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Advances in Social Science, Education and Humanities Research, volume 324 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019) Exploration on the Protection Scheme of the Great Ruins of Southern Lifang District in the Luoyang City Site in Sui and Tang Dynasties Haixia Liang Luoyang Institute of Science and Technology Luoyang, China Peiyuan Li Zhenkun Wang Xi’an University of Architecture and Technology China Petroleum First Construction Company (Luoyang) Xi'an, China Luoyang, China Abstract—The great ruins are a kind of non-renewable district in a comprehensive and detailed way. Through the precious resources. The southern Lifang district in the analysis of the current situation of southern Lifang district, a Luoyang City Site in Sui and Tang Dynasties is the product of relatively reasonable planning proposal is obtained. This the development of ancient Chinese capital to a certain study can provide theoretical or practical reference and help historical stage. As many important relics and rich cultural on the protection and development of Luoyang City Site in history have been excavated here, the district has a rich Sui and Tang Dynasties, as well as the reconstruction of humanity history. In the context of the ever-changing urban southern Lifang district. construction, the protection of the great ruins in the district has become more urgent. From the point of view of the protection of the great ruins, this paper introduces the II. GREAT RUINS, SUI AND TANG DYNASTIES, LUOYANG important sites and cultural relics of southern Lifang district CITY AND LIFANG DISTRICT in Luoyang city of the Sui and Tang Dynasties through field Great ruins refer to large sites or groups of sites with a investigation and literature review. -
The Life and Writings of Xu Hui (627–650), Worthy Consort, at the Early Tang Court
life and writings of xu hui paul w. kroll The Life and Writings of Xu Hui (627–650), Worthy Consort, at the Early Tang Court mong the women poets of the Tang dynasty (618–907) surely the A.best known are Xue Tao 薛濤 (770–832), the literate geisha from Shu 蜀, and the volatile, sometime Daoist priestess Yu Xuanji 魚玄機 (ca. 844–870?). More interesting strictly as a poet than these two fig- ures are Li Ye 李冶 who was active during the late-eighth century and whose eighteen remaining poems show more range and skill than either Xue Tao or Yu Xuanji, and the “Lady of the Flower Stamens” (“Hua- rui furen” 花蕊夫人) whose 157 heptametric quatrains in the “palace” style occupy all of juan 798 in Quan Tang shi 全唐詩, even though she lived in the mid-tenth century and served at the court of the short-lived kingdom of Later Shu 後蜀.1 Far more influential in her day than any of these, though barely two dozen of her poems are now preserved, was the elegant Shangguan Wan’er 上官婉兒 (ca. 664–710), granddaughter of the executed courtier and poet Shangguan Yi 上官儀 (?–665) who had paid the ultimate price for opposing empress Wu Zhao’s 吳曌 (625–705) usurpation of imperial privileges.2 After the execution of Shangguan Yi and other members of his family, Wan’er, then just an infant, was taken into the court as a sort of expiation by empress Wu.3 By the end I should like to thank David R. -
Chen Gui and Other Works Attributed to Empress Wu Zetian
chen gui denis twitchett Chen gui and Other Works Attributed to Empress Wu Zetian ome quarter-century ago, studies by Antonino Forte and Richard S Guisso greatly advanced our understanding of the ways in which the empress Wu Zetian ࣳঞ֚ made deliberate and sophisticated use of Buddhist materials both before and after declaring herself ruler of a new Zhou ࡌʳdynasty in 690, in particular the text of Dayun jing Օႆᆖ in establishing her claim to be a legitimate sovereign.1 However, little attention has ever been given to the numerous political writings that had earlier been compiled in her name. These show that for some years before the demise of her husband emperor Gaozong in 683, she had been at considerable pains to establish her credentials as a potential ruler in more conventional terms, and had commissioned the writing of a large series of political writings designed to provide the ideologi- cal basis for both a new style of “Confucian” imperial rule and a new type of minister. All save two of these works were long ago lost in China, where none of her writings seems to have survived the Song, and most may not have survived the Tang. We are fortunate enough to possess that titled complete with its commentary, and also a fragmentary Chen gui copy of the work on music commissioned in her name, Yue shu yaolu ᑗ ᙕ,2 only thanks to their preservation in Japan. They had been ac- quired by an embassy to China, almost certainly that of 702–704, led టԳ (see the concluding section of thisضby Awata no ason Mahito ொ article) to the court of empress Wu, who was at that time sovereign of 1 See Antonino Forte, Political Propaganda and Ideology in China at the End of the Seventh Century (Naples: Istituto Universitario Orientale,1976); R. -
