Fall 2016 Inaugural TIFF issue! LYRIQ BENTThe Canadian Screen Award winner on why this country is becoming a global production power player What do Canadians want (to watch)? We have the answers inside And the nominees are… Check out who’s up for the 2016 CMPA Feature Film Producer Awards at TIFF Q&As with Canada’s talent 31 Q&A: Kim Todd Service stereotypes and IP ownership 40 Q&A: David Way Why authenticity matters 50 Q&A: Jay Bennett Brave new worlds 64 Q&A: Mike Volpe Laughing all the way 74 Q&A: Jillianne Reinseth Engaging children (and parents) 8 Cover feature The Canadian Screen Award Page 11 Page 42 LYRIQ BENT winner on Canada’s talent Features Page 55 Page 83 2 Reynolds Mastin 48 Taken A letter from the President Tackling a tough topic and CEO of the CMPA with empathy 11 Canadian Film Pictured (top to bottom): Black Code, Giants of Africa, Nelly Pictured (top to bottom): X Quinientos, Maudie, Maliglutit (Searchers) Pictured (top to bottom): Mean Dreams, Anatomy of Violence, Pays 4 The Big Picture 61 Feeling the Love! 32 Foreign Location · A look at TV, film and media A data-driven case for Service Production Film across Canada made-in-Canada content 41 Canadian THE 6 And the Nominees Are… 62 Behind the Scenes Documentary Film Leads negotiations with unions, broadcasters and funders The CMPA Feature Film A photographic look at filming Producer Awards and production across Canada Explores new digital and international business models 51 Canadian TV ∙ Builds opportunities for established and emerging content creators 72 Changing the Channel Drama CMPA Women in production 65 Canadian TV ∙ 86 The Indiescreen Listicle Comedy Through international delegations, best-in-class professional development, mentorship programs and more, Which Canadian film are you? the CMPA advances the interests of Canada’s indie producers. We see a bright future for Canadian production. Page 48 75 Canadian TV ∙ Join us. Make it happen. cmpa.ca/membership Children & Youth 1 I love September in Toronto. The heat and humidity of summer begins to Among this group, no one is better placed to have a major impact on Can- give way to the crisp temperatures of fall. Students, both eager and apprehen- ada’s film and television sector than Federal Heritage Minister Mélanie Joly. sive, flood the sidewalks, ready to launch into a new year of study. And the With the launch of the country’s first sweeping cultural policy review in a world’s leading actors, directors and producers travel here to promote their generation, Minister Joly stands to be the most influential policy-maker for newest projects at the Toronto International Film Festival. independent producers since Faulkner. Given early indications, I’m optimis- As we launch our inaugural TIFF issue of Indiescreen, I’m struck by how tic that this review will set independent producers on a path to continued the back-to-school spirit of September still inspires me to both reflect on the success, allowing us to take advantage of the digital shift underway, so we past and anticipate the future. can share our stories with Canadians and the world. Last April, Canada’s independent producers bid farewell to three of our I’m proud to say the pages of this issue of Indiescreen truly reflect the sec- sector’s most influential pioneers, with the passing of Hugh Faulkner, Mi- tor’s growing diversity. With our cover story on the rise of Lyriq Bent and chael Spencer and Ralph C. Ellis. his work with producers Sudz Sutherland and Jennifer Holness (pg. 8); our A minister in Pierre Elliott Trudeau’s inaugural cabinet, Hugh Faulkner interviews with influential producers Jillianne Reinseth from eOne (pg. 74) was the original champion of Canadian content. Among his cultural accom- and Kim Todd from Original Pictures (pg. 31); and our look at the motiva- plishments, he promoted film production in Canada by allowing producers tions and challenges behind Taken, a series that boldly aims to tell the hard to deduct financing for feature films that were “certified” Canadian. In many stories of Canada’s missing and murdered Aboriginal women (pg. 48), we ways this was the foundation on which our modern domestic film industry can see indications of an industry headed in the right direction. was built. But this is just the beginning. And I think we can all agree that there is In 1967 Michael Spencer became the first executive director of the Cana- still work to be done. In line with this, “Changing the channel for women in dian Film Development Corporation, known today as Telefilm. Spencer be- production” (pg. 72) outlines the CMPA’s objective in commissioning new lieved fiercely in the importance of an independent Canadian film industry research to identify global best practices that have helped women advance that was distinct from Hollywood. In his role at CDFC, he helped countless