Palladio at Large
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Anya Gallaccio
ANYA GALLACCIO Born Paisley, Scotland 1963 Lives London, United Kingdom EDUCATION 1985 Kingston Polytechnic, London, United Kingdom 1988 Goldsmiths' College, University of London, London, United Kingdom SOLO EXHIBITIONS 2019 NOW, The Scottish National Gallery of Modern Art, Edinburgh, Scotland Stroke, Blum and Poe, Los Angeles, CA 2018 dreamed about the flowers that hide from the light, Lindisfarne Castle, Northumberland, United Kingdom All the rest is silence, John Hansard Gallery, Southampton, United Kingdom 2017 Beautiful Minds, Thomas Dane Gallery, London, United Kingdom 2015 Silas Marder Gallery, Bridgehampton, NY Lehmann Maupin, New York, NY Museum of Contemporary Art San Diego, San Diego, CA 2014 Aldeburgh Music, Snape Maltings, Saxmundham, Suffolk, United Kingdom Blum and Poe, Los Angeles, CA 2013 ArtPace, San Antonio, TX 2011 Thomas Dane Gallery, London, United Kingdom Annet Gelink, Amsterdam, The Netherlands 2010 Unknown Exhibition, The Eastshire Museums in Scotland, Kilmarnock, United Kingdom Annet Gelink Gallery, Amsterdam, The Netherlands 2009 So Blue Coat, Liverpool, United Kingdom 2008 Camden Art Centre, London, United Kingdom 2007 Three Sheets to the wind, Thomas Dane Gallery, London, United Kingdom 2006 Galeria Leme, São Paulo, Brazil One art, Sculpture Center, New York, NY 2005 The Look of Things, Palazzo delle Papesse, Siena, Italy Blum and Poe, Los Angeles, CA Silver Seed, Mount Stuart Trust, Isle of Bute, Scotland 2004 Love is Only a Feeling, Lehmann Maupin, New York, NY 2003 Love is only a feeling, Turner Prize Exhibition, -
Norfolk TALES Don Jolly Uses Two Wooded Club Sites As Bases from Which to Uncover a Host of East Anglian Attractions
CLUB SITES THE SANDRINGHAM ESTATE & THE COVERT Norfolk TALES Don Jolly uses two wooded Club sites as bases from which to uncover a host of East Anglian attractions T FIRST glance, the Club’s two A shop reached along a tree-lined Snettisham, found on The Wash, is a quayside, the Custom House. Nearby If that sounds too energetic, you can There can’t be many caravan sites with Not to be missed: west Norfolk sites – The footpath offers basic foodstuffs, while must for all self-respecting birdwatchers. stands a statue of local lad Captain relax on ‘Sunny Hunny’s’ sandy beach a Second World War armoured vehicle at a mass take-off at Snettisham RSPB Sandringham Estate and The nearby West Newton’s village store sells One of the natural world’s spectacular George Vancouver, famous for exploring backed by red and white ‘layer cake’ cliffs, the entrance, but that’s what you’ll find A reserve Covert – appear very similar. Both lie meat from the royal estate. More down- sights is the mass take-off of thousands of North America’s Pacific coast. visit the Sea Life Sanctuary or take a boat at The Covert. ‘Little Audrey’, a within forest, but closer inspection reveals to-earth, the mobile Village Fryer calls on wading birds as the tide approaches. Miss A quarter of an hour away by car, Castle trip to view seal colonies. Beyond Cromwell tank, commemorates the five ❖ important differences. Monday, Wednesday and Friday evenings the moment and you could console yourself Rising has a superb Norman castle, while, Hunstanton, Norfolk’s north coast has months members of the 7th Armoured Most obviously, Sandringham is handy with fish and chips. -
Given a Free Rein? Representations of Power in the Stables at Houghton Hall, Norfolk, and John Wootton's Sir Robert Walpole Wi
VIDES III JEMIMA HUBBERSTEY Given a free rein? Representations of power in the stables at Houghton Hall, Norfolk, and John Wootton’s Sir Robert Walpole with his Hunter and Groom When Sir Robert Walpole first rose to political power from humble origins, he had much to prove to the world. In order to consolidate his position as Prime Minister against the backdrop of the new Hanoverian dynasty, Walpole capitalised on extravagant displays of power, impressing political peers and local squires alike by inviting them for entertainment and hunting at his estate at Houghton Hall, Norfolk. This was hardly coincidental: although relatively unexplored in scholarship, historically, horses served as vehicles to showcase a man’s elite social standing and ability to govern. However, it was also important for Walpole to recognise the limits of his power in order to demonstrate that he was no threat to the monarchy. This study examines the stable architecture at Houghton Hall and the equestrian portrait of Walpole by John Wootton (1726) in order to demonstrate the extent to which equestrian representations could function as a metaphor for both power and submission, which is particularly pertinent when applied to the hierarchical relations between Prime Minister and King. riting to the Prince of Wales on July 14, 1731, Lord Hervey would remark that Sir Robert Walpole’s Houghton Hall in Norfolk was a paradigm of W‘taste, expense, state and parade.’1 This comment in itself is perhaps unsurprising – country houses, after all, have always been about display, founded and embellished as part of a conscious mission to establish a dynastic ‘line’.2 However, what makes this comment so interesting in Walpole’s case is that as the first Prime Minister, Walpole was essentially a commoner who had risen to power. -
