Press Release-AMERICAN STAGE ANNOUNCES PRODUCING
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Brooklyn Boy
41st Season • 392nd Production SEGERSTROM STAGE / SEPTEMBER 3 - OCTOBER 10, 2004 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR IN ASSOCIATION WITH Manhattan Theatre Club presents the world premiere of BROOKLYN BOY BY Donald Margulies SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND SOUND DESIGN Ralph Funicello Jess Goldstein Chris Parry Michael Roth DRAMATURG PRODUCTION MANAGER STAGE MANAGER Jerry Patch Tom Aberger *Scott Harrison DIRECTED BY Daniel Sullivan HONORARY PRODUCERS CORPORATE PRODUCER Elaine and Martin Weinberg The Citigroup Private Bank Brooklyn Boy was commissioned and developed by South Coast Repertory Brooklyn Boy • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Eric Weiss .................................................................................... Adam Arkin* Manny Weiss ................................................................................ Allan Miller* Ira Zimmer ...................................................................................... Arye Gross* Nina .............................................................................................. Dana Reeve* Alison .......................................................................................... Ari Graynor* Melanie Fine ................................................................................ Mimi Lieber* Tyler Shaw .................................................................................... Kevin Isola* SETTING All scenes are set in the present in Brooklyn, -
At Play Fall-Winter 03.Qxd
representing the american theatre by publishing and licensing the works of new and established playwrights JacquesBrelisAliveandWell Polly Pen on Writing Musicals Cowgirls’ Mary Murfitt Issue 9, Fall/Winter 2003 MUSICALS INTERVIEW WITH A BAT BOY Director of Professional Rights Robert Vaughan and Director of Publications Michael Fellmeth met with Bat Boy in the Palm Court of the Plaza Hotel in Manhattan to talk about growing up in a cave in Hope Falls, West Virginia, Bat Boy: The Musical, and his rise to global celebrity as the lead in a hit show about his own life. The pointy- eared, fanged star arrived with an entourage of bodyguards, personal assistants, agent, lawyer and publi- cist. Bat Boy, immaculately clad in Savile Row, seemed only vaguely aware of their presence. He greeted us warmly, sat down, lit a miniature cigar and ordered a bloody mary. continued on next page FELLMETH. Let me begin by saying how taken I EDGAR. Ahhh, Jenna. Jenna the Menace, that lips” motion.) Perhaps we’d best not discuss Dr. am with your voice, Bat Boy. Did you have any was my pet name for her. She was such a terror. Parker. That is a difficult subject for me. formal training? The media had it all wrong, though. It was she FELLMETH. Understandably so. A father who BAT BOY. Please don’t call me Bat Boy. My name who took to following me. After I finally got a abandoned you in infancy to be raised by bats is Edgar. restraining order she went on that binge in Texas and then — as if that weren’t enough — tried to FELLMETH. -
T Wentieth Centur Y North Amer Ican Drama
TWENTIETH CENTURY NORTH AMERICAN DRAMA, SECOND EDITION learn more at at learn more alexanderstreet.com Twentieth Century North American Drama, Second Edition Twentieth Century North American Drama, Second Edition contains 1,900 plays from the United States and Canada. In addition to providing a comprehensive full-text resource for students in the performing arts, the collection offers a unique window into the econom- ic, historical, social, and political psyche of two countries. Scholars and students who use the database will have a new way to study the signal events of the twentieth century – including the Depression, the role of women, the Cold War, and more – through the plays and performances of writers who lived through these decades. More than 1,250 of the works are in copyright and licensed Jules Feiffer, Neil LaBute, Moisés Kaufman, Lee Breuer, Richard from the authors or their estates, and 1,700 plays appear in Foreman, Stephen Adly Guirgis, Horton Foote, Romulus Linney, no other Alexander Street collection. At least 550 of the works David Mamet, Craig Wright, Kenneth Lonergan, David Ives, Tina have never been published before, in any format, and are Howe, Lanford Wilson, Spalding Gray, Anna Deavere Smith, Don available only in Twentieth Century North American Drama, DeLillo, David Rabe, Theresa Rebeck, David Henry Hwang, and Second Edition – including unpublished plays by major writers Maria Irene Fornes. and Pulitzer Prize winners. Besides the mainstream works, users will find a number of plays Important works prior to 1920 are included, with the concentration of particular social significance, such as the “people’s theatre” of works beginning with playwrights such as Eugene O’Neill, exemplified in performances by The Living Theatre and The Open Elmer Rice, Sophie Treadwell, and Susan Glaspell in the 1920s Theatre. -
