2007

Season

11, Theatre

Production

30th Studio

73rd November ‐ 28

Meany October

[email protected] s less than a minute. We’ll send you tp://depts.washington.edu/uwdrama Comments? Penthouse Theatre by Oliver Goldsmith February 3-17, 2008 February 3-17, 2008 by Kara Lee Corthron Meany Studio Threatre Ethnic Cultural Theatre Fun for the whole family! Arabian Nights Arabian Rollicking classiccomedy! directed by Keith Hitchcock directed by Matthew Arbour adaptation by Dominic Cooke November 26-December 9, 2007 directed by Valerie Curtis-Newton Are you missing out? Are you She Stoops to Conquer Wild Black-Eyed Susans Black-Eyed Wild

Tickets available at 206.543.4880 and at 206.543.4880 Tickets available significant news from the School of Drama. This Season at the School of Drama West Coast Premiere. Funny, moving and emotionally charged! on-line at http://depts.washington.edu/uwdrama Let us know your thoughts at: Join the E-News list at: ht sign up today. It’s easy and take Have you subscribed to our E-News yet? If not, visit our website and monthly e-mails reminding you of productions, special events and other

st Our Lady of 121 Street by Stephen Adly Guirgis Tune your TV to the following shows ! Director Valerie Curtis-Newton It seems every time one of us here at the School turns on our Assistant Director David Crowe television we spot alumni on various TV shows and commercials. We’re delighted for everyone, and especially Scenic Design Edward K. Ross ** those that have starring or recurring roles on shows this fall or Costume Design Will Alvin as mid-season replacements in January. We hope you will tune in and watch our former students in action! Lighting Design Evan Merryman Ritter

Stage Managers Michelle Blair/Claire Zawa John Aylward: as Dr. Anspaugh on ER (NBC) Technical Director Alex Danilchik Marc Jablon: as Larry Weston on ER (NBC) Assistant Stage Manager Stephanie McAlexander Pamela Reed: as Gail Green on Jericho (CBS) Master Carpenter Tres Tracy-Ballon Jean Smart: as Regina Newly in Samatha Who? (ABC) Lead Scenic Artists Jordan Baker Kyle MacLachlan: as Orson Hodge on Desperate Housewives (ABC) Joel McHale: the host, The Soup (E!) Scenic Artists Andrew Layton, Song-yi Chun

Prop Master Chris Morris Coming in January! Set Construction Crew Lucian Connole, Janet English, Matt Starritt Christopher Wiehl: as Shane Healy in Lipstick Jungle (NBC) Joel McHale: as Roy in the IT Crowd (NBC) Costume Construction Crew Candace Joy, Inci Kangal, Kimberley Newton School of Drama Master Electrician Dave Hult HONORARY ADVISORY BOARD

Electricians Drama 212 Students Peter Donnelly, Chair Running Crew Allison Abbot, Victoria Anderson, Lonnie Angle, Carrie Cates, Sara David Armstrong The 5th Avenue Theatre Allison Narver Director Coates, Alice Craff, Emily Fairbrook, Art Filitovich, Daniel Floresca, Naomi John Aylward Alumnus and Actor Sharon Ott Director Glick, Kirk Hovenkotter, Kristyne Hughes, Ashton Hyman, Matt Kurt Beattie ACT Theatre Pat Patten Director Redman, Hannah Tinker, Laura Penn INTIMAN Theatre Ryo Yamaguchi Timothy Bond Alumnus and Director Syracuse Stage ** In partial fulfillment of the Master of Fine Arts degree in Design David Esbjornson Seattle Repertory Theatre Pamela Reed Alumna and Actor Jean Burch Falls Actor Marilynn Sheldon The 5th Avenue Theatre Produced by special arrangement with Linda Hartzell Alumna/Seattle Children’s Theatre Bartlett Sher INTIMAN Theatre Dramatists Play Service, Inc. Speight Jenkins Seattle Opera Jean Smart Alumna and Actor Special Thanks to: Lori Larsen Alumna and Actor/Director Susan Trapnell ACT Theatre Judy Shahn, Kim Powell, Tom Lynch, The College Inn Pub, Seattle Repertory Kevin Maifeld Seattle University Theatre, Seattle Opera, ACT, and Seattle Children’s Theatre Benjamin Moore Seattle Repertory Theatre Cast THE PROFESSIONAL ACTOR TRAINING PROGRAM (PATP)

The PATP is a three-year conservatory program leading to a Master of Fine Arts degree, designed to prepare students for careers in the professional theatre. Inez TaLena Bennett* Ten actors are chosen every year from national auditions of approximately 1,000 Edwin Aaron Blakely* The rigorous training includes work in a Pinky Samantha Cole* range of types and styles of performance, including non-realistic, realistic, classical Marcia Hannah Franklin* and contemporary plays. The program is intense and demanding, with actors Father Lux Richard Hesik working from 9-5, Monday-Friday, with an additional 25 hours per week spent in Flip Brian Jones* rehearsals. The overall aim of the Vic Derek Lettman program is to provide students with the practical skills necessary to fully reveal Sonia Jenn Ludwigsen* their artistic ideas. The PATP is

consistently ranked among the very best Balthazar Rob Olguin* Noel Coward’s Present Laughter

