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Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Ray Bradbury Theater
The Ray Bradbury Theater Episode Guide Compiled by Loren Heisey ([email protected]) June 14, 1993 page 1 THE RAY BRADBURY THEATER EPISODE GUIDE Guide revision history Version 1.0: Original release (06/07/92) Version 1.1: Minor update (07/05/92) Added support for printing with the ms macros and with cawf. Version 2.0: Update (06/14/93) Added fifth production episodes. Changed order of HBO episodes. Miscellaneous other changes. This guide is for personal use only and may be distributed freely. No charge may be made for this document beyond the costs of printing and distribution. page 2 June 14, 1993 THE RAY BRADBURY THEATER EPISODE GUIDE Table of Contents I. HBO Produced Episodes 4 II. USA First Production 7 III. USA Second Production 11 IV. USA Third Production 17 V. USA Fourth Production 20 VI. USA Fifth Production 22 VII. Episode Title List 27 VIII. Alphabetical Episode Title List 29 IX. Principle Credits 31 X. Notes 36 June 14, 1993 page 3 THE RAY BRADBURY THEATER EPISODE GUIDE I. HBO produced episodes Introduction by Ray Bradbury "People ask where do you get your ideas. Well right here. All this is my Martian landscape. Somewhere in this room is an African veldt. Just beyond perhaps is a small Illinois town where I grew up. And I’m surrounded on every side by my magicians toyshop. I’ll never starve here. I just look around, find what I need, and begin. I’m Ray Bradbury, and this is" The Ray Bradbury Theater. "Well then, right now what shall it be. -
Speaking Parts
CINEMA CAN A D A Atom Egoyan's Speaking Parts ith his third film, Speakillg Parts , Atom Egoyan continues his exploration of memory, family, and technology. The landscape is becoming familiar: the video imWages, the alienated hero, the domineering patriarch, the bewildered feminine, the highly stylized performances. This time, however, technique is more assured; the vision denser, bleaker, and at times funnier. Clara (Gabrielle Rose), university professor and writer, sits in a trance in fro nt of a monitor in a video mausoleum grasping at Images of her dead brother. Lance (Michael McManus) moves in a semi-catatonic state from room to room in a luxury hotel changing sheets. Lisa (Arsinee Khanjian), sorts laundry in the hotel basement; she is abstracted, dissociated from her tasks and environment. The dance begins as austerely as an intricate Noh drama, in which gestures and Michael McManus as Lance silence delineate the boundaries of human communication. Here, however, video cuts a liaison. lllicit because of the electronic media's the story, begs Lance to do something . But Producer to control Clara and the film. technological swath across the human, usurpation of the sexual; and illicit because of Lance can only keep his speaking part if he Acold film, Speaking Paris eschews audience exposing, like an unhealed sore, memory and the essentially incestuous nature of Clara's remains silent. Lisa is silent about Lance's involvement for more intellectual pleasures: an truth. When the body is shipped of skin, we relationship to Lance, who has become her connection to the death in room 106, despite inhicate construct within a finely balanced find, not flesh or blood, but video images. -
PRODUCTIOM GUIDE by Del Mehes and Michael Dorland
• C IN E MAC; • PRODUCTIOM GUIDE by Del Mehes and Michael Dorland SHARMHILL PROD. GUBERS/PETERS he following is a list of films in production (actually before the cameras) (416) 252-6407 phone no. N/ A and in negotiation in Canada Needless to say, the films which are still THE UNDERGRADUATES YOUNGBLOOD Tin the project stage are subject to changes. A third category, I n Pre Shooting begins June 4 for 4 -5 wks. in Toronto. Featu re film for theatrical release shooting production, will be used to indicate films which are in active pre-production, Budget under$2 min. p.mln. John Danylkiw p./d. begins July 10 in Toronto for 10 weeks. Dist. Steve Stern I.p. Art Carney, Chris Makepeace. MG M exee. p. Peter Gubers p. Patrick Wells, having set a date for the beginning of principal photography and being Peter Bart moc. p. Mark Allen sc./d. Peter engaged in casting and crewing. Films are Ii£ted by the name of the company Markle lp. Rob Lowe, Patrick Swayze, Cindy which initiated the project, or with which the project is popularly associated. Gibb, Ed Lauther. This is not necessarily the name of the production company. Where the two IN PRE-PRODUCTION companies are different, the name of the production company, if known, is also given. In instances where a producer has asked us not to list a project, or to INSIGHT PROD. withhold certain credits due to ongoing negotiations, we have respected his ATLANTIS FILMS CINEPIX INC. (416) 596-8118 request. The guide only lists productions or series whose duration will be one (416) 960-1503 (514) 341-5661 OLYMPIC GOLD hour and over. -