10Th Grade Monologue Packet
10th Grade Monologue Packet M - The Glass Menagerie: Tennessee Williams Tom 2 F - The Crucible: Arthur Miller A bigail (A) 2 F - The Crucible: Arthur Miller A bigail (B) 2 F - A View from the Bridge: A rthur Miller C atherine (A) 2 F - A View from the Bridge: A rthur Miller C atherine (B) 3 M - The Dark at the Top of the Stairs: W illiam Inge S ammy 3 F - N ight, Mother: Marsha Norman Jessie 3 F - A scension Day: Timothy Mason Faith 4 M/F - A unt Dan & Lemon: Wallace Shawn Lemon 4 F - Like Dreaming, Backwards: Kellie Powell N atalie 4 M - M ermaid in Miami: Wade Bradford E mperor Tropico 5 F - M y Fair Lady: Alan Jay Lerner E liza Doolittle 5 M - In Arabia We’d All Be Kings: S tephen Adly Guirgis C harlie 5 M - “Master Harold”…And the Boys: A thol Fugard H ally 6 M - S ammy Carducci’s Guide to Women: R onald Kidd S ammy 6 F - O ur Town: Thornton Wilder E mily 6 F - The Clean House: Sarah Ruhl Virginia 7 F - The Effect of Gamma Rays on Man-In-The-Moon-Marigolds: Paul Zindel Tillie 7 M/F - Till We Meet Again: Colin and Mary Crowther U nknown 7 F - C harlene: Unknown C harlene 8 M/F - Irreconcilable Differences: Nancy Meyers and Charles Shyer C asey 8 F - Juno: Diablo Cody Juno 8 F - D irty Dancing: Eleanor Bergstein Frances 9 F - Felicity: J.J. -
The Country House
THE COUNTRY HOUSE BY DONALD MARGULIES DRAMATISTS PLAY SERVICE INC. Country House, The.indd 1 2/4/2015 2:55:30 PM THE COUNTRY HOUSE Copyright © 2015, Donald Margulies All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of THE COUNTRY HOUSE is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for THE COUNTRY HOUSE are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
The Sixth Act: an Event History
The Sixth Act: An Event History 2004-2005 Academic Workshop: The Sixth Act: A New Drama Initiative This workshop will officially launch The Sixth Act, MCC's new Drama Initiative, so in addition to mocking a rehearsal for Sophocles' Oedipus Rex, we also will talk about the initiative and its goals. Everyone interested in drama--for personal, political, artistic, and/or pedagogical reasons-- is invited! Academic Workshop: Mamet, Harassment, and the Stage The workshop will focus on interdisciplinary approaches to a dramatic text, using David Mamet’s provocative, challenging play Oleanna as a case study. Oleanna, which is widely taught and performed, tells the story of a college student who issues a formal sexual harassment complaint against her college professor. The play is difficult in part because it’s difficult to tell which character is the real victim—raising real questions about different forms of power. More than one version of a key scene will be shown and then a group of MCC colleagues from different academic perspectives will offer insight into the text based on their individual backgrounds. The idea is that a single dramatic text can yield multiple readings, and that we all are better equipped to approach a dramatic text when we have a wider understanding of some of these readings. Academic Workshop: "Unpack My Heart With Words": Using Dramatic Techniques to Understand Shakespeare's Language This interactive workshop will help students, teachers, and drama enthusiasts use performance to interpret the multiple dimensions of Shakespeare's words. Academic Workshop: Stagecraft 101: Understanding the Fundamentals of Design This hands-on workshop will familiarize participants with the language of scenic, sound, lighting, costume, and property design-providing important insight into practical as well as metaphoric applications of the stage. -
South Coast Repertory Is a Professional Resident Theatre Founded in 1964 by David Emmes and Martin Benson
IN BRIEF FOUNDING South Coast Repertory is a professional resident theatre founded in 1964 by David Emmes and Martin Benson. VISION Creating the finest theatre in America. LEADERSHIP SCR is led by Artistic Director David Ivers and Managing Director Paula Tomei. Its 33-member Board of Trustees is made up of community leaders from business, civic and arts backgrounds. In addition, hundreds of volunteers assist the theatre in reaching its goals, and about 2,000 individuals and businesses contribute each year to SCR’s annual and endowment funds. MISSION South Coast Repertory was founded in the belief that theatre is an art form with a unique power to illuminate the human experience. We commit ourselves to exploring urgent human and social issues of our