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Chapter 5 Tang and the First Turkish Empire: From Appeasement to Conquest After the siege at Yanmen, Sui was on the verge of total collapse. A series of internal rebellions quickly turned into a turbulent civil war pit ting members of the ruling class against each other, and with different parts of the country under the control of local Sui generals sometimes facing rebel leaders, all of them soon contending for the greatest of all Chinese political prizes, the chance to replace a dynasty which had evi dently lost the Mandate. Those nearest the northern frontier naturally sought the support of the Eastern Turks, just as Turkish leaders had sought Chinese eissistance in their own power struggles.^ Freed of interference from a strong Chinese power, both the East ern and Western Turkish qaghanates soon recovered their positions of dominance in their respective regions. The Eastern qaghanate under Shibi Qaghan expanded to bring into its sphere of influence the Khitan and Shi- wei in the east and the Tuyuhun and Gaochang in the west. The Western Turks again expandedall the way to Persia, incorporating the Tiele and the various oasis states in the Western Regions, which one after another be came their subjects, paying regular taxes to the Western Turks. After an initial period of appeasement, Tang succeeded in conquer ing the Eastern Turks in 630 and the Western Turks in 659. This chapter examines the reasons for Tang’s military success, and how Tang tried to bring the Turks under Chinese administration so as to build a genuinely universal empire. -
Court Historiography in Early Tang China: Assigning a Place to History and Historians at the Palace
COURT HISTORIOGRAPHY IN EARLY TANG CHINA: ASSIGNING A PLACE TO HISTORY AND HISTORIANS AT THE PALACE Isenbike Togan Introduction In Tang China (618–907 CE) policies and political interaction took shape at court, in the context of palace life. During the early Tang, court life came to include activities such as the writing of history: historians were assigned a place in the palace. The placement of the historians within the precincts of the palace was an illustration of the ‘politicization of history’, the institutional and political appropriation of history writing by the Tang court. This new trend did not only shape the interpretation of past events, but also the approach and methods of future historiography. It was during this time that the major histories of the preceding four centuries were written and the groundwork laid for future history writing by professional historians. These changes were initiated by the second Tang emperor Li Shimin, known as Tang Taizong (626–649). He was regarded as an exemplary figure by later dynasties; his reign of Zhen Guan (True Vision) is known in Chinese history as the ‘good rule of the Zhen Guan reign.’ This ‘Golden Age’ lasted for 23 years from 627 to 649. Taizong, who reached power by killing the crown prince and forcing his father to abdicate, was able to achieve high standing in history, irrespective of these events. He gained this standing initially through a policy of shar- ing power with political contestants and consolidated his position with a victory (630) over the Early Türk, the foreign power in the north and the west. -
Canada Archives Canada Published Heritage Direction Du Branch Patrimoine De I'edition
WU ZETIAN'S CONTRIBUTION TO THE CULTURAL DEVELOPMENT OF THE TANG DYNASTY By Rui Wang A thesis submitted in conformity with the requirements for the degree of Master of Arts Department of East Asian Studies University of Toronto © 2008 by Rui Wang Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-44981-3 Our file Notre reference ISBN: 978-0-494-44981-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Ritual Innovations and Taoism Under Tang Xuanzong