Le Temps De L'euro
LeMonde Job: WMR0199--0001-0 WAS TMR0199-1 Op.: XX Rev.: 01-01-99 T.: 17:52 S.: 75,06-Cmp.:02,08, Base : LMQPAG 18Fap:100 No:0963 Lcp: 700 CMYK ENQUETE Le temps de l’euro 0123 Il arrive, il est arrivé... Depuis une semaine, c’est la mobilisation générale dans les télévisions et les radios pour accompagner l’entrée dans l’ère SIPA de la monnaie unique. Pages 2-3 MULTIMEDIA Internet en prison Aux Etats-Unis, en Autriche et en Allemagne, certains pénitenciers autorisent l’évasion virtuelle. Mais elle est sévèrement contrôlée. Pages 32-33 TELEVISION L’« affaire Ochoa » Retour sur l’épisode le plus obscur de la révolution castriste : l’exécution ARTE d’officiers supérieurs accusés Chandler, Rachel, Phoebe, Ross, Monica et Joey de trafic de drogue, en juillet 1989. CANAL JIMMY Une première. Page 5 (David Schwimmer-Jennifer Aniston) ? Voilà où tout réside. Dans le quiproquo permanent qui Le secret les oppose et les rapproche sans cesse, dans les actes manqués qui font que lorsque Ross est CINEMA prêt à passer le pas, c’est Rachel qui n’ose pas, de « Friends » et quand Rachel est prête, Ross s’est déjà jeté avec l’audace des timides dans les bras d’une Science-fiction Canal Jimmy, autre. « Fahrenheit 451 », de François Cette impossibilité authentiquement tragique dimanche 10 janvier, 20 h 55 à trouver le bonheur est le ressort caché et prin- Truffaut, d’après Ray Bradbury. cipal de « Friends ». C’est elle qui, sans en avoir La mort programmée du livre, l’air, donne son épaisseur à la comédie, bâtit sa ES scénarios comme celui-là, la télé différence. -
Chris Helcermanas-Benge
Chris Helcermanas-Benge Photographer 6588 Wellington Avenue, West Vancouver, BC V7W 2H9 1-604-921-9882 Email - [email protected] http://www.imdb.me/chrish-b CHRIS HELCERMANAS-BENGE is recognized for his creative and innovative photography. Dual Canadian / American citizenship and EEC work visa enable him to shoot freely throughout the world. 36 years of producing stills for film, industry and government has taken Chris to 72 countries. He has been the photographer 200+ film projects; covered 3 wars, 11 combat zones, numerous world events; won many awards, and been published worldwide. He is a member of IATSE local 600 (USA), founding member of IATSE Locals 667 and 669 (Canada), and the BC. and Yukon Council of Film Unions and serving twice as president of 669. Chris H-B works well with talent, creative, and production to generate the finest images for the client. Chris has a BA in Military History, MA in International Affairs and a diploma in Fine Arts. His Military service included Southeast Asia, Africa, Greece, Germany, Turkey, Africa, the Pentagon, and the Middle East. He is a licensed pilot; a Padi certified diver, and parachutist, trained in desert, jungle, and mountain survival. He is an experienced sailor, a kayaker, mountaineer, Bon vivant, lover of fine wines and avid cross-country skier Chris is a member of C.A.P.I.C., The Overseas Press Club, The American Society of Media Photographers, National Press Photographer's Association, Combat Photographer's Association, I.A.T.S.E. (roster member US Local 600, Canadian Locals 667 and 669). -
The Man on the Train
TRIBECA FILM IN PARTNERSHIP WITH AMERICAN EXPRESS PRESENTS JON GOODMAN ENTERTAINMENT PRESENTATION IN ASSOCIATION WITH 120DB FILMS MAPLE PICTURES AND AFFINITY INTERNATIONAL A PEMBRIDGE PICTURE A PROSPERO PICTURES PRODUCTION DONALD SUTHERLAND LARRY MULLEN JR THE MAN ON THE TRAIN ADAPTED BY MARY MCGUCKIAN BASED ON THE FILM DIRECTED BY PATRICE LECONTE “L’HOMME DU TRAIN” SCREENPLAY BY PATRICE LECONTE AND CLAUDE KLOTZ DIRECTED BY MARY MCGUCKIAN Opening on VOD October 28, 2011 Distributor: Publicity: Tribeca Film ID PR Tammie Rosen Dani Weinstein 212-941-2003 Sara Serlen [email protected] Sheri Goldberg 375 Greenwich Street 212-334-0333 New York, NY 10011 150 West 30th Street, 19th Floor New York, NY 10001 SYNOPSIS The English-language remake of Patrice Leconte's award-winning French film of the same name, The Man on the Train stars Donald Sutherland and musician Larry Mullen, Jr. in his acting debut. A mysterious criminal (Mullen Jr.) rolls into a small town planning to knock off the local bank, assuming it will go off without a hitch. But when he encounters a retired poetry professor (Sutherland), his plans take an unlikely turn. With no place to stay, the professor generously welcomes him into his home. As the two men talk, a bond forms between these two polar opposites, and surprising moments of humor and compassion emerge. As they begin to understand each other more, they each examine the choices they’ve made in their lives, secretly longing to live the type of lifestyle the other man has lived, based on the desire to escape their own. -