time, and to merging literature, design, and performance in ways that test the bounds of theatre’s artistic possibilities. We undertake to advance the art of theatre in the service of our community, and aim to extend that service through educational, intercultural, and community engagement programs that harmonize with our artistic mission. FACILITY/ The David Emmes/Martin Benson Theatre Center is a three-theatre complex. Prior to the pandemic, there were six SEASON annual productions on the 507-seat Segerstrom Stage, four on the 336-seat Julianne Argyros Stage, with numerous workshops and theatre conservatory performances held in the 94-seat Nicholas Studio. In addition, the three-play family series, “Theatre for Young Audiences,” produced on the Julianne Argyros Stage. The 20-21 season includes two virtual offerings and a new outdoors initiative, OUTSIDE SCR, which will feature two productions in rotating rep at the Mission San Juan Capistrano in July 2021. -
Board of Directors. I Want to Make Sure That There’S a Diversity Ourselves — We Live with Them for Long Periods of of Voices Being Published by DPS
ISSUE 16 DRAMATISTS PLAY SERVICE SPRING 2015 ROUND TABLE with JOHN PATRICK SHANLEY, Dramatists Play Service POLLY PEN, and LYNN NOTTAGE is very fortunate not just to publish and license the best BY PETER HAGAN, PRESIDENT American playwrights, but also to have four of them sit on our the publishing conversation. As a woman of always going to be slightly different from that of the color, I also see my role as one of advocacy; agents. Our plays are creative extensions of Board of Directors. I want to make sure that there’s a diversity ourselves — we live with them for long periods of of voices being published by DPS. time; we keep them close and protected until we release them into the world. The founding charter of the Play Service, back in As time has gone by, have you seen your Then we entrust our plays 1936, called for the Board to be split evenly position as a playwright member change? to others for safekeeping: between playwrights (all members of the initially agents, and eventually Dramatists Guild) and agents. Back then, the star John Patrick Shanley: When I first served on publishing companies like playwrights included Howard Lindsay, George the Board, I was skeptical and challenging DPS. For better or worse, Abbott, and Sidney Howard. Today our stars are and, frankly, young. But over time I morphed agents can approach the Donald Margulies, Polly Pen, Lynn Nottage, and from opponent to colleague. business of publishing with John Patrick Shanley, who have been members a certain level of objectivity of the board ranging from five years (Nottage) to PP: Ways of thinking about how theatrical and distance; however, it’s over 20 (Shanley). -
THE VISITOR March 24–May 10
PRESS CONTACT: [email protected] // 212-539-8624 THE PUBLIC THEATER ANNOUNCES COMPLETE CASTING FOR WORLD PREMIERE MUSICAL THE VISITOR March 24–May 10 Music by Tom Kitt Lyrics by Brian Yorkey Book by Kwame Kwei-Armah & Brian Yorkey Choreography by Lorin Latarro Directed by Daniel Sullivan Joseph Papp Free Preview Performance Tuesday, March 24 February 13, 2020 – The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced complete casting today for the world premiere musical THE VISITOR, with music by Pulitzer Prize winner Tom Kitt, lyrics by Pulitzer Prize winner Brian Yorkey, book by Kwame Kwei- Armah and Brian Yorkey, and choreography by Lorin Latarro. Directed by Tony Award winner Daniel Sullivan, this new musical will begin performances in the Newman Theater with a Joseph Papp Free Preview performance on Tuesday, March 24. THE VISITOR will run through Sunday, May 10, with an official press opening on Wednesday, April 15. The complete cast of THE VISITOR features Jacqueline Antaramian (Mouna), Robert Ariza (Ensemble), Anthony Chan (Ensemble), Delius Doherty (Ensemble), C.K. Edwards (Ensemble), Will Erat (Ensemble), Sean Ewing (Swing), Marla Louissaint (Ensemble), Ahmad Maksoud (Ensemble), Dimitri Joseph Moïse (Ensemble), Takafumi Nikaido (Ensemble/Drummer), Bex Odorisio (Ensemble), David Hyde Pierce (Walter), Paul Pontrelli (Ensemble), Lance Roberts (Ensemble), Ari’el Stachel (Tarek), and Stephanie Torns (Swing), with Alysha Deslorieux joining the company as Zainab, replacing the previously announced Joaquina Kalukango, who withdrew due to scheduling conflicts. With heart, humor, and lush new songs, Pulitzer Prize and Tony-winning team Tom Kitt and Brian Yorkey with Kwame Kwei-Armah bring their soul-stirring new musical based on the acclaimed independent film, THE VISITOR by Thomas McCarthy, to The Public for its world premiere. -
In Kindergarten with the Author of WIT
