11 combat zones, numerous world events; won many awards, and been published worldwide. He is a member of IATSE local 600 (USA), founding member of IATSE Locals 667 and 669 (Canada), and the BC. and Yukon Council of Film Unions and serving twice as president of 669. Chris H-B works well with talent, creative, and production to generate the finest images for the client. Chris has a BA in Military History, MA in International Affairs and a diploma in Fine Arts. His Military service included Southeast Asia, Africa, Greece, Germany, Turkey, Africa, the Pentagon, and the Middle East. He is a licensed pilot; a Padi certified diver, and parachutist, trained in desert, jungle, and mountain survival. He is an experienced sailor, a kayaker, mountaineer, Bon vivant, lover of fine wines and avid cross-country skier Chris is a member of C.A.P.I.C., The Overseas Press Club, The American Society of Media Photographers, National Press Photographer's Association, Combat Photographer's Association, I.A.T.S.E. (roster member US Local 600, Canadian Locals 667 and 669). -
CATERING Before She Moved to Hollywood and When You've Got a Lot of Line Was Altered Anfl Austin Became Joined “Knots Landing." People to Feed, Serve 'Em a Regular
38 — The Prince George Citizen TV TIMES — January 15th, 1988 FAME by WENDY WALLACE Austin feels ‘Knots’ reflects ordinary lives In a season that was supposed to Jill Bennett, consistency is a good I feel that Jill had been good for bring the demise of the nighttime sign. Gary — she's been a stabilizing soaps. "Knots Landing," which airs “Our ratings have stayed the force for him, and she's trying to do Thursdays on CBS, disproves the same for years," she says. “Why? what's best for him.” rumor. In this, its eighth year, the Because ‘Knots Landing’ reflects Austin was born and raised in To show places in the mid-20s in the more of an ordinary life than the ronto, and made her acting debut at ratings, despite stiff competition other nighttime soaps, and the prob age 7, playing an angel in a church from "L.A. Law." "Dynasty" and lems we present are those that ev play. As a teen, she was chosen “Dallas" may be more flamboyant eryone faces. People can identify from almost 1000 applicants to at nighttime soaps — but "Knots” is with us, because they've truly been tend a theater training program of more consistent. through what we deal with." fered by Canada’s York University. For Teri Austin, who plays lawyer When Austin first appeared on the After graduation in 1981, Austin show in 1985, Jill Bennett was a started working right away, appear short-term love interest for Mack ing on ”SCTV” and as co-host of MacKenzie (Kevin Dobson). -
LYRIQ BENT Winner on Canada’S Talent
Fall 2016 Inaugural TIFF issue! LYRIQ BENTThe Canadian Screen Award winner on why this country is becoming a global production power player What do Canadians want (to watch)? We have the answers inside And the nominees are… Check out who’s up for the 2016 CMPA Feature Film Producer Awards at TIFF Q&As with Canada’s talent 31 Q&A: Kim Todd Service stereotypes and IP ownership 40 Q&A: David Way Why authenticity matters 50 Q&A: Jay Bennett Brave new worlds 64 Q&A: Mike Volpe Laughing all the way 74 Q&A: Jillianne Reinseth Engaging children (and parents) 8 Cover feature The Canadian Screen Award Page 11 Page 42 LYRIQ BENT winner on Canada’s talent Features Page 55 Page 83 2 Reynolds Mastin 48 Taken A letter from the President Tackling a tough topic and CEO of the CMPA with empathy 11 Canadian Film Pictured (top to bottom): Black Code, Giants of Africa, Nelly Pictured (top to bottom): X Quinientos, Maudie, Maliglutit (Searchers) Pictured (top to bottom): Mean Dreams, Anatomy of Violence, Pays 4 The Big Picture 61 Feeling the Love! 32 Foreign Location · A look at TV, film and media A data-driven case for Service Production Film across Canada made-in-Canada content 41 Canadian THE 6 And the Nominees Are… 62 Behind the Scenes Documentary Film Leads negotiations with unions, broadcasters and funders The CMPA Feature Film A photographic look at filming Producer Awards and production across Canada Explores new digital and international business models 51 Canadian TV ∙ Builds opportunities for established and emerging content creators 72 Changing the Channel Drama CMPA Women in production 65 Canadian TV ∙ 86 The Indiescreen Listicle Comedy Through international delegations, best-in-class professional development, mentorship programs and more, Which Canadian film are you? the CMPA advances the interests of Canada’s indie producers. -
LIVES of the SAINTS Synopsis