Alliancefrançaise Ofgreenwich
AllianceFrançaise ofGreenwich Greenwich, CT Stamford, CT New York, NY Friday-Sunday Monday Tuesday April 27-29 April 30 May 1 #FFC2018 2018 Film Festival PRESENTING SPONSOR Where Performance Meets Peace of Mind Fiera Capital is a leading independent asset management fi rm that provides insti tuti onal, retail and private wealth clients with access to full-service, integrated portf olio-management soluti ons across a spectrum of traditi onal and alternati ve asset classes. fieracapital.com AllianceFrançaise ofGreenwich Proudly Presents the 14th Edition of Focus on French Cinema Welcome from Alliance Française of Greenwich Renée Ketcham, Chair President of the Alliance Francaise of Greenwich BIENVENUE... Welcome to Focus on French Cinema 2018, the annual festival of French- language film from around the world presented by the Alliance Française of Greenwich. Established in 2005, Focus on French Cinema is a wide- ranging festival embracing the best of cinema from France, Switzerland, Canada, Belgium, Lebanon and French- speaking African countries. Now in its 14th year, FFC2018 returns to Connecticut and Manhattan for 5 days of the best of French cinema from April 27 to May 1, 2018. The line- up represents César winning feature films as well as a selection of short films and our continued support of Québecois cinema coordinated by Guilhem Caillard, the Director Général of our partner festival, Cinemania. This year FFC is honoring some extraordinary women. Brilliant visionaries, these women are fearless new voices as directors, actors and producers...women who are driven by a sense of freedom and independence. The inclusion of multiple genres of cinema continues to be the hallmark of the year’s FFC selections. -
Thesis, Nannavecchia
Translating Italian-Canadian Migrant Writing to Italian: a Discourse Around the Return to the Motherland/Tongue Tiziana Nannavecchia Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in Translation Studies with Specialization in Canadian Studies School of Translation and Interpretation Faculty of Arts University of Ottawa © Tiziana Nannavecchia, Ottawa, Canada, 2016 ABSTRACT A two-way bond between translation and migration has appeared in the most recent texts in the social sciences and humanities: this connection between the two is exemplified by the mobility metaphor, which considers both practices as journeys across cultural, linguistic and geographical borders. Among the different ways this mobility metaphor can be studied, two particular areas of investigation are of interest for this research: firstly, migrant writing, a literary genre shaped from the increasing migratory movements worldwide; the second area of interest is literary translation, the activity that shapes the way these narratives are disseminated beyond the linguistic borders they were produced in. My investigation into the role of literary translation in the construction and circulation of a migrant discourse starts with the claim that writing and translation in itinerant contexts are driven by, and participate in, the idea of the journey: an interlingual and intercultural flow regulated by social/economic/artistic constraints, a movement in which the migrant experience is ‘translated’ in writing and then ‘migrated’ across languages and spaces. The present analysis focuses on the representative case study of migrant narratives by Canadian writers of Italian descent: their shared reflections on the themes of nostalgia and the mythical search for roots, together with a set of specific linguistic devices – hybridity, juxtaposition of languages, idiolects and registers – create a distinctive literary migrant discourse, that of the return to the land of origin. -
News Release. Tiff Tips Its Toque to The