re p resenting the american theatre DRAMATISTS by publishing and licensing the works PLAY SERVICE, INC. of new and established playwrights. atpIssuel 4,aFall 1999 y In Kindergarten with the Author of WIT aggie Edson — the celebrated playwright who is so far Off- Broadway, she’s below the Mason-Dixon line — is performing a Mdaily ritual known as Wiggle Down. " Tapping my toe, just tapping my toe" she sings, to the tune of "Singin' in the Rain," before a crowd of kindergarteners at a downtown elementary school in Atlanta. "What a glorious feeling, I'm — nodding my head!" The kids gleefully tap their toes and nod themselves silly as they sing along. "Give yourselves a standing O!" Ms. Edson cries, when the song ends. Her charges scramble to their feet and clap their hands, sending their arms arcing overhead in a giant "O." This willowy 37-year-old woman with tousled brown hair and a big grin couldn't seem more different from Dr. Vivian Bearing, the brilliant, emotionally remote English professor who is the heroine of her play WIT — which has won such unanimous critical acclaim in its small Off- Broadway production. Vivian is a 50-year-old scholar who has devoted her life to the study of John Donne's "Holy Sonnets." When we meet her, she is dying of very placement of a comma crystallizing mysteries of life and death for ovarian cancer. Bald from chemotherapy, she makes her entrance clad Vivian and her audience. For this feat, one critic demanded that Ms. Edson in a hospital gown, dragging an IV pole. -
July 7, 1994: Short Plays and Monologues, 1997, 109 Pages, Donald Margulies, 0822215683, 9780822215684, Dramatists Play Service, Inc., 1997
July 7, 1994: Short Plays and Monologues, 1997, 109 pages, Donald Margulies, 0822215683, 9780822215684, Dramatists Play Service, Inc., 1997 DOWNLOAD http://bit.ly/16T2GFA http://www.alibris.co.uk/booksearch?browse=0&keyword=July+7%2C+1994%3A+Short+Plays+and+Monologues&mtype=B&hs.x=19&hs.y=26&hs=Submit DOWNLOAD http://bit.ly/1OF54ZB http://bit.ly/1mXIBQu Time Stands Still , Donald Margulies, 2011, Drama, 64 pages. THE STORY: TIME STANDS STILL focuses on Sarah and James, a photojournalist and a foreign correspondent trying to find happiness in a world that seems to have gone crazy. Theirs. Hysterical Blindness , Laura Cahill, Jan 1, 1999, Drama, 47 pages. SCENT OF THE ROSES is a jewel of a play...a healing play for the aftermath of apartheid's segregation policies. --Seattle Herald.replete with desperate measures, startling. Play the Scene The Ultimate Collection of Contemporary and Classic Scenes and Monologues, Michael Schulman, Eva Mekler, Dec 7, 2004, Drama, 309 pages. Spanning more than five hundred years of theater history, a comprehensive compilation of scenes and monologues for actors and theater students includes classic Shakespearean. Luna Park Short Plays and Monologues, Donald Margulies, 2002, Drama, 241 pages. A new collection by the Pulitzer Prize-winning author of Dinner with Friends.. God of Vengeance , Donald Margulies, 2003, Drama, 65 pages. Winner of the 2004 Pulitzer Prize and the 2004 Tony Award. I AM MY OWN WIFE is the most stirring new work to appear on Broadway this fall...both moving and intellectually. The sorry papers , Don Bailey, 1979, Fiction, 144 pages. -
Dexter J. Singleton Resume
DEXTER J. SINGLETON Representation: Gurman Agency LLC DIRECTOR / TEACHING ARTIST [email protected] or 212-749-4618 203-809-9296 - [email protected] www.collectiveconsciousnesstheatre.org THEATRE Jesus Hopped The A Train Stephen Adly Guirgis Collective Consciousness, New Haven, CT 2018 Flint Jose Casas University of Michigan, Ann Arbor, MI 2018 I Know Why The Caged Bird Sings Kevin Wilmott Flea Theatre/NYCT, NYC, NY 2018 Among The Western Dinka Russell Sharman TheatreSquared, Fayetteville, AR, 2018 Black Book Austin Dean Ashford TheatreSquared/U of Ark, Fayetteville, AR 2018 Topdog/Underdog Suzan Lori-Parks Collective Consciousness, New Haven, CT, 2017 The Mountaintop Katori Hall Collective Consciousness, New Haven, CT, 2017 This Is Modern Art Idris Goodwin & Kevin Coval Collective Consciousness, New Haven, CT, 2016 Rumors Neil Simon Regional Center for the Arts, Trumbull, CT, 2015 Silver Bullet Dexter Singleton Regional Center for the Arts, Trumbull, CT, 2014 Khalas Jon Goode Collective Consciousness, New Haven, CT, 2013 Caroline or Change Tony Kushner/Jeanine Tesori Academy of the Arts, Hartford, CT, 2012 Anon(ymous) Naomi Iizuka Regional Center for the Arts, Trumbull, CT, 2011 Kingdom Aaron Jafferis/Ian Williams ICAF/Theatre Zupplein, Rotterdam, Holland, 2009 *Select Credits, Full List Available upon request SOCIAL JUSTICE THEATRE RESIDENCIES My Sister’s Place White Plains, NY 2010 - 2014 New Haven Detention Center New Haven, CT 2004 - 2014 International Festival of Arts and Ideas New Haven, CT 2013 International