Landscape,Associationism & Exoticism
702132/702835 European Architecture B landscape,associationism & exoticism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice Pope's Villa at Twickenham Pevsner, Studies in Art, Architecture and Design, I, p 89 CCHISWICKHISWICK Chiswick, by Lord Burlington, begun 1725, south front Jeff Turnbull Chiswick and its garden from the west, by Pieter Rysbrack, 1748 Steven Parissien, Palladian Style (London 1994), p 99 Chiswick: drawing by Kent showing portico and garden John Harris, The Palladian Revival: Lord Burlington, his Villa and Garden at Chiswick (Montréal 1994), p 255 Chiswick: general view of house and garden, by P J Donowell, 1753 Jourdain, The Work of William Kent, fig 103 Doric column, Chiswick, perhaps by William Kent, c 1714 Harris, The Palladian Revival, p 71 Bagno, Chiswick, by Burlington, 1717 Campbell, Vitruvius Britannicus, III, p 26 Bagno and watercourse, Chiswick Jourdain, The Work of William Kent, fig 105 Chiswick: plan of the garden Architectural Review, XCV (1944), p 146. Chiswick, garden walks painting by Peter Rysbrack & engraving Lawrence Fleming & Alan Gore, The English Garden (London 1988 [1979]), pl 57. B S Allen, Tides in English Taste (1619-1800) (2 vols, New York 1958 [1937]), I, fig 33 Bagno and orange trees, Chiswick, by Rysbrack, c 1729-30 Fleming & Gore, The English Garden, pl 58 Bagno or Pantheon, Chiswick,probably by William Kent Jeff Turnbull Chiswick: design for the Cascade, by William Kent Harris, The Palladian Revival, p 14 Chiswick: the Great Walk and Exedra, by Kent. -
Landscape and Architecture COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B landscape and architecture COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice garden scene from a C15th manuscript of the Roman de la Rose Christopher Thacker, The History of Gardens (Berkeley [California] 1979), p 87 Monreale Cathedral, Palermo, Sicily, 1176-82: cloisters of the Benedictine Monastery commercial slide RENAISSANCERENAISSANCE && MANNERISMMANNERISM gardens of the Villa Borghese, Rome: C17th painting J D Hunt & Peter Willis, The Genius of the Place: the English Landscape Garden 1620-1820 (London 1975), p 61 Villa Medici di Castello, Florence, with gardens as improved by Bernardo Buontalenti [?1590s], from the Museo Topografico, Florence Monique Mosser & Georges Teyssot [eds], The History of Garden Design: The Western Tradition from the Renaissance to the Present Day (London 1991 [1990]), p 39 Chateau of Bury, built by Florimund Robertet, 1511-1524, with gardens possibly by Fra Giocondo W H Adams, The French Garden 1500-1800 (New York 1979), p 19 Chateau of Gaillon (Amboise), begun 1502, with gardens designed by Pacello de Mercogliano Adams, The French Garden, p 17 Casino di Pio IV, Vatican gardens, -
West Wycombe Bradenham Country Walk.Cdr
The following notes describe the route from one Bradenham to West Wycombe Bradenham to Downley Common place to another so that you can link these together to make your own circular walks, depending on how Distance: 3.2km/ 2 miles allow 40 to 60 minutes. Distance: 3.2km/2miles, allow 50 -70mins. far you want to go or the places you want to see. Difficulty: No stiles or narrow gates. 2 uphill sections. Difficulty: No stiles or gates. Paths muddy in winter. From the church follow the wall around Bradenham Manor and turn From the church keep the wall of Bradenham Manor on your left. Saunderton to Bradenham left uphill (still alongside the wall) on a good track. At the point Join the track uphill for 150m and after turning left ignore the where the track splits turn right on to a narrow signed footpath into footpath right and bear right uphill on the track. After 300m, where Distance: 2.5km/1.5miles, allow 30 -50 minutes. the woods. After a short distance ignore a path to the right and bear the track bends sharply right, go straight ahead into the wood. After Difficulty: No stiles or narrow gates. Gentle slopes. left uphill for 400m ignoring a signed footpath to the right and 100m go straight ahead on the bridleway which becomes quite wide Access: Suitable for pushchairs continuing until you reach a further path junction with signed in places. Ignore all crossing paths for approx. 700m until you reach a footpaths to the left and right. crossing bridleway with a footpath straight ahead. -