LIVES OF THE SAINTS Synopsis “Where pride is, the snake goes,” Italian proverb Adultery, the evil eye, and a snakebite are the circumstances that shape the childhood of Vittorio Innocente in the small village of Valle De Sole in a society dominated by religion and superstition. LIVES OF THE SAINTS begins in an Italy almost unchanged since the beginning of the last century—moving across time from the horrors of wartime Italy to the swinging counterculture that dominated Toronto in the late 60’s. This “intimate epic” travels from the sun-drenched Mediterranean to the frozen Arctic, to the flatlands of rural Ontario and finally back to the isolated hilltop village of Valle del Sole, Italy (Valley of the Sun), 20 years later in a story suffused with mystery, and betrayal. Who will pay for the sins and secrets of the family past? Vittorio’s turbulent childhood revolves around his love for his mother, Cristina, (whose husband Mario, has emigrated to Canada) but is informed by his Aunt Teresa (Sophia Loren). Also the village schoolteacher, she is his disciplinarian and his moral guide. To enhance his lessons, she uses stories from a religious picture book Lives of the Saints which she gives him 1 as a gift when he leaves Valle De Sole with his mother for the hope of a new and better life in Canada. A widow, Teresa is the glue that holds the family together while Cristina (Sabrina Ferilli), an independent spirit, is strong-willed and fiery. The village is full of whispers when Cristina is bitten in the barn by a poisonous snake. -
The Overwhelming Albatross: Stereotypical Representations and Italian-Canadian Political and Cultural Life
Saggi Canada The Overwhelming Albatross: Stereotypical Representations and Italian-Canadian Political and Cultural Life Francesca L’Orfano Carleton University, Ottawa The limits of one’s language signify the limits of one’s world. William Boelhower (1984, p. 26) Introduction On May 8, 2002, while watching CBC Newsworld morning, Don Martin, a reporter from the «Calgary Herald», was being asked about the recent Group Action patronage scandal that had hit the Liberal government. After discuss- ing the bureaucratic quagmire, Martin was asked what role he felt Alfonso Gagliano had played in the entire situation. Martin, without hesitation replied: «He’s sort of the godfather of the whole scandal». For Martin this is the limit of his language. An Italian name is involved and political «corruption», not the exclusive domain of any party or any ethnic group, jumps to a bigoted slur. This is the language that continues even today. The language of the media that without thought or effort continues to create the Other and in this circumstance the Other is an Italian-Canadian. My present research builds on the work of my MA thesis titled Challenging Exclusion: Film, Video, Identity, Memory and the Italian Canadian Immigrant Experience (L’Orfano, 2002a). For the first time in Canada,Challenging Exclu- sion brought together, narrated, wrote, and documented, a body of films and videos, both by and on the Italian-Canadian community and experience, created © Centro Altreitalie, Globus et Locus 137 Altreitalie gennaio-dicembre 2009 over the past fifty postwar years. The work then probed what it means for Italian diasporic artists to be, act and construct «Canadian». -
The Academy of Canadian Cinema Congratulates the Outstanding Filmmakers Who Have Been Nominated for the 1982 Genie Awards
The Academy of Canadian Cinema congratulates the outstanding filmmakers who have been nominated for the 1982 Genie Awards • BEST MOTION PICTURE •BEST ACHIEVEMENT IN COSTUME DESIGN • BEST ORIGINAL SCREENPLAY The Amateur - p Joel B Michaels, Garth H Happy Birthday to Me — Huguette Gagne Clay Borris — Alligator Shoes Drabinskv Heartaches — Julie Ganton Rejean Ducharme — Les Beaux Souvenirs Heartaches — p. David Patterson, Jerry Raibourn Les Plouffe — Nicole Pelletier James Sanderson, Paul lllidge — Head On Les Plouffe — p, Denis Heroux, Justine Heroux Scanners — Delphine White Terry Heffernan — Heartaches Scanners — p Victor Solnicki, Pierre David, Silence of the North — Olga Dimitrov Morrie Ruvinsky, Ian Sutherland, (Adam Arkin)* Claude Heroux — Improper Channels Ticket to Heaven — p Vivienne Leebosh, • BEST ACHIEVEMENT IN CINEMATOGRAPHY David Cronenberg — Scanners Ronald I Cohen Alligator Shoes — John F. Phillips • BEST SCREENPLAY ADAPTED • BEST PERFORMANCE BY AN ACTOR Heartaches — Vic Sarin, esc FROM ANOTHER MEDIUM IN A LEADING ROLE Silence of the North — Richard Leiterman, esc Diana Maddox — The Amateur Gabriel Arcand — Les Plouffe • BEST ACHIEVEMENT IN DIRECTION Gilles Carle, Roger Lemelin — Les Plouffe Nick Mancuso — Ticket to Heaven Don Shebib — Heartaches Anne Cameron, Ralph L. Thomas — Ticket to Gordon Pinsent — Silence of the North Gilles Carle — Les Plouffe Heaven Christopher Plummer — The Amateur David Cronenberg — Scanners • BEST ACHIEVEMENT IN OVERALL SOUND Winston Rekert — Heartaches Allan King — Silence of the North Austin -