RITUAL INNOVATIONS AND TAOISM UNDER TANG XUANZONG BY VICTOR XIONG Western Michigan University Table of Contents Tang ritual scholarship .............................................................................. 259 The Palace of Great Clarity (Taiqing gong :;t'/f!fE,') worship ..................... 263 Jiugong guishen :fL E.' j( iii$ ............................................................................. 273 Ritual justification ...................................................................................... 280 Xuanzong and "astroalchemy" .................................................................. 284 Tantrism and other sources of influence ................................................. 295 The legacy ofXuanzong ............................................................................ 301 Conclusion .................................................................................................. 304 A List of Works Cited ................................................................................. 306 Appendixes ................................................................................................. 312 Few emperors in Chinese history were as closely identified with ritual scholarship as Tang Xuanzong Jj~* (r. 712-756). Not long after the promulgation of the Rites of Kaiyuan Era (Kaiyuan li ~5Cil!) in 732, he began to introduce a number of ritual innova tions in the decade of 736-46. In the following pages, I will study these ritual changes in view of traditional ritual theory and prac tice, -
Studies in Chinese Manuscripts: from the Warring States Period to the 20Th Century
BUDAPEST MONOGRAPHS IN EAST ASIAN STUDIES 4 STUDIES IN CHINESE MANUSCRIPTS: FROM THE WARRING STATES PERIOD TO THE 20TH CENTURY EDITED BY IMRE GALAMBOS STUDIES IN CHINESE MANUSCRIPTS: FROM THE THE FROM MANUSCRIPTS: CHINESE IN STUDIES WARRING STATES PERIOD TO THE 20TH CENTURY 20TH THE TO STATES PERIOD WARRING STUDIES IN CHINESE MANUSCRIPTS: FROM THE WARRING STATES PERIOD TO THE 20TH CENTURY BUDAPEST MONOGRAPHS IN EAST ASIAN STUDIES SERIES EDITOR: IMRE HAMAR STUDIES IN CHINESE MANUSCRIPTS: FROM THE WARRING STATES PERIOD TO THE 20TH CENTURY EDITED BY IMRE GALAMBOS INSTITUTE OF EAST ASIAN STUDIES, EÖTVÖS LORÁND UNIVERSITY BUDAPEST 2013 The present volume was published with the support of the Chiang Ching-kuo Foundation and the Foundation of the Hungarian Sinology. © Imre Galambos (ed.), 2013 ISBN 978-963-284-326-1 ISSN 1787-7482 The manuscript image on the cover page is from Or.8210/S.5645, a copy of the Diamond Sutra from Dunhuang. Image reproduced by kind permission of © The British Library. CONTENTS Preface ............................................................................................................. vii William G. Boltz: Why So Many Laozi-s? ...................................................... 1 Françoise Bottéro: The Qièyùn Manuscripts from Dūnhuáng ......................... 33 Takata Tokio: On the Emendation of the Datang Xiyuji during Gaozong’s Reign: An Examination Based on Ancient Japanese Manuscripts .......... 49 Irina Popova: Tang Political Treatise from Dunhuang: “Heavenly Instructions” (Tian xun) .......................................................................... -
Northern Song Reflections on the Tang
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 Northern Song Reflections on the angT Jeffrey Rice University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Rice, Jeffrey, "Northern Song Reflections on the ang"T (2013). Publicly Accessible Penn Dissertations. 920. https://repository.upenn.edu/edissertations/920 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/920 For more information, please contact [email protected]. Northern Song Reflections on the angT Abstract NORTHERN SONG REFLECTIONS ON THE TANG Jeffrey Rice Victor Mair In the mid-eleventh century Chinese intellectuals argued about history, and left their competing narratives to us in print. They contested how history should be written, and what relevant lessons ought to be adapted to the changing society of Song 宋 (960-1279) dynasty China. They were particularly concerned with the history of the long-lasting Tang 唐 (618-907) dynasty. They revised the official history of the Tang on a variety of levels: they used primary sources differently to analyze evidence, developed a new literary language to write historical prose, employed editorial critiques differently to draw political morals by analogy to historical events, and harnessed new print technology to disseminate their views to a wider audience. This dissertation analyzes the revisions to the history of the Tang produced in the eleventh century on each of these levels: historiography, linguistics, politics, and print culture. These elements all functioned to reinvent the ancient ideal of the Confucian scholar in terms that advanced the interests of the burgeoning class of literati officials in Northern Song China. -
Presence and Praise: Writing the Imperial Body in Han China By
