Every Show You Have Seen, Read
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Broadway Bound *Playlist Is Listed by Show Broadway (Disc), Not in Order of Play
Originating on WMNR Fine Arts Radio [email protected] Playlist* Program is archived 24-48 hours after broadcast and can be heard free of charge at Public Radio Exchange, > prx.org > Broadway Bound *Playlist is listed by show Broadway (disc), not in order of play. Bound with Garrett Stack Show #: 244 Broadcast Date: February 6, 2016 Time: 16:00 - 18:00 # Selections: 23 Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 3:37 Kenny Gamble/Leon Huff TSOP (The Sound Of Philadelphia) MFSB Feat. Three Degrees AM Gold 1974 Time-Life 1974 1 Series AM Gold 12 1996 11/29/142/6/16 Broadway 3:26 Carol Hall Girl, You're A Woman Original Bdwy Cast The Best Little Whorehouse In Texas - Original MCA 1978 6/19/1978 - 3/27/1982. 1584 perf. 2 Tony Awards: featured actor [Henderson CDS Best 3 1997 2/6/16 Broadway Cast Forsythe as Sheriff Ed Earl Dodd]; featured actress [Carlin Glynn as "Madame" Mona 2:22 Jerry Lieber & Mike Stoller Neighborhood The Company Smokey Joe's Cafe: The Songs of Leiber and Stoller Atlantic Theatre 1995 3/2/1995 - 1/16/2000. 2,036 perf. No Tony Awards for this show. CDS Smok 1 1995 7/24/10 9/3/11 2/6/16 Orig Broadway Cast [DISC 1] “Live” on TV 2:20 Jerry Lieber & Mike Stoller Keep On Rollin' Victor Trent Cook, Adrian Smokey Joe's Cafe: Orig Broadway Cast [DISC 1] Atlantic Theatre 1995 3/2/1995 - 1/16/2000. -
Driving Miss Daisy Flame.Indd
Women’s Health CLINIC FEBRUARY 2014 SEASON | YEAR A NEWSLETTER DEDICATED TO GROUPS, ORGANIZATIONS AND FRIENDS OF THE FIRESIDE THEATRE A Hilarious, Heartwarming Must-See FOR OVER THREE DECADES THE FIRESIDE HAS BEEN KNOWN FOR PRODUCING BIG, BRIGHT MUSICAL COMEDIES AND SPECTACULAR MUSICAL REVUES. MUSICAL THEATRE HAS BEEN MY SPECIALTY AND MY PASSION SINCE I SAW MY FIRST BROADWAY MUSICAL AT AGE 6. I TAKE GREAT PRIDE WHENEVER SOMEONE MARVELS AT HOW WE CAN TAKE A BIG BROADWAY MUSICAL AND PUT IT ON OUR SMALL ARENA STAGE WITHOUT LOSING ANY OF ITS WONDER. MUSICALS HAVE BEEN, WITHOUT A DOUBT, THE MAIN DISH ON THE FIRESIDE’S THEATRICAL MENU SINCE WE FIRST OPENED. Then why is it that one of the most I am very excited about directing our popular shows in Fireside history (as well production of this unforgettable play this as in theatrical history) is a three person spring. I have directed DRIVING MISS play about an elderly white woman, her DAISY twice before – once here and aging African American chauffer, and once in a theatre in Ohio and I can her beleaguered middle aged son told honestly say that of all the wonderful simply without a song or a dance in sight. shows I have directed in my 45+ years Is it because we see ourselves and our as a professional director that no other loved ones in this heart-warming tale? Is play has touched my heart more deeply “ Millions of people rank this it because it is hilariously funny without than DAISY. And I am not alone. -
A Strange Loop
A Strange Loop / Who we are Our vision We believe in theater as the most human and immediate medium to tell the stories of our time, and affirm the primacy and centrality of the playwright to the form. Our writers We support each playwright’s full creative development and nurture their unique voice, resulting in a heterogeneous mix of as many styles as there are artists. Our productions We share the stories of today by the writers of tomorrow. These intrepid, diverse artists develop plays and musicals that are relevant, intelligent, and boundary-pushing. Our plays reflect the world around us through stories that can only be told on stage. Our audience Much like our work, the 60,000 people who join us each year are curious and adventurous. Playwrights is committed to engaging and developing audiences to sustain the future of American theater. That’s why we offer affordably priced tickets to every performance to young people and others, and provide engaging content — both onsite