The financial commitment our students undertake to complete their training is Gail Richard Sloniker* considerable. The School of Drama’s Adopt-an-Actor program provides a major Rooftop Thomas Stroppel* source of funding for their essential career entry activity in the Showcase Audition Tour, which introduces them to national casting agents. Norca Amanda Zarr* Donors become part of the PATP family, and are matched with individual actors. If you are interested in the Adopt-an-Actor program, please call the School of * Denotes members of the Professional Actor Training Program (PATP). Drama at 206.221.6797. Synopsis of Scenes: To donate to the School of Drama, please make your check payable to UW Harlem, New York City Foundation/Drama, write PATP in the memo line and mail to: UW School of Time: Present Drama, Box 353950, Seattle, WA 98195-3950. To give on-line, go to: http://depts.washington.edu/uwdrama/support/support.html. Thank you. Act I Late Morning Scene 1 Ortiz Funeral Home Scene 2 The Church Support the School of Drama! Scene 3 Near the Bathrooms Scene 4 Undisclosed Interrogation Room

Scene 5 Funeral Home, waiting room To donate to the School of Drama, please make your check Scene 6 Bar and Grill payable to UW Foundation/Drama and mail to: Scene 7 Confessional Intermisson (10 min) Act II Night UW School of Drama, Box 353950, Seattle WA 98195-3950. Scene 1 Bar and Grill Scene 2 Bar and Grill To give on-line, go to: www.uwfoundation.org Scene 3 Ortiz Funeral Home

School of Drama The Playwright: Stephen Adly Guirgis EXECUTIVE DIRECTOR Sarah Nash Gates Stephen Adly Guirgis is a playwright whose work has been RETIRED & EMERITUS FACULTY produced internationally. His plays include: Our Lady of 121st FACULTY Jack Clay, Betty Comtois, James Crider, Street, (10 best plays of 2003; Lucille Lortel, Drama Desk, and Professors Robert Dahlstrom, William Forrester, Outer Critics Circle Best Play Nominations), Jesus Hopped the A Jon Jory, Sarah Nash Gates, Vanick Galstaun, Robert Hobbs, Jack Thomas Lynch, Barry Witham Sydow, Aurora Valentinetti, Jack Wolcott Train (winner Edinburgh Festival Fringe First Award and Detroit Free Press Best Play of the Year, Laurence Olivier Nomination for Associate Professors STAFF Best New Play), In Arabia We'd All Be Kings and the upcoming The Sarah Bryant-Bertail, Kris Bain, director of communications Last Days of Judas Iscariot. All four plays were directed by Philip Valerie Curtis-Newton, Jordan Baker, scenic artist Seymour Hoffman and originally produced by the LAByrinth Thea- Mark Jenkins, Odai Johnson, Tres Tracy-Ballon, master carpenter tre Company, of which Guirgis is a founding member. Television Shanga Parker, Andrew Tsao Bob Boehler, technical director Sue Bruns, graduate program writing credits include NYPD Blue, The Sopranos, David Milch's Assistant Professors Kathryn Burch, administrator Big Apple, and UC: Undercover. Geoff Korf, Katherine Mezur Alex Danilchik, scene shop manager

Bill Dock, computer specialist Adjunct Faculty Josie Gardner, costume shop manager Herbert Blau Danny Geiger, director of gifts and donor Director’s Note relations Affiliate Professor Michael Mueller, office assistant Our production of Our Lady of 121st is in some ways an ex- Thomas Postlewait Kate Goldyn, development assistant periment. We approached much of the work in the usual way but we Kathy Holliday, academic advisor Senior Lecturers Valerie Mayse, costume specialist took on the challenge of non-traditional casting in a non-traditional Catherine Madden, Judith Shahn, Dave Hult, master electrician way. Asking actors who aren’t normally asked to cross the bridges Deborah Trout Dena Petersen, fiscal specialist of race or gender to make that trip is at the heart of our experiment. Brandon Petty, assistant to the We daily faced questions like: “what does it take to step into this Lecturers general manager Scott Hafso, Matt Smucker Deborah Skorstad, costume lead character’s skin when it is not the same color as my own?” or “How Anne Stewart, general manager do I speak this text authentically without stereotyping the charac- Part Time Faculty ter?” or “Do I sound silly saying this?” Pushing the idea of non- Geoffrey Alm, Alban Dennis, Nancy Knott, Andy Smith, Chris Walker traditional casting in this way we’ve wrestled with the notions of race and gender, of stereotype and privilege and of compassion and School of Drama courage. The results of our artistic experiment fill us, this production ADVISORY BOARD and, we hope, Mr. Guirgis’ rich characters. Kathy Page Feek, Chair Further Reading: Therese Barnette Laura Kern Peggy Scales Mark Chamberlin Mark B. Levine Ron Simons • Jesus Hopped the A-Train by Stephen Adly Guirgis Brad Edwards Nancy Mertel Elisabeth Squires Elaine Ethier Carlo Montejo Tammy Talman Joanne Euster Nadine Murray John Vadino • Fired!: Tales of the Canned, Canceled, Downsized, and Dis- missed by Annabelle Gurwitch Joan Goldblatt Kerry Richards Howard Voorheis Steve Goldblatt Patti Rosendahl Joan Voorheis Ellen Hazzard Kyoko Matsumoto Wright • A Jesuit Off-Broadway by James Martin

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