Hotel Brochure
HARTWELL HOUSE HOTEL, RESTAURANT AND SPA VALE OF AYLESBURY “Why wouldst thou leave calm Hartwell’s green abode… Apician table and Horatian Ode?” Lord Byron 1814 of Louis XVIII’s departure for France to assume his throne. Hartwell House enjoys a tranquil setting in the Buckinghamshire countryside, two miles West of the busy town of Aylesbury. London is easily reached by train or car and, like Heathrow and Luton Airports, is just an hour’s drive. The Vale of Aylesbury is one of the most beautiful parts of Buckinghamshire, endowed with several grand properties owned by the National Trust, including Waddesdon Manor, home of the Rothschild family; Claydon House, renowned for its association with Florence Nightingale the “Lady of the Lamp”; Hughenden Manor, home to Benjamin Disraeli and Stowe Landscape Gardens with its many follies, are also nearby. Oxford, its colleges, museums and art galleries are only 20 miles away, and a little further is Blenheim Palace, seat of the Dukes of Marlborough and birthplace of Sir Winston Churchill. Hartwell House, one of England’s stately homes, just 40 miles north west of London, was restored by Historic House Hotels on their third project after Bodysgallen Hall in North Wales, and Middlethorpe Hall in York. As a hotel it offers luxury and every modern amenity in a magnificent setting. The house has both Jacobean and Georgian features with outstanding decorative ceilings and panelling, fine paintings and antique furniture in its elegant and spacious rooms. It has a remarkable history: its most famous resident was Louis XVIII, exiled King of France, for five years from 1809. -
Download Tour Itinerary
Discover the hidden treasures of North-west Norfolk Private “connoisseur” visits to 3 magnificent houses where William Kent worked: Houghton, Holkham & Raynham Other private houses & gardens not normally accessible also included Wonderful gardens at their late summer best Comfortable country house style hotel in idyllic surroundings Holkham Hall North Norfolk's broad rolling acres have long been home to great estates and important country houses; the income from agriculture one source of much of the area’s wealth. A second, equally important source was trade with North West Europe and Scandinavia, managed through the mighty Hanseatic League, of which King’s Lynn was an important member. At the outset of this tour, a day will be spent in and around King’s Lynn, and we shall be guided by the town’s most informed local guide. He has arranged private access to the town’s most important recently restored historic house, in addition to some of the town’s fine churches and civic buildings. Thereafter, our days will be spent exploring the houses, gardens and wonderful churches of this part of the world, subject to any government restrictions that may be in force when we visit. A remarkable figure looms large over the best of these houses – the Yorkshire genius, William Kent. Houghton Hall was a ‘new build’ mansion, commissioned by the Prime Minister, Sir Robert Walpole, where Kent was called in to ‘mastermind’ the interiors and their decoration, most of which are remarkably well preserved. Raynham Hall was already a fine house when Kent was employed to adapt it to the latest ideas associated with a revival of interest in all things ‘Palladian’, his expertise honed during his time in Italy. -
NOTES and DOCUMENTS William Tenns Other Statue
NOTES AND DOCUMENTS William Tenns Other Statue N OCTOBER 2, 1967, Sir Francis Dashwood, Bt. of West Wycombe Park, Buckinghamshire, England, wrote the o following letter to "The Curator/' Philadelphia Museum: There is a statue of William Penn on top of your City Hall. I believe it originally came from the roof of Sawmill House, a building erected in about 1770 in the Park here. The building was probably the work of Nicholas Revett, who was employed by Sir Francis Dashwood, Lord le Despencer. The statue was removed by Repton1 in about 1801, when it went to Stoke Park near Slough. From there, I believe it went to Phila- delphia in 1806. I wonder if you could confirm that this information is correct? In due course this letter was referred to the writer and Sir Francis was informed that Penn's statue on City Hall is the work of Alex- ander Milne Calder, that it measures thirty-seven feet in height and weighs 53,348 pounds, and was raised in sections to its present position in November, 1894, and thus could have nothing to do with Sawmill House at West Wycombe Park. After casting about to locate another statue of William Penn, the one on the grounds of the Pennsylvania Hospital came to mind and this proved to be the statue from Sawmill House. While much infor- mation concerning this statue has been published, certain corrections and additions to its history are in order. John Fanning Watson in his ^Annals of Philadelphia recorded that "The statue of Penn in the Pennsylvania Hospital must be regarded as a very accurate representation. -