and online — to delight and inspire new play lovers in NYC, around the country, and throughout the world. Our process We meet the individual needs of each writer in order to develop their work further. Our New Works Lab produces readings and workshops to cultivate our artists’ new projects. Through our robust commissioning program and open script submission policy, we identify and cultivate the most exciting American talent and help bring their unique vision to life. Our downtown programs …reflect and deepen our mission in numerous ways, including the innovative curriculum at our Theater School, mutually beneficial collaborations with our Resident Companies, and welcoming myriad arts and education not-for-profits that operate their programs in our studios. -
Seize the Day! March 23 & 24, 2013 Jordan Hall at New England Conservatory
Seize the Day! March 23 & 24, 2013 Jordan Hall at New England Conservatory Reuben M. Reynolds III, Music Director Craig Coogan, Executive Director Chad Weirick, Principal Accompanist and Assistant Music Director LeWana Clark, American Sign Language Interpreter Jared West, General Manager Brian C. Griffin, Operations Manager Daniel John Carroll, Communications Intern Leadership Sponsor OFFICIAL AIRLINE Corporate Sponsors with support from This program is supported in part by a grant from the Boston Cultural Council, a local agency which is funded by the Massachusetts Cultural Council, administered by the Mayor’s Office of Arts, Tourism and Special Events. At Ipswitch, community involvement is an integral part of our culture and values. At the heart of our commitment is the recognition that the vitality of our company is linked to the health of our communities. And we know that our communities cannot flourish unless we invest in their future. We make more than software. We make a difference. Visit www.ipswitch.com to learn more about our company, our products and our commitment to our communities. 2 From the Maestro One of the greatest things about singing in BGMC is the adventures we get to have together. One of those started several years ago when I stumbled across a recording of Only Heaven, a set of songs for soprano by Ricky Ian Gordon to text of Langston Hughes. Intrigued – we sang Ricky’s Love, My Sweet Rain a few years ago. I adore the poetry of Langston Hughes and I fell madly in love with the music. It sang to me of optimism, of people living their lives unfettered by the restrictions of society. -
The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Doing the Time Warp: Queer Temporalities and Musical Theater Permalink https://escholarship.org/uc/item/1k1860wx Author Ellis, Sarah Taylor Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Doing the Time Warp: Queer Temporalities and Musical Theater A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater and Performance Studies by Sarah Taylor Ellis 2013 ABSTRACT OF THE DISSERTATION Doing the Time Warp: Queer Temporalities and Musical Theater by Sarah Taylor Ellis Doctor of Philosophy in Theater and Performance Studies University of California, Los Angeles, 2013 Professor Sue-Ellen Case, Co-chair Professor Raymond Knapp, Co-chair This dissertation explores queer processes of identification with the genre of musical theater. I examine how song and dance – sites of aesthetic difference within the musical – can warp time and enable marginalized and semi-marginalized fans to imagine different ways of being in the world. Musical numbers can complicate a linear, developmental plot by accelerating and decelerating time, foregrounding repetition and circularity, bringing the past to life and projecting into the future, and physicalizing dreams in a narratively open present. These excesses have the potential to contest naturalized constructions of historical, progressive time, as well as concordant constructions of gender, sexual, and racial identities. While the musical has historically been a rich source of identification for the stereotypical white gay male show queen, this project validates a broad and flexible range of non-normative readings. -