December 1, 2014 .NEWS RELEASE. TIFF TIPS ITS TOQUE TO THE BEST IN CANADIAN FILMMAKING Cronenberg, Dolan, and Gunnarsson among directors recognized Canada’s Top Ten Film Festival presents screenings, filmmaker Q&As, free events, and onstage discussions with celebrated Canadians Keanu Reeves, Naomi Klein, Avi Lewis and Sandra Oh TORONTO — TIFF toasted the nation’s cinematic trailblazers tonight, announcing the top 10 feature, short film and student film selections for the 14th annual Canada’s Top Ten Film Festival™. Established by TIFF in 2001, the Canada’s Top Ten Film Festival celebrates and promotes contemporary Canadian cinema and raises awareness of Canadian achievements in film. The 10-day festival runs January 2 to 11, 2015 at TIFF Bell Lightbox in Toronto and presents public screenings of the selected films accompanied by introductions and Q&A sessions with filmmakers, as well as special events and free engagements. On January 10, the festival welcomes Canadian author and activist Naomi Klein and filmmaker Avi Lewis for an onstage conversation and a sneak peek at This Changes Everything, the upcoming documentary inspired by Klein’s new book. The one and only Keanu Reeves will close the festival, taking the stage on January 11 for an intimate discussion about his iconic career. The festival’s tour across Canada includes stops in Vancouver, Edmonton, Calgary, Winnipeg and Montreal; Vancouver’s The Cinematheque will host a special onstage conversation with star of the big and small screen Sandra Oh. New this year, the festival has incorporated Student Shorts, formerly the Student Film Showcase, to spotlight the top student shorts from colleges and universities across the country. -
CATERING Before She Moved to Hollywood and When You've Got a Lot of Line Was Altered Anfl Austin Became Joined “Knots Landing." People to Feed, Serve 'Em a Regular
38 — The Prince George Citizen TV TIMES — January 15th, 1988 FAME by WENDY WALLACE Austin feels ‘Knots’ reflects ordinary lives In a season that was supposed to Jill Bennett, consistency is a good I feel that Jill had been good for bring the demise of the nighttime sign. Gary — she's been a stabilizing soaps. "Knots Landing," which airs “Our ratings have stayed the force for him, and she's trying to do Thursdays on CBS, disproves the same for years," she says. “Why? what's best for him.” rumor. In this, its eighth year, the Because ‘Knots Landing’ reflects Austin was born and raised in To show places in the mid-20s in the more of an ordinary life than the ronto, and made her acting debut at ratings, despite stiff competition other nighttime soaps, and the prob age 7, playing an angel in a church from "L.A. Law." "Dynasty" and lems we present are those that ev play. As a teen, she was chosen “Dallas" may be more flamboyant eryone faces. People can identify from almost 1000 applicants to at nighttime soaps — but "Knots” is with us, because they've truly been tend a theater training program of more consistent. through what we deal with." fered by Canada’s York University. For Teri Austin, who plays lawyer When Austin first appeared on the After graduation in 1981, Austin show in 1985, Jill Bennett was a started working right away, appear short-term love interest for Mack ing on ”SCTV” and as co-host of MacKenzie (Kevin Dobson). -
LYRIQ BENT Winner on Canada’S Talent
Fall 2016 Inaugural TIFF issue! LYRIQ BENTThe Canadian Screen Award winner on why this country is becoming a global production power player What do Canadians want (to watch)? We have the answers inside And the nominees are… Check out who’s up for the 2016 CMPA Feature Film Producer Awards at TIFF Q&As with Canada’s talent 31 Q&A: Kim Todd Service stereotypes and IP ownership 40 Q&A: David Way Why authenticity matters 50 Q&A: Jay Bennett Brave new worlds 64 Q&A: Mike Volpe Laughing all the way 74 Q&A: Jillianne Reinseth Engaging children (and parents) 8 Cover feature The Canadian Screen Award Page 11 Page 42 LYRIQ BENT winner on Canada’s talent Features Page 55 Page 83 2 Reynolds Mastin 48 Taken A letter from the President Tackling a tough topic and CEO of the CMPA with empathy 11 Canadian Film Pictured (top to bottom): Black Code, Giants of Africa, Nelly Pictured (top to bottom): X Quinientos, Maudie, Maliglutit (Searchers) Pictured (top to bottom): Mean Dreams, Anatomy of Violence, Pays 4 The Big Picture 61 Feeling the Love! 32 Foreign Location · A look at TV, film and media A data-driven case for Service Production Film across Canada made-in-Canada content 41 Canadian THE 6 And the Nominees Are… 62 Behind the Scenes Documentary Film Leads negotiations with unions, broadcasters and funders The CMPA Feature Film A photographic look at filming Producer Awards and production across Canada Explores new digital and international business models 51 Canadian TV ∙ Builds opportunities for established and emerging content creators 72 Changing the Channel Drama CMPA Women in production 65 Canadian TV ∙ 86 The Indiescreen Listicle Comedy Through international delegations, best-in-class professional development, mentorship programs and more, Which Canadian film are you? the CMPA advances the interests of Canada’s indie producers.