their careers in film and television. I am very much looking forward to the directors and producers from across the country access funding to get their release of these results early next year. projects off the ground. It’s an honour, as well as a testament to the skill and ability of Canada’s Finally, Ralph C. Ellis can credibly be called Canada’s original independ- feature film producers, that the naming of the CMPA’s 2016 Feature Film ent producer. Following a number of years at the National Film Board, he Award recipients will mark the official launch of this year’s Toronto Interna- launched his own production and distribution companies and went on to tional Film Festival. produce hundreds of hours of programming, aired by television networks So, as Toronto’s grey sidewalks get covered in red carpets, I encourage you in Canada and around the world. His success paved the way for our thriving to get out and see films made by Canada’s diverse and talented filmmakers. film and TV sectors, which last year alone generated close to $9 billion in See you in the rush line. domestic GDP and created 150,000 jobs. Faulkner, Spencer, Ellis: these were men of their time who helped make Reynolds Mastin Canada’s media production industry what it is today. But they were just that: President and CEO, CMPA men of their time. As our industry looks forward, it’s exciting to see a new diversity starting to take hold, reflecting the unique and varied individuals who make up our great country. Indiescreen The Big Picture Legend THE BIG PICTURE Geographic factoids A look at TV, film and media across Canada Select regional film festivals Dawson City, YT is the birthplace of Victor Jory, who’s best known for playing the villainous Jonas Wilkerson in Gone with the Wind Iqaluit, NU, where the film Two Lovers and a Bear is set, is a city so far north it’s only reachable by plane Iqaluit, NU: Alianait Arts Festival, June–July Yellowknife, NT: Yellowknife International Film Festival, September St. John’s, NL: St. John’s International Women’s Whitehorse, YT: Available Film Festival, October St. John’s, NL is home to Light Film Festival, February the St. John’s International OUTeast, April Women’s Film Festival, Whistler, BC: Whistler Film one of the longest-running Festival, November–December women’s film festivals in the world Vancouver, BC: Vancouver Saskatoon, SK: International Film Festival, Calgary, AB is the birthplace of Wyatt Festival Cinergie, Yorkton, SK: September–October Earp, an American Old West gambler Gimli, MB: May Yorkton Film Charlottetown, PE: born in 1848. Melanie Scrofano portrays Gimli Film Festival, May Charlottetown Film his fictional descendent in the TV series Festival, July Festival, October Wynonna Earp, shot in Calgary Fredericton, NB: Winnipeg, MB: Montreal, QC: Fantasia Silver Wave Film Freeze Frame, March International Film Festival, Festival, November July–August Toronto, ON: TIFF, September Festival du Nouveau Cinema, October Victoria, BC: ImagineNATIVE film + Victoria Film media arts, October Festival, March Calgary, AB: Calgary International Atlantic Film Festival, September–October Hot Docs, April Halifax, NS: International Film Set in Vancouver, BC, Blood Festival, September and Water is the first Canadian In Saskatchewan, Winnipeg, MB is home to Canada’s Robb Wells of Trailer Park Boys trilingual crime drama, mixing April 13 is officially Aboriginal Peoples Television Network was born in English, Cantonese and Mandarin Corner Gas Day Moncton, NB (APTN): the first and only national Aboriginal broadcaster in the world, Gerry Dee (Mr. D creator/ Kahnawake, QC, one of the with programming by, for and about writer/producer and star) locations in Mohawk Girls, derives Aboriginal Peoples Fans of Between, shot in Hamilton, drew from his decade- from the Mohawk word kahnawà:ke, ON, will be happy to know that there long teaching career which means “place of the rapids” is now an accompanying web series in Halifax, NS when to the show, called Between the Lines developing the series 4 5 Indiescreen And the Nominees Are… Nicholas de Pencier Company: Mercury Films Inc. AND THE CMPA Feature Film Film at TIFF: Black Code Nicholas de Pencier is a producer and director with experience in documentary, Producer Award • performing arts and dramatic film. He has produced a number of critically acclaimed feature films ARE… Established Producer and documentaries, including One Week, Watermark and NOMINEES Manufactured Landscapes. De Pencier strongly believes that the outside pressures of the marketplace must be kept from Nominees influencing the work itself, a task he describes as increasingly For more than a decade, the CMPA Feature Film Producer Awards has recognized excellence difficult given the increased competition for funding that among Canada’s indie feature-film producers.