Rare Books Special List for New York Antiquarian Book Fair April 11 – 14, 2013
Priscilla Juvelis – Rare Books Special List for New York Antiquarian Book Fair April 11 – 14, 2013 Architecture & Photography 1. Bickham, George. The beauties of Stow: or a description of pages a bit age toned at top edge but no the pleasant seat and noble gardens of the Right Honourable Lord spotting or foxing and the images clean Viscount Cobham. With above Thirty Designs, or drawings, and beautiful on vellum paper, a quite engraved on Copper-Plates, of each particular Building. London: collectable copy of a key book in early photography. E. Owen for George Bickham, M.DCC.L [1750]. $5,500 P. H. Emerson (1856-1936), born First edition complete with all 30 copperplate engravings of the gardens in Cuba to an American father and at Stow[e]. Page size: 3-7/8 x 6-½ inches; 67pp. + 3 pp. ads for other books British mother, earned a medical de- printed for George Bickham. Bound: brown calf with paneled spine, gree at Clare College, Cambridge. A lacking label on second panel, double gilt rule along all edges of front and keen ornithologist, he bought his first back panel, early ownership signatures on front pastedown, front cover camera to be used as a tool on bird- detached, pages a bit sunned and brittle but no foxing watching trips. He was involved in the at all, leaf F3 with ½ inch tear at fore edge, housed in formation of the Camera Club of Lon- marbled paper over boards slipcase with title printed don and soon after abandoned his ca- on brown leather label (probably originally on spine). -
English-Palladianism.Pdf
702132/702835 European Architecture B Palladianism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice THETHE TRUMPETTRUMPET CALLCALL OFOF AUTHORITYAUTHORITY St George, Bloomsbury, London, by Hawksmoor, 1716- 27: portico Miles Lewis St Mary-le-Strand, London, by James Gibbs, 1714-17: in a view of the Strand Summerson, Architecture in Britain, pl 171A. In those admirable Pieces of Antiquity, we find none of the trifling, licentious, and insignificant Ornaments, so much affected by some of our Moderns .... nor have we one Precedent, either from the Greeks or the Romans, that they practised two Orders, one above another, in the same Temple in the Outside .... and whereas the Ancients were contented with one continued Pediment .... we now have no less than three in one Side, where the Ancients never admitted any. This practice must be imputed either to an entire Ignorance of Antiquity, or a Vanity to expose their absurd Novelties ... Colen Campbell, 'Design for a Church, of St Mary-le-Strand from the south-east my Invention' (1717) Miles Lewis thethe EnglishEnglish BaroqueBaroque vv thethe PalladianPalladian RevivalRevival Christopher Wren Colen Campbell -
Wider. Bigger. Greater
WIDER. BIGGER. GREATER. Neo-Palladian Country Houses as Representations of Power Struggle, Globalization and “Britishness” in the United Kingdom of the 1750s Stefanie Leitner s1782088 - [email protected] Supervisor: Dr. J.G. Roding Second reader: Dr. E. den Hartog MA Arts and Culture 2016/2017 Specialization: Architecture TABLE OF CONTENT 1. Introduction ................................................................................................. 1 1.1. Theoretical Framework ......................................................................... 2 1.2. Literature Review ................................................................................. 4 2. Node I – Architecture .................................................................................. 8 2.1. General developments compared to the 1720s .................................... 8 2.2. Introduction of the Case Studies .......................................................... 9 2.2.1. Holkham Hall (1734-1764) ........................................................... 11 2.2.2. Hagley Hall (1754-1760)............................................................... 20 2.2.3. Kedleston Hall (1759) ................................................................... 28 3. Node II – Globalization ............................................................................. 38 3.1. Colonization and the British Empire ................................................. 38 3.2. Connection with continental Europe .................................................. 39 3.3.