Presence and Praise: Writing the Imperial Body in Han China By Sharon Sanderovitch A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Chinese Language in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Mark Csikszentmihalyi, Chair Professor Michael Nylan Professor Paula M. Varsano Professor Robert H. Sharf Summer 2017 Abstract Presence and Praise: Writing the Imperial Body in Han China by Sharon Sanderovitch Doctor of Philosophy in Chinese Language University of California, Berkeley Professor Mark Csikszentmihalyi, Chair The ruler’s body in early Chinese literature—whether silent and tranquil or bearing the scars of restless public toil; whether emanating light from the depths of the palatial chambers or displaying charisma while traversing the empire—has served as an idiom for the articulation of competing ideals of rulership, governance, and bureaucratization. This work takes the idiom of the ruler’s body and the language of imperial representation as the primary object of scrutiny. It analyzes prevalent rhetorical and literary patterns in light of observations gained in the cross-cultural study of the royal body, metaphor in political discourse, and theories of representation. In particular, I am interested in the way top-down representation, of the ruler by his officials, was conceptualized and advocated in bodily terms, giving rise to some of the most common figures in early Chinese literature. This attention to the work of language in the political discourse of the early imperial period reveals some of the unique features of Chinese theories of monarchy, and brings to light paradigms that structure the literary representation of rulers and rulership across seemingly incompatible genres. -
An Outline of Chinese Literature I
An Outline of Chinese Literature I Different from previous researches weighted toward historical description and individual writer and work, this book establishes a general analytical system and a multi-angled methodology to examine Chinese literature. The author Yuan Xingpei is a professor at Peking University, a famous expert on Chinese classic literature. Based on his own appreciation as a reader and years of study, the author expounds on every aspect of Chinese literature: characteris- tics, time periods, regional nature, categories, allure, transmission, appreciation, etc. It’s worth mentioning that the book is written from an individual perspective. The author expresses the depth of his various related impressions of Chinese lit- erature in the book, in the hope that readers can share the emotions. In addition, this book provides readers with many fresh perspectives. For example, it regards poetry being the mainstream, and “upholding goodness,” “the spirit of optimism” and “the esthetics of conciseness” as the characteristics of Chinese literature, sur- passing the popular academic concepts. This book will appeal to scholars and students of Chinese literature and com- parative literature. People who are interested in Chinese literature and Chinese culture will also benefit from this book. Yuan Xingpei is a professor in the Department of Chinese Language and Litera- ture, Peking University. His research focuses on Chinese classic literature, espe- cially Chinese poetical art. China Perspectives Series The China Perspectives series focuses on translating and publishing works by leading Chinese scholars writing about both global topics and China-related themes. It covers Humanities & Social Sciences, Education, Media and Psychol- ogy, as well as many interdisciplinary themes. -
Tang Taizong and His Advisors
《中國文化研究所學報》 Journal of Chinese Studies No. 57 - July 2013 REVIEW ARTICLE The Big Cats Will Play: Tang Taizong and His Advisors David McMullen University of Cambridge The Poetics of Sovereignty: On Emperor Taizong of the Tang Dynasty. By Jack W. Chen. Cambridge, MA and London, England: Published by the Harvard University Asia Center for the Harvard-Yenching Institute, 2010. Pp. xvii + 445. $49.95/£36.95. Tang Taizong 唐太宗 (Li Shimin 李世民, 599–649, r. 626–649) has been accorded a place in China’s grand narrative that surpasses that of almost every other emperor in the long succession of 559 listed sovereigns. He is credited with having formu- lated a concept of emperorship that was open, principled, and benign. His court dis- cussions have been accepted as the expression of the medieval dynastic state at its most compassionate. His account of emperorship plays powerfully to the later history of the Tang, traditionally China’s “golden age.” It also relates to the issue of how worthy of respect, or indeed pride, for today’s historians the dynastic system at its most open, energetic, and compassionate might be. His achievement as emperor and the ideology that underlay it has attracted the attention of numerous scholars. The recent The History of Chinese Civilization by the historians of Peking University in its English version characterizes his reign, the Zhenguan 貞觀 period (627–649), as an era which was “looked upon by later ages as a time of ideal government, which 1 excited the greatest admiration and inspired emulation.” 1 Yuan Xingpei et al., The History of Chinese Civilization, Vol.