Marvin Hamlisch
tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST -
Evaluating Agreement and Disagreement Among Movie Reviewers Alan Agresti & Larry Winner Version of Record First Published: 20 Sep 2012
This article was downloaded by: [University of Florida] On: 08 October 2012, At: 16:45 Publisher: Taylor & Francis Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK CHANCE Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/ucha20 Evaluating Agreement and Disagreement among Movie Reviewers Alan Agresti & Larry Winner Version of record first published: 20 Sep 2012. To cite this article: Alan Agresti & Larry Winner (1997): Evaluating Agreement and Disagreement among Movie Reviewers, CHANCE, 10:2, 10-14 To link to this article: http://dx.doi.org/10.1080/09332480.1997.10542015 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with -
Alex Koch, Tenor Stephen Carey, Piano
presents Alex Koch, tenor Stephen Carey, piano Sunday, November 15th, 2020 7:00 PM TCU School of Music Wilkommen John Kander From Cabaret (1927-Present) Caro Mio Ben Giuseppe Giordani (1751-1798) The Juices Entwine Christopher Weiss and John de los Santos From Service Provider (1980-Present) (1981-Present) For Forever Benj Pasek and Justin Paul From Dear Evan Hansen (1985-Present) (1985-Present) Time Jeannie Miller (1996-Present) Love, Unrequited, Robs me of my Rest W.S. Gilbert and Arthur Sullivan (1836-1911) (1842-1900) Sure on this Shining Night Samuel Barber (1910-1981) Artwork by Elizabeth Gondolf Les Chemins de l’amour Francis Poulenc (1899-1963) Dance performed by Ali Honchell Freundliche Vision Richard Strauss (1864-1949) Artwork by Ian L. Mr. Koch’s portion of the recital is given in fulfillment of the requirements for Bachelor’s in Music Performance degree. Mr. Koch is a student of Professor Twyla Robinson, Dr. Corey Trahan, and Professor David Gately. The use of recording equipment or taking photographs is prohibited. Please silence all electronic devices. Wilkommen John Kander (1927 – Present) From Cabaret Based off of the 1951 play by queer playwright John Van Druten, Cabaret was written and premiered in 1966 by John Kander, Fred Ebb, and Joe Masteroff. The play by Van Druten, titled I Am a Camera, was inspired by the 1939 novel by Christopher Isherwood, Goodbye to Berlin. This novel is important in the inception of Cabaret as well as I Am a Camera, as it gives the plot, the conflict, and the characters used throughout the play and the musical. -
Broadway at the Madison Dan Thomson, Master of Ceremonies
North Valley Chorale presents at The Madison Eleanor Johnson, Director Eleanor Johnson, Director Stephen Schermitzler, Assistant Director Shannon Barrett & Carolyn Nyland Choreographers Sunday, October 13, 2019 3:00 pm and 7:00 pm Madison Center for the Arts 5601 North 16th Street Phoenix, AZ 85016 Video recording and flash photography are strictly prohibited North Valley Chorale About Us The North Valley Chorale (NVC) is a voluntary, nonprofit 501(c)(3) community choir established 2008. We are dedicated to the cultural, musical, and social enrichment of metropolitan Phoenix. We serve the community by providing affordable and accessible performances of choral music from many traditions, eras and cultures. Our repertoire ranges from classical to pop, patriotic, gospel and Broadway. We have released four CDs, have had multiple TV appearances and premiered new works. We are proud to be known as “the choir that cares.” We share our gifts of music, companionship and goods with the needy, ill and homeless. Our local partners include St. Mary’s Food Bank, Lost Our Home, Feed My Starving Children, UMOM shelters, the Banner Alzheimer Institute (BAI), St. Matthew’s School, Duet, and local senior living communities. We perform 3 local concerts per year and have graced the stages of Kennedy Center (Washington, DC), Carnegie Hall and Radio City Music Hall (New York City, NY), the Herberger Theater and Orpheum Theater (Phoenix, AZ). In 2016, the Chorale toured Germany, Austria and the Czech Republic and this year we performed in Ireland, Scotland, England and France. Love to sing? Have you thought about joining the NVC? We rehearse most Wednesday evenings and some Sundays at the Phoenix Boys Choir, 1131 E. -
Winner Tonight at the 57Th Annual New York Emmy® Awards Which Took Place at the Marriott Marquis’ Broadway Ballroom
THE NEW YORK CHAPTER OF THE NATIONAL ACADEMY OF TELEVISION ARTS AND SCIENCES ANNOUNCES RESULTS OF THE 57th ANNUAL NEW YORK EMMY® AWARDS New York, NY, March 30, 2014 – MSG Network was the big winner tonight at the 57th Annual New York Emmy® Awards which took place at the Marriott Marquis’ Broadway Ballroom. Following MSG with 14 Awards was YES Network, which won 13 New York Emmy® Awards. WNJU Telemundo New York’s Preparing for the Storm took home the Emmy® for best “Evening Newscast (Under 35 Minutes)” for its February 8, 2013 broadcast. WNBC-TV took home the Emmy® for best “Evening Newscast (Over 35 minutes)” for its News 4 at 5: Terror in Boston. The 2014 Governors’ Award was presented to Chuck Scarborough for his outstanding contributions to television as the anchor of “News 4 New York” at 6p.m. and 11 p.m. and his dedicated service to the tri-state community. This year marks his 40th anniversary at NBC. Presenting the award was Brian Williams, the Emmy® Award-winning anchor and managing editor of “NBC Nightly News.” The numerical breakdown of winners, as compiled by the independent accountancy firm of Lutz and Carr, LLP, is as follows: Total Number of Winning Entries MSG Network 14 Rutgers University/NJTV 2 YES Network 13 SNY 2 (MLB Productions for YES Network - 2) WGRZ-TV 2 WNBC-TV 10 Brooklyn Public Network 1 WPIX-TV 10 Cablevision Local Programming 1 News 12 Westchester 6 MSG.com 1 WABC-TV 6 MSG Plus 1 News 12 Long Island 5 MSG Varsity 1 NJ.com 4 News 12 Brooklyn 1 WCBS-TV 4 NJTV and www.imadeit.org 1 WLIW 4 NYC Media 1 WNJU Telemundo 47 4 WIVB-TV 1 News 12 Connecticut 3 WXTV Univision 41 1 Newsday.com 3 WXXA-TV 1 Thirteen/WNET 3 WXXI-TV 1 CUNY-TV 2 www.cuny.edu 1 News 12 New Jersey 2 YNN Rochester 1 Attached is the complete list of winners for the event. -
Press Release-AMERICAN STAGE ANNOUNCES PRODUCING
For Immediate Release (after given date/time below) January 20, 2015 (after 12 pm) Contact: Roman Black, Marketing Director (727) 823-1600 x 202 mailto:[email protected] AMERICAN STAGE ANNOUNCES NEW PRODUCING ARTISTIC DIRECTOR ST. PETERSBURG, FL – American Stage Theatre Company is excited to announce and welcome Stephanie Gularte as the company’s next Producing Artistic Director. Ms. Gularte will begin her role as Producing Artistic Director on February 24, 2015. The Board of Trustees and staff of American Stage are excited to have Stephanie Gularte accept this position and they are confident she will successfully lead American Stage into the theater’s next era. “Stephanie brings an extraordinary combination of leadership, talent, energy, and vision to American Stage and the Tampa Bay region,” said Matthew Conigliaro, chair of the Board of Trustees at American Stage. “She will thrive here, continuing the traditions of excellence at American Stage while taking this theatre to new heights and expanding our ability to bring the magic of live theatre to growing audiences from all around the bay area.” Gularte has 14 years of experience as a producing artistic director, including 10 years as the executive artistic director of Capital Stage Company, an acclaimed professional, nonprofit theatre company in Sacramento, California. Gularte was the Founding Artistic Director of Capital Stage Company and successfully led the theater while developing a strong reputation as an arts leader and creating a legacy of excellence that has brought her to the Tampa Bay region, where she will guide American Stage into an exciting new era. Gularte brings an impressive range